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Digital radio distributed over the internet allows people to access radio stations from any internet-connected device. Podcasts are audio files made available online as a series for people to listen to on different topics. Listen again and iPlayer services let people catch up on radio and television shows they missed. Independent producers can distribute their content to radio stations through broadband connections. People can now access radio through different platforms like websites, streaming, and on-demand services on their televisions and mobile devices rather than just traditional terrestrial and satellite methods. This has improved the listening experience by providing more options to listen from anywhere in the world on different devices.
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Pr10 new technologies
Digital technologies like social media, online gaming, and multimedia apps allow for the storage and processing of data. Digital audio broadcasting (DAB) is a digital radio technology used in Europe and Asia Pacific that offers more radio programs over a given spectrum compared to analog FM radio. DAB reception degrades more rapidly when signal strength falls below a critical threshold, whereas FM reception degrades slowly. Benefits of DAB include more listening choices due to increased channel capacity, scrolling text with information about songs and programs, and free access once a DAB receiver is purchased. New distribution technologies allow independent radio producers to distribute content to stations via broadband rather than traveling to recording studios. Reception platforms have expanded over the years and now include terrestrial,
Pr10 new technologies
Digital technologies like social media, online gaming, and multimedia apps allow for the storage and processing of data. Digital audio broadcasting (DAB) is a digital radio technology used in Europe and Asia Pacific that was developed in the 1980s. DAB offers more radio channels over a given spectrum than analog FM radio, and has better reception quality during mobile listening. Benefits of DAB radio include more listening choices due to the ability to broadcast many more stations, and the inclusion of radio text to display information about the current song or program. Distribution technologies refer to content distribution from independent producers to radio stations via broadband, allowing producers to record and send programs without traveling to stations. Reception of radio has expanded from radios to include streaming
WiFi, OMG
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Final wireless communication
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Digital technologies like social media, online gaming, and multimedia apps allow for the storage and processing of data. Digital audio broadcasting (DAB) is a digital radio technology used in Europe and Asia Pacific that was developed in the 1980s. DAB offers more radio channels over a given spectrum than analog FM radio, and has better reception quality during mobile listening. Benefits of DAB radio include more listening choices due to the ability to broadcast many more stations, and the inclusion of radio text to display information about the current song or program. Distribution technologies refer to content distribution from independent producers to radio stations via broadband, allowing producers to record and send programs without traveling to stations. Reception of radio has expanded from radios to include streaming
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1) Digital technologies like DAB radio, its benefits, and issues around transitioning to digital formats.
2) Distribution technologies like podcasts, on-demand content, and how independent producers distribute content to radio stations via the internet.
3) Reception platforms that listeners can use to access radio broadcasts, including devices, streaming, on-demand listening, and podcasting.
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Radio waves are used to transmit signals over long distances and enable various communication technologies. They can transmit signals from space or short distances on Earth. Broadcasting uses radio waves to transmit television, phone, and other signals from transmitters over limited areas. Many modern technologies like Wi-Fi, mobile phones, and wireless internet rely on radio waves to enable wireless connectivity and transmission of data, calls, and other signals. Radio astronomy also uses radio waves to detect and image celestial objects that can't be seen with optical telescopes.
History of wireless communication
1. Wireless communication has existed for millennia using smoke signals, light signals, and flags but long-distance wireless communication was not possible until the 19th century.
2. In the late 19th century, scientific discoveries by Maxwell, Hertz, Tesla, and Marconi laid the foundation for modern radio-based wireless communication using electromagnetic waves.
3. The 20th century saw rapid advances including the first radio broadcasts, development of cell phone networks beginning in the late 1940s-1950s, and the introduction of digital cellular standards like GSM in the 1980s-1990s that enabled international roaming.
LiFi Technology - Unfolding Future
LiFi uses visible light communication (VLC) to transmit data wirelessly using light waves instead of radio waves. It provides higher speeds than WiFi, with download speeds up to 100Gbps for LiFi compared to 10Gbps for WiFi. LiFi is also more secure, provides non-line-of-sight communication, and has benefits like reduced costs due to using existing LED lighting infrastructure. While initial installation costs may be higher, LiFi systems can become cheaper than WiFi over time. LiFi has potential applications in dense urban environments, transportation, healthcare, and other industries.
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Ofcom outlines various rules and regulations for radio producers regarding topics like language, crime, and offensive content. An example is Alex Dyke from BBC Radio Solent who made derogatory comments about women who breastfeed in public. His comments were deemed unethical as they stereotyped women. Ofcom classified the issue under their harm and offence section of the broadcasting code. Emerging social concerns for radio include being sensitive to topics that could be deemed rude or offensive and understanding the difference between satire and genuine offensive remarks.
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The document provides an assignment for an undergraduate course on the radio industry. The assignment asks students to create three blog posts describing new technologies in the UK radio industry. Specifically, the blog posts must cover:
1) Digital technologies like DAB radio, its benefits, and issues around transitioning to digital formats.
2) Distribution technologies like podcasts, on-demand content, and how independent producers distribute content to radio stations via the internet.
3) Reception platforms that listeners can use to access radio broadcasts, including devices, streaming, on-demand listening, and podcasting.
The assignment aims to help students understand developing technologies in the UK radio industry. It provides grading criteria for evaluating their work
Regulatory Bodies
Ofcom is the communications regulator in the UK that oversees radio, TV, and postal sectors. Its main goals are to ensure a wide variety of high-quality content is available to appeal to different tastes, and that content is not harmful or offensive. Ofcom investigates thousands of complaints each year and has fined organizations like the BBC for infringing privacy or airing highly offensive material.
Unit 9 presentation radio
Commercial radio stations are privately owned and generate funds primarily through advertisements. Capital FM is the most popular commercial radio station in Britain. Public service radio, like the BBC, is funded by a television license fee and does not run advertisements. The BBC employs around 11,000 people and operates numerous national and local radio stations. Not-for-profit community radio stations operate on very small local levels and obtain funding from various sources like donations, but cannot earn more than £15,000 from advertisements. They are often based out of hospitals, schools, and local businesses.
Regulation continued
Radio producers must consider ethical issues to avoid offending listeners. A BBC radio presenter commented that breastfeeding in public was "unnatural" and "has to be stopped", which offended thousands of listeners and led to a petition against him. His comments violated the broadcasting code by using offensive language about a sensitive topic. Breastfeeding in public was once an emerging social concern but is now more accepted, though some are still offended by it. The presenter's comments about breastfeeding being unnatural were deemed unethical.
Job Roles In The Radio Industry
The document provides information on various job roles in the radio industry, including radio presenter, radio producer, radio broadcast assistant, and radio commercials producer. It describes the typical duties and responsibilities of each role, as well as the qualifications, career progression opportunities, and personal attributes required to be successful.
Unit 9 pr9 regulation by james pearson
OFCOM regulates communications like television, radio, phones, and other devices in the UK. The ASA regulates advertisements and investigates complaints about ads. The CRCA enforces copyright laws for the radio industry and investigates claims of copyright infringement by media companies. The MCPS protects copyrights for film producers and directors, taking legal action against illegal broadcasting of copyrighted films. It partnered with PRS to also protect music copyrights and licensing fees.
Job roles in radio
The document discusses several job roles in radio, including radio presenter, radio producer, radio reporter, and radio commercials producer. For most roles, relevant experience is more important than a degree. Starting salaries are typically £14,000-£18,000 for presenters and £13,000-£16,000 for producers, but can increase significantly with experience. These roles can lead to advancement into management or work for larger, more well-known stations.
Job roles in the radio industry
Radio roles include presenters, producers, and broadcast journalists. Radio presenters host live or recorded shows in scripted or unscripted formats, interacting with audiences. Radio producers are responsible for creating content for stations, managing budgets, and responding to complaints. They work in offices, studios, and other environments including nights and holidays. Radio broadcast journalists collect, research, and present news and interviews, editing their work to fill timeslots.
Music based programming workbook
This unit focuses on developing skills in music-based programming for radio broadcasting and in-store audio. Learners will understand different types of music programming like contemporary hit radio, recurrent radio, and formats like gold, easy listening, and specialist genres. They will learn to create music sequences for different audiences and incorporate additional elements. Learners will review their own programs and how suitable they are for the intended purpose and audience.
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The BBC is hiring for a News Editor position in London. The News Editor will help shape the news agenda and work with journalists to commission stories. They will also edit copy and package stories for broadcast across various BBC platforms.
Job roles in radio
The document describes 4 common job roles in radio: radio broadcast assistant, radio presenter, radio producer, and radio broadcast journalist. It provides details on the job descriptions, essential skills, training requirements, salaries, and how to apply for each role. Experience in roles like community radio is emphasized as important for gaining skills relevant to these careers in radio.
Regulation
Regulatory bodies in media industries such as broadcasting help ensure companies follow legal guidelines and protect audiences. Key regulatory bodies discussed include Ofcom, which regulates broadcasting, telecommunications, and postal sectors in the UK; the Advertising Standards Authority, which regulates advertising; and the Copyright Licensing Agency, which handles copyright claims in radio. These organizations help maintain standards, resolve disputes, and ensure royalties are paid to songwriters when music is publicly performed.
Pr9: Regulation
Ofcom regulate TV, radio and other communication services in the UK. They make sure offensive or inappropriate content is not broadcast and that viewers and listeners are protected. Ofcom sets rules for radio stations on content and handles complaints. If rules are broken, Ofcom can fine stations or ban shows or presenters. They also ensure a variety of organizations provide television and radio services.
PR9: Regulation
Ofcom is the regulatory body for broadcasting, telecoms, and postal industries in the UK. In 2008, Ofcom fined the BBC £150,000 for broadcasting offensive and humiliating prank calls made by Russell Brand and Jonathon Ross on Brand's radio show. The incident forced Brand, the controller of Radio 2, and the head of specialist music to resign, and suspended Ross without pay for 12 weeks. The ASA is the UK's independent regulator of advertising across all media and acts on misleading, harmful, or offensive advertisements based on advertising codes set by committees of advertising practice.
Pr9 regulation continued
This document discusses the ethical issues surrounding comments made by BBC radio presenter DJ Alex Dyke regarding breastfeeding. Dyke stated on air that breastfeeding in public was "unnatural" and "has to be stopped", which led to hundreds of complaints being filed. His comments broke the broadcasting codes on offensive language and sexual material. Radio producers must consider issues like religion, crime, and offensive language to avoid ethical problems. While views on public breastfeeding have changed over time, it remains a sensitive topic, and Dyke's approach offended many listeners.
Unit 9 presentation radio 1
Commercial radio stations are privately owned and funded through advertisements. Capital FM is the most popular commercial radio station in Britain with over 7 million weekly listeners.
Public service radio in the UK, like the BBC, is funded by license fees rather than advertisements. The BBC employs around 11,000 people and operates numerous national and local radio stations. A portion of license fees goes to funding radio programs.
Community radio stations are very small and local. They are often based in hospitals, schools, or communities. Funding comes from donations, volunteers, and a maximum of £15,000 from advertisements. Examples are Kane FM, a student radio, and Radio Fox, the most popular hospital radio station.
structure, organisation and ownership
Commercial radio stations are privately owned companies that began broadcasting in the UK in 1973. They generate revenue through advertisements played during broadcasts. Capital FM is an example of a large commercial radio station, with over 7.5 million weekly listeners. It is owned by Global Radio. Public service radio in the UK is provided by the BBC across numerous stations funded by television license fees. Community radio stations are not-for-profit and focus on local content and audiences. Independent production companies produce radio, television and film programs and fund projects independently or through private investors.
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Internet TV, also known as IPTV, delivers video and audio content over an Internet connection. It can be viewed on computers, televisions through set-top boxes, and mobile devices. While similar to traditional TV delivery methods, Internet TV transmits information as data packets over the Internet rather than through broadcast radio waves or cable wires. It provides more content variety than cable TV and allows viewing on any Internet-connected device. IPTV is beginning to compete with traditional TV delivery by using existing broadband infrastructure to deliver television signals.
Digital Audio Broadcasting By SAIKIRAN PANJALA
Digital audio broadcasting (DAB) provides CD-quality sound, many station choices, and interference-free reception. It offers advantages over analog FM like high quality audio, error correction, and reduced multipath interference. DAB uses MPEG audio compression and OFDM modulation to transmit multiple signals over a single frequency band. While DAB coverage is still limited compared to FM in many areas, it provides better sound quality and has the potential to become the future of radio broadcasting worldwide as more countries adopt the technology.
Broadcasting Technologies Overview April 2008
An overview of the Broadcasting Technologies being investigated at the Communications Research Centre (CRC) in Canada
Cheapest form of advertising
The Magic Radio is operated and run by a number of Pakistani & Indian nationals who live in different parts of the world and work voluntarily for the sake of their own satisfaction.
The Magic Radio can be listened on Internet using any compatible media player like Winamp, Windows Media Player, Flash Player Apple iTunes, Real Player etc. It is also available as a part of Nokia's Internet radio in various handsets by the same company. The Magic Radio can also be listened using other compatible devices and software.
Evolution of media.
All about how the evolution of media took place, It contains an overview from the past to the future. A detailed presentation on the topic !
Exploring The Future of TV 2012
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Broadcast and non broadcast audio products and formats worksheet ig1 task 1 adam
Terrestrial radio is broadcast through AM and FM frequencies and was the original form of radio before satellite and internet options. Digital audio broadcasting (DAB) digitally broadcasts radio stations from various countries. News and features packages on the radio can be long-form reports around 2 minutes about topics in the news. Music and speech based programming includes different genres of music on stations like Capital as well as interviews and relaxed formats on BBC Radio 1 and 4. Podcasts are recorded conversations on various topics available online similar to YouTube channels. Internet radio allows listening to stations through the internet in a similar way to traditional radio.
Singer ppub 796 ict portfolio -part 2.2— hd radio-140813
FAQs and technical explanations about HD Radio enables AM and FM radio stations to simulcast both digital and analog audio within the same channel (a hybridized digital-analog signal).
Hybrid FM / Internet Radio
Presentation made at the annual Central Canada Broadcast Engineers (CCBE) convention in Barrie, Ontario, Canada.
It introduces the concepts of hybrid radio and RadioDNS and provides the basic knowledge to start a RadioVIS service
Understand developing technologies
The document discusses various technologies used in the television and film industries for producing and distributing media content. It covers consumer products like cameras and editing software, methods of transmission like satellite and cable, standards like analog and digital signals, platforms for consumption like broadcast, internet and on-demand streaming, and technologies like high-definition, 3D, pay-per-view and digital recording. Recent trends include higher resolutions, online streaming and on-demand viewing allowing consumers more control over what and when they watch.
Crc broadcast technical panel summary november 2010
This document provides an agenda and background information for a Broadcast Technical Panel Meeting at the Communications Research Centre in Canada. The agenda covers introductions, an overview of the Broadcasting Technologies Branch, achievements in 2010 and operational planning for 2011-2012, and discussions on future technology issues. The document lists panel members and provides details on the mission and organization of the Broadcasting Technologies Branch. It also outlines CRC's operational plan and links to strategic priorities around effective spectrum use, emergency communications, and multimedia distribution.
Setting up WiFi for Lodha's Palava
This document discusses plans for implementing a city-wide WiFi network in Palava. Some key points discussed include:
- Setting up WiFi access points across transit points, streets, shopping malls to provide widespread coverage.
- The network will allow for safe and monitored connectivity, centralized control, and client data usage tracking.
- Applications discussed include disaster management tools, public transport updates, and tourism information available over the WiFi network.
- Implementing WiFi is positioned as helping further establish Palava as a technologically-enabled modern city.
Gabla csa telco-form_08.06.11
Mobile connected TVs are driving growth in connected TV usage through tablets. This shifts viewing habits to an internet-based model and away from traditional TV distribution. This has consequences for players across the value chain and raises regulatory issues around balancing existing rules for traditional media with the open internet environment. As viewing shifts to mobile, regulators must address challenges around competition, content regulation, and rights management in this new landscape.
DAB/DMB for iPhone
The document introduces a digital TV/radio receiver product called MDTV/Radio Peripheral that can work with mobile devices. It discusses DAB coverage in different countries, various applications of DAB, challenges faced by DAB adoption, and features of the MDTV/Radio Peripheral product such as its small size, long battery life, and ability to connect to mobile phones, laptops and in-car computers. The product aims to help consumers enjoy digital radio more conveniently and help manufacturers and operators support digital radio services more flexibly.
DTH- Rajan
DTH (direct-to-home) technology allows for satellite programs to be received directly by homes without the need for a local cable operator. It consists of components like satellites, encoders, multiplexers, and modulators that transmit content, as well as DTH receivers in homes. Content is uplinked to satellites and downlinked to receivers via satellite dishes. DTH offers better picture quality than cable TV and allows for interactive services like video on demand. While still in its early stages in India, DTH is growing rapidly and expected to further develop with services like internet access.
Radio 2.0 Global Radio presentation Nick Piggott organized by Actuonda
This document discusses the future of radio broadcasting and proposes a hybrid radio model. It notes some disadvantages of traditional radio like lack of visuals and inability to track metrics instantly. A hybrid model is proposed that uses RadioDNS to deliver additional visual and interactive content to mobile apps over the internet to accompany over-the-air FM radio broadcasts. This would provide app-like experiences for FM radio with benefits like measurable analytics through click-throughs while reducing data usage compared to solely streaming radio. The technology is presented as already working across FM and HD formats with no patent costs.
Community radio who is listening
The document discusses statistics from RAJAR Q1 2012 that show radio listening in Britain remains very popular, with 90% of the population tuning in each week. Digital radio listening continues to grow, with 45% of the population now tuning in via a digital platform. Community radio aims to understand who is still listening to radio and how technological changes are impacting listening choices and habits.
Broadcasting Technologies Branch Overview Nov 2007
The Communications Research Centre (CRC) is a research and development organization within Industry Canada dedicated to broadcasting technologies. Its mission is to support Industry Canada's spectrum management mandate and enable broadcasters to provide new and improved services. CRC has unique facilities for transmission testing, coverage analysis, and subjective quality assessment. It partners with Canadian broadcasters and universities as well as international organizations on projects related to digital radio/TV technologies, audio/video coding, and quality evaluation. CRC aims to transfer its knowledge and support the transition to digital broadcasting through its research.
Network recorders
This document discusses the evolution of personal video recorders (PVRs) and their potential to enhance social interactions around television. It outlines how early VCRs attempted to address time-shifting capabilities, and describes the current taxonomy of PVRs. The document suggests that networked PVRs (NPVRs) can support social viewing by enabling connected and tagged shows, as well as new forms of interactive television and mobile experiences. It concludes that NPVRs may help address issues like cluttered living rooms and enable new innovations if not limited by contracts or litigation.
Unit 2
The document provides an overview of different sectors within the media industry, including their structures and job roles. It discusses the television sector as the largest and fastest growing, employing over 50,000 people in the UK. The radio sector is described as one of the oldest mass media forms that can be accessed virtually anywhere. The film industry is dominated by major companies and is very profitable. Other sectors covered include video games, animation, and publishing. Common characteristics across the different media sectors are that they are sensitive to technological changes, operate globally and locally, and create both information and entertainment.
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Pr 10
- 1. PR 10: New Technologies Digital Technologies DAB Radioisradio that isdistributedviathe internet.Itiseasytoaccess andit isbecomingwidely usedinsome countriesbecause itiseasyandconvenienttofind,andalot of people onthe internet are movingtothe internettodistribute theirproducts. Sothismeansthatyou can accessit fromany device thatisconnectedtothe internet. DistributionTechnologies Radiostationsbroadcasttheirradiosignalstoradios,so that people cantune inandlistentothe radio. A Podcastisan audiofile thatismade available topeopleonthe internet.Theyare usually part of a series.Ona Podcast,people talkaboutdifferentthingsondifferenttopics.Listenagainis catch up on radio. iPlayerallowspeople tocatchup on the showsthat theyhave missedonTV. Contentdistributionfromindependentproducerstoradiostationsviabroadbandisproducers gettingcontenttheyhave createdsafelyfromtheirstudiotothe radiostation.Anexample of thisis contentfromindependentcompaniesthatproduce showsforproducers. ReceptionPlatforms People canaccessto radioin differentwaysespeciallyinthistime withtechnologyincreasingour accessibilityondifferentdevices.Mosttelevisionandradiochannels have all setupwebsiteonline where youcan accessprogrammeswhichwere previously broadcastssoyoucan catch up.Other methodsof programme distributioninclude terrestrialamore traditionwaywithcablesand satellites,andinternet,streaming,demand,satellite andmore.Terrestrial usesautomatically downloadprogrammestoyourtelevisionbox butwithinternetyoucanwatch it at any time easily witha source.On demandletsyouwatchTV programmesormoviesonyourTV to catch up.Listen againallowsyou to listenbackona radioshows,whenthe radioshow waspublicizedlivethey record the soundto addto theirsite channel thatpermitsindividualstogetback toit or listenatan alternate time of day,some radiostationsdecidedtolikewise filmthe moderatorswhilsttheyare facilitatingthe showsotheyhave thatas anotherdistinctoptionforwatchand listentoa radio shows.We listentoradioso differentlynow thanwhenwe did30years ago, withtechnologyalways changing, we are findingnewwaystolistentoradio differently.Thishasimproved ourexperience more because nowwe can listentoitanywhere we like Inthe worldwithmore than40 stationsto listentoo,like BBCandcapitol FMwithdifferenttypesof songsandshows.