Power point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
•Download as PPTX, PDF•
1 like•278 views
The Late Baroque period saw developments in instrumental music forms and genres. The concerto grosso featured a small group of soloists alternating with a larger ensemble. Opera seria was dominated by da capo arias for leading singers like castrati and sopranos, with minimal ensembles and choruses. Keyboard instruments like harpsichord and organ remained prominent, and woodwind instruments like oboe, bassoon, and transverse flute gained importance as solo instruments through sonatas and concertos. String instruments gradually standardized tuning and technique during this period.
Report
Share
Report
Share
Recommended
Power point 15: Late Baroque Music in Germany
German composers in the Late Baroque Era incorporated elements from German, French, and Italian styles in their compositions. Key figures included Dietrich Buxtehude, who wrote organ works based on chorales as well as praeludiums, Georg Philipp Telemann who was extremely prolific across genres, and George Frideric Handel who combined Italian and German styles in his operas and oratorios. Johann Sebastian Bach lived in several German cities over his career, was highly influential as a keyboard player and composer of cantatas, passions, oratorios and instrumental works, and incorporated counterpoint and chromatic harmony into his distinctive compositional style.
Chapter 24 Process As Meaning: Bach and the Fugue
This document discusses keyboard instruments of the Baroque era such as the organ, harpsichord, and clavichord. It then focuses on Bach and his works The Well-Tempered Clavier and Jesu, Joy of Man's Desiring. The document explains the fugue form and its features including the subject, countersubject, episodes, stretto, pedal point, sequence, and suspension. It provides an analysis of Contrapunctus 1 from Bach's The Art of Fugue, noting its four voices, exposition presenting the subject, and episode section.
Power point 5: Ars Nova
1. Ars Nova was a style of music that developed in 14th century France and Italy, outlined by theorist Philippe de Vitry in his treatise of the same name.
2. De Vitry introduced innovations like motets with 3 voices, hocket technique, and imperfect consonances that had to resolve. Mensural notation also became more complex during this time period.
3. Guillaume de Machaut was a renowned 14th century poet and composer who further developed Ars Nova styles and techniques in genres like motets, masses, and chansons.
Prelude 3 The Baroque Era
This document provides an overview of Baroque music and culture from 1600-1750. It discusses the key characteristics of Baroque style, including heavy and expansive music featuring ornamentation. Instrumental music was accompanied by basso continuo, and vocal music emphasized word painting and expression of affections. The rise of the virtuoso performer is highlighted, as is the development of new genres like opera and oratorio. Women began to enter the professional music field as singers during this era. The document covers the social and religious context of the Baroque period and how it influenced musical developments.
Power point 12: Middle Baroque Music
In the Middle Baroque period of 1600-1750:
- Jean-Baptiste Lully dominated French music as the head court musician for Louis XIV, establishing the conventions of French opera including dances, choruses, and divertissements. His operas like Armide featured recitatives and arias with distinctive French rhythmic styles.
- Henry Purcell incorporated Italian styles like recitative and aria into English works including the opera Dido and Aeneas, though opera did not become firmly established in England until later.
- German composers like Johann Pachelbel contributed to the development of the suite and other instrumental forms while French composers outside the court like Charpentier wrote oratorios and
Chapter 18 Performing Grief: Purcell & Early Opera
This document discusses the key components and characteristics of Baroque opera. It provides background on the origins of opera and its precursors. The main components of Baroque opera are identified as poetry, singing, instrumental music, acting, scenery and costumes. Characteristics discussed include the use of recitatives to advance the plot, arias for reflection on emotions, and basso continuo accompaniment. Prominent composers of Baroque opera such as Monteverdi, Purcell and Handel are profiled. An example aria by Purcell from Dido and Aeneas is analyzed in its dramatic and musical form.
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
This document provides an overview of Baroque concertos and their development, focusing on the works of Vivaldi and Pachelbel. It discusses the characteristics of the Baroque orchestra and instrumental music forms such as the concerto grosso and solo concerto. Specific elements of Baroque concertos are examined, including the ritornello principle and three-movement structure. The document also provides biographical information about Vivaldi and analyzes his famous work "The Four Seasons," especially the first movement of "Spring." Finally, Johann Pachelbel's iconic "Canon in D" is briefly described.
Chapter 32 Mourning a Hero: Mozart and the Requiem
This document discusses Mozart's Requiem Mass in D Minor, which was commissioned anonymously in 1791 but left unfinished at Mozart's death. The Requiem, including the famous "Dies Irae" movement, shows Baroque influences but also expanded the use of low brass and organ. While Mozart completed parts of the "Dies Irae," other movements were finished after his death by one of his students, Franz Suessmeyer. The document provides listening guides for analyzing the musical structure and themes in the "Dies Irae" movement of Mozart's Requiem.
Recommended
Power point 15: Late Baroque Music in Germany
German composers in the Late Baroque Era incorporated elements from German, French, and Italian styles in their compositions. Key figures included Dietrich Buxtehude, who wrote organ works based on chorales as well as praeludiums, Georg Philipp Telemann who was extremely prolific across genres, and George Frideric Handel who combined Italian and German styles in his operas and oratorios. Johann Sebastian Bach lived in several German cities over his career, was highly influential as a keyboard player and composer of cantatas, passions, oratorios and instrumental works, and incorporated counterpoint and chromatic harmony into his distinctive compositional style.
Chapter 24 Process As Meaning: Bach and the Fugue
This document discusses keyboard instruments of the Baroque era such as the organ, harpsichord, and clavichord. It then focuses on Bach and his works The Well-Tempered Clavier and Jesu, Joy of Man's Desiring. The document explains the fugue form and its features including the subject, countersubject, episodes, stretto, pedal point, sequence, and suspension. It provides an analysis of Contrapunctus 1 from Bach's The Art of Fugue, noting its four voices, exposition presenting the subject, and episode section.
Power point 5: Ars Nova
1. Ars Nova was a style of music that developed in 14th century France and Italy, outlined by theorist Philippe de Vitry in his treatise of the same name.
2. De Vitry introduced innovations like motets with 3 voices, hocket technique, and imperfect consonances that had to resolve. Mensural notation also became more complex during this time period.
3. Guillaume de Machaut was a renowned 14th century poet and composer who further developed Ars Nova styles and techniques in genres like motets, masses, and chansons.
Prelude 3 The Baroque Era
This document provides an overview of Baroque music and culture from 1600-1750. It discusses the key characteristics of Baroque style, including heavy and expansive music featuring ornamentation. Instrumental music was accompanied by basso continuo, and vocal music emphasized word painting and expression of affections. The rise of the virtuoso performer is highlighted, as is the development of new genres like opera and oratorio. Women began to enter the professional music field as singers during this era. The document covers the social and religious context of the Baroque period and how it influenced musical developments.
Power point 12: Middle Baroque Music
In the Middle Baroque period of 1600-1750:
- Jean-Baptiste Lully dominated French music as the head court musician for Louis XIV, establishing the conventions of French opera including dances, choruses, and divertissements. His operas like Armide featured recitatives and arias with distinctive French rhythmic styles.
- Henry Purcell incorporated Italian styles like recitative and aria into English works including the opera Dido and Aeneas, though opera did not become firmly established in England until later.
- German composers like Johann Pachelbel contributed to the development of the suite and other instrumental forms while French composers outside the court like Charpentier wrote oratorios and
Chapter 18 Performing Grief: Purcell & Early Opera
This document discusses the key components and characteristics of Baroque opera. It provides background on the origins of opera and its precursors. The main components of Baroque opera are identified as poetry, singing, instrumental music, acting, scenery and costumes. Characteristics discussed include the use of recitatives to advance the plot, arias for reflection on emotions, and basso continuo accompaniment. Prominent composers of Baroque opera such as Monteverdi, Purcell and Handel are profiled. An example aria by Purcell from Dido and Aeneas is analyzed in its dramatic and musical form.
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
This document provides an overview of Baroque concertos and their development, focusing on the works of Vivaldi and Pachelbel. It discusses the characteristics of the Baroque orchestra and instrumental music forms such as the concerto grosso and solo concerto. Specific elements of Baroque concertos are examined, including the ritornello principle and three-movement structure. The document also provides biographical information about Vivaldi and analyzes his famous work "The Four Seasons," especially the first movement of "Spring." Finally, Johann Pachelbel's iconic "Canon in D" is briefly described.
Chapter 32 Mourning a Hero: Mozart and the Requiem
This document discusses Mozart's Requiem Mass in D Minor, which was commissioned anonymously in 1791 but left unfinished at Mozart's death. The Requiem, including the famous "Dies Irae" movement, shows Baroque influences but also expanded the use of low brass and organ. While Mozart completed parts of the "Dies Irae," other movements were finished after his death by one of his students, Franz Suessmeyer. The document provides listening guides for analyzing the musical structure and themes in the "Dies Irae" movement of Mozart's Requiem.
Chapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
This document provides an overview of Wolfgang Amadeus Mozart and his contributions to classical chamber music and larger forms. It discusses Mozart's life and career, and provides examples of his famous compositions including his symphonies, operas, and Eine kleine Nachtmusik. The document also explains classical forms like sonata allegro, theme and variations, and minuet and trio that Mozart utilized, providing a diagram of sonata form and analysis of movements from his Symphony No. 40 and Eine kleine Nachtmusik.
Chapter 23 - Sounding Spring: Vivaldi & The Baroque Concerto
This document discusses the Baroque concerto and Antonio Vivaldi's The Four Seasons. It provides background on the Baroque orchestra, which was typically small with 10-30 players. The concerto was a major instrumental genre that featured a contrast between soloist and full orchestra. Vivaldi was a famous Baroque composer known for his hundreds of concertos, including The Four Seasons which depicts each season through music. The Four Seasons features a solo violin accompanied by an orchestra, with the first movement of "Spring" described as evoking animals and nature through its musical imagery.
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
This document discusses the key characteristics and components of Baroque opera. It provides an overview of how opera developed from early dramatic works and became a large musical genre combining poetry, singing, instrumentation and staging. The document focuses on important composers like Monteverdi, Purcell and Handel who helped establish opera and discusses key works like Monteverdi's Orfeo and Purcell's Dido and Aeneas. It describes characteristics of Baroque opera like the use of recitatives, arias and basso continuo accompaniment.
Chapter 10 Western Musical Instruments
This document summarizes the main families of Western musical instruments. It discusses string instruments like violin and cello, woodwinds like flute and clarinet, brass instruments like trumpet and French horn, percussion, and keyboard instruments like piano and organ. For each family, it provides details on how instruments in that family produce sound, their ranges, and special playing techniques. It also gives interesting facts about transposition and the development of instruments over time.
Opera
Opera is a sung drama that combines visual art, literature, theatre, dance, vocal music, and instrumental music. It features opera singers of different voice types singing arias and recitatives. While often sung in Italian, opera can be in any language. Operas can be serious or comedic, featuring noble or everyday characters. The action moves slower than a play to focus on the musical elements, like arias for characters to reflect on events. Most operas last from two to three hours including an intermission.
Power Point 18. The Classic Era: Haydn and Mozart
Franz Joseph Haydn (1732-1809) was an Austrian composer who spent much of his career writing works for the Esterházy family in Hungary. He is known for introducing humor into his works through unexpected musical elements. His symphonies and string quartets followed sonata form and featured development throughout. Important works include his string quartets, symphonies, and the oratorio The Creation. Wolfgang Amadeus Mozart (1756-1791) was a child prodigy composer from Salzburg who toured extensively as a performer. He was influenced by various styles he encountered in England, Italy, and Vienna. Mozart composed in many genres including symphonies, concertos,
Chapter 28 Conversation with a Leader: Haydn and the Classical Concerto
This document discusses the classical concerto and its typical features. It provides an overview of important composers of the classical concerto such as Haydn, Mozart, and C.P.E. Bach. The classical concerto usually has three movements - a fast first movement, a slow second movement, and a fast last movement. Both the first and last movements often include a cadenza section. The document then analyzes features of Mozart's Piano Concerto No. 21 in A Major and Haydn's Trumpet Concerto, including their forms, themes, and characteristics.
Caldara pp
Antonio Caldara was an Italian composer born in Venice in 1671 who received musical training from his father and Giovanni Legrenzi. He held positions at the court of the Duke of Mantua when he was in his twenties, became maestro di cappella at the court of Prince Francesco Maria Ruspoli in Rome in 1709, and later worked at the Imperial Court of Charles VI in Vienna. Caldara produced over 200 masses and motets as well as oratorios, cantatas, and other sacred and secular works. His style represented both prima prattica and seconda prattica techniques that were common in liturgical and non-liturgical music of the time.
Chapter 46 Calculated Shock: Stravinksy & Modernist Multimedia
This document provides an overview of composer Igor Stravinsky and his seminal composition The Rite of Spring. It discusses Stravinsky's background and career, including his works for Sergei Diaghilev's Ballets Russes. It describes the controversial 1913 premiere of The Rite of Spring, which caused a riot due to its dissonant and avant-garde style. The document then analyzes key musical elements of The Rite of Spring, including its use of irregular rhythm, polytonality, and a large orchestra. It also summarizes the work's two-part structure and innovative choreography.
Power point 2: Music of the Early Christian Church
This document provides an overview of music in the early Christian church and Middle Ages, specifically Gregorian chant. It discusses how chant developed from early Christian practices of chanting scripture and hymns. It then describes how the Catholic Church standardized chant under Pope Gregory I in the 8th century through the Schola Cantorum. The document outlines the different types of chant used in mass and divine office, including responses, antiphons, and psalm tones. It explains solmization techniques and notation used to transmit chant. Finally, it discusses notable composer Hildegard of Bingen and the decline of chant after Vatican II.
Power point 24. The Romantic Era: Brahms and the Wagnerians
Johannes Brahms was a German composer and conductor in the Romantic era. He was encouraged early in his career by Robert Schumann. Brahms destroyed many of his early works and had a conservative, classical style compared to Liszt and Wagner. He is known for his symphonies, piano works, chamber music, songs, and choral works. Brahms was influenced by Beethoven in his use of motivic development, modulation, and relating movements by thirds. Wagnerians like Liszt, Bruckner, Wolf, and Strauss experimented with program music and pushing musical boundaries in different ways.
Power point 9: Secular Vocal Music of the 1500s
This document summarizes secular vocal music styles that developed across Europe during the Renaissance period from 1420-1600. It describes the villancico form that emerged in Spain featuring short strophic songs on popular subjects. In Italy, similar frottola and livelier villanella, canzonetta, and balletto emerged alongside the serious madrigal set to poetry. France saw the new chanson style become popular as well as the influence of the musique mesurée movement. England developed the consort song, madrigals, and lute songs. Germany had the tradition of Meistersingers singing unaccompanied songs.
The Sonnet in the Renaissance
This document compares the Petrarchan sonnet and the Elizabethan sonnet. It notes that while both are 14 lines long in iambic pentameter, the Petrarchan sonnet is divided into an octave using an ABBA ABBA rhyme scheme and a sestet using a CDCDCD or CDECDE rhyme scheme. The Elizabethan sonnet instead has a 3 quatrain ABAB CDCD EFEF structure followed by a rhyming couplet. The Petrarchan focuses on presenting a problem in the octave and resolving it in the sestet, while the Elizabethan explores different aspects of a theme across its quatrains, resolving the argument in the coup
Power point 4: Early Polyphony
This document summarizes the development of early polyphony from the 9th through 13th centuries. It begins with organum, where one or more voices were added above a chant. The Musica Enchiriadis and Scolica Enchiriadis outlined rules for parallel and oblique organum using 4ths, 5ths, and octaves. Aquitanian manuscripts featured florid and discant organum. The Notre Dame school under Leonin and Perotin in the late 12th century developed discant organum with up to 4 voices above a chant. They innovated rhythmic notation modes. In the early 13th century, motets were developed by adding words above discant organum,
Symphony Music
The document provides information about symphonies, including their meaning, characteristics, and history. It discusses the four movement structure of classical symphonies and some of the great masters of the genre like Mozart, Haydn, and Beethoven. It also describes the standard instruments of the symphony orchestra and how they are arranged on stage.
Symphony orchestra
The document summarizes key aspects of a symphony orchestra. It discusses the four main instrument groups - strings, woodwinds, brass and percussion. It provides a brief history of orchestras and describes their evolution from small ensembles in the 18th century to modern orchestras with 60-100 musicians. It also profiles some of the world's top-ranked orchestras like the Royal Concertgebouw Orchestra and London Symphony Orchestra and conductors such as Valery Gergiev.
Chapter 14 Symbols & Puzzles: Machaut and the Medieval Mind
This document discusses the development of polyphony and early composers in medieval Europe. It covers the development of musical notation by Guido d'Arezzo, the earliest polyphonic works of organum, and the contributions of the Notre Dame school under Leonin and Perotin. It also profiles secular musician types of the period like minstrels, troubadours, and minnesingers. Guillaume de Machaut is discussed as the most important composer of the Ars Nova period, noted for his secular songs and works including the palindrome "Ma fin est mon commencement."
Baroque Music
The document discusses Western art music from the Baroque period between 1685-1750. Music during this era was grandiose and elaborate, meant for the upper class, and alternated between loud and soft sections. Popular instrumental genres included the concerto grosso, fugue, and suite, while vocal genres included opera, oratorio, cantata, and chorale. The document then profiles several influential Baroque composers such as Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, and Domenico Scarlatti.
Power point 17. The Classic Era: Early Classic Instrumental Music
This document summarizes early classical keyboard and orchestral music from around 1750. It discusses the Italian composer Domenico Scarlatti and his 550 harpsichord sonatas. It also discusses three German composers: J.C. Bach and his style galant keyboard music characterized by simplicity and elegance; C.P.E Bach and his empfindsamer stil which featured continual changes in expression; and Johann Stamitz who conducted the renowned Mannheim orchestra and developed elements of sonata form.
Chapter 37 Personal Soundtracks: Berlioz and the Program Symphony
Berlioz was a French composer known for his experimental and expressive style of music. His Symphonie fantastique used a recurring musical theme, or idée fixe, to represent the artist's beloved throughout the five movements. The work tells a story of the artist's despair over unrequited love and his drug-induced dreams and visions. The fourth movement depicts his execution for killing his beloved, with the idée fixe heard as he thinks of her before dying. The fifth movement portrays a witches' sabbath at his funeral. Berlioz was pioneering in his use of orchestral effects and combination of timbres to create sounds never heard before.
Ch22 - Classical Instrumental Music.pptx
- Instrumental music during the Classical period imitated elements of vocal music and was written and performed by both amateur and professional musicians.
- New instruments like the piano were invented during this time, expanding the types of ensembles and music that could be played. Forms like sonata form and binary forms became popular for instrumental works.
- Orchestral music like symphonies and concertos flourished during the Classical period, with composers like Haydn, Mozart, and Beethoven expanding the genres. Keyboard music was also very popular, with composers like Scarlatti, CPE Bach, and Galuppi writing sonatas and other works.
Baroque Music
Baroque music originated around 1600 and lasted until 1750. It is characterized by unity of mood and rhythm, complex melodies, terraced dynamics, polyphonic and homophonic textures, basso continuo, and word painting. Common forms included the concerto grosso, fugue, suite, and cantata. Major Baroque composers included Monteverdi, Purcell, Vivaldi, Bach, and Handel. Bach was renowned for his keyboard works, fugues, concertos, masses, passions, and Brandenburg Concertos. Vivaldi was famous for his concertos, especially The Four Seasons. Handel's oratorio Messiah remains hugely popular.
More Related Content
What's hot
Chapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
This document provides an overview of Wolfgang Amadeus Mozart and his contributions to classical chamber music and larger forms. It discusses Mozart's life and career, and provides examples of his famous compositions including his symphonies, operas, and Eine kleine Nachtmusik. The document also explains classical forms like sonata allegro, theme and variations, and minuet and trio that Mozart utilized, providing a diagram of sonata form and analysis of movements from his Symphony No. 40 and Eine kleine Nachtmusik.
Chapter 23 - Sounding Spring: Vivaldi & The Baroque Concerto
This document discusses the Baroque concerto and Antonio Vivaldi's The Four Seasons. It provides background on the Baroque orchestra, which was typically small with 10-30 players. The concerto was a major instrumental genre that featured a contrast between soloist and full orchestra. Vivaldi was a famous Baroque composer known for his hundreds of concertos, including The Four Seasons which depicts each season through music. The Four Seasons features a solo violin accompanied by an orchestra, with the first movement of "Spring" described as evoking animals and nature through its musical imagery.
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
This document discusses the key characteristics and components of Baroque opera. It provides an overview of how opera developed from early dramatic works and became a large musical genre combining poetry, singing, instrumentation and staging. The document focuses on important composers like Monteverdi, Purcell and Handel who helped establish opera and discusses key works like Monteverdi's Orfeo and Purcell's Dido and Aeneas. It describes characteristics of Baroque opera like the use of recitatives, arias and basso continuo accompaniment.
Chapter 10 Western Musical Instruments
This document summarizes the main families of Western musical instruments. It discusses string instruments like violin and cello, woodwinds like flute and clarinet, brass instruments like trumpet and French horn, percussion, and keyboard instruments like piano and organ. For each family, it provides details on how instruments in that family produce sound, their ranges, and special playing techniques. It also gives interesting facts about transposition and the development of instruments over time.
Opera
Opera is a sung drama that combines visual art, literature, theatre, dance, vocal music, and instrumental music. It features opera singers of different voice types singing arias and recitatives. While often sung in Italian, opera can be in any language. Operas can be serious or comedic, featuring noble or everyday characters. The action moves slower than a play to focus on the musical elements, like arias for characters to reflect on events. Most operas last from two to three hours including an intermission.
Power Point 18. The Classic Era: Haydn and Mozart
Franz Joseph Haydn (1732-1809) was an Austrian composer who spent much of his career writing works for the Esterházy family in Hungary. He is known for introducing humor into his works through unexpected musical elements. His symphonies and string quartets followed sonata form and featured development throughout. Important works include his string quartets, symphonies, and the oratorio The Creation. Wolfgang Amadeus Mozart (1756-1791) was a child prodigy composer from Salzburg who toured extensively as a performer. He was influenced by various styles he encountered in England, Italy, and Vienna. Mozart composed in many genres including symphonies, concertos,
Chapter 28 Conversation with a Leader: Haydn and the Classical Concerto
This document discusses the classical concerto and its typical features. It provides an overview of important composers of the classical concerto such as Haydn, Mozart, and C.P.E. Bach. The classical concerto usually has three movements - a fast first movement, a slow second movement, and a fast last movement. Both the first and last movements often include a cadenza section. The document then analyzes features of Mozart's Piano Concerto No. 21 in A Major and Haydn's Trumpet Concerto, including their forms, themes, and characteristics.
Caldara pp
Antonio Caldara was an Italian composer born in Venice in 1671 who received musical training from his father and Giovanni Legrenzi. He held positions at the court of the Duke of Mantua when he was in his twenties, became maestro di cappella at the court of Prince Francesco Maria Ruspoli in Rome in 1709, and later worked at the Imperial Court of Charles VI in Vienna. Caldara produced over 200 masses and motets as well as oratorios, cantatas, and other sacred and secular works. His style represented both prima prattica and seconda prattica techniques that were common in liturgical and non-liturgical music of the time.
Chapter 46 Calculated Shock: Stravinksy & Modernist Multimedia
This document provides an overview of composer Igor Stravinsky and his seminal composition The Rite of Spring. It discusses Stravinsky's background and career, including his works for Sergei Diaghilev's Ballets Russes. It describes the controversial 1913 premiere of The Rite of Spring, which caused a riot due to its dissonant and avant-garde style. The document then analyzes key musical elements of The Rite of Spring, including its use of irregular rhythm, polytonality, and a large orchestra. It also summarizes the work's two-part structure and innovative choreography.
Power point 2: Music of the Early Christian Church
This document provides an overview of music in the early Christian church and Middle Ages, specifically Gregorian chant. It discusses how chant developed from early Christian practices of chanting scripture and hymns. It then describes how the Catholic Church standardized chant under Pope Gregory I in the 8th century through the Schola Cantorum. The document outlines the different types of chant used in mass and divine office, including responses, antiphons, and psalm tones. It explains solmization techniques and notation used to transmit chant. Finally, it discusses notable composer Hildegard of Bingen and the decline of chant after Vatican II.
Power point 24. The Romantic Era: Brahms and the Wagnerians
Johannes Brahms was a German composer and conductor in the Romantic era. He was encouraged early in his career by Robert Schumann. Brahms destroyed many of his early works and had a conservative, classical style compared to Liszt and Wagner. He is known for his symphonies, piano works, chamber music, songs, and choral works. Brahms was influenced by Beethoven in his use of motivic development, modulation, and relating movements by thirds. Wagnerians like Liszt, Bruckner, Wolf, and Strauss experimented with program music and pushing musical boundaries in different ways.
Power point 9: Secular Vocal Music of the 1500s
This document summarizes secular vocal music styles that developed across Europe during the Renaissance period from 1420-1600. It describes the villancico form that emerged in Spain featuring short strophic songs on popular subjects. In Italy, similar frottola and livelier villanella, canzonetta, and balletto emerged alongside the serious madrigal set to poetry. France saw the new chanson style become popular as well as the influence of the musique mesurée movement. England developed the consort song, madrigals, and lute songs. Germany had the tradition of Meistersingers singing unaccompanied songs.
The Sonnet in the Renaissance
This document compares the Petrarchan sonnet and the Elizabethan sonnet. It notes that while both are 14 lines long in iambic pentameter, the Petrarchan sonnet is divided into an octave using an ABBA ABBA rhyme scheme and a sestet using a CDCDCD or CDECDE rhyme scheme. The Elizabethan sonnet instead has a 3 quatrain ABAB CDCD EFEF structure followed by a rhyming couplet. The Petrarchan focuses on presenting a problem in the octave and resolving it in the sestet, while the Elizabethan explores different aspects of a theme across its quatrains, resolving the argument in the coup
Power point 4: Early Polyphony
This document summarizes the development of early polyphony from the 9th through 13th centuries. It begins with organum, where one or more voices were added above a chant. The Musica Enchiriadis and Scolica Enchiriadis outlined rules for parallel and oblique organum using 4ths, 5ths, and octaves. Aquitanian manuscripts featured florid and discant organum. The Notre Dame school under Leonin and Perotin in the late 12th century developed discant organum with up to 4 voices above a chant. They innovated rhythmic notation modes. In the early 13th century, motets were developed by adding words above discant organum,
Symphony Music
The document provides information about symphonies, including their meaning, characteristics, and history. It discusses the four movement structure of classical symphonies and some of the great masters of the genre like Mozart, Haydn, and Beethoven. It also describes the standard instruments of the symphony orchestra and how they are arranged on stage.
Symphony orchestra
The document summarizes key aspects of a symphony orchestra. It discusses the four main instrument groups - strings, woodwinds, brass and percussion. It provides a brief history of orchestras and describes their evolution from small ensembles in the 18th century to modern orchestras with 60-100 musicians. It also profiles some of the world's top-ranked orchestras like the Royal Concertgebouw Orchestra and London Symphony Orchestra and conductors such as Valery Gergiev.
Chapter 14 Symbols & Puzzles: Machaut and the Medieval Mind
This document discusses the development of polyphony and early composers in medieval Europe. It covers the development of musical notation by Guido d'Arezzo, the earliest polyphonic works of organum, and the contributions of the Notre Dame school under Leonin and Perotin. It also profiles secular musician types of the period like minstrels, troubadours, and minnesingers. Guillaume de Machaut is discussed as the most important composer of the Ars Nova period, noted for his secular songs and works including the palindrome "Ma fin est mon commencement."
Baroque Music
The document discusses Western art music from the Baroque period between 1685-1750. Music during this era was grandiose and elaborate, meant for the upper class, and alternated between loud and soft sections. Popular instrumental genres included the concerto grosso, fugue, and suite, while vocal genres included opera, oratorio, cantata, and chorale. The document then profiles several influential Baroque composers such as Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, and Domenico Scarlatti.
Power point 17. The Classic Era: Early Classic Instrumental Music
This document summarizes early classical keyboard and orchestral music from around 1750. It discusses the Italian composer Domenico Scarlatti and his 550 harpsichord sonatas. It also discusses three German composers: J.C. Bach and his style galant keyboard music characterized by simplicity and elegance; C.P.E Bach and his empfindsamer stil which featured continual changes in expression; and Johann Stamitz who conducted the renowned Mannheim orchestra and developed elements of sonata form.
Chapter 37 Personal Soundtracks: Berlioz and the Program Symphony
Berlioz was a French composer known for his experimental and expressive style of music. His Symphonie fantastique used a recurring musical theme, or idée fixe, to represent the artist's beloved throughout the five movements. The work tells a story of the artist's despair over unrequited love and his drug-induced dreams and visions. The fourth movement depicts his execution for killing his beloved, with the idée fixe heard as he thinks of her before dying. The fifth movement portrays a witches' sabbath at his funeral. Berlioz was pioneering in his use of orchestral effects and combination of timbres to create sounds never heard before.
What's hot (20)
Chapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
Chapter 27 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
Chapter 23 - Sounding Spring: Vivaldi & The Baroque Concerto
Chapter 23 - Sounding Spring: Vivaldi & The Baroque Concerto
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
Chapter 28 Conversation with a Leader: Haydn and the Classical Concerto
Chapter 28 Conversation with a Leader: Haydn and the Classical Concerto
Chapter 46 Calculated Shock: Stravinksy & Modernist Multimedia
Chapter 46 Calculated Shock: Stravinksy & Modernist Multimedia
Power point 2: Music of the Early Christian Church
Power point 2: Music of the Early Christian Church
Power point 24. The Romantic Era: Brahms and the Wagnerians
Power point 24. The Romantic Era: Brahms and the Wagnerians
Chapter 14 Symbols & Puzzles: Machaut and the Medieval Mind
Chapter 14 Symbols & Puzzles: Machaut and the Medieval Mind
Power point 17. The Classic Era: Early Classic Instrumental Music
Power point 17. The Classic Era: Early Classic Instrumental Music
Chapter 37 Personal Soundtracks: Berlioz and the Program Symphony
Chapter 37 Personal Soundtracks: Berlioz and the Program Symphony
Similar to Power point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
Ch22 - Classical Instrumental Music.pptx
- Instrumental music during the Classical period imitated elements of vocal music and was written and performed by both amateur and professional musicians.
- New instruments like the piano were invented during this time, expanding the types of ensembles and music that could be played. Forms like sonata form and binary forms became popular for instrumental works.
- Orchestral music like symphonies and concertos flourished during the Classical period, with composers like Haydn, Mozart, and Beethoven expanding the genres. Keyboard music was also very popular, with composers like Scarlatti, CPE Bach, and Galuppi writing sonatas and other works.
Baroque Music
Baroque music originated around 1600 and lasted until 1750. It is characterized by unity of mood and rhythm, complex melodies, terraced dynamics, polyphonic and homophonic textures, basso continuo, and word painting. Common forms included the concerto grosso, fugue, suite, and cantata. Major Baroque composers included Monteverdi, Purcell, Vivaldi, Bach, and Handel. Bach was renowned for his keyboard works, fugues, concertos, masses, passions, and Brandenburg Concertos. Vivaldi was famous for his concertos, especially The Four Seasons. Handel's oratorio Messiah remains hugely popular.
Ch17 late 17th century italy & germany
Italy and Germany had diverse and vibrant musical cultures in the late 17th century. In Italy, opera was the dominant genre, centered in Venice, with increasing numbers of da capo arias. Instrumental forms like the sonata and concerto flourished, particularly thanks to composers like Corelli. Germany drew on Italian and French influences while maintaining native styles. Lutheran church music incorporated both older polyphony and newer concerted styles, with Buxtehude and Pachelbel composing influential organ works during this period.
Baroque Era Period of Music
The Baroque Period of Western Music History circa 1600 to 1750 AD. It may derive from the word barroco in Portuguese meaning “irregular shape.” Originally used in a derogatory fashion to describe artistic trends of this time period, baroque has come to broadly refer to the century and a half beginning in 1600.
▶️ YouTube: https://www.youtube.com/c/JoynulAbadinRasel
☕ Buy me a Coffee: https://www.buymeacoffee.com/JoynulAbadinR
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
This document provides an overview of opera and vocal music in late 17th century England and Germany, as well as Baroque music in the early 18th century across Europe. In England, masques were a popular court entertainment that shared aspects with opera. Henry Purcell was a prominent English composer who synthesized French and Italian elements. In Germany, opera and sacred vocal works incorporated French and Italian styles alongside German traditions. The rise of the instrumental concerto in Italy is discussed, with Antonio Vivaldi emerging as a leading composer who expanded the ritornello form. The document also examines the French composers François Couperin and Jean-Philippe Rameau, who blended French and Italian musical styles.
Bach - Chapters 19 and 24
This document provides an overview of Johann Sebastian Bach and his cantatas. It discusses Bach's life and career, focusing on his work in Leipzig where he composed over 200 sacred cantatas for use in church services. It describes the form and characteristics of the Baroque cantata, and provides analysis of two movements from Bach's famous Cantata No. 140, "Wachet Auf." It also provides background on Baroque keyboard instruments and an introduction to the fugue form, with analysis of the first fugue from Bach's The Art of Fugue.
Power point 14: Late Baroque Music in France and Italy
Vivaldi was a prominent composer in late Baroque Italy who wrote over 500 concertos, most notably The Four Seasons. He helped popularize the solo concerto form which alternated between a solo instrument accompanied by orchestra and full orchestra sections. In France during this period, Couperin wrote keyboard suites comprised of dances and character pieces that featured ornamentation. Rameau was an influential opera composer and theorist who incorporated Italian styles like da capo arias into French opera, while still retaining French elements like overtures and recits with shifting meter.
Ch15 - 17th century chamber & church music
This document provides an overview of Italian vocal chamber music and Catholic sacred music in the early Baroque period. It discusses genres such as the madrigal, cantata, oratorio and motet. Specific composers mentioned include Monteverdi, who incorporated opera innovations into secular songs, and Carissimi, who exemplified the Latin oratorio form. The document also covers instrumental chamber music developments, highlighting keyboard composers like Frescobaldi and genres including the toccata, fugue, sonata and variations.
Music in the Renaissance.pptx
The document provides an overview of music during the Renaissance period from 1450-1600. It discusses the growth of polyphonic church music performed by large choirs. Secular music also grew, shifting from the church to royal courts that competed to hire the best composers. The Renaissance saw developments in vocal music like the madrigal and instrumental music such as dances. Composers began writing more specifically for instruments. The Venetian School, centered around St. Mark's Cathedral, was influential in developing instrumental music and early forms of polychoral styles between choirs and instruments that presaged the Baroque era.
Mozart - Chapters 27, 31, and 32
This document provides an overview of Wolfgang Amadeus Mozart's life and works. It discusses that Mozart was a child prodigy born in Salzburg, Austria in 1756 who composed his first symphony at age 8 and first opera at 12. Although he struggled to find steady employment, he wrote in every major genre including operas, symphonies, concertos, and masses. The document also summarizes several of Mozart's most famous works such as his Requiem, Eine kleine Nachtmusik, and Piano Concerto No. 21. It concludes with sections on classical forms such as the sonata form and the development of themes.
Wk 7 baroque instrumental music, late 17th vocal, early 18th cenury
The document provides an overview of instrumental music in the early Baroque period, including genres that emerged such as the sonata and concerto. It discusses influential composers such as Monteverdi, Gabrieli, and Frescobaldi who helped popularize new styles. It also covers the development of organ music in Germany during this time with composers like Buxtehude known for their toccatas, fugues, and elaborations of chorale melodies.
Power point 11: Early Baroque Music
The Baroque era saw the development of new musical styles and genres between 1600-1750. A key doctrine was that a piece of music should express a single emotion. Early styles included Stile Antico which used polyphony and strict rules versus Stile Moderno which broke rules to effectively express text. The Florentine Camerata in the 1570s-80s planned to revive Greek opera and develop monody with solo melody and basso continuo accompaniment. Early opera began around 1600 with Dafne by Peri and L'Euridice by Peri and Caccini. Monteverdi's 1607 opera L'Orfeo was highly influential in establishing conventions for the new genre such
Power point 10: Instrumental Music in the 1500s
Music in the Renaissance Era from 1420-1600 saw the development of instrumental music. Treatises in the vernacular provided instruction for amateurs and professionals. The 1500s saw the first lasting tradition of written polyphonic instrumental music. Composers did not specify instruments, allowing for flexibility. Instrumental music was played on families of instruments including winds, plucked strings, bowed strings, and keyboards. New genres included dance suites and variations on vocal themes. Italian composers like the Gabrielis and Frescobaldi pioneered abstract instrumental works for ensembles.
Music of Classical Period (1750-1820)
During the Classical period from 1750-1820, major developments occurred in instrumental and vocal classical music forms. Instrumental forms like the sonata, concerto, and symphony flourished, following structures like sonata form with exposition, development and recapitulation. Major composers from this period included Haydn, Mozart, and Beethoven, who helped develop these forms and bridge to the early Romantic era. Vocal music also developed, with serious opera and comic opera emerging as dominant genres.
MUSIC OF BAROQUE PERIOD.pptx
The Baroque period saw developments in musical notation, tonality, and instrumental techniques. Baroque music is characterized by elaborate melodies, contrapuntal textures, dynamics contrast between loud and soft, and new musical forms. Common genres included opera, oratorio, suites, concertos, and fugues. Key composers of the Baroque era were Johann Sebastian Bach, known for works like the Brandenburg Concertos and Mass in B Minor, Antonio Vivaldi, famous for his violin concertos and The Four Seasons, and George Frideric Handel, best known for his oratorio Messiah.
Review for Final Exam
The document provides an overview of music vocabulary terms and concepts related to music history. It defines terms related to musical notation, intervals, chords, forms, textures, and time periods including Ancient Greece, the Middle Ages, Renaissance, and Baroque periods. Key composers from each era are also mentioned such as Palestrina, Josquin des Prez, Monteverdi, Bach, and Handel. The document serves as a review for a music final exam.
N4 5-history-of-classical-music-pupil-copy
Baroque music from 1600-1750 is highly ornamented and elaborate. It features contrapuntal textures where melodies weave together. Some important Baroque composers included Bach, Handel, and Vivaldi. The Baroque orchestra was small, featuring strings and woodwinds like recorders, oboes and bassoons. Brass included trumpets without valves. Keyboards like the harpsichord were popular. Concertos emerged, featuring a solo instrument accompanied by orchestra.
Baroque power point
The Baroque era spanned from 1600 to 1750 and was characterized by grandiose and ornate styles in art, music, and architecture. This period saw advancements in music theory including figured bass, major and minor tonalities, and standardization of tuning systems. New genres like opera, oratorio, and concerto emerged and instrumental music became more popular. Key composers who advanced music through new virtuosic styles and genres included Monteverdi, Purcell, Handel, Vivaldi, and Bach.
Review for Final Exam
The document provides an overview of music vocabulary and concepts to review for a final exam. It defines key terms related to musical notation, intervals, chords, forms, textures, and time periods. Specifically, it discusses the staff, clefs, intervals, chords, note values, dynamics, forms like sonata form and fugue, textures like monophony and homophony, and styles from ancient Greece to the Romantic period. Composers are named for each major era as well.
musicoftheromanticperiod-180123134727.pptx
The document provides information about the Romantic period of music from 1800-1900. It describes characteristics of Romantic music such as the use of extreme emotions, imagination, and freedom of expression. It discusses features of Romantic music including nationalism, exoticism, and changes to harmony, melody, rhythm, dynamics, texture, and forms of vocal and instrumental music. Finally, it profiles several famous Romantic composers such as Chopin, Liszt, Schumann, Berlioz, Tchaikovsky, and Saint-Saens and some of their most renowned works.
Similar to Power point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria (20)
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
Power point 14: Late Baroque Music in France and Italy
Power point 14: Late Baroque Music in France and Italy
Wk 7 baroque instrumental music, late 17th vocal, early 18th cenury
Wk 7 baroque instrumental music, late 17th vocal, early 18th cenury
More from Scott Marosek
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
This document summarizes diverging traditions in late 19th century music between nationalism and internationalism. It provides an overview of prominent composers from different regions who either incorporated national folk elements or adopted more cosmopolitan styles. Key composers discussed include Dvorak, Smetana, and Janacek from Bohemia; Grieg and Sibelius from Scandinavia; the Russian nationalist group known as the Mighty Five including Mussorgsky and Rimsky-Korsakov; and internationalists like Tchaikovsky. French composers covered are Bizet, Franck, Saint-Saens, and Fauré. In England, Edward Elgar is discussed.
Power point 23. The Romantic Era: Late Romantic Opera
This document summarizes late Romantic Italian and German opera. It discusses the key composers Giuseppe Verdi and Richard Wagner. Verdi wrote dramatic operas with emotional subjects and distinctive singing roles. Wagner developed "total art works" using leitmotifs and continuous melody. His epic four-opera cycle Der Ring des Nibelungen combined Norse mythology with themes of power and redemption.
Power point 22. The Romantic Era: Early Romantic Opera
Early Romantic opera between 1820-1850 saw the genre become an important part of popular culture across Europe. Works by Rossini, Bellini, Donizetti, Meyerbeer, and Weber established the permanent repertory of classics. Their operas incorporated bel canto singing, simple harmonies, and highly embellished melodies. They advanced drama through seamless transitions between recitatives and arias. Italian opera dominated the genre, while France had three prominent opera houses and Germany featured works with ordinary characters and personal feelings.
Power point 20. The Romantic Era: Early Romantic Song and Piano
The document summarizes the Early Romantic period in music from 1820-1850, focusing on German Romanticism, style characteristics, and prominent composers of the time. Key points include the rise of art music focusing on individualism and nature, the innovation of Schubert and Schumann in song/lieder setting German poetry, and the emergence of character pieces, etudes, and solo piano works by Chopin, Mendelssohn, Liszt that demonstrated technical virtuosity.
Power point 19. The Classic Era: Beethoven
This document provides biographical information about Ludwig van Beethoven and summarizes the key periods and styles of his compositions. It is divided into sections on his early life and education, his early compositions that were influenced by Haydn and Mozart, his heroic middle period starting around 1803 characterized by expanded forms and counterpoint, and his late period starting in 1815 with more meditative and developed works. The document also provides context about the Enlightenment period in which Beethoven was composing and how his music reflected Enlightenment ideals through heroic, universal, and nature-inspired themes.
Power point 16. The Classic Era: Early Classic Italian Opera
The document summarizes the Classic Era of opera from 1750-1820. It describes the characteristics of early classic Italian opera, including small casts consisting of castrati, sopranos, tenors, and the structure of da capo arias and ensembles. Intermezzi were short comic operas performed between acts of serious operas. Opera buffa were full length comic operas influenced by commedia dell'arte. Italian opera was popular throughout Europe, with composers like Hasse, Pergolesi, Jomelli, J.C. Bach, and Traetta producing operas in Italy, Germany, and Russia. Christoph Willibald Gluck's operas emphasized dramatic unity and simplicity to heighten
Power point 8: Music of the Reformation
The Reformation began in the 1500s when Martin Luther posted his 95 theses criticizing the Catholic Church, establishing the Protestant branch of Christianity. In Lutheran areas of Germany and Scandinavia, hymns replaced most Latin chants in worship, beginning with monophonic hymns and later incorporating polyphony. Calvinist worship in Switzerland, France, and Germany only allowed biblical texts set to metrical psalms, initially monophonic but later with polyphony. Across Europe, Renaissance vocal polyphony developed further from 1420-1600, with composers like Palestrina and Lasso writing multi-voiced masses, motets, and other sacred music that carefully balanced text clarity with complex counterpoint.
Power point 7: Second and Third Generation Renaissance Vocal Polyphony
During the Renaissance period from 1420-1600, vocal polyphony developed in several ways. Franco-Flemish composers like Ockeghem, Busnoys, Obrecht, Isaac, and Des Prez advanced the genre through more complex meter, cadences using triads rather than double leading tones, and greater use of imitation between equal voices. They also composed secular masses and chansons in addition to sacred masses and motets. By the late Renaissance, composers like Des Prez expertly set text to music and incorporated both imitation and homophony into highly structured works.
Power point 6: First Generation Renaissance Vocal Polyphony
The document summarizes music of the Renaissance era from 1420-1600. It describes the development of polyphony in England and Burgundy during the early Renaissance, with composers like Dunstable, Binchois, and DuFay popularizing new styles. Key changes included the introduction of meter, new cadence formulas, three-voice textures, secular forms like the chanson and ballade, and masses that used existing melodies (cantus firmus) as structural voices. DuFay's works exemplified international Renaissance styles through pieces like the ballade "Resvellies Vous" and his cantus firmus mass "Missa se la face ay pale."
Power point 3: Medieval Secular Vocal Music
Medieval secular vocal music developed outside of the church in various regions of Europe between the 11th-13th centuries. In France, the earliest known French writings date to the 800s and included chanson de geste epic poems that were performed by wandering minstrels. Distinguished troubadours and trouvères, who were poet-composers of the nobility, composed songs of courtly love during this period in Southern and Northern France. In Germany, minnesingers wrote bar form love songs praising courtly love. In Iberia, the Cantigas de Santa Maria collection of songs was compiled in the 1200s under King Alfonso X of Castile. Penitential lauda songs were
Power point 1: Ancient Music
This document provides an overview of the history and development of ancient music from prehistoric times through ancient Greece and Rome. It traces the earliest evidence of musical instruments dating back 36,000 BCE found in bone flutes and whistles. Musical traditions developed over millennia, as evidenced by instruments becoming more advanced in different ancient cultures. In ancient Greece, music was deeply ingrained in society and closely linked to mathematics and philosophy. Greek writings provide valuable insights into their theories of music and use of specific instruments. While little music survives from ancient Rome, Greek musical concepts and instruments influenced Roman music.
More from Scott Marosek (11)
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
Power point 23. The Romantic Era: Late Romantic Opera
Power point 23. The Romantic Era: Late Romantic Opera
Power point 22. The Romantic Era: Early Romantic Opera
Power point 22. The Romantic Era: Early Romantic Opera
Power point 20. The Romantic Era: Early Romantic Song and Piano
Power point 20. The Romantic Era: Early Romantic Song and Piano
Power point 16. The Classic Era: Early Classic Italian Opera
Power point 16. The Classic Era: Early Classic Italian Opera
Power point 7: Second and Third Generation Renaissance Vocal Polyphony
Power point 7: Second and Third Generation Renaissance Vocal Polyphony
Power point 6: First Generation Renaissance Vocal Polyphony
Power point 6: First Generation Renaissance Vocal Polyphony
Recently uploaded
مصحف القراءات العشر أعد أحرف الخلاف سمير بسيوني.pdf
مصحف أحرف الخلاف للقراء العشرةأعد أحرف الخلاف بالتلوين وصلا سمير بسيوني غفر الله له
Stack Memory Organization of 8086 Microprocessor
The stack memory organization of 8086 microprocessor.
How to deliver Powerpoint Presentations.pptx
"How to make and deliver dynamic presentations by making it more interactive to captivate your audience attention"
How to Setup Warehouse & Location in Odoo 17 Inventory
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
-------------------------------------------------------------------------------
Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
-------------------------------------------------------------------------------
For more information about PECB:
Website: https://pecb.com/
LinkedIn: https://www.linkedin.com/company/pecb/
Facebook: https://www.facebook.com/PECBInternational/
Slideshare: http://www.slideshare.net/PECBCERTIFICATION
RHEOLOGY Physical pharmaceutics-II notes for B.pharm 4th sem students
Physical pharmaceutics notes for B.pharm students
Leveraging Generative AI to Drive Nonprofit Innovation
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
Walmart Business+ and Spark Good for Nonprofits.pdf
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
Gender and Mental Health - Counselling and Family Therapy Applications and In...
A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) Curriculum
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
Jemison, MacLaughlin, and Majumder "Broadening Pathways for Editors and Authors"
Jemison, MacLaughlin, and Majumder "Broadening Pathways for Editors and Authors"National Information Standards Organization (NISO)
This presentation was provided by Racquel Jemison, Ph.D., Christina MacLaughlin, Ph.D., and Paulomi Majumder. Ph.D., all of the American Chemical Society, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
BIOLOGY NATIONAL EXAMINATION COUNCIL (NECO) 2024 PRACTICAL MANUAL.pptx
Practical manual for National Examination Council, Nigeria.
Contains guides on answering questions on the specimens provided
Recently uploaded (20)
مصحف القراءات العشر أعد أحرف الخلاف سمير بسيوني.pdf
مصحف القراءات العشر أعد أحرف الخلاف سمير بسيوني.pdf
How to Setup Warehouse & Location in Odoo 17 Inventory
How to Setup Warehouse & Location in Odoo 17 Inventory
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
REASIGNACION 2024 UGEL CHUPACA 2024 UGEL CHUPACA.pdf
REASIGNACION 2024 UGEL CHUPACA 2024 UGEL CHUPACA.pdf
RHEOLOGY Physical pharmaceutics-II notes for B.pharm 4th sem students
RHEOLOGY Physical pharmaceutics-II notes for B.pharm 4th sem students
Leveraging Generative AI to Drive Nonprofit Innovation
Leveraging Generative AI to Drive Nonprofit Innovation
Walmart Business+ and Spark Good for Nonprofits.pdf
Walmart Business+ and Spark Good for Nonprofits.pdf
Gender and Mental Health - Counselling and Family Therapy Applications and In...
Gender and Mental Health - Counselling and Family Therapy Applications and In...
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) Curriculum
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) Curriculum
Jemison, MacLaughlin, and Majumder "Broadening Pathways for Editors and Authors"
Jemison, MacLaughlin, and Majumder "Broadening Pathways for Editors and Authors"
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
BIOLOGY NATIONAL EXAMINATION COUNCIL (NECO) 2024 PRACTICAL MANUAL.pptx
BIOLOGY NATIONAL EXAMINATION COUNCIL (NECO) 2024 PRACTICAL MANUAL.pptx
Power point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
- 1. Music in the Baroque Era: Part III 1600-1750
- 2. The Late Baroque: -Instruments -Development of the Concerto Grosso -Opera Seria 1700-1750
- 3. Instruments
- 4. clavichord harpsichord organ Keyboard Instruments • same instruments as in the Renaissance • composers often did not specify which instruments to use • keyboard music is the largest repertory of Baroque music for single instruments
- 5. Woodwinds • high winds used as solo instruments • low winds abandoned or limited • 1700s – sonatas, concertos – idiomatic wind parts
- 6. Flute •held downward, used for flat keys •“flute” before 1740 usually means recorder •held sideways, used for sharp keys •keys gradually added (at first no keys) recorder transverse flute
- 7. Oboe •tenor oboe w/bell oboe da cacciaoboe d’amore •in a, used for sharp keys, used by Bach taille •tenor oboe baroque oboe •replaced shawm •used for flat keys
- 8. Bassoon • lowest in double- reed group • continuo instrument contra-bassoonbassoon
- 9. Clarinet • single reed • substituted trumpet in bad keys, (“clarino” is Italian for trumpet) • not regular orchestral instrument until late 1700s
- 10. • timpani – traditionally bass of trumpet ensemble • percussion parts rarely specified Brass and Percussion trumpet french horn trombone (sackbut) timpani
- 11. Strings French style Italian style ornaments precise articulation precise rhythm shorter bow overtures and dances embellishments passagework longer bow slow movements w/ sustained melodic lines both (compared to today) less vibrato open strings/low LH positions gut strings short bow strokes
- 12. 1600s—Violin family replaces viola da gamba •from viol family •1700s •octave lower than viola •g d' a' e‘•c g d' a‘ double bass cello viola violin
- 13. Solo Sonata Heinrich Ignaz Biber (1644-1704) •sonata da chiesa: •church sonata •sonata da camera: •secular sonata •several distinct sections •Sonata IV Trio Sonata Concerto Grosso Arcangelo Corelli (1653-1713) Sonata da Chiesa Sonata da Camera Biagio Marini (1594-1663) • one soloist with continuo (2 or 3 instruments total) •separate movements •Sonata no. 1 •I. Praeludium •II. Presto •III. Variatio •IV. Finale •two soloists with continuo (3 or 4 instruments total) •Trio Sonata Op. 3, no. 2 •I. Grave •II. Allegro •III. Adagio •IV. Allegro •basically a trio sonata w/ extra string parts added •concertino (small group of soloists) alternates with ripieno (larger ensemble) •Concerto Grosso, Op. VI, no. 4 •I. Adagio-Allegro •II. Adagio •III. Vivace Violin Music
- 14. •small cast: –castrati: •primo uomo—leading man •secondo uomo –sopranos: coloratura or lyric •prima donna--leading lady •seconda donna –tenor: father, king, mentor •da Capo aria –ABA form –singer embellishes second A section •aria @ end of scene, culminates in singer’s exit •occasional duet •few large ensembles Metastasio (1698-1782) •libretti set by many composersOpera seria
- 15. Alessandro Scarlatti (1660-1725) • cantatas, operas, serenatas (smaller theatrical works), oratorios, masses, motets, keyboard music • opera seria – recitatives and da capo arias, castrato, no chorus, no dance • La Griselda • cantata – two da capo arias, each preceded by recitative • Clori vezzosa, e bella • appoggiatura—last 2 notes of recit phrase, if repeated notes, sing first note a step higher