The Sonnet in the Renaissance
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This document compares the Petrarchan sonnet and the Elizabethan sonnet. It notes that while both are 14 lines long in iambic pentameter, the Petrarchan sonnet is divided into an octave using an ABBA ABBA rhyme scheme and a sestet using a CDCDCD or CDECDE rhyme scheme. The Elizabethan sonnet instead has a 3 quatrain ABAB CDCD EFEF structure followed by a rhyming couplet. The Petrarchan focuses on presenting a problem in the octave and resolving it in the sestet, while the Elizabethan explores different aspects of a theme across its quatrains, resolving the argument in the coup
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The Sonnet in the Renaissance
- 1. The Sonnet in the Renaissance Comparative Study of the Petrarchan verse and the Elizabethan verse Emiliano Tavano
- 2. Francesco Petrarca • Francesco Petrarca (July 20, 1304 – July 19, 1374) • An Italian scholar and poet in Renaissance Italy. • One of the earliest humanists. https://en.wikipedia.org/wi ki/Petrarch
- 3. William Shakespeare • William Shakespeare (26 April 1564 – 23 April 1616) • An English poet, playwright, and actor. • The greatest writer in the English language. • Wrote approximately 38 plays, 154 sonnets and two long narratives. https://en.wikipedia.org/wiki/Will iam_Shakespeare
- 4. Length Petrarchan Sonnet Elizabethan 14 Lines 14 Lines
- 5. Foot and Meter Petrarchan Sonnet Elizabethan Iambic Pentameter verse Iambic Pentameter verse (subtle variations)
- 6. Structure Petrarchan Sonnet Elizabethan Divided in 2 Parts Divided in 4 Parts The Octave or Octet: 2 groups of 4 lines 3 Quatrains The Sestet: 2 groups of 3 lines Final Couplet
- 7. Rhyme Scheme Petrarchan Sonnet Elizabethan The octave: ABBA ABBA The sestet: CDCDCD or CDECDE ABAB CDCD EFEF GG or ABBA CDDC EFFE GG
- 8. Purpose of the Structure Petrarchan Sonnet Elizabethan The octave presents the problem or theme and the sestet resolves it. Each quatrain deals with a separate aspect pf the theme introduced in the first line, and that argument is resolved in the couplet.