Power point 10: Instrumental Music in the 1500s
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Music in the Renaissance Era from 1420-1600 saw the development of instrumental music. Treatises in the vernacular provided instruction for amateurs and professionals. The 1500s saw the first lasting tradition of written polyphonic instrumental music. Composers did not specify instruments, allowing for flexibility. Instrumental music was played on families of instruments including winds, plucked strings, bowed strings, and keyboards. New genres included dance suites and variations on vocal themes. Italian composers like the Gabrielis and Frescobaldi pioneered abstract instrumental works for ensembles.
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This document discusses secular music of the Middle Ages and Renaissance, including forms of entertainment music. It provides context on musical performances in medieval castles for royalty and aristocracy. Examples of medieval dances like the estampie are presented along with instruments of the time like recorders, shawms, and harps. The development of the madrigal is covered, contrasting it with motets. Specific madrigal composers like John Farmer and Thomas Weelkes are discussed. Musical examples from the period are referenced, including Weelkes' "As Vesta Was From Latmos Hill Descending." The document concludes with an overview of instruments common in Renaissance secular music.
Power point 11: Early Baroque Music
The Baroque era saw the development of new musical styles and genres between 1600-1750. A key doctrine was that a piece of music should express a single emotion. Early styles included Stile Antico which used polyphony and strict rules versus Stile Moderno which broke rules to effectively express text. The Florentine Camerata in the 1570s-80s planned to revive Greek opera and develop monody with solo melody and basso continuo accompaniment. Early opera began around 1600 with Dafne by Peri and L'Euridice by Peri and Caccini. Monteverdi's 1607 opera L'Orfeo was highly influential in establishing conventions for the new genre such
7 listening online
The document provides information about orchestral music and composers from the Baroque period. It discusses how orchestras developed to include various woodwind and brass instruments alongside strings. Jean-Joseph Mouret was a composer employed by King Louis XV of France who wrote many instrumental works for royal activities. The document also summarizes Pachelbel's Canon in D Major and describes Baroque composers like Corelli, Vivaldi, and Handel who were masters of idiomatic writing for their instruments and genres like sonatas, concertos, and the ritornello form.
History of Music -Baroque and Classical
The document provides an overview of the Baroque and Classical periods of music history. It discusses the major musical styles, forms, genres, composers, and social contexts of each period. The Baroque period saw the development of opera and oratorio, as well as the rise of instrumental music. The Classical period valued balance, clarity, and naturalness in reaction against Baroque excess. Important genres included the symphony, sonata, and chamber music. Major composers of each style are also named.
Power point 7: Second and Third Generation Renaissance Vocal Polyphony
During the Renaissance period from 1420-1600, vocal polyphony developed in several ways. Franco-Flemish composers like Ockeghem, Busnoys, Obrecht, Isaac, and Des Prez advanced the genre through more complex meter, cadences using triads rather than double leading tones, and greater use of imitation between equal voices. They also composed secular masses and chansons in addition to sacred masses and motets. By the late Renaissance, composers like Des Prez expertly set text to music and incorporated both imitation and homophony into highly structured works.
Baroque Era Period of Music
The Baroque Period of Western Music History circa 1600 to 1750 AD. It may derive from the word barroco in Portuguese meaning “irregular shape.” Originally used in a derogatory fashion to describe artistic trends of this time period, baroque has come to broadly refer to the century and a half beginning in 1600.
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Music in the Renaissance.pptx
The document provides an overview of music during the Renaissance period from 1450-1600. It discusses the growth of polyphonic church music performed by large choirs. Secular music also grew, shifting from the church to royal courts that competed to hire the best composers. The Renaissance saw developments in vocal music like the madrigal and instrumental music such as dances. Composers began writing more specifically for instruments. The Venetian School, centered around St. Mark's Cathedral, was influential in developing instrumental music and early forms of polychoral styles between choirs and instruments that presaged the Baroque era.
Ch15 - 17th century chamber & church music
This document provides an overview of Italian vocal chamber music and Catholic sacred music in the early Baroque period. It discusses genres such as the madrigal, cantata, oratorio and motet. Specific composers mentioned include Monteverdi, who incorporated opera innovations into secular songs, and Carissimi, who exemplified the Latin oratorio form. The document also covers instrumental chamber music developments, highlighting keyboard composers like Frescobaldi and genres including the toccata, fugue, sonata and variations.
7 listeningonline
The document discusses the development of the orchestra and instrumental music from the Baroque era. It describes how instruments such as violins, woodwinds, brass, and harpsichord became prominent. Key figures mentioned include Jean-Joseph Mouret, who wrote idiomatically for trumpet, and Johann Pachelbel, known for his Canon in D. The concerto genre is summarized, including its typical ritornello form and prominent composers like Antonio Vivaldi, who wrote The Four Seasons concertos to illustrate nature.
MUSIC OF BAROQUE PERIOD.pptx
The Baroque period saw developments in musical notation, tonality, and instrumental techniques. Baroque music is characterized by elaborate melodies, contrapuntal textures, dynamics contrast between loud and soft, and new musical forms. Common genres included opera, oratorio, suites, concertos, and fugues. Key composers of the Baroque era were Johann Sebastian Bach, known for works like the Brandenburg Concertos and Mass in B Minor, Antonio Vivaldi, famous for his violin concertos and The Four Seasons, and George Frideric Handel, best known for his oratorio Messiah.
Ch22 - Classical Instrumental Music.pptx
- Instrumental music during the Classical period imitated elements of vocal music and was written and performed by both amateur and professional musicians.
- New instruments like the piano were invented during this time, expanding the types of ensembles and music that could be played. Forms like sonata form and binary forms became popular for instrumental works.
- Orchestral music like symphonies and concertos flourished during the Classical period, with composers like Haydn, Mozart, and Beethoven expanding the genres. Keyboard music was also very popular, with composers like Scarlatti, CPE Bach, and Galuppi writing sonatas and other works.
Music Throughout History
A PowerPoint giving a children's overview of music throughout history! Includes many musical eras and a lot of information and details about each era
Chapter 26 - Romantic choral, chamber and orchestral
MUS 3032 Music History III
Dr. Alicia Wallace
Department of Music
Southeastern Oklahoma State University
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Chapter 22 Grace and Grandeur: The Baroque Dance Suite
Chapter 22 Grace and Grandeur: The Baroque Dance Suite
Chapter 15 Singing in Friendship: The Renaissance Madrigal
Chapter 15 Singing in Friendship: The Renaissance Madrigal
Power point 7: Second and Third Generation Renaissance Vocal Polyphony
Power point 7: Second and Third Generation Renaissance Vocal Polyphony
Chapter 26 - Romantic choral, chamber and orchestral
Chapter 26 - Romantic choral, chamber and orchestral
More from Scott Marosek
Opera
Opera is a sung drama that combines visual art, literature, theatre, dance, vocal music, and instrumental music. It features opera singers of different voice types singing arias and recitatives. While often sung in Italian, opera can be in any language. Operas can be serious or comedic, featuring noble or everyday characters. The action moves slower than a play to focus on the musical elements, like arias for characters to reflect on events. Most operas last from two to three hours including an intermission.
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
This document summarizes diverging traditions in late 19th century music between nationalism and internationalism. It provides an overview of prominent composers from different regions who either incorporated national folk elements or adopted more cosmopolitan styles. Key composers discussed include Dvorak, Smetana, and Janacek from Bohemia; Grieg and Sibelius from Scandinavia; the Russian nationalist group known as the Mighty Five including Mussorgsky and Rimsky-Korsakov; and internationalists like Tchaikovsky. French composers covered are Bizet, Franck, Saint-Saens, and Fauré. In England, Edward Elgar is discussed.
Power point 24. The Romantic Era: Brahms and the Wagnerians
Johannes Brahms was a German composer and conductor in the Romantic era. He was encouraged early in his career by Robert Schumann. Brahms destroyed many of his early works and had a conservative, classical style compared to Liszt and Wagner. He is known for his symphonies, piano works, chamber music, songs, and choral works. Brahms was influenced by Beethoven in his use of motivic development, modulation, and relating movements by thirds. Wagnerians like Liszt, Bruckner, Wolf, and Strauss experimented with program music and pushing musical boundaries in different ways.
Power point 23. The Romantic Era: Late Romantic Opera
This document summarizes late Romantic Italian and German opera. It discusses the key composers Giuseppe Verdi and Richard Wagner. Verdi wrote dramatic operas with emotional subjects and distinctive singing roles. Wagner developed "total art works" using leitmotifs and continuous melody. His epic four-opera cycle Der Ring des Nibelungen combined Norse mythology with themes of power and redemption.
Power point 22. The Romantic Era: Early Romantic Opera
Early Romantic opera between 1820-1850 saw the genre become an important part of popular culture across Europe. Works by Rossini, Bellini, Donizetti, Meyerbeer, and Weber established the permanent repertory of classics. Their operas incorporated bel canto singing, simple harmonies, and highly embellished melodies. They advanced drama through seamless transitions between recitatives and arias. Italian opera dominated the genre, while France had three prominent opera houses and Germany featured works with ordinary characters and personal feelings.
Power point 20. The Romantic Era: Early Romantic Song and Piano
The document summarizes the Early Romantic period in music from 1820-1850, focusing on German Romanticism, style characteristics, and prominent composers of the time. Key points include the rise of art music focusing on individualism and nature, the innovation of Schubert and Schumann in song/lieder setting German poetry, and the emergence of character pieces, etudes, and solo piano works by Chopin, Mendelssohn, Liszt that demonstrated technical virtuosity.
Power point 19. The Classic Era: Beethoven
This document provides biographical information about Ludwig van Beethoven and summarizes the key periods and styles of his compositions. It is divided into sections on his early life and education, his early compositions that were influenced by Haydn and Mozart, his heroic middle period starting around 1803 characterized by expanded forms and counterpoint, and his late period starting in 1815 with more meditative and developed works. The document also provides context about the Enlightenment period in which Beethoven was composing and how his music reflected Enlightenment ideals through heroic, universal, and nature-inspired themes.
Power Point 18. The Classic Era: Haydn and Mozart
Franz Joseph Haydn (1732-1809) was an Austrian composer who spent much of his career writing works for the Esterházy family in Hungary. He is known for introducing humor into his works through unexpected musical elements. His symphonies and string quartets followed sonata form and featured development throughout. Important works include his string quartets, symphonies, and the oratorio The Creation. Wolfgang Amadeus Mozart (1756-1791) was a child prodigy composer from Salzburg who toured extensively as a performer. He was influenced by various styles he encountered in England, Italy, and Vienna. Mozart composed in many genres including symphonies, concertos,
Power point 17. The Classic Era: Early Classic Instrumental Music
This document summarizes early classical keyboard and orchestral music from around 1750. It discusses the Italian composer Domenico Scarlatti and his 550 harpsichord sonatas. It also discusses three German composers: J.C. Bach and his style galant keyboard music characterized by simplicity and elegance; C.P.E Bach and his empfindsamer stil which featured continual changes in expression; and Johann Stamitz who conducted the renowned Mannheim orchestra and developed elements of sonata form.
Power point 16. The Classic Era: Early Classic Italian Opera
The document summarizes the Classic Era of opera from 1750-1820. It describes the characteristics of early classic Italian opera, including small casts consisting of castrati, sopranos, tenors, and the structure of da capo arias and ensembles. Intermezzi were short comic operas performed between acts of serious operas. Opera buffa were full length comic operas influenced by commedia dell'arte. Italian opera was popular throughout Europe, with composers like Hasse, Pergolesi, Jomelli, J.C. Bach, and Traetta producing operas in Italy, Germany, and Russia. Christoph Willibald Gluck's operas emphasized dramatic unity and simplicity to heighten
Power point 15: Late Baroque Music in Germany
German composers in the Late Baroque Era incorporated elements from German, French, and Italian styles in their compositions. Key figures included Dietrich Buxtehude, who wrote organ works based on chorales as well as praeludiums, Georg Philipp Telemann who was extremely prolific across genres, and George Frideric Handel who combined Italian and German styles in his operas and oratorios. Johann Sebastian Bach lived in several German cities over his career, was highly influential as a keyboard player and composer of cantatas, passions, oratorios and instrumental works, and incorporated counterpoint and chromatic harmony into his distinctive compositional style.
Power point 14: Late Baroque Music in France and Italy
Vivaldi was a prominent composer in late Baroque Italy who wrote over 500 concertos, most notably The Four Seasons. He helped popularize the solo concerto form which alternated between a solo instrument accompanied by orchestra and full orchestra sections. In France during this period, Couperin wrote keyboard suites comprised of dances and character pieces that featured ornamentation. Rameau was an influential opera composer and theorist who incorporated Italian styles like da capo arias into French opera, while still retaining French elements like overtures and recits with shifting meter.
Power point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
The Late Baroque period saw developments in instrumental music forms and genres. The concerto grosso featured a small group of soloists alternating with a larger ensemble. Opera seria was dominated by da capo arias for leading singers like castrati and sopranos, with minimal ensembles and choruses. Keyboard instruments like harpsichord and organ remained prominent, and woodwind instruments like oboe, bassoon, and transverse flute gained importance as solo instruments through sonatas and concertos. String instruments gradually standardized tuning and technique during this period.
Power point 12: Middle Baroque Music
In the Middle Baroque period of 1600-1750:
- Jean-Baptiste Lully dominated French music as the head court musician for Louis XIV, establishing the conventions of French opera including dances, choruses, and divertissements. His operas like Armide featured recitatives and arias with distinctive French rhythmic styles.
- Henry Purcell incorporated Italian styles like recitative and aria into English works including the opera Dido and Aeneas, though opera did not become firmly established in England until later.
- German composers like Johann Pachelbel contributed to the development of the suite and other instrumental forms while French composers outside the court like Charpentier wrote oratorios and
Power point 9: Secular Vocal Music of the 1500s
This document summarizes secular vocal music styles that developed across Europe during the Renaissance period from 1420-1600. It describes the villancico form that emerged in Spain featuring short strophic songs on popular subjects. In Italy, similar frottola and livelier villanella, canzonetta, and balletto emerged alongside the serious madrigal set to poetry. France saw the new chanson style become popular as well as the influence of the musique mesurée movement. England developed the consort song, madrigals, and lute songs. Germany had the tradition of Meistersingers singing unaccompanied songs.
Power point 8: Music of the Reformation
The Reformation began in the 1500s when Martin Luther posted his 95 theses criticizing the Catholic Church, establishing the Protestant branch of Christianity. In Lutheran areas of Germany and Scandinavia, hymns replaced most Latin chants in worship, beginning with monophonic hymns and later incorporating polyphony. Calvinist worship in Switzerland, France, and Germany only allowed biblical texts set to metrical psalms, initially monophonic but later with polyphony. Across Europe, Renaissance vocal polyphony developed further from 1420-1600, with composers like Palestrina and Lasso writing multi-voiced masses, motets, and other sacred music that carefully balanced text clarity with complex counterpoint.
Power point 6: First Generation Renaissance Vocal Polyphony
The document summarizes music of the Renaissance era from 1420-1600. It describes the development of polyphony in England and Burgundy during the early Renaissance, with composers like Dunstable, Binchois, and DuFay popularizing new styles. Key changes included the introduction of meter, new cadence formulas, three-voice textures, secular forms like the chanson and ballade, and masses that used existing melodies (cantus firmus) as structural voices. DuFay's works exemplified international Renaissance styles through pieces like the ballade "Resvellies Vous" and his cantus firmus mass "Missa se la face ay pale."
Power point 5: Ars Nova
1. Ars Nova was a style of music that developed in 14th century France and Italy, outlined by theorist Philippe de Vitry in his treatise of the same name.
2. De Vitry introduced innovations like motets with 3 voices, hocket technique, and imperfect consonances that had to resolve. Mensural notation also became more complex during this time period.
3. Guillaume de Machaut was a renowned 14th century poet and composer who further developed Ars Nova styles and techniques in genres like motets, masses, and chansons.
Power point 4: Early Polyphony
This document summarizes the development of early polyphony from the 9th through 13th centuries. It begins with organum, where one or more voices were added above a chant. The Musica Enchiriadis and Scolica Enchiriadis outlined rules for parallel and oblique organum using 4ths, 5ths, and octaves. Aquitanian manuscripts featured florid and discant organum. The Notre Dame school under Leonin and Perotin in the late 12th century developed discant organum with up to 4 voices above a chant. They innovated rhythmic notation modes. In the early 13th century, motets were developed by adding words above discant organum,
Power point 3: Medieval Secular Vocal Music
Medieval secular vocal music developed outside of the church in various regions of Europe between the 11th-13th centuries. In France, the earliest known French writings date to the 800s and included chanson de geste epic poems that were performed by wandering minstrels. Distinguished troubadours and trouvères, who were poet-composers of the nobility, composed songs of courtly love during this period in Southern and Northern France. In Germany, minnesingers wrote bar form love songs praising courtly love. In Iberia, the Cantigas de Santa Maria collection of songs was compiled in the 1200s under King Alfonso X of Castile. Penitential lauda songs were
More from Scott Marosek (20)
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
Power point 24. The Romantic Era: Brahms and the Wagnerians
Power point 24. The Romantic Era: Brahms and the Wagnerians
Power point 23. The Romantic Era: Late Romantic Opera
Power point 23. The Romantic Era: Late Romantic Opera
Power point 22. The Romantic Era: Early Romantic Opera
Power point 22. The Romantic Era: Early Romantic Opera
Power point 20. The Romantic Era: Early Romantic Song and Piano
Power point 20. The Romantic Era: Early Romantic Song and Piano
Power point 17. The Classic Era: Early Classic Instrumental Music
Power point 17. The Classic Era: Early Classic Instrumental Music
Power point 16. The Classic Era: Early Classic Italian Opera
Power point 16. The Classic Era: Early Classic Italian Opera
Power point 14: Late Baroque Music in France and Italy
Power point 14: Late Baroque Music in France and Italy
Power point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
Power point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
Power point 6: First Generation Renaissance Vocal Polyphony
Power point 6: First Generation Renaissance Vocal Polyphony
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Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
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Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
The History of Stoke Newington Street Names
Presented at the Stoke Newington Literary Festival on 9th June 2024
www.StokeNewingtonHistory.com
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Power point 10: Instrumental Music in the 1500s
- 1. Music in the Renaissance Era 1420-1600
- 2. Part V: Instrumental Music in the 1500s
- 3. Treatises • practical – in vernacular for amateur or pro Michael Praetorius: Syntagma musicum Sebastian Virdung: Musica getutscht
- 4. Instrumental Families • 1500s – 1st lasting tradition of written, polyphonic instrumental music – composers didn’t specify instruments – consort—ensemble from same family – listen to many of these instruments at the following link: • https://www.music.iastate.edu/antiqua/i nstruments • (Copy the link into your web browser.)
- 5. wind and percussion • new instruments: • many of the same instruments from the Middle Ages, including recorders, transverse flute, shawms, cornets, trumpets sackbut crumhorn
- 6. plucked strings Spanish vihuelalute: most popular household instrument
- 7. bowed strings • viol/viola da gamba: tuned in 4ths (3rd in middle); frets •violin—bowed, fretless, 5ths
- 8. clavichord practice instrument extremely quiet small dynamic changes strings activated by small metal rods (tangents) limited range (compass) harpsichord (virginal, clavecin, clavicembalo) key moves plectrum that plucks a metal string solo instrument ensemble instrument replaced lute as common domestic instrument keyboard registers—sets of strings organ each rank of pipes contains all the notes of the keyboard stops—knob or lever controlling a rank of pipes 2, 3, or more manuals (keyboards), pedal board by end of Baroque, organs in many churches continuo instrument in sacred music smaller organs in homes composers often did not specify which instruments to use KEYBOARD INSTRUMENTS
- 9. •stylized •for playing or listening •for solo lute or keyboard basse danse (low dance)—stately couples dance branle gay—lively, triple time dance pairs—slow then fast (e.g. pavane and galliard ) Instrumental Dance Music •functional •for dancing •each dance has its own meter, tempo, rhythmic pattern, and form
- 10. •intabulations—lute and keyboard arrangements of vocal music •Luis de Narváez •arrangement of Mille regretz, originally by Josquin •organists improvised/composed works based on melodies •organists played traditionally vocal parts of the mass •instrumentalists played polyphonic vocal works with singers or with other instruments •variations •theme with an uninterrupted series of variants on that theme •composed by English virginalists (keyboard composers): Instrumental Music Based on Vocal Music William Byrd Pavana Lachrymae John Bull Orlando Gibbons
- 11. •organist •fantasia, ricercar, toccata, partita •improvisatory •virtuoso figuration •contrasting passages w/counterpoint or sustained chords •through-composed •Toccata no. 3 •Ricercare from Fiori Musicali Astract Instrumental Works in Italy Giovanni and Andrea Gabrieli •Girolamo Frescobaldi—(1583-1643) •Both Gabrielis: •(polychoral motets) •works for groups of instruments •Giovanni Gabrieli: • Canzon septimi toni a 8, from Sacrae symphoniae (ensemble canzona) • In Excelsiis (Sacred Concerto) •Giovanni: •sonata—work to be played on 1 or more instruments •designated instruments and dynamics St. Mark’s (Basilica San Marco) in Venice