The document discusses the history of sculpture and paintings in India. It notes that some of the earliest sculptures in India date back to the Indus Valley civilization in stone and bronze. As Hinduism, Buddhism, and Jainism developed, India produced intricate bronze sculptures and temple carvings. During the Mughal Empire from the 16th to 19th centuries, Mughal miniature paintings flourished, depicting various scenes and portraits. The paintings combined Persian influences with Indian styles and reached their height during the reigns of Akbar, Jahangir, and Shah Jahan before declining later on. Rajasthani painting also evolved from the Mughal style in the 18th century royal courts of Rajasthan.
PAINTINGS
A MINIATURE PAINTING OF MEDIVAL PERIOD
INTRODUCTION
Indian painting has a very long tradition and history in Indian art.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka , some of them from before 5500 BC.
India's Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
Indian paintings provide an aesthetic continuum that extends from the early civilisation to the present day.
From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Some Genres of Indian painting
Murals
Miniature painting
Eastern Indian painting
Western Indian painting
Mughal painting
Rajput painting
Tanjore painting
Modern Indian painting
PAINTING OF AJANTA CAVES
Paintings of Ajanta caves are mainly based on the episodes drawn from the life of Lord Buddha .
Ajanta caves are the treasure house of delicate paintings. Some of them also portray scenes from Jataka tales.
The temples are excavated out of batholitic cliffs on the inner side of a seventy-foot valley in the Wagurna River vale, at a site where beauty dropped her image.
Bodhisattva Avalokiteshvara, Cave 1
Features of Paintings of Ajanta
The Ajanta paintings stresses on religious romanticism with lyric quality, a reflection of the view that every aspect of life has an equal value in the spiritual sense and as an aspect of the divine.
The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
Ceiling Paintings of Ajanta
The most famous paintings at Ajanta caves are in `Cave I`. The shape of the cave is a square hall with the roof supported by rows of pillars.
There is a rock cut image of a seated Buddha at the back of the shrine. The most unusual feature of the cave is parts of the complete decoration of the flat ceiling. There are scenes carved from the life of Lord Buddha as well as a number of ornamental motifs.
In the paintings of Ajanta there are beautifully drawn female figures of dusky complexion wearing towering head-dresses that strongly resembles the sophisticated mukuta, crowning the Bodhisattva himself.
. This is a representation of the Shakti or female of the Bodhisattva, one of the many indications of the intrusions of Hindu concepts into Buddhism .
The paintings of the ceiling of Cave I at Ajanta is executed in a more flat, enhancing style and the space is divided into a number of adjacent panels square and rectangular in form, which are filled with subjects and showy
by Aayushi Shrimali And Akanksha Manna (University of Delhi) (kalindi college)History Hons /3rd year
origin
background
jahangir
shahjahan
later mughal school ,prominent painters and influences
All types of paintings for sale - https://www.tradeindia.com/Seller/Gifts-Crafts/Paintings/
A presentation on some of the most famous paintings, their styles and genres from India. The painting styles and genres include: Mughal Paintings, Mural Paintings, Rajput Paintings, Traditional Paintings, Modern Paintings, Tanjore Paintings, Mysore Paintings, Kalighat Paintings, Miniature Paintings, Madhubani Paintings, Canvas Paintings, Acrylic Paintings, Oil Paintings, Ajanta Paintings, Marble Paintings, Landscape Paintings and Portrait Paintings.
Each type of painting has its photos alongwith brief detail.
PAINTINGS
A MINIATURE PAINTING OF MEDIVAL PERIOD
INTRODUCTION
Indian painting has a very long tradition and history in Indian art.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka , some of them from before 5500 BC.
India's Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
Indian paintings provide an aesthetic continuum that extends from the early civilisation to the present day.
From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Some Genres of Indian painting
Murals
Miniature painting
Eastern Indian painting
Western Indian painting
Mughal painting
Rajput painting
Tanjore painting
Modern Indian painting
PAINTING OF AJANTA CAVES
Paintings of Ajanta caves are mainly based on the episodes drawn from the life of Lord Buddha .
Ajanta caves are the treasure house of delicate paintings. Some of them also portray scenes from Jataka tales.
The temples are excavated out of batholitic cliffs on the inner side of a seventy-foot valley in the Wagurna River vale, at a site where beauty dropped her image.
Bodhisattva Avalokiteshvara, Cave 1
Features of Paintings of Ajanta
The Ajanta paintings stresses on religious romanticism with lyric quality, a reflection of the view that every aspect of life has an equal value in the spiritual sense and as an aspect of the divine.
The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
Ceiling Paintings of Ajanta
The most famous paintings at Ajanta caves are in `Cave I`. The shape of the cave is a square hall with the roof supported by rows of pillars.
There is a rock cut image of a seated Buddha at the back of the shrine. The most unusual feature of the cave is parts of the complete decoration of the flat ceiling. There are scenes carved from the life of Lord Buddha as well as a number of ornamental motifs.
In the paintings of Ajanta there are beautifully drawn female figures of dusky complexion wearing towering head-dresses that strongly resembles the sophisticated mukuta, crowning the Bodhisattva himself.
. This is a representation of the Shakti or female of the Bodhisattva, one of the many indications of the intrusions of Hindu concepts into Buddhism .
The paintings of the ceiling of Cave I at Ajanta is executed in a more flat, enhancing style and the space is divided into a number of adjacent panels square and rectangular in form, which are filled with subjects and showy
by Aayushi Shrimali And Akanksha Manna (University of Delhi) (kalindi college)History Hons /3rd year
origin
background
jahangir
shahjahan
later mughal school ,prominent painters and influences
All types of paintings for sale - https://www.tradeindia.com/Seller/Gifts-Crafts/Paintings/
A presentation on some of the most famous paintings, their styles and genres from India. The painting styles and genres include: Mughal Paintings, Mural Paintings, Rajput Paintings, Traditional Paintings, Modern Paintings, Tanjore Paintings, Mysore Paintings, Kalighat Paintings, Miniature Paintings, Madhubani Paintings, Canvas Paintings, Acrylic Paintings, Oil Paintings, Ajanta Paintings, Marble Paintings, Landscape Paintings and Portrait Paintings.
Each type of painting has its photos alongwith brief detail.
This presentation is prepared for the participants of the 'Art Apreciation' course conducted by Bihar Museum, Patna, Bihar on dated 15.05.2022 at 04:00-05:00 PM.
This mind map is a graphical way to represent ideas and concepts of Rajasthani school of miniature Painting.It is a visual thinking tool that helps structuring information, helping you to better analyze, comprehend, synthesize, recall and generate new ideas.
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta
Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.
Pahari miniature painting
Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
The PPP is for the students of UG and PG only. Not for my API.
For more pics of Chola period-
https://www.clevelandart.org/art/collection/search?i=1&search=chola
This slide is all about Gupta art and culture that was flourished during these times. It includes cave architecture, stupa architecture and temple Architecture along with their culture that was preserved in their formations.
This presentation is prepared for the participants of the 'Art Apreciation' course conducted by Bihar Museum, Patna, Bihar on dated 15.05.2022 at 04:00-05:00 PM.
This mind map is a graphical way to represent ideas and concepts of Rajasthani school of miniature Painting.It is a visual thinking tool that helps structuring information, helping you to better analyze, comprehend, synthesize, recall and generate new ideas.
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta
Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.
Pahari miniature painting
Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
The PPP is for the students of UG and PG only. Not for my API.
For more pics of Chola period-
https://www.clevelandart.org/art/collection/search?i=1&search=chola
This slide is all about Gupta art and culture that was flourished during these times. It includes cave architecture, stupa architecture and temple Architecture along with their culture that was preserved in their formations.
Periodic Styles in Indian Traditional Art - Mughal, Kangra, MiniaturePrayag Mohanty
Periodic Styles in Indian Traditional Art showcase the rich cultural heritage and artistic excellence that has evolved over centuries. Among these, three prominent styles stand out: Mughal, Kangra, and Miniature. Each style reflects distinct influences, techniques, and thematic representations, contributing to the diverse tapestry of Indian art.
1. **Mughal Art:**
Mughal art flourished during the Mughal Empire (16th to 18th centuries) under the patronage of emperors like Akbar, Jahangir, and Shah Jahan. It is characterized by its intricate detailing, vivid colors, and a fusion of Persian, Islamic, and Indian styles. Mughal paintings often depict historical events, court scenes, flora, fauna, and portraits of rulers and nobility. Artists employed techniques like meticulous brushwork, precise draftsmanship, and the extensive use of gold leaf to create opulent and lifelike compositions.
2. **Kangra Art:**
Kangra painting originated in the Kangra Valley of Himachal Pradesh during the 17th to 19th centuries. It embodies the serene beauty of nature, love, and devotion. Kangra paintings are renowned for their delicate lines, pastel hues, and ethereal imagery, often depicting scenes from Hindu mythology, particularly the love stories of Radha and Krishna. Artists of Kangra school mastered the art of portraying emotions through subtle facial expressions and graceful gestures. The use of natural pigments derived from minerals and plants imparts a soft and luminous quality to these exquisite works of art.
3. **Miniature Art:**
Miniature painting is a meticulous and intricate art form that reached its pinnacle during the Mughal and Rajput periods (16th to 19th centuries). Miniatures are characterized by their diminutive size and elaborate detailing. Artists employed fine brushes, often made from squirrel hair, to create miniature masterpieces on materials such as paper, ivory, or cloth. Themes ranged from courtly scenes, religious narratives, and portraits to landscapes and flora. Miniatures are distinguished by their vibrant colors, intricate patterns, and meticulous attention to detail, showcasing the artist's skill and imagination within a confined space.
These Periodic Styles in Indian Traditional Art not only serve as visual representations of history, culture, and mythology but also as enduring testaments to the artistic genius and creativity of Indian artisans through the ages. Each style encapsulates its own unique blend of techniques, themes, and aesthetics, contributing to the rich tapestry of India's artistic heritage.
A Brief History of Chinese Painting 3.0Jerry Daperro
A brief history of chinese paintings - 中國美術史
Two approaches to painting arts.
The development of Chinese painting took a different path to that of the West. In this very brief on the Chinese painting, we can see how culture, politics and society had shaped its development. In the West, religion and commissioning system have played a very important part in the history of western painting. Buddhism and Daoism in Chinese had the same kind of influence on Chinese paintings as its Western counterpart. But instead the imperial court and the intelligentsia were more important to the development of Chinese painting.
The two approaches were played to two different audiences. In the West it mainly aimed to the public and hang on palaces. In China paintings were appreciated in private, by individual and more likely to be found in library or private studies.
17 Aug 2016.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
The perfect Sundabet Slot mudah menang Promo new member Animated PDF for your conversation. Discover and Share the best GIFs on Tenor
Admin Ramah Cantik Aktif 24 Jam Nonstop siap melayani pemain member Sundabet login via apk sundabet rtp daftar slot gacor daftar
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
2. SCULPTURES IN INDIAN ART:
The first sculptures in India date back to the Indus Valley
civilization, where stone and bronze carvings have been
discovered.
This is one of the earliest instances of sculpture in the world.
Later, as Hinduism, Buddhism and Jainism developed
further, India produced some of the most intricate bronzes in
the world, as well as un rivalled temple carvings.
Some huge shrines, such as the one at Ellora were not
actually constructed using blocks, but instead carved out of
rock, making them perhaps the largest and most intricate
sculptures in the world.
3. During the 2nd to 1st century BCE in far northern India, in
what is now southern Afghanistan and northern Pakistan,
sculptures became more explicit, representing episodes of
the Buddha’s life and teachings.
Although India had a long sculptural tradition and a mastery
of rich iconography, the Buddha was never represented in
human form before this time, but only through some of his
symbols.
This may be because Gandharan Buddhist sculpture in
modern Afghanistan displays Greek and Persian artistic
influence.
Artistically, the Gandharan school of sculpture is said to
have contributed wavy hair, drapery covering both
4. The pink sandstone sculptures of Mathura evolved during
the Gupta period (4th to 6th century) to reach a very high
fineness of execution and delicacy in the modelling.
Newer sculptures in Afghanistan, in stucco, schist or clay,
display very strong blending of Indian post-Gupta
mannerism and Classical influence, Hellenistic or possibly
even Greco-Roman.
Meanwhile, elsewhere in India, less anatomically accurate
styles of human representation evolved, leading to the
classical art that the world is now familiar with, and
contributing to Buddhist and Hindu sculpture throughout
Asia.
11. MINIATURE PAINTINGS OF MOGHULS:
Mughal painting is a particular style of South
Asian painting, generally confined to miniatures either as
book illustrations or as single works to be kept in albums,
which emerged from Persian miniature painting, with Indian
Hindu, Jain, and Buddhist influences, and developed during
the period of the Mughal Empire (16th - 19th centuries).
Mughal painting was rich in variety and included portraits,
events and scenes from court life, wild life and hunting
scenes, and illustrations of battles.
Mughal painting developed and flourished during the reigns
of Akbar, Jahangir and Shah Jahan.
12.
13. During the reign of Akbar (1556-1605), the imperial court,
apart from being the centre of administrative authority to
manage and rule the vast Mughal empire, also emerged as
a centre of cultural excellence.
Mughal painting thrived and hundreds of painters created
innumerable paintings depicting scenes from
various Hindu epics including the Ramayana and
the Mahabharata; themes with animal fables; individual
portraits; and paintings on scores of different themes.
Mughal style during this period continued to refine itself with
elements of realism and naturalism coming to the fore.
14. Jahangir (1605-27) had an artistic inclination and during his
reign Mughal painting developed further. Brushwork became
finer and the colors lighter.
Jahangir was also deeply influenced by European painting.
During his reign he came into direct contact with the English
Crown and was sent gifts of oil paintings, which included
portraits of the King and Queen.
He encouraged his royal atelier to take up the single point
perspective favoured by European artists, unlike the
flattened multi-layered style used in traditional miniatures
He particularly encouraged paintings depicting events of his
own life, individual portraits, and studies of birds, flowers
and animals.
15. The Jahangirnama , written during his lifetime, which is a
biographical account of Jahangir, has several paintings,
including some unusual subjects such as the sexual union
of a saint with a tigress, and fights between spiders.
During the reign of Shah Jahan (1628-58), Mughal
paintings continued to develop, but they gradually
became cold and rigid.
Themes including musical parties; lovers, sometimes in
intimate positions, on terraces and gardens; and ascetics
gathered around a fire, abound in the Mughal paintings of
this period.
16. MAJOR ARTISTS:
The Persian master artists Abdus Samad and Mir Sayid Ali, who
had accompanied Humayun to India, were in charge of the
imperial atelier during the early formative stages of Mughal
painting. Mughal painting flourished during the late 16th and early
17th centuries with spectacular works of art by master artists
such as Basawan, Lal, Miskin, Kesu Das, and Daswanth.
Govardhan was a noted painter during the reigns of Akbar,
Jahangir and Shah Jahan.
The sub-imperial school of Mughal painting included artists such
as Mushfiq, Kamal, and Fazl.
During the first half of the 18th century, many Mughal-trained
artists left the imperial workshop to work at Rajput courts. These
include artists such as Bhawanidas and his son Dalchand.
17.
18. DECLINE:
Aurangzeb (1658-1707) did not actively encourage Mughal paintings,
but as this art form had gathered momentum and had a number of
patrons, Mughal paintings continued to survive, but the decline had set
in.
Some sources however note that a few of the best Mughal paintings
were made for Aurangzeb, speculating that the painters may have
realized that he was about to close the workshops and thus exceeded
themselves in his behalf.
A brief revival was noticed during the reign of Muhammad
Shah 'Rangeela' (1719-48), but by the time of Shah Alam II (1759-1806),
the art of Mughal painting had lost its glory.
By that time, other schools of Indian painting had developed, including,
in the royal courts of the Rajput kingdoms of Rajputana, Rajput
painting and in the cities ruled by the British East India Company,
the Company style under Western influence.
19. MODERN MOGHUL ART:
Mughal miniature paintings are still being created today by a small
number of artists in Rajasthan concentrated mainly in Jaipur. Although
many of these miniatures are skillful copies of the originals, some artists
have produced modern works using classic methods to, at times,
remarkable artistic effect.
The skills needed to produce these modern versions of Mughal
miniatures are still passed on from generation to generation, although
many artisans also employ dozens of workers, often painting under
trying working conditions, to produce remarkable works sold under the
signature of their modern masters.
Of the modern Mughal masters recognized by India, the most prominent
remains Rafi Uddin who is the recipient of a large number of artistic
honours from India over the last several decades.
20. His younger brother Saif Uddin, who ghost-painted
for his famous brother for years, has since become
the most recognized modern Mughal painter
straying from traditional Indian scenes into themes
well away from century old traditions with
remarkable effect.
Other masters in Rajasthan include Kaluram
Panchal, Ram Gopal Vijayvargiya, Ved Pal
Sharma, Kailash Raj, Tilak Gitai, Gopal Kamawat,
Mohammed Usman and Mohammed Luqman,
Kishan Mali Sharma and the Joshi family.
21.
22.
23. Rajasthani Paintings
Rajasthani Painting, is a style of Indian painting,
evolved and flourished during the 18th century in the
royal courts of Rajputana, India, flowing from the style
of Mughal painting, itself derived from the Persian
miniature.
Each Rajput kingdom evolved a distinct style, but with
certain common features.
Rajput paintings depict a number of themes, events of
epics like the Ramayana and the Mahabharata, Krishna’s
life, beautiful landscapes, and humans.
Miniatures in manuscripts or single sheets to be kept in
albums were the preferred medium of Rajput painting,
but many paintings were done on the walls of palaces,
inner chambers of the forts
27. Bas relief
A bas-relief is a projecting image with a shallow overall
depth. The background is very compressed or completely
flat, as on most coins, on which all images are in low
relief.
A bas-relief may use any medium or technique of
sculpture, but stone carving and metal casting are the
traditional ones.
If more than half of most rounded or cylindrical
elements such as heads and legs project from the
background, a sculpture is usually considered to be alto
rilievo or "high relief", although the degree of relief within
both types may vary across a composition, with
prominent features such as faces in higher relief.
31. Mural
A mural is any piece of artwork painted
directly on a wall, ceiling or other large
permanent surface.
Murals are important in that they bring art
into the public sphere. Due to the size, cost,
and work involved in creating a mural,
muralists must often be commissioned by a
sponsor.
37. Murals depicting Hindu religious art adorn the walls of the Mattancherry
Palace, kochin,kerala.
38. The murals on the ceiling of the Devasiriya mandapa of the
Thyagarajaswamy temple.
39. A mural on the wall of a temple at Lepakshi near Anantapur in Andhra
Pradesh.
40. Sculptures
Sculpture is three-dimensional artwork created by
shaping or combining hard materials - typically stone -
or marble, metal, glass, or wood. Softer ("plastic") materials
can also be used, such as clay, textiles,
plastics, polymers and softer metals.
The temple architecture of the South Indian is very
different from the temple architecture of the rest of India.
The temple building activity of the South India can be
divided three periods corresponding to the main kingdoms,
which ruled the South India for the centuries
41. South Indian Temple Sculptures
Chola sculptures
The features of Chola sculptures will remind one of the
Dravidian art and sculpture. In fact it was the Chola
rulers who properly developed this style.
One of the main features of Chola architectures are
the hugeness of the structures, especially the temples.
Granite was widely used for the construction.
Important features of the Chola temples are the lofty
shikharas, square bases, ornamented gopurams,
sculpted walls outer and inner walls and others.
42. Carved miniature images of gods and goddesses are found in
the recesses of the temple walls. This is a common feature of
Chola sculptures. Carving out various images of deities, floral
sculptures, etc were widely used to adorn the colossal Chola
temples.
An instance of the finest Chola architecture is the
Brihadeswara or Rajarajeswara Temple in Tanjore. The
principal deity in this temple is Lord Shiva. Besides the temple
walls the gopurams are also decorated with exquisite sculpture
Religion was a key influence as far as the Chola art and
architectures were concerned. It was during their reign that the
construction of the gopuram or gateway came into vogue. The
gopurams were often quite high but these were vividly sculpted
with different god and goddesses.
43.
44.
45. Pallava sculptures
Pallava Sculptures for the first time introduced the use of
rock in Indian architecture.
The Pallava sculptures came into being from the 4th to 9th
centuries. It was during the Pallava reign that the rock cut
architecture flourished. The earliest specimens of Pallava art
and architecture date back to the 610-690 AD.
The other temples, on the other hand, were constructed
from 690-900 AD. In fact the rock cut caves also came into
vogue during the Pallava Empire.
The features of Pallava Sculptures include intricate
carvings. Mammoth images were carved out of stone so that
the buildings can be dedicated to the deities.
46. The Hindu epics were a popular source from which
the artisans derived their subjects. These were then
retold through the stone sculptures.
The sculpture of Mamallapuram is a fine
instance of the Pallava sculptures. The Shore
Temple stands tall even today to relate the
brilliance of the local craftsmanship.
Another outstanding piece of art that was carved
out of stone during the Pallava reign is the
sculpture of Kailasanatha Temple.
55. Iconography
Iconography is the branch of art history which studies the
identification, description, and the interpretation of the content of
images.
The word iconography literally means "image writing“.
Religious images are used to some extent by all major religions,
including both Indian and Abrahamic faiths, and often contain
highly.
Central to the iconography of Indian religions are mudra or
gestures with specific meanings.
The symbolic use of colour to denote the Classical
Elements or Mahabhuta and letters and bija syllables from
sacred alphabetic scripts are other features.
Under the influence of tantra art developed esoteric meanings,
accessible only to initiates; this is an especially strong feature
of Tibetan art.
57. SOUTH INDIAN BRONZE ICONOGRAPHY:
Each Hindu God sculpture is a one-
of-a-kind piece, created by the
artisans of Southern India who have
been perfecting the art of the lost
wax method of bronze casting for
generations.