Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
This mind map is a graphical way to represent ideas and concepts of Rajasthani school of miniature Painting.It is a visual thinking tool that helps structuring information, helping you to better analyze, comprehend, synthesize, recall and generate new ideas.
Pahari miniature painting
Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
This Mind mapping is simply a diagram of Bengal school of art, used to visually represent or outline information. It is a powerful graphic technique you can use to translate what's in your mind into a visual picture.This mind map will help you better understand and get more visual information faster and better.
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
This mind map is a graphical way to represent ideas and concepts of Rajasthani school of miniature Painting.It is a visual thinking tool that helps structuring information, helping you to better analyze, comprehend, synthesize, recall and generate new ideas.
Pahari miniature painting
Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
This Mind mapping is simply a diagram of Bengal school of art, used to visually represent or outline information. It is a powerful graphic technique you can use to translate what's in your mind into a visual picture.This mind map will help you better understand and get more visual information faster and better.
KAPS and VOH will be conducting an Arts Appreciation Course on Kangra Art in June. The course aims to introduce the participants to Kangra miniature art and take them through the evolution of this magnificent art form.
KAPS and VOH will be conducting an Arts Appreciation Course on Kangra Art in June. The course aims to introduce the participants to Kangra miniature art and take them through the evolution of this magnificent art form.
Selling to large, complex accounts with potential multiple decision-makers is not easy. Follow these four key steps to increase your odds of closing the deal.
Heritage of any nation is best represented by its culture, beliefs and traditions. A subset of these that has given India, a profound identity for India is Art. Art forms in India exist since time immemorial. Over the past century, Indian Art has undergone through vast and diverse change in their forms that exist in the present. For instance, the themes chosen by the traditional painters were societal. But later with the emergence of modernists followed by the contemporaries, the facets of Indian painting were changed radically.
Periodic Styles in Indian Traditional Art - Mughal, Kangra, MiniaturePrayag Mohanty
Periodic Styles in Indian Traditional Art showcase the rich cultural heritage and artistic excellence that has evolved over centuries. Among these, three prominent styles stand out: Mughal, Kangra, and Miniature. Each style reflects distinct influences, techniques, and thematic representations, contributing to the diverse tapestry of Indian art.
1. **Mughal Art:**
Mughal art flourished during the Mughal Empire (16th to 18th centuries) under the patronage of emperors like Akbar, Jahangir, and Shah Jahan. It is characterized by its intricate detailing, vivid colors, and a fusion of Persian, Islamic, and Indian styles. Mughal paintings often depict historical events, court scenes, flora, fauna, and portraits of rulers and nobility. Artists employed techniques like meticulous brushwork, precise draftsmanship, and the extensive use of gold leaf to create opulent and lifelike compositions.
2. **Kangra Art:**
Kangra painting originated in the Kangra Valley of Himachal Pradesh during the 17th to 19th centuries. It embodies the serene beauty of nature, love, and devotion. Kangra paintings are renowned for their delicate lines, pastel hues, and ethereal imagery, often depicting scenes from Hindu mythology, particularly the love stories of Radha and Krishna. Artists of Kangra school mastered the art of portraying emotions through subtle facial expressions and graceful gestures. The use of natural pigments derived from minerals and plants imparts a soft and luminous quality to these exquisite works of art.
3. **Miniature Art:**
Miniature painting is a meticulous and intricate art form that reached its pinnacle during the Mughal and Rajput periods (16th to 19th centuries). Miniatures are characterized by their diminutive size and elaborate detailing. Artists employed fine brushes, often made from squirrel hair, to create miniature masterpieces on materials such as paper, ivory, or cloth. Themes ranged from courtly scenes, religious narratives, and portraits to landscapes and flora. Miniatures are distinguished by their vibrant colors, intricate patterns, and meticulous attention to detail, showcasing the artist's skill and imagination within a confined space.
These Periodic Styles in Indian Traditional Art not only serve as visual representations of history, culture, and mythology but also as enduring testaments to the artistic genius and creativity of Indian artisans through the ages. Each style encapsulates its own unique blend of techniques, themes, and aesthetics, contributing to the rich tapestry of India's artistic heritage.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
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thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
2. INTRODUCTION
INDIA PAINTING HAS VERY LONG TRADITION
AND HISTORY IN INDIAN ART.THE EARLIER
INDIAN PAINTINGS WERE THE ROCK
PAINTINGS OF PRE-HISTORIC TIMES.
RAJA RAVI
VARMA
Sourish
4. *What is Painting?
*By sourish
*Painting is the practice of applying paint,
pigment, color or other medium to a surface
(support base). The medium is commonly applied
to the base with a brush but other implements,
such as knives, sponges, and airbrushes, can be
used. In art, the term painting describes both
the act and the result of the action.
5. *When was Painting
invented?
*By sourish
*In 2011, South African archaeologists reported
finding a 100,000-year-old human-made ochre-
based mixture that could have been used
like paint. Cave paintings drawn with red or
yellow ochre, hematite, manganese oxide, and
charcoal may have been made by early Homo
sapiens as long as 40,000 years ago.
7. *The history of painting reaches back in time to artifacts from
pre-historic humans, and spans all cultures. It represents a
continuous, though periodically disrupted, tradition from
Antiquity. Across cultures, and spanning continents and millennia,
the history of painting is an ongoing river of creativity, that
continues into the 21st century. Until the early 20th century it
relied primaril on representational, religious and classical motifs,
after which time more
purely abstract and conceptual approaches gained favor.
*Developments in Eastern painting historically parallel those
in Western painting, in general, a few centuries earlier. African
art, Jewish art, Islamic art, Indian art, Chinese art,
and Japanese art each had significant influence on Western art,
and vice versa.
8. * Finally in the West the idea of "art for art's sake"[began
to find expression in the work of the Romantic painters
like Francisco de Goya, John Constable, and J.M.W.
Turner. The 19th century saw the rise of the commercial art
gallery, which provided patronage in the 20th century.
*Initially serving utilitarian purpose, followed by imperial,
private, civic, and religious patronage, Eastern and Western
painting later found audiences in the aristocracy and the
middle class. From the Modern era, the Middle Ages through
the Renaissance painters worked for the church and a
wealthy aristocracy.
By sourish
9. HOW WAS PAINTING
DEVELOPED?
The term is generally not used in art history in speaking of
medieval painting, although the Western tradition was
developing in large altarpieces, fresco cycles, and other works,
as well as miniatures in illuminated manuscripts. It comes to the
fore in Italian Renaissance painting, where a series of
increasingly ambitious works were produced, many still
religious, but several, especially in Florence, which did actually
feature near-contemporary historical scenes such as the set of
three huge canvases on The Battle of San Romano by Paolo
Uccello, the abortive Battle of Cascina by Michelangelo and
the Battle of Anghiari by Leonardo da Vinci, neither of which
were completed.
10. *Cave painting of aurochs (Bos
primigenius), Lascaux,
France, prehistoric art
*By sourish
12. The rajasthani school flourished in pre-sultanate
period.
It was revived in the different rajput kingdoms.
Nature was the main theme of the panitings,with tree
forms,singing bird foliage and rivers being common
subjects.
14. Miniature Paintings:
Miniatures paintings are beautiful handmade paintings, which
are quite colorful but small in size. The highlight of these
paintings is the intricate and delicate brushwork, which lends
them a unique identity. The colors are handmade, from minerals,
vegetables, precious stones, indigo, conch shells, pure gold and
silver. The most common theme of the Miniature painting of India
comprises of the Ragas i.e., the musical codes of Indian classical
music. There were a number of miniature schools in the country,
including those of Mughals, Rajputs and the Deccan.
15. One of the ancient miniature
paintings of India
16. Miniature Paintings in Ancient
India
The evolution of Indian Miniatures paintings
started in the Western Himalayas, around the
17th century. These paintings were highly
influenced by the mural paintings that
originated during the later half of the 18th
century. During the time of the Mughals,
Muslim kings of the Deccan and Malwa as well
as the Hindu Rajas of Rajasthan, this art
flourished to quite an extent. Infact, the
Mughals were responsible for introducing
Persian tradition in the Miniature paintings of
18. Introduction
Mughal painting is a
particular style of Indian
painting, generally
confined to illustrations on
the book and done in
miniatures, and which
emerged, developed and
took shape during the
period of the Mughal
Empire 16th −19th
centuries.
19. Style and Main Theme
Mughal paintings were a
unique blend of Indian, Persian
and Islamic styles. Because the
Mughal kings wanted visual
records of their deeds as hunters
and conquerors, their artists
accompanied them on military
expeditions or missions of state,
or recorded their prowess as
animal slayers, or depicted them
in the great dynastic ceremonies
of marriages.
20. Akbar’s and Humayun’s Contribution
Akbar's reign (1556–1605) ushered a new era
in Indian miniature painting. After he had
consolidated his political power, he built a new
capital at Fatehpur Sikri where he collected
artists from India and Persia. He was the first
monarch who established in India an atelier
under the supervision of two Persian master
artists, Mir Sayyed Ali and Abdus Samad.
Earlier, both of them had served under the
patronage of Humayun in Kabul and
accompanied him to India when he regained his
throne in 1555. More than a hundred painters
were employed, most of whom were Hindus from
Gujarat, Gwalior and Kashmir, who gave a birth
to a new school of painting, popularly known as
the Mughal School of miniature Paintings.