deccani paintings
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Deccani painting flourished in peninsular India under the Deccani sultanates from the late 16th century. It blended indigenous and foreign styles, using rich colors like gold and white. Persian influence is seen in the floral backgrounds and landscapes. Distinct styles emerged in different sultanates, like Ahmednagar, Bijapur, Golconda, and Hyderabad. Golconda paintings from the 16th-17th century often depicted dancing girls and musicians at court. Hyderabad paintings after 1724 showed royal figures and daily life. Notable works are displayed at the National Museum in New Delhi.
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Mughal miniature painting
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
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The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
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INDIAN PAINTINGS
PAINTINGS
A MINIATURE PAINTING OF MEDIVAL PERIOD
INTRODUCTION
Indian painting has a very long tradition and history in Indian art.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka , some of them from before 5500 BC.
India's Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
Indian paintings provide an aesthetic continuum that extends from the early civilisation to the present day.
From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Some Genres of Indian painting
Murals
Miniature painting
Eastern Indian painting
Western Indian painting
Mughal painting
Rajput painting
Tanjore painting
Modern Indian painting
PAINTING OF AJANTA CAVES
Paintings of Ajanta caves are mainly based on the episodes drawn from the life of Lord Buddha .
Ajanta caves are the treasure house of delicate paintings. Some of them also portray scenes from Jataka tales.
The temples are excavated out of batholitic cliffs on the inner side of a seventy-foot valley in the Wagurna River vale, at a site where beauty dropped her image.
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Features of Paintings of Ajanta
The Ajanta paintings stresses on religious romanticism with lyric quality, a reflection of the view that every aspect of life has an equal value in the spiritual sense and as an aspect of the divine.
The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
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The most famous paintings at Ajanta caves are in `Cave I`. The shape of the cave is a square hall with the roof supported by rows of pillars.
There is a rock cut image of a seated Buddha at the back of the shrine. The most unusual feature of the cave is parts of the complete decoration of the flat ceiling. There are scenes carved from the life of Lord Buddha as well as a number of ornamental motifs.
In the paintings of Ajanta there are beautifully drawn female figures of dusky complexion wearing towering head-dresses that strongly resembles the sophisticated mukuta, crowning the Bodhisattva himself.
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The paintings of the ceiling of Cave I at Ajanta is executed in a more flat, enhancing style and the space is divided into a number of adjacent panels square and rectangular in form, which are filled with subjects and showy
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Abanindranath tagore
Abanindranath Tagore was a prominent Indian artist born in 1871 in Bengal, British India. He was a key figure in the Bengal school of art and helped modernize traditional Indian art forms. Tagore drew influence from Mughal and Rajput styles and focused on themes from Hindu philosophy and mythology in his paintings. Some of his most famous works include Ganesh Janani, Bharat Mata, The Victory of Buddha, and The Passing of Shah Jahan. Tagore played a pivotal role in developing a swadeshi form of Indian art.
Gandhara style!
The document summarizes information about the ancient Gandhara Kingdom located in northern Pakistan and eastern Afghanistan. Some key details:
- Gandhara's main cities were Purushapura (Peshawar), Takshashila (Taxila), and Pushkhalavati (Charsadda). It lasted from the 1st millennium BC to the 11th century AD and was ruled by various empires over time, including the Persians, Greeks, Indo-Greeks, and Kushans.
- The region flourished under Buddhist rule from the 1st to 5th centuries AD and was a center of Buddhism. Archaeological sites from this period, like the Dharmarajika
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The document summarizes the Deccan miniature painting style that developed between 1347-1627 AD in southern India. It originated during the rule of the Bahmani and five Deccani Sultanates of Bidar, Berar, Bijapur, Ahmadnagar and Golkonda. Their rulers greatly patronized the arts. While influenced by Persian and Mughal styles, Deccani paintings had their own distinct features including sturdy trees, expressive Ragamala paintings, and figures combining Persian and Indian elements. The style continued under the Mughals and Nizams of Hyderabad but weakened and some elements survived into the 19th century.
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1) The Vijayanagar Empire was founded in 1336 by Harihara and Bukka and lasted until 1565, ruling much of southern India.
2) Society followed the caste system strictly, with Brahmins honored and holding important roles. Kshatriyas served in the army, while Vaishyas and Sudras worked in trades and agriculture.
3) The empire was known for its grand architecture, including ornate temples built in the Dravidian style with gopuras, mandapas, and sculptures depicting Hindu gods. Hampi served as the capital with its royal palace complex.
Rajasthan miniature painting.. (1)
This mind map is a graphical way to represent ideas and concepts of Rajasthani school of miniature Painting.It is a visual thinking tool that helps structuring information, helping you to better analyze, comprehend, synthesize, recall and generate new ideas.
Ajanta Paintings
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Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.
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The slide give a basic idea about the lifestyle of during Mughal rule. This slide mainly focus on Mughal architecture, Mughal music, Mughal literature and Mughal paintings.
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Introduction to Indian Miniature School of ch- 1 ppt .
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Pala school, Jain school, Central India school. Sadanga, Six limbs of Art.
Metal Art of Chola Period
The PPP is for the students of UG and PG only. Not for my API.
For more pics of Chola period-
https://www.clevelandart.org/art/collection/search?i=1&search=chola
Art of Kushana Period (Gandhara & Mathura) : An Introduction
The slides are for the students of UG and PG. It is for purely teaching purpose not for the benefit of personal career or biodata.
What's hot (20)
Bagh Caves (Mural, Sculptures, Conservation Issues)
Bagh Caves (Mural, Sculptures, Conservation Issues)
Introduction to Indian Miniature School of ch- 1 ppt .
Introduction to Indian Miniature School of ch- 1 ppt .
Art of Kushana Period (Gandhara & Mathura) : An Introduction
Art of Kushana Period (Gandhara & Mathura) : An Introduction
Similar to deccani paintings
History IHC
This document summarizes information about the Harappan civilization and various artworks related to it. It discusses the Harappan cities of Harappa and Mohenjo-Daro, Harappan pottery styles, the Gandhara kingdom, and paintings by Amrita Sher-Gil and Jamini Roy depicting aspects of Indian culture. It also provides background on the artists and timelines of their works.
Indian Art
Buddhist, Jain, Hindu, Islamic, and British artistic influences are discussed in relation to Indian art over time. Key points include Buddhist bodhisattva sculptures, Jain manuscripts, Hindu temples featuring ornate architecture, Mughal architectural works like the Taj Mahal, Mughal and Rajput paintings, and the introduction of European styles during British rule leading up to modern abstract Indian art after independence.
Indian Art
Buddhist, Jain, Hindu, Islamic, and British artistic influences are discussed in relation to Indian art over time. Key points include Buddhist bodhisattva sculptures, Jain manuscripts, Hindu temples featuring ornate architecture, Mughal architectural works like the Taj Mahal, Mughal and Rajput paintings, and the introduction of European styles during British rule leading up to modern abstract Indian art after independence.
Painting
The document discusses the history of painting in India. It describes how Indian painting has a long tradition dating back to pre-historic rock paintings. It then discusses different styles and periods of Indian painting, including Mughal paintings during the 16th-19th centuries which blended Indian, Persian, and Islamic styles and often depicted royal hunts and ceremonies. Miniature paintings also flourished during this time under royal patronage. The document provides details on the development and contributions of different rulers like Akbar to establishing painting ateliers and schools in India.
110a-Art Movement of India.pptx
This document summarizes several important art movements in India, including medieval sculpture, Mughal painting, and modern movements like the Bengal School. During the medieval period, sculpture flourished and temples were decorated with stone and bronze sculptures. Mughal painting developed under royal patronage between the 16th-19th centuries and was influenced by Persian and Indian styles. In modern times, the Bengal School pioneered a nationalist Indian art style in the early 1900s, while later groups like the Calcutta Group and Progressive Artists Group experimented with new techniques and styles.
Newsletter march-2011-vol-ii
The document discusses several art exhibitions featuring Indian art that are taking place around the world. It mentions exhibitions in the US at the Brooklyn Museum and Frist Center focused on introducing audiences to Hindu deities. It also discusses exhibitions in Wales, Finland, Hong Kong, and New Jersey showcasing contemporary Indian art. The document notes the passing of Indian artist Sohan Qadri and highlights some artworks being featured in upcoming auctions at Sotheby's.
Indian painting
Indian painting has its origins in prehistoric times as seen in cave paintings at Bhimbetka dating back thousands of years. During ancient times, paintings flourished under patronage of rulers and were seen in temples and palaces, depicting religious and secular themes. Medieval Indian painting was influenced by Persian styles under Mughal rule and reached its peak during the time of Jahangir. In modern times, schools like the Bengal school and Progressive Artists Group emerged, adapting both traditional and modern techniques and styles. Indian painting has thus continuously evolved over millennia, adapting to new influences while maintaining its distinct character.
MAPEH ARTS 3rd quater INDIAN & PAKISTAN arts.pptx
This document provides information on the arts of India and Pakistan. It discusses various periods of Indian art history including the Ancient, Classical, and Islamic periods. It describes art forms like Diwali, Rangoli, Mehndi, and Kathak. It also discusses important architectural sites from different periods in both India and Pakistan such as the Ajanta Caves, Taj Mahal, Borobudur, Mohenjo-Daro, Harappa, and Kot Diji. The document also covers architectural styles like Mughal, Colonial, and Post-Colonial found in Pakistan with examples like the Frere Hall and Kamalapur Railway Station.
ARTS-3rd-Quarter-1st- Arts in Inidia- Ancient, Classical, Islamic and Mogul ...
ARTS IN INDIA
The cultural heritage of India is one of the richest and most ancient in the world, rivalled only by Chinese art.
The art of sculpture, the most highly respected medium for artists, was widely practiced throughout the subcontinent, and buildings were profusely adorned with it.
The subject matter of Indian sculpture was almost invariably abstracted human forms that were portrayed to instruct people in the truths of the Hindu Buddhist or Jain religions.
AJANTA CAVE
Ajanta Caves exemplifies one of the greatest achievements in ancient Buddhist rock-cut architecture.
The artistic traditions at Ajanta present an important and rare specimen of art, architecture, painting, and socio-cultural, religious and political history of contemporary society in India.
ARTS-3rd-Quarter-1st (The Arts in India- Ancient, Classical, Islamic, Mogul p...
Arts in India
The cultural heritage of India is one of the richest and most ancient in the world, rivalled only by Chinese art.
The art of sculpture, the most highly respected medium for artists, was widely practiced throughout the subcontinent, and buildings were profusely adorned with it.
The subject matter of Indian sculpture was almost invariably abstracted human forms that were portrayed to instruct people in the truths of the Hindu Buddhist or Jain religions.
Ajanta Cave
Are rock-cut cave monument
Date back from the 2nd century BCE to 600 CE
Located in Maharashtra, India
Indian art and japanese art
The document provides an overview of the history of art in India from prehistoric times through the present day. It traces the origins of Indian art back to 3rd millennium BC settlements in the Indian subcontinent. Key influences on Indian art included the Indus Valley civilization as well as religious influences like Hinduism, Buddhism, Jainism, and Islam. Over thousands of years, Indian art incorporated regional styles and evolved in various media like sculpture, painting, and architecture in both secular and religious contexts. The document highlights examples from different historical periods to illustrate the diverse and long tradition of Indian art.
history of arts..
This document discusses the history and evolution of visual arts in India. It describes how British imperial art introduced new styles like picturesque landscapes and lifelike portraits during colonial rule. It also discusses the search for a national Indian art style in the late 19th century, with artists like Raja Ravi Varma and Abanindranath Tagore trying to develop techniques that were both modern and reflective of Indian culture and mythology.
mughal paintings
Mughal painting developed in the court of the Mughal Empire from the 16th to 18th centuries. It emerged from Persian miniature painting, incorporating Indian influences. Mughal paintings were typically miniatures for book illustrations or single works in albums. They often depicted court scenes, portraits of rulers and nobility, or scenes from daily life and mythology. Many artists worked in the imperial atelier, including Persians who came with Humayun to India, as well as Hindu artists. The style flourished under Akbar and Jahangir, with master artists creating spectacular works, and continued during Shah Jahan's reign despite his lack of support. Today, the art form continues through artists in Lahore who produce copies
Sanskruthi quiz prelim
1. The document contains 20 multiple choice questions about art, culture and history from India and other parts of Asia.
2. The questions cover topics like festivals, crafts, musical instruments, dances, architectural styles, and famous artists/dancers from India and other Asian countries.
3. The answers provided include names of festivals, crafts, countries, monuments, dances, and artists that correspond to the questions asked.
Islamic Art by Jose Radin L. Garduque
A Report in Soc. Sci. 415 (Humanities) under Prof. Jonathan Adjijil at Filamer Christian University, Roxas City, Philippines (1st Sem., A.Y. 2013-14)
Culturat heritage handicraft. ss ch2 gseb grade 10
Cultural heritage can include material possessions, genetic traits, and skills/intellectual achievements passed down through generations. India has a long tradition of handicrafts involving art, clay work, weaving, embroidery, painting, music, and dance. Some examples highlighted include Patola silk saris from Gujarat involving intricate double ikat dyeing, Bandhani tie-dye textiles from Rajasthan, and Kanjeevaram silk saris from Tamil Nadu known for embroidery. Indian classical music has five main raga types and is traced back to texts like the Samaveda. Ancient texts on music theory include the Sangeet Makarand by Narad and the Sangeet Ratn
Ip
The document provides an overview of the history and genres of Indian painting. It discusses early rock paintings from pre-historic times. It describes the evolution of miniature paintings in manuscripts from the 10th century onward in eastern and western India. Key genres discussed include Mughal painting which fused Persian and Indian styles, as well as Rajput, Mysore, Tanjore, Madhubani, Pattachitra and modern Indian painting styles. The six principles of Indian painting from the Kamasutra are also summarized.
English Project.pptx
This document provides information about different types of art in India and Europe, as well as famous artists from around the world. It discusses several forms of traditional Indian folk art like Mithila painting, Warli art, and Mandana art. It also provides brief biographies of famous artists like Leonardo Da Vinci, Vincent Van Gogh, and Raja Ravi Varma. Additionally, it defines recycled art and discusses how artists use existing materials to create new works of art.
Islamic Art
A Report by Jose Radin L. Garduque
in MAT Soc. Sci. class of Prof. Jonathan Adjijil in Filamer Christian University, Roxas City (First Semester, A.Y. 2013-2014)
Periodic Styles in Indian Traditional Art - Mughal, Kangra, Miniature
Periodic Styles in Indian Traditional Art showcase the rich cultural heritage and artistic excellence that has evolved over centuries. Among these, three prominent styles stand out: Mughal, Kangra, and Miniature. Each style reflects distinct influences, techniques, and thematic representations, contributing to the diverse tapestry of Indian art.
1. **Mughal Art:**
Mughal art flourished during the Mughal Empire (16th to 18th centuries) under the patronage of emperors like Akbar, Jahangir, and Shah Jahan. It is characterized by its intricate detailing, vivid colors, and a fusion of Persian, Islamic, and Indian styles. Mughal paintings often depict historical events, court scenes, flora, fauna, and portraits of rulers and nobility. Artists employed techniques like meticulous brushwork, precise draftsmanship, and the extensive use of gold leaf to create opulent and lifelike compositions.
2. **Kangra Art:**
Kangra painting originated in the Kangra Valley of Himachal Pradesh during the 17th to 19th centuries. It embodies the serene beauty of nature, love, and devotion. Kangra paintings are renowned for their delicate lines, pastel hues, and ethereal imagery, often depicting scenes from Hindu mythology, particularly the love stories of Radha and Krishna. Artists of Kangra school mastered the art of portraying emotions through subtle facial expressions and graceful gestures. The use of natural pigments derived from minerals and plants imparts a soft and luminous quality to these exquisite works of art.
3. **Miniature Art:**
Miniature painting is a meticulous and intricate art form that reached its pinnacle during the Mughal and Rajput periods (16th to 19th centuries). Miniatures are characterized by their diminutive size and elaborate detailing. Artists employed fine brushes, often made from squirrel hair, to create miniature masterpieces on materials such as paper, ivory, or cloth. Themes ranged from courtly scenes, religious narratives, and portraits to landscapes and flora. Miniatures are distinguished by their vibrant colors, intricate patterns, and meticulous attention to detail, showcasing the artist's skill and imagination within a confined space.
These Periodic Styles in Indian Traditional Art not only serve as visual representations of history, culture, and mythology but also as enduring testaments to the artistic genius and creativity of Indian artisans through the ages. Each style encapsulates its own unique blend of techniques, themes, and aesthetics, contributing to the rich tapestry of India's artistic heritage.
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Culturat heritage handicraft. ss ch2 gseb grade 10
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The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
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哪里购买(ucr毕业证书)美国加州大学河滨分校毕业证研究生文凭证书原版一模一样
原版定制【微信:bwp0011】《(ucr毕业证书)美国加州大学河滨分校毕业证研究生文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
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二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
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一比一原版加拿大多伦多大学毕业证（uoft毕业证书）如何办理
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二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
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deccani paintings
- 3. Deccani painting, style of miniature painting that flourished from the late 16th century among the Deccani sultanates in peninsular India.
- 6. The style is a sensitive, highly integrated blend of indigenous and foreign art forms. Deccani colours are rich and luminous, and much use is made of gold and white. The floral-sprigged backgrounds, high horizons, and general use of landscape show Persian influence.. Distinctive features of the Deccani paintings are observed in the treatment of the ethnic types, costumes, jewellery, flora, fauna, landscape and colours.
- 8. Ahmednagar painting: This school was patronized by Hussain Nizam Shah I of Ahmednagar. The important illustrated manuscript is “Tarif-i-Hussain Shahi Bijapur Paintings: This school was patronized by Ali Adil Shah I (1558-80 A.D.) and his successor Ibrahim II (1580-1627 A.D.). i. Important and notable work is Najum-al-ulum (Stars of Sciences), which has as many as 400 miniature illustrations. ii. Bijapur show influence of Lepakshi temple Murals, particularly in the depiction of the women. Golconda Paintings: The patrons of the Golconda paintings were the Qutb Shahi rulers. i. The first important work was accomplished during the times of Muhammad Quli Qutab Shah (1580-1611). ii. These paintings show the dancing girls entertaining the VIPs. iii. The Qutb Shahi rulers had employed many Persian artists and so there is a profound impact of Iranian art on the Golconda miniature paintings. iv. Two more notable paintings are the “Lady with the Myna bird” and the “Lady smoking Hooka” Hyderabad Style: The paintings in Hyderabad style developed after the foundation of Asafjahi dynasty by Chin Qulick Khan, Nizam-ul-Mulk in 1724. One example is a painting of “princes in the company of maids”.
- 10. Sultan Abdulla Qutb Shah, Bijapur, circa 1940 A.D., National Museum, New Delhi
- 11. Ragini Pathamsika, Bijapur/Ahmadnagar, circa 1595 A.D., National Museum, New Delhi
- 13. Chand Bibi playing polo, Golkonda, circa 1750 A.D., National Museum, New Delhi
- 14. Prince holding flower, Golconda, circa 1700 A.D., National Museum, New Delhi
- 15. Raga Malkauns, Golconda, circa 1725, National Museum, New Delhi Raga Kakubha, Golkonda, circa 1720 A.D., National Museum, New Delhi
- 16. Raga Basant, Golkonda, circa 1690-1700, National Museum, New Delhi Shahbaz Khan Kambo smoking huqqa, Golkonda, 1683 A.D., National Museum, New Delh Prince enjoying Music, Golkonda, circa 1710-20 A.D., National Museum, New Delhi
- 18. Dancers, Hyderabad, circa 1750 A.D., National Museum, New Delhi
- 19. Hazrat Nizam-ud- Awaliya, and Amir Khusro, Hyderabad, circa 1750- 70 A.D., National Museum, New Delhi
- 20. Ladies enjoying wine, Hyderabad, circa 1750 A.D., National Museum, New Delhi Lady observing austerity, Hyderabad, circa 1750 A.D., National Museum, New Delhi Princess with confident, Hyderabad, circa 1780 A.D., National Museum, New Delhi
- 21. By, Ananya, Gauri, Nabonita, Shravani, Vineesha