The document evaluates a group's short chase sequence film project. It describes their initial idea to film a chase involving a woman and her mobile phone that could have two interpretations. It discusses their filming process, including choosing locations with similar lighting. It describes the mise-en-scene elements used to portray danger and emotion. It also covers the shots, editing, soundtrack choice, and lessons learned from the project.
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* Hoe organiseer je een leuke sponsorloop bij een basisschool?
* Durf te vragen. Krijg goedkeuring in gesprek met de schooldirectie en Ouder Raad.
*Leg zo snel mogelijk de datum en de plaats vast. Overleg met de gemeente indien nodig.
* Vorm een team om je heen die mee wil helpen met organiseren.
* Maak de kinderen super enthousiast.
* Maak een communicatieplan en draaiboek.
* Vrijwilligers werven voor de dag zelf.
* En klaar! Maak het een mooi KiKa feestje.
Tips om de sponsorloop tot een spetterend evenement te maken
* Doe met alle deelnemers een gezamenlijke warming-up, bijvoorbeeld met een bekende sporter uit de buurt.
* Laat de burgemeester, oprichter of ambassadeur van het goede doel het startschot geven van de sponsorloop.
* Breng extra stemming in de brouwerij met een muziekinstallatie bij de start en/of finish van het evenement.
* Beloon de deelnemer die de snelste tijd neerzet of de meeste rondjes heeft gelopen met een leuke prijs.
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We cannot collaborate until we have effective communication, so it seems to me a good idea to take a fresh look at what works and what fails. Comments are welcome and so are embeds, likes and shares.
Planeta Wiki
http://planeta.wikispaces.com/communication
Conversation is a fundamental component of human behavior, it's part of our basic make-up, it makes us human. Even with this evolutionary fact staring us in the face many companies still don't understand how to engage in meaningful conversation with their customers and employees. This presentation will teach you how to overcome obstacles to conversation, participate in conversations about you and your market and move people to action.
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SESSION #1 | L’EXPÉRIENCE CLIENT : LE FUTUR DU MARKETING ?
Le mobile est devenu le 1er écran de nos vies. Tablettes, smart glass, smart watch,… le nombre de points de contacts, leurs formats, spécificités explosent. Ce qui fait la différence entre les entreprises leaders et les autres, repose désormais sur la qualité et la cohérence omnicanale de l’expérience client. Mix de design, d’ergonomie, d’utilité, d’interaction et de pertinence, la CX est l’élément clef de différenciation et de préférence face aux nombreuses offres de vos concurrents.
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The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
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Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
1. OUR EVALUATION OF OUR
CHASE SEQUENCE
Hazel Nasho, Amy Crow, Olivia Dixon, and Natalie Wood
2. INITIAL IDEA
We were given a plot to create a short sequence of a chase, which had to be
under a minute long. We decided to base our chase around a female with a
mobile phone. We chose this because we felt that we could play around a lot
with the plot. One thing we wanted to achieve was that there could be possible
storylines behind the sequence; we wanted to give it two meanings.
A) the female could be getting mugged for her phone OR
B) the chaser is going to get her phone back from the female using it.
3. FILMING PROCESS
When the plot had been finalised, we then began to decide on which
locations would be suitable for the sequence and particular scenes.
We also used boards to hold up at the beginning of each take so that when
it came to the editing process we know which takes of each shot were correct.
We had to make sure that when we were filming we picked locations with
similar lighting to ensure that when the sequence was pieced together there
were no dramatic changes.
4. MISE-EN-SCENE
In the first shot Hazel is alone, this makes her vulnerable. At the start of
the sequence she is walking in an alleyway which connotes danger.
A change in location half way through the sequence allows the audience to
gage how far the chase has travelled.
Amy is the chaser. She wears a hooded jacket which is stereotypical for a
criminal.
Woodland areas are typical locations for hiding in. We used a small area of
trees for the end of our sequence when Hazel was hiding from the chaser.
5. SHOTS
Using different camera angles is essential to ensure you portray different
emotions.
A selection of the shots we used were: over the shoulder, high angle, pan
and long distance shot.
We also made sure that there were a combination of shots that were filmed
on a tripod and were filmed handheld. A handheld shot was useful in the chase
scene as it gave the effect of running.
6. EDITING
When piecing the film together we originally put cuts between every shot, but
then changed it to having cuts only at the end so that the chase section appeared to
be quicker. We added fades at the beginning to make transitions between shots
smoother so there is a contrast.
We had to choose a soundtrack that would be fitting to the plot. An
instrumental track seemed more appropriate than a track with lyrics. We used
Palladio. When placing the track over the visual clips we chose to have the slower
parts at the beginning and the faster more dramatic parts at the end when the chase
is developing.
7. HOW WILL THIS HELP US?
We have learnt how to use iMovie and edit together a short film adding soundtracks and
effects.
We have learnt that different shots portray different moods and that certain shots work
better in certain genres of film.
We have learnt how to set up a digital camera and tripod correctly and learnt different
styles of filming.
When watching the film back we realised that in one shot the tripod can be seen in the
background. When filming our main task later on this is something we shall have to take into
consideration and make sure everything is moved out of the area being filmed.
ALL OF THESE POINTS WILL HELP US WITH OUR MAIN TASK
8. SUCCESS CRITERIA -
ADVANCED PRODUCTION
Candidates must show a controlled use of the camera, attention to framing , variety
of shot sizes and close attention to mise en scene. (We took into consideration what
was in the shot and where the characters were positioned in the shot.)
Candidates must use a range of shot transitions, captions and other effects whilst
editing film together. (We thought carefully about which transitions should go where in
the film. We kept the cuts for the latter half and used fades nearer the beginning.
Candidates must make sure there is proficient organisation of location, costume or
props. (We made sure the chaser was wearing a hooded jacket to make her look more
dangerous and we picked locations which made the victim look more vulnerable.