OGDC2013_ Making of Sky garden Artwork_ Mr Nguyen Ngoc Hoang
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ogdcThe document outlines the process for making artwork for a game, including establishing art direction by considering factors like the target age and interests of users, developing images through sketching, feedback, and refinement, and using tools like Pixma and After Effects for tasks like sprite sheet animation and cartoon-style frame-by-frame animation. It also stresses the importance of effective planning, addressing difficulties, and being willing to remake work based on feedback to satisfy gamers rather than the artist's ego.
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OGDC2013_2D Artist-the first steps_ Ms Tran Thi Thu Hien
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2) A silhouette by removing an image's background, adjusting brightness/contrast, and printing the black and white cutout.
3) A computer vision board background by finding screen resolution, converting to inches, resizing a PowerPoint slide, adding images/text, grouping, saving as a picture, and setting as desktop background.
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OGDC2012 2D Art For Realtime 3D Web Game_Mr. Khanh, Pham Ngoc Vu
This document discusses 2D art creation for real-time 3D web games. It covers character, environment, and PR artwork design. For characters, adjustments were made to proportions and camera angles to improve visuals. Costumes were designed as separate pieces then combined. Environments needed cleanup between 2D sketches and 3D to match. Texture libraries were recommended to share resources between 2D and 3D artists. Final PR artwork was created by combining 2D sketches, 3D characters, backgrounds, and effects produced collaboratively. Defining camera usage and avoiding excessive details were emphasized.
2D art for real time 3D web game
This document discusses 2D art creation for real-time 3D web games. It covers character, environment, and PR artwork design. For characters, adjustments were made to proportions and camera angles to improve visuals. Costumes were designed as separate pieces then combined. Environments needed cleanup between 2D sketches and 3D to match. Texture libraries were recommended to share resources between 2D and 3D artists. Final PR artwork was created by combining 2D sketches, 3D characters, backgrounds, and effects produced collaboratively. Defining camera usage and avoiding excess details were emphasized.
graphics
This document provides an introduction to using Photoshop for graphic narrative and digital graphics projects. It outlines learning aims of discussing how Photoshop can be used to create game or graphic novel graphics, using imagination to create original concepts, and using Photoshop to generate ideas. Students will complete assignments involving creating a digital graphic novel, reviewing comics, and creating 2D game sprites and concepts. The document describes various techniques that can be demonstrated like Photoshop skills, concept designing, creative thinking, and applying game art styles to graphics. It includes examples of concept development in Photoshop like characters, environments, and photo manipulation.
Creative i media r082
- The client, NuComputerGames, is releasing a new computer game called TIMECHASER and requires advertisements to promote it.
- The student must create two digital graphic advertisements - one for a printed magazine and one optimized for online use.
- The brief provides requirements for the advertisements such as dimensions, target audience, and formats.
- The student will investigate digital graphics, plan their advertisements, create the advertisements using image editing software, and review the final results.
2D Art For Realtime 3D Web Game
This document discusses 2D art creation for real-time 3D web games. It covers character, environment, and promotional artwork design. For characters, different styles were sketched and a survey selected the final style. The 3D model was adjusted by increasing limb and decreasing head scales for better balance. Camera angle and movement were also adjusted for clearer animation viewing. Costumes were initially separate but combining them yielded poor results, so full sets and topics were used instead. For environments, 2D sketches could not capture all contours so cleanups were done for similarity between 2D and 3D. Common texture libraries were recommended for optimizing art resources between 2D and 3D artists. Promotional artworks combined characters, backgrounds, and
2d art for realtime 3d web game
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OGDC 2014_Creativity in Game Design - Case Study: Famous Vietnamese mobile ga...
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OGDC 2014_Vietnam Mobile Internet 2014: A focus in smartphone game and compar...
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OGDC2013_ Making of Sky garden Artwork_ Mr Nguyen Ngoc Hoang
- 3. Agenda A. Art direction B. Image building process C. Animation tools
- 5. Home
- 8. • Jack and the beanstalk • Medieval Age Art direction Context
- 9. • Age • Gender • User’s interests Art direction Target audience Requirement
- 10. Art direction Blend mode in game Give feedbacks to the tool developer for more features and convenience. Not satisfy: Normal blend
- 11. Image building process INFORMATION from Design Document
- 12. • Sketch • Collect early feedbacks • Fixed and colorize • Feebacks again… • Refine to final image Image building process
- 13. Final concept
- 14. Artist vs Gamer • Make gamer happy • Put aside your ego • Willing to remake (totally if needed) Image building process
- 15. Job experience sharing • planing • Heavy workload, Pressure • Raise straightly about your difficulties Image building process
- 17. Cartoon style animation : frame by frame sprite Sprite sheet animation
- 18. PIXMA • After finishing the concept, proceed layering, designing to png
- 21. After effects
- 24. Conclusion • Artwork Orientation. • Design Documents -> Sketch -> Final Concept. • Animation tools • Job experience sharing