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a journey of architecture from MUGHAL to . . .
NEW DELHI
Sir Edwin lutyen's ,
from the period of AKBAR (1546-1605) . . .
 Birth - 15 October 1542
 Death - 27 October 1605
 Buildings
• Fatehpur sikri (buland darwaja)
• humanyu's tomb
A b u ' l - F a t h J a l a l - u d - d i n M u h a m m a d A k b a r
HUMAYUN'S TOMB
Inner dome Cannals Arches Tomb 3-Domed Building
• ARCHITECTURAL STYLE - MUGHAL
• ARCHITECT - MIRAK MIRZA GHIYAT
• TIME PERIOD- (1565 - 1572)
• LOCATION - MATHURA ROAD
NIZAMUDDIN ,DELHI
E L E M E N T S
The symbolically cut out
mihrab facing west or Mecca,
over the marble lattice jali
screen
Four central water courses define
Char Bagh's quadrilateral layout.
 The main chamber also carries the symbolic element, a mihrab design over the central
marble lattice or jaali, facing Mecca in the West, here instead of the traditional Surah 24,
An-Noor of Quran which is inscribed on the mihrabs, this one is just an outline allowing
light to enter directly into the chamber, from Qibla or the direction of Mecca, thus
elevating the status of the Emperor, above his rivals and closer to divinity.
 Mirak Mirza Ghiyath, a Persian, was the architect employed by Haji Begam for this tomb.
The tomb was constructed at a cost of 15 lakh
rupees (1.5 million)
DETAIL OF CHAR BAGH
 The quadrilateral Charbagh concept is based on the four
gardens of Paradise mentioned in Chapter (Surah) 55
 "And for him, who fears to stand before his Lord, are two
gardens." (Chapter 55: Verse 46)
 "And beside them are two other gardens."
from the period of JAHANGIR (1605-1627) . . .
 Birth - 31 August 1569
 Death - 28 October 1627
 Buildings
• Hiran Minar
• Tomb of Jahangir
M i r z a N u r - u d - d i n B e i g M o h a m m a d K h a n S a l i m
Tomb of JAHANGIR
H i r a n M i n a r
L O C A T I O N
LAHORE , PUNJAB , PAKISTAN SHEIKHUPURA , PUNJAB , PAKISTAN
L A Y O U T
• Minarets
• Pool
• Pavelion
• Causway
• Exterior
• Interior
• Gardens
from the period of SHAH JAHAN (1628-1658) . . .
 Birth - 05 January 1592
 Death - 22 January 1666
 Buildings
• Taj Mahal
• Red Fort
• Moti Maszid
• Agra Fort
• Naulakhha Pavelion
• Jama Maszid
• Shahjahanbad
S h a h a b - u d - d i n M u h a m m a d K h u r r a m
the T A J M A H A L
Scroll-work Analytical Drawing Section Makbara Inner-Dome patterns
Location - Agra , Uttar Pradesh
Architectural Style - Mughal Architecture
Architect - Ustad Ahmed Lahori
Construction - 1632 - 1648 A.D.
M A T E R I A L S
• MARBELS ( MAKRANA )
• JADE ( CHINA )
• LAPIS LAYULI ( AFGHANISTAN )
• CORAL ( ARABIA )
• CAT'S EYE ( NILVALLUI )
• RUBY ( SRI LANKA )
• YELLOW AMBER ( BARMA )
• TURGUOISE ( TIBET )
• MALACHITE ( RUSSIA )
from the period of AURANGZEB (1658-1707) . . .
 Birth - 03 November 1618
 Death - 03 March 1707
 Buildings
• Badshahi Masjid
• Tomb of Syed Abdul Rahim Shah Bukhari
A b u ' l M u z a f f a r M u h i - u d - D i n M u h a m m a d
the Successors of M U G H A L S before BRITISH INVASION
• Muhammad Azam Shah (titular)
• Bahadur Shah I(1707 – 1712)
• Jahandar Shah (1712 – 1713)
• Farrukhsiyar (1713 – 1719)
• Rafi ud-Darajat (1719)
• Shah Jahan II (1719)
• Muhammad Shah (1719 – 1748)
• Ahmad Shah Bahadur (1748 – 1754)
• Alamgir II (1754 – 1759)
• Shah Jahan III (titular) (1759 – 1760)
• Shah Alam II (1760 – 1806)
• Jahan Shah IV (titular) (1788)
• Akbar II (1806 – 1837)
• Bahadur Shah II (1837 – 1857)
BAHADUR SHAH ZAFAR . . .
The Last Mughal Emperor
and . . .
Sir Edwin luteyan's
NEW DELHI
there will never be great architects or great architecture without great patrons . . .
C O N C E P T
• Purely Geometrical Layouts
• Three Lined Street Radiate From Central
Vista & Converge into Hexagonal Nodes
Z O N I N G
GOVERNMENT COMPLEX
BUNGLOW ZONE
COMMERCIAL DISTRICT
P L A N
Rendered Plan
Satellite View City Plan
Lutyen's Delhi Plan
BUILDINGS
HYDRABAD HOUSE PARLIAMENT HOUSE NORTH AND SOUTH BLOCK
THE PRESIDENT HOUSEMaking of
• The rocky hills of the chosen location were blasted and land
leveled to accommodate the Viceroy’s residence as well as office
buildings.
• Since the city plan had been made away from the river, and no
stream flowed in the south, subsoil water had to be pumped to
the surface for all water requirements.
• The 145 feet tall Jaipur Column which stands on the Rashtrapati
Bhavan Forecourt was gifted by Maharaja of Jaipur, Siwai
Madho Singh to commemorate the creation of Delhi as the new
capital.
• The H shaped building shows the elaborate geographical
permutations in an elegant style.
• The main building was built by Haroun-al-Rashid, while the
Forecourt was done by Sujan Singh and his son Sobha Singh.
• Lutyens was extremely particular about the architecture and
design of his building and preferred European classical style.
• It is estimated that seven hundred million bricks and three
million cubic feet of stone had gone into building this palatial
structure with around twenty three thousand labourers working.
• The estimated cost of building the Viceroy’s House was Rs. 14
million.
• the Dome was inspired by the Sanchi Stupa; elements like
chhajjas, chhatris and jaalis, and motifs like elephants, cobra,
temple bells etc. all have an Indian connect. His collaborator for
the project was Herbert Baker, who constructed the North
Block and the South Block
PLAN OF THE PRESEDENT HOUSE
SECTION OF THE PRESEDENT HOUSE
 The layout plan of the building is designed around a massive
square with multiple courtyards and open inner areas within.
The plan called for two wings; one for the Viceroy and
residents and another for guests.
 Consisting of four floors and 340 rooms, with a floor area of
200,000 square feet (19,000 m2), it was built using 700
million bricks and 3,000,000 cu ft (85,000 m3) of stone with
little steel
 it was decided that sensitivity must be shown to the local
surroundings in order to better integrate the building within
its political context, and after much political debate Lutyens
conceded to incorporating local indo-Saracenic motifs, albeit
in a rather superficial decorational form on the skin of the
building.
E L E M E N T S
Mughal Garden Arches
Cannon
Jaipur Pillar
Dome
SECTION OF RASTRAPATI BHAWAN
I N T E R I O R S
Ashoka Hall Bed Room
Darbar Hall Dinning Room Living Room
B I B L I O G R A P H Y
• http://rashtrapatisachivalaya.gov.in/rbtour/m
aking-rastrapati-bhavan
• https://en.wikipedia.org/wiki/Rashtrapati_Bh
avan#Halls_and_rooms
• Case study of Humayun's tomb.
• Case study of Central Secretariate.
Submitted by , Submitted to ,
• SHRI KRISHNA
• ASHUTOSH KAMAL ARYA
• AKRITI SAHU
• KUSHAL LATH
• HIMANSHU KUMAWAT
• SUNIL SAINI
AR. ABHISHEK SHRIVASTAVA
thank you . . .

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New delhiplanning by Sir Edvin Lutyens (planning & concept).

  • 1. a journey of architecture from MUGHAL to . . . NEW DELHI Sir Edwin lutyen's ,
  • 2. from the period of AKBAR (1546-1605) . . .  Birth - 15 October 1542  Death - 27 October 1605  Buildings • Fatehpur sikri (buland darwaja) • humanyu's tomb A b u ' l - F a t h J a l a l - u d - d i n M u h a m m a d A k b a r
  • 3. HUMAYUN'S TOMB Inner dome Cannals Arches Tomb 3-Domed Building • ARCHITECTURAL STYLE - MUGHAL • ARCHITECT - MIRAK MIRZA GHIYAT • TIME PERIOD- (1565 - 1572) • LOCATION - MATHURA ROAD NIZAMUDDIN ,DELHI E L E M E N T S
  • 4. The symbolically cut out mihrab facing west or Mecca, over the marble lattice jali screen Four central water courses define Char Bagh's quadrilateral layout.  The main chamber also carries the symbolic element, a mihrab design over the central marble lattice or jaali, facing Mecca in the West, here instead of the traditional Surah 24, An-Noor of Quran which is inscribed on the mihrabs, this one is just an outline allowing light to enter directly into the chamber, from Qibla or the direction of Mecca, thus elevating the status of the Emperor, above his rivals and closer to divinity.  Mirak Mirza Ghiyath, a Persian, was the architect employed by Haji Begam for this tomb. The tomb was constructed at a cost of 15 lakh rupees (1.5 million)
  • 5. DETAIL OF CHAR BAGH  The quadrilateral Charbagh concept is based on the four gardens of Paradise mentioned in Chapter (Surah) 55  "And for him, who fears to stand before his Lord, are two gardens." (Chapter 55: Verse 46)  "And beside them are two other gardens."
  • 6. from the period of JAHANGIR (1605-1627) . . .  Birth - 31 August 1569  Death - 28 October 1627  Buildings • Hiran Minar • Tomb of Jahangir M i r z a N u r - u d - d i n B e i g M o h a m m a d K h a n S a l i m
  • 7. Tomb of JAHANGIR H i r a n M i n a r L O C A T I O N LAHORE , PUNJAB , PAKISTAN SHEIKHUPURA , PUNJAB , PAKISTAN L A Y O U T • Minarets • Pool • Pavelion • Causway • Exterior • Interior • Gardens
  • 8. from the period of SHAH JAHAN (1628-1658) . . .  Birth - 05 January 1592  Death - 22 January 1666  Buildings • Taj Mahal • Red Fort • Moti Maszid • Agra Fort • Naulakhha Pavelion • Jama Maszid • Shahjahanbad S h a h a b - u d - d i n M u h a m m a d K h u r r a m
  • 9. the T A J M A H A L Scroll-work Analytical Drawing Section Makbara Inner-Dome patterns Location - Agra , Uttar Pradesh Architectural Style - Mughal Architecture Architect - Ustad Ahmed Lahori Construction - 1632 - 1648 A.D.
  • 10.
  • 11. M A T E R I A L S • MARBELS ( MAKRANA ) • JADE ( CHINA ) • LAPIS LAYULI ( AFGHANISTAN ) • CORAL ( ARABIA ) • CAT'S EYE ( NILVALLUI ) • RUBY ( SRI LANKA ) • YELLOW AMBER ( BARMA ) • TURGUOISE ( TIBET ) • MALACHITE ( RUSSIA )
  • 12. from the period of AURANGZEB (1658-1707) . . .  Birth - 03 November 1618  Death - 03 March 1707  Buildings • Badshahi Masjid • Tomb of Syed Abdul Rahim Shah Bukhari A b u ' l M u z a f f a r M u h i - u d - D i n M u h a m m a d
  • 13. the Successors of M U G H A L S before BRITISH INVASION • Muhammad Azam Shah (titular) • Bahadur Shah I(1707 – 1712) • Jahandar Shah (1712 – 1713) • Farrukhsiyar (1713 – 1719) • Rafi ud-Darajat (1719) • Shah Jahan II (1719) • Muhammad Shah (1719 – 1748) • Ahmad Shah Bahadur (1748 – 1754) • Alamgir II (1754 – 1759) • Shah Jahan III (titular) (1759 – 1760) • Shah Alam II (1760 – 1806) • Jahan Shah IV (titular) (1788) • Akbar II (1806 – 1837) • Bahadur Shah II (1837 – 1857) BAHADUR SHAH ZAFAR . . . The Last Mughal Emperor and . . .
  • 14. Sir Edwin luteyan's NEW DELHI there will never be great architects or great architecture without great patrons . . .
  • 15. C O N C E P T • Purely Geometrical Layouts • Three Lined Street Radiate From Central Vista & Converge into Hexagonal Nodes
  • 16. Z O N I N G GOVERNMENT COMPLEX BUNGLOW ZONE COMMERCIAL DISTRICT
  • 17. P L A N Rendered Plan Satellite View City Plan Lutyen's Delhi Plan
  • 18. BUILDINGS HYDRABAD HOUSE PARLIAMENT HOUSE NORTH AND SOUTH BLOCK
  • 19. THE PRESIDENT HOUSEMaking of • The rocky hills of the chosen location were blasted and land leveled to accommodate the Viceroy’s residence as well as office buildings. • Since the city plan had been made away from the river, and no stream flowed in the south, subsoil water had to be pumped to the surface for all water requirements. • The 145 feet tall Jaipur Column which stands on the Rashtrapati Bhavan Forecourt was gifted by Maharaja of Jaipur, Siwai Madho Singh to commemorate the creation of Delhi as the new capital. • The H shaped building shows the elaborate geographical permutations in an elegant style.
  • 20. • The main building was built by Haroun-al-Rashid, while the Forecourt was done by Sujan Singh and his son Sobha Singh. • Lutyens was extremely particular about the architecture and design of his building and preferred European classical style. • It is estimated that seven hundred million bricks and three million cubic feet of stone had gone into building this palatial structure with around twenty three thousand labourers working. • The estimated cost of building the Viceroy’s House was Rs. 14 million. • the Dome was inspired by the Sanchi Stupa; elements like chhajjas, chhatris and jaalis, and motifs like elephants, cobra, temple bells etc. all have an Indian connect. His collaborator for the project was Herbert Baker, who constructed the North Block and the South Block
  • 21. PLAN OF THE PRESEDENT HOUSE SECTION OF THE PRESEDENT HOUSE  The layout plan of the building is designed around a massive square with multiple courtyards and open inner areas within. The plan called for two wings; one for the Viceroy and residents and another for guests.  Consisting of four floors and 340 rooms, with a floor area of 200,000 square feet (19,000 m2), it was built using 700 million bricks and 3,000,000 cu ft (85,000 m3) of stone with little steel  it was decided that sensitivity must be shown to the local surroundings in order to better integrate the building within its political context, and after much political debate Lutyens conceded to incorporating local indo-Saracenic motifs, albeit in a rather superficial decorational form on the skin of the building.
  • 22.
  • 23.
  • 24. E L E M E N T S Mughal Garden Arches Cannon Jaipur Pillar Dome SECTION OF RASTRAPATI BHAWAN
  • 25. I N T E R I O R S Ashoka Hall Bed Room Darbar Hall Dinning Room Living Room
  • 26. B I B L I O G R A P H Y • http://rashtrapatisachivalaya.gov.in/rbtour/m aking-rastrapati-bhavan • https://en.wikipedia.org/wiki/Rashtrapati_Bh avan#Halls_and_rooms • Case study of Humayun's tomb. • Case study of Central Secretariate.
  • 27. Submitted by , Submitted to , • SHRI KRISHNA • ASHUTOSH KAMAL ARYA • AKRITI SAHU • KUSHAL LATH • HIMANSHU KUMAWAT • SUNIL SAINI AR. ABHISHEK SHRIVASTAVA thank you . . .