The video uses a variety of camera angles including wide shots, mid shots, medium close ups and close ups, but the camera does not move throughout the video. Editing includes many jump cuts due to the stationary camera, as well as a fade to black at the end. The scene is filmed in a casual studio apartment that is gradually torn down to reflect the deteriorating relationship between the two characters. The video alternates between performance shots of the singer and narrative shots of the couple's relationship unfolding in the same space.

2. CAMERA ANGLES
The subjects of the video (i.e. Natalie Imbruglia and the man in the video)
move around the camera
The camera doesn’t move for the whole video
The video is comprised of wide shots, mid shots, medium close ups and
close ups

3. EDITING
The editing contains a lot of jump cuts as the camera doesn’t move for the whole
video
It also contains a fade to black at the end
The speed of the cuts doesn’t necessarily speed up with the momentum of the
music in this video
This video contains parallel editing between the performance and narrative
The video contains 46 shots

4. MISE EN SCENE
The narrative and performance is filmed in one room that looks like a studio
apartment.
Both characters have very casual clothes and the apartment itself looks
neither fancy nor bad.
The room gradually gets torn down by studio staff to reflect the meaning
behind the song and that their relationship is being torn apart.
There is use of a high key lighting.

5. NARRATIVE VS. PERFORMANCE
The video is a split between the Narrative and Performance as the cuts flit
between Natalie Imbruglia singing to the camera and the relationship
between her and the man in the video.
The video is a postmodern piece that challenges the relationship between
narrative and performance, as these two things are being shot in one
space and camera shot.