The document discusses narrative theory as proposed by Bulgarian/French historian and philosopher Todorov, outlining five stages in films: equilibrium, disruption, recognition, repair, and return to a new equilibrium. It provides examples from 'The Hunger Games,' 'Hot Fuzz,' and 'The Woman in Black,' illustrating how these stages apply or do not apply to specific films, particularly emphasizing the deviation in 'The Woman in Black' where the expected resolution does not occur. Overall, the document highlights Todorov's influence on narrative analysis in film.