Todorov proposed a theory of narrative structure that he believed could be applied to any film. The theory consists of 5 stages: 1) equilibrium, where power is balanced; 2) disequilibrium, caused by a disruption to the order; 3) acknowledgement of the disorder; 4) an attempt to repair the damage; and 5) a new state of equilibrium is reached, restoring normality. This structure can be seen in most film narratives, with the disruption normally occurring outside of everyday situations, such as a murder investigation.