Movie posterdocumentrules
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This document provides instructions for a movie poster project to be completed in Adobe Photoshop. Students will create an original 24x36 inch movie poster with masking, multiple images, and textures. They must develop 3 thumbnail sketch concepts for an imaginary movie referring to compositions and colors of real movie posters. On day 1, students will research movie posters, develop 3 thumbnail sketches per concept, and collect images to use while considering the genre, story, and mood of their imaginary movie. Sketches must be scanned or photographed clearly without shadows and exported to PDF.
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Horror poster - DEADLINE
This document summarizes the process of creating a film poster. It describes setting up a dark backdrop and using props like a mask, knife, and scissors covered in painted blood. Photos were taken with these props and a model to advertise the film's storyline and genre conventions of horror. The chosen image was edited in Photoshop and inserted into a poster template. Research of other film posters helped influence the design and layout choices to fit genre expectations. The end result was a poster that developed through an iterative creative process.
Proposal process imaginary product project
This document provides instructions for an assignment to create a Photoshop composite for an imaginary product. Students are asked to start by identifying a problem their product could solve and gathering images and fonts to use. They should sketch thumbnail compositions showing how design principles are utilized. The final piece should be at least 8.5x11 inches at 72 ppi and utilize real photographs, not cartoon or game art without permission. Steps outlined include brainstorming, research, sketching the product design and poster, documenting sketches, and outlining the product concept. Examples of clear sketches and compositions are provided.
Concept art AA
Concept art is a form of illustration used before final production to convey designs, ideas, and moods for films, games, animation and comics. It can also apply to retail, set, fashion and architectural design. While the term's origins are ambiguous, concept art was used by Disney in the 1930s. A concept artist generates visual designs for items, characters or areas that don't exist yet, and may work on a project from preliminary artwork through completion. Concept art embraces technology like Photoshop and tablets, and commonly depicts science fiction and fantasy themes using styles from photorealistic to traditional painting.
Final Project- MOVIE POSTER(s)
This document outlines a final project assignment to create 3 movie poster designs for the same film. Each poster must express a different idea about the movie's content using different visual styles. One poster must include an original photograph, one an original 2D artwork, and one can be computer-generated. Students must document their design process on a Tumblr blog, posting drafts and finished posters. The objectives are to effectively apply design principles to create visually engaging posters that distill the movie's essential ideas in a simple, graphic format that immediately appeals to viewers.
Unit 2 posters
This document provides guidance for students on analyzing film posters and creating their own mock film poster. It discusses key elements to identify when analyzing posters such as the title, stars, images, and release date. Students are instructed to analyze an example poster by annotating these elements. They will then analyze the meaning conveyed through the poster's visual style, colors, and tagline. The document outlines requirements for students to plan their own poster, including images, layout, and fonts. It notes they will complete a photo shoot and design mock-ups of their poster.
Unit 34 2
This document discusses techniques for 2D animation production. It introduces bitmap and vector graphics as the two main types of digital images used in 2D animation. Bitmap graphics are composed of pixels and have a fixed resolution, while vector graphics use mathematical formulas to define shapes and can be scaled without quality loss. Students are tasked with researching and explaining the differences between bitmap and vector graphics, and designing bitmap characters for a 2D arcade game using Photoshop.
1. fmp initial plans
Caleb Wilcox has created a mind map and mood board to develop initial plans for a final production project. The mood board influenced Caleb's ideas by providing inspiration for using bold titles, varied color schemes, and a double-page spread layout. Caleb's current concept is to create a film magazine accompanied by a movie poster and advertising game focused on a specific film genre. Photoshop and online research will provide the needed resources. The target audience is people interested in film magazines, posters, and related games. Radio productions and t-shirt design were discounted due to lack of success or experience in those areas.
Elements of a successful movie poster
The document discusses elements that make for a successful movie poster design. It notes that posters should grab audience attention using techniques like mystery, tension, or iconic imagery related to the film without revealing too much of the plot. Successful posters also establish a recognizable "house style" and aesthetic that can be continued in later marketing. When designing a poster, the document recommends considering these techniques like mystery, tension, iconic imagery, and developing a consistent style to attract a wide audience and create lasting appeal for the film.
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Horror poster - DEADLINE
This document summarizes the process of creating a film poster. It describes setting up a dark backdrop and using props like a mask, knife, and scissors covered in painted blood. Photos were taken with these props and a model to advertise the film's storyline and genre conventions of horror. The chosen image was edited in Photoshop and inserted into a poster template. Research of other film posters helped influence the design and layout choices to fit genre expectations. The end result was a poster that developed through an iterative creative process.
Proposal process imaginary product project
This document provides instructions for an assignment to create a Photoshop composite for an imaginary product. Students are asked to start by identifying a problem their product could solve and gathering images and fonts to use. They should sketch thumbnail compositions showing how design principles are utilized. The final piece should be at least 8.5x11 inches at 72 ppi and utilize real photographs, not cartoon or game art without permission. Steps outlined include brainstorming, research, sketching the product design and poster, documenting sketches, and outlining the product concept. Examples of clear sketches and compositions are provided.
Concept art AA
Concept art is a form of illustration used before final production to convey designs, ideas, and moods for films, games, animation and comics. It can also apply to retail, set, fashion and architectural design. While the term's origins are ambiguous, concept art was used by Disney in the 1930s. A concept artist generates visual designs for items, characters or areas that don't exist yet, and may work on a project from preliminary artwork through completion. Concept art embraces technology like Photoshop and tablets, and commonly depicts science fiction and fantasy themes using styles from photorealistic to traditional painting.
Final Project- MOVIE POSTER(s)
This document outlines a final project assignment to create 3 movie poster designs for the same film. Each poster must express a different idea about the movie's content using different visual styles. One poster must include an original photograph, one an original 2D artwork, and one can be computer-generated. Students must document their design process on a Tumblr blog, posting drafts and finished posters. The objectives are to effectively apply design principles to create visually engaging posters that distill the movie's essential ideas in a simple, graphic format that immediately appeals to viewers.
Unit 2 posters
This document provides guidance for students on analyzing film posters and creating their own mock film poster. It discusses key elements to identify when analyzing posters such as the title, stars, images, and release date. Students are instructed to analyze an example poster by annotating these elements. They will then analyze the meaning conveyed through the poster's visual style, colors, and tagline. The document outlines requirements for students to plan their own poster, including images, layout, and fonts. It notes they will complete a photo shoot and design mock-ups of their poster.
Unit 34 2
This document discusses techniques for 2D animation production. It introduces bitmap and vector graphics as the two main types of digital images used in 2D animation. Bitmap graphics are composed of pixels and have a fixed resolution, while vector graphics use mathematical formulas to define shapes and can be scaled without quality loss. Students are tasked with researching and explaining the differences between bitmap and vector graphics, and designing bitmap characters for a 2D arcade game using Photoshop.
1. fmp initial plans
Caleb Wilcox has created a mind map and mood board to develop initial plans for a final production project. The mood board influenced Caleb's ideas by providing inspiration for using bold titles, varied color schemes, and a double-page spread layout. Caleb's current concept is to create a film magazine accompanied by a movie poster and advertising game focused on a specific film genre. Photoshop and online research will provide the needed resources. The target audience is people interested in film magazines, posters, and related games. Radio productions and t-shirt design were discounted due to lack of success or experience in those areas.
Elements of a successful movie poster
The document discusses elements that make for a successful movie poster design. It notes that posters should grab audience attention using techniques like mystery, tension, or iconic imagery related to the film without revealing too much of the plot. Successful posters also establish a recognizable "house style" and aesthetic that can be continued in later marketing. When designing a poster, the document recommends considering these techniques like mystery, tension, iconic imagery, and developing a consistent style to attract a wide audience and create lasting appeal for the film.
Notes for-final products
This document provides guidelines for three IT and digital media projects: a poster, leaflet, and webpage. It specifies the software to use (Adobe Illustrator, Photoshop, InDesign, and Wix), file formats, and skills that must be demonstrated for each project, such as drawing, transforming, coloring images, and applying effects. Students must use their own original work and properly source any online resources. The poster and leaflet require inclusion of graphics, photos, and text while demonstrating specific software techniques. The webpage must contain multimedia elements like graphics, audio, video, and animation across various content sections.
2. initial plans(print)
The document outlines Jack Lowes' initial plans for a fashion-focused project featuring a single model displaying various outfits on the front cover and in a double-page spread. It includes a mind map, mood board analysis, production schedule, and proposed sources for research. The mood board analysis notes repeated images of the model, bold color combinations, and some filtered images. The schedule outlines tasks over 5 weeks, including a photo shoot, image editing in Photoshop, layout design, and evaluation.
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Day02 project 1 typography_word
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Adventure Project Proposal
The document proposes a marketing package and video game animation for an adventure film and game concept called "Vanish," about detectives solving the mystery of a vanished city, targeting male teens from working-class backgrounds seeking escapism. The proposal outlines the target audience, rationale, concept, production techniques, schedule, evaluation plans, and bibliography for the project, which will involve designing logos, a magazine cover, posters, and pixel art animations using skills in Photoshop, sound recording, and character/location design.
1. initial plans
Josh Bailey has outlined initial plans for three potential creative projects: a film including a trailer, poster, and script; a magazine focusing on specific demographics and stories people care about; and a graphic novel balancing story, art, and dialogue. He considered but decided against the magazine and graphic novel ideas due to having done a magazine before and lacking drawing skills, and instead chose to pursue the film project making use of friends, locations, and equipment from college to appeal to teen and adult audiences.
1. initial plans
Josh Bailey has outlined initial plans for three potential creative projects - a film, magazine, or graphic novel. For the film, he would film a trailer, create a movie poster and script. The magazine would focus on stories people care about targeting a specific demographic. The graphic novel would balance story, characters, art and dialogue to create something readers want to read repeatedly.
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A2 evaluation help
This document provides guidance on how to effectively answer questions in a media evaluation to receive full marks. It outlines strategies for demonstrating how a media product uses, develops or challenges conventions through examples like a 9-frame card or director's cut comparing the product to real media. It also suggests showing how branding elements like font and camera work create consistent representations across a product and ancillary texts. The document advises reflecting on audience feedback through survey responses, clips addressing expectations, and marketing examples. Finally, it recommends discussing the use of technologies like blogs, cameras, editing software, and social media in all stages of production and evaluation.
Graphic designing guidelines
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Computer game graphics
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film main task overview
The document provides instructions for a film task assignment with two parts - a preliminary exercise and main task.
The preliminary exercise involves filming and editing a short scene demonstrating film techniques like match on action, shot reverse shot, and the 180-degree rule. The main task requires students to create the opening titles and sequence of a new fictional film up to 2 minutes long, using original video and audio. The document outlines requirements for research, planning, production and evaluation of the project.
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Concept art involves generating visual designs for items, characters, or areas that do not yet exist. This includes preliminary artwork for film, animation, and video game production. A concept artist may work on a project from start to finish or just provide initial artwork. While artistic skills are needed, concept artists must also work to strict deadlines like graphic designers. Interpreting ideas and realizing them creatively is a key part of a concept artist's role. Digital tools like Photoshop and tablets have made the work more efficient, though traditional mediums are also still used.
2. initial plans(1)
Luke plans to create a magazine cover and double page spread focused on the 2019 film Joker. He will use his Photoshop skills to design creative covers exploring different film genres. Luke has creative control over topics and will research to find the right genre. He will take his own photos related to Joker using materials from the film. Creating the cover arts may be an advantage using Photoshop experience. Researching sources will require ensuring legitimate facts. Luke's mood board includes dark green and purple colors with close-up Joker images to inspire his designs. He will schedule time for production, evaluation, and peer feedback. Sources for research include audience interviews, Empire magazine, box office data, reviews, and media articles about
Initial plans for print project
Harry Adkins-Pennington plans to create a magazine to promote an upcoming video game. In the initial reaction, Harry considers using available images from popular video games as the front cover to grab consumers' attention. A mind map and mood board are created to help develop the idea. The mood board shows repetition of characters from the same franchise, a focus on fighting, bright colors, and an anime art style. This will influence Harry's final product by helping choose characters for the cover and double-page spread that represent the franchise. A schedule is outlined over 5 weeks for research, experiments, production, and evaluation. Sources to be used include interviews, anime/manga, interviews with the creator, games, magazines, audience data
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3. production experiments(3)
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Notes for-final products
This document provides guidelines for three IT and digital media projects: a poster, leaflet, and webpage. It specifies the software to use (Adobe Illustrator, Photoshop, InDesign, and Wix), file formats, and skills that must be demonstrated for each project, such as drawing, transforming, coloring images, and applying effects. Students must use their own original work and properly source any online resources. The poster and leaflet require inclusion of graphics, photos, and text while demonstrating specific software techniques. The webpage must contain multimedia elements like graphics, audio, video, and animation across various content sections.
2. initial plans(print)
The document outlines Jack Lowes' initial plans for a fashion-focused project featuring a single model displaying various outfits on the front cover and in a double-page spread. It includes a mind map, mood board analysis, production schedule, and proposed sources for research. The mood board analysis notes repeated images of the model, bold color combinations, and some filtered images. The schedule outlines tasks over 5 weeks, including a photo shoot, image editing in Photoshop, layout design, and evaluation.
Design for Social Media
The document provides tips for designing effective social media graphics and images. It recommends using original, high-quality images that are consistent with your brand identity. Images should be relevant to your target audience and message. Cover photos, in particular, get a lot of attention so they need eye-catching designs. The document also discusses dimensions, fonts, colors, templates and optimization tools to create engaging graphics. Good examples from brands like Heineken, Oreo and Nike show creative uses of products and branding in social images.
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1. initial plans
Josh Bailey has outlined initial plans for three potential creative projects: a film including a trailer, poster, and script; a magazine focusing on specific demographics and stories people care about; and a graphic novel balancing story, art, and dialogue. He considered but decided against the magazine and graphic novel ideas due to having done a magazine before and lacking drawing skills, and instead chose to pursue the film project making use of friends, locations, and equipment from college to appeal to teen and adult audiences.
1. initial plans
Josh Bailey has outlined initial plans for three potential creative projects - a film, magazine, or graphic novel. For the film, he would film a trailer, create a movie poster and script. The magazine would focus on stories people care about targeting a specific demographic. The graphic novel would balance story, characters, art and dialogue to create something readers want to read repeatedly.
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The document discusses the rule of thirds in composition. The rule of thirds involves dividing an image into thirds both horizontally and vertically, creating nine equal sections. Placing subjects or key elements of a photo at the intersections of these lines can create a more balanced and appealing composition. The rule of thirds has a long history in art and is commonly used in photography, filmmaking, and other visual media because it follows conventions that audiences have come to expect. Examples are provided of tasks applying the rule of thirds to photo editing and storyboarding portrait shots for a newspaper.
A2 evaluation help
This document provides guidance on how to effectively answer questions in a media evaluation to receive full marks. It outlines strategies for demonstrating how a media product uses, develops or challenges conventions through examples like a 9-frame card or director's cut comparing the product to real media. It also suggests showing how branding elements like font and camera work create consistent representations across a product and ancillary texts. The document advises reflecting on audience feedback through survey responses, clips addressing expectations, and marketing examples. Finally, it recommends discussing the use of technologies like blogs, cameras, editing software, and social media in all stages of production and evaluation.
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This document provides guidelines for graphic design, including standard sizes for image ads and infographics, design processes, elements to consider, and tips for presentations. It discusses graphic design fundamentals like understanding the client's message and audience, creating outlines, using appropriate colors and fonts, and focusing on key motivations like needs, wants, fears and desires to persuade potential buyers. Standard file formats and royalty-free image sources are also included.
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The document provides instructions for a film task assignment with two parts - a preliminary exercise and main task.
The preliminary exercise involves filming and editing a short scene demonstrating film techniques like match on action, shot reverse shot, and the 180-degree rule. The main task requires students to create the opening titles and sequence of a new fictional film up to 2 minutes long, using original video and audio. The document outlines requirements for research, planning, production and evaluation of the project.
Ca
Concept art involves generating visual designs for items, characters, or areas that do not yet exist. This includes preliminary artwork for film, animation, and video game production. A concept artist may work on a project from start to finish or just provide initial artwork. While artistic skills are needed, concept artists must also work to strict deadlines like graphic designers. Interpreting ideas and realizing them creatively is a key part of a concept artist's role. Digital tools like Photoshop and tablets have made the work more efficient, though traditional mediums are also still used.
2. initial plans(1)
Luke plans to create a magazine cover and double page spread focused on the 2019 film Joker. He will use his Photoshop skills to design creative covers exploring different film genres. Luke has creative control over topics and will research to find the right genre. He will take his own photos related to Joker using materials from the film. Creating the cover arts may be an advantage using Photoshop experience. Researching sources will require ensuring legitimate facts. Luke's mood board includes dark green and purple colors with close-up Joker images to inspire his designs. He will schedule time for production, evaluation, and peer feedback. Sources for research include audience interviews, Empire magazine, box office data, reviews, and media articles about
Initial plans for print project
Harry Adkins-Pennington plans to create a magazine to promote an upcoming video game. In the initial reaction, Harry considers using available images from popular video games as the front cover to grab consumers' attention. A mind map and mood board are created to help develop the idea. The mood board shows repetition of characters from the same franchise, a focus on fighting, bright colors, and an anime art style. This will influence Harry's final product by helping choose characters for the cover and double-page spread that represent the franchise. A schedule is outlined over 5 weeks for research, experiments, production, and evaluation. Sources to be used include interviews, anime/manga, interviews with the creator, games, magazines, audience data
Surrealism assignment computer art
This document provides instructions for creating a surrealist digital artwork. It discusses choosing a surrealist theme, researching other artists, storyboarding ideas, shooting high-resolution photos, and using Photoshop to manipulate images for a surreal effect. The process involves getting approval at several steps and creating both web and print-resolution versions. Tips include using CMYK color mode for print, treating comps as drafts, checking file sizes, and capturing landscape shots separately for compositing elements. The goal is to demonstrate skills in digital media, cameras, and image editing software to create a realistic yet surrealist composite image.
3. production experiments(3)
The document describes creating a magazine cover in Photoshop CC. The creator sourced a copyright-free image from Google Images and placed it in a 407x540 pixel Photoshop document, which is the standard size for magazine covers. A barcode image was also sourced from Google Images and added to the cover along with the title, date, and price. In a reflection, the creator notes they will include the full size background image and blurred effect in their final product as it looks professional and minimalist while leaving space for overlaying text.
Btec u 34 bitmap vs vector
This document discusses 2D animation techniques and provides instructions for an assignment. It begins by defining key terms like bitmap graphics and vector graphics. Bitmap graphics are composed of pixels that can be edited individually, while vector graphics use mathematical formulas to define shapes that can be scaled without losing quality. The document then instructs students to research and define bitmap and vector graphics, noting their advantages and disadvantages, for an illustrated magazine article exploring the history and techniques of 2D animation.
Lesson 10 & 11 the drafting process (advertisement)
This document provides guidance for a student creating a magazine advertisement and CD cover for an advanced portfolio assignment. It lists topics that should be covered in the student's blog, including analyses of various media texts and research on an selected song and artist. Tips are provided for developing creative and appealing design ideas that follow conventions, such as considering branding, fonts, images, composition, dimensions and how to attract the target audience. Criteria for evaluation focus on demonstrating technical skills and challenging or developing real media forms and conventions.
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The artist statement provides guidelines for creating an effective statement to describe an artwork to viewers. It emphasizes including information about the medium, materials, process, and other key details to help viewers understand the work. An example statement is provided that clearly explains the artist's process of discovering a new language through using a typewriter that communicates their struggle. Viewers' questions about the work are answered concisely. The document then provides tips for crafting an initial draft, such as collecting relevant information and composing thesis, body, and conclusion paragraphs. It stresses getting feedback and multiple revisions to produce a statement that effectively informs viewers without being overly explanatory.
Abstract Art in Sculpture
Abstract art uses shapes, forms and gestures rather than attempting to depict visual reality. It emerged in the early 1900s and forms a central part of modern art. It often explores ideas like order, purity, simplicity and spirituality through non-representational forms. The documents profile several influential abstract sculptors like Brancusi, Moore, Gabo and Arp who pioneered geometric and biomorphic abstractions using materials like wood, stone and metal to reduce forms and reveal essential truths.
Digital Color Theory
This document provides an overview of color theory concepts in Photoshop, including:
- The color wheel and basic color relationships like complementary, split complementary, analogous, triadic, and tetradic harmonies.
- Differences between RGB (for screens) and CMYK (for print) color modes and the importance of saving files before changing to CMYK.
- Color attributes like hue, saturation, value, tint, tone, shade and how to manipulate them.
- Advanced color combination techniques using dominant colors, tone-on-tone, random hues, and picolore, tricolore designs.
- Other concepts covered are color temperature, weight, shading
Figurative sculpture history
This document provides an overview of the history and evolution of figurative sculpture across different eras and cultures. It discusses key developments and influences in pre-historic, Greek, Gothic, Renaissance, modern Western, and Asian eras. Specific works are referenced that demonstrate dominant styles and concepts within each period, such as emphasis on philosophy in Greek sculpture, use of spirals in pieces like Venus de Milo, and emphasis on simplicity and posture in pieces like the Miroku Bosatsu statue from Japan. The document also contrasts Western and Eastern approaches to depicting the five natural elements. It examines the impact of African art on modern sculptors like Picasso and changing styles in the 20th century including Cubism.
Claymation
The document outlines a claymation project for students where they will work in groups to create a clay animation using Photoshop by taking over 500 pictures depicting actions like stretching, collapsing, gathering, and rolling to tell a story with a climax. Students will learn 3D design skills as they manipulate clay figures and turn their multi-picture creations into 4D digital animations, with examples and a tutorial link provided.
Drawing for Sculpture
This document provides instructions for an exercise in intuitive drawing for sculpture. Students will be shown words or objects for 1 minute each and will create abstract drawings in response without lifting their drawing tool from the page. The goal is to explore free imagination and intuitive artistic ability without overthinking the outcome. Examples of drawings by sculptors are provided to demonstrate how drawing can help develop ideas for 3D designs and spatial concepts.
Website sculpture
The document provides guidelines for creating a website for an Introduction to Sculpture course. Students must include: a bio page, project development page documenting 100 drawings and artist research, and a finished works page with documentation of completed projects, including titles, dimensions, materials, and images. The website should be hosted on platforms like Wix or Weebly and include at least 3 images of each finished work properly lit from different angles. Photoshop tutorials are provided for editing images by cropping, resizing to under 2MB, and adding captions with required metadata.
Orientation sculpture spring2022
This document provides an orientation and schedule for a sculpture course in spring 2022. It outlines four projects: figure modeling in clay, plaster casting, silicon casting in aluminum, and laser cutting plywood. It then describes each project in more detail and provides a schedule listing the dates different projects and their components will be worked on and critiqued. The schedule spans January to April and includes orientation, work days, critiques, and a final cleaning day.
Animation step by step instruction
The document provides step-by-step instructions for creating a stop animation video in Photoshop. It outlines how to open photos as layers, check the layer orientation and fix any issues, create frames from the layers, adjust the timeline, and save the final animation as a GIF or MP4 file. Troubleshooting tips are also included, such as how to rotate individual layers, make layers the same size, and reduce file size if Photoshop refuses to render large images.
Laser cut step by step instruction
The document provides step-by-step instructions for creating laser cut files in Adobe Illustrator. It outlines setting the file format and dimensions, attaching a template image, tracing the template using the pen tool, adding guidelines, converting images to vectors, outlining text, and options for cutting versus engraving. It also includes links to tutorial videos demonstrating specific techniques like using the pen tool and measuring objects.
Architectural Design
The document provides guidance for an architecture design maquette/diorama project. It outlines the objectives and requirements, which include utilizing at least 2 techniques from previous projects, submitting proposal and progress reports, and presenting the final design on a 23"x17" base. The design cannot be an ordinary house and must consider elements of design like unity, scale, proportion, and balance. It then provides examples and explanations of these elements, including varieties of unity (grid, pattern, color, minimal), scales (human, intimate, monumental), textures, and balances (dynamic/static, symmetry/asymmetry). Historic and modern architecture examples are shown. The document concludes with references for additional information.
Trophy Project multi media sculpture
This document provides instructions for a student sculpture project called "Trophy Project". Students will create a multi-media sculpture as a symbolic trophy for their future self after accomplishing goals. The trophy cannot be a typical cup on a pedestal, but must represent their message through metaphor, symbolism, or representation. Students will learn aluminum casting and laser cutting techniques to combine materials. Example trophies by professional designers are shown for inspiration in representation, metaphor, symbolism, and incarnation concepts. The requirements, process, examples, and tutorials are outlined for students to develop their ideas and create their trophies.
Rules of Design Composition
The document discusses key principles of design for digital formats. It covers prerequisites of design such as format, orientation, grid systems, and composition. It then explains Gestalt principles including proximity, similarity, closure, common fate, figure ground relationship, and good continuation. Finally, it outlines digital design strategies such as focus and line, space and body/scale and figure, color and unity, alignment, repetition, and pixel vs path considerations. The overall document provides an overview of foundational design concepts for visual composition and structure across different digital mediums.
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学校原件一模一样【微信：741003700 】《(UNITO毕业证书)都灵大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
一比一原版迪肯大学毕业证(DU毕业证书)学历如何办理
多少钱办理【微信号:176555708】【多少钱办理(DU毕业证书)】【微信号:176555708】《成绩单、外壳、offer、真实留信官方学历认证（永久存档/真实可查）》采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路）我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信号:176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信号:176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
Dpboss Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka
Dpboss Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
THUNDERDEVILS_COPERNICUS_SAMPLEBOARD_CAT_ZYGOCKIpdf
THUNDERDEVILS_COPERNICUS_SAMPLEBOARD_CAT_ZYGOCKIpdf
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result Satta Matka Satta result mar...
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result Satta Matka Satta result mar...
"Snow" by Ann Beattie illustrated by Aimie Bourgeois
"Snow" by Ann Beattie illustrated by Aimie Bourgeois
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
Femmely-ACP-how to use social media to drive engagement
Femmely-ACP-how to use social media to drive engagement
➒➌➍➑➊➑➏➍➋➒ Satta Matka sattamatka sattamatka result
➒➌➍➑➊➑➏➍➋➒ Satta Matka sattamatka sattamatka result
Movie posterdocumentrules
- 1. Movie Poster Project Digital Skill
- 2. Objective • A composited movie poster using photos or digital art that implements masking, multiple images, and texture application. • For this assignment, students will use Adobe Photoshop to create a 24x 36 inch, 300 dpi movie poster. The poster must be portrait (vertical) orientation. It must be an original movie (imaginary movie). You may use traditional media and Illustrator in addition to Photoshop, but the bulk of your work will be composed in Photoshop. Do not use cartoon, animation, or game art imaginary in your project without specific permission. • The poster must contain a tittle and taglines some where within the design.
- 3. Day 1: Proposal and Research • Consider “The Composition and Color Theory in Movie Poster” • Review “20 Rules of Photo Composition” • Research actual movie posters as references • Develop 3 concepts and create 3 detailed thumbnail sketches per concept displaying their possible design compositions. • They should also have a beginning collection of images you plan to use. *Thumbnail sketches must refer compositions and color combinations of actual movie posters *Conceptualize the composition and color combinations considering the genre, story, and mood of the original movies
- 4. How to document Your Sketches • Scan or take a picture of your sketch *Focus on your sketch without shadow • Crop from unnecessary object • Export to PDF file *Free convert site here: https://smallpdf.com/jpg-to-pdf
- 5. Bad Examples No Shadow on your images!!!!
- 6. BAD Example - Blur Image must focus on your sketches!!!
- 7. Good Example- Clear Color Design Image
- 8. Good Example – Clear Designed Composition
- 9. Good Example – Clear Concept