Mòn is an indie pop band from Rome, Italy similar to The XX. Their target audience is hipsters ages 17-24 who enjoy thrift shopping, bonfires, and new music. Specifically, they target men and women in this age range interested in hobbies like internet surfing and the urban scene. While based in Rome, Mòn's audience would also be found in cities like Palermo, Cannes, Trento, and Milan due to venues and events catering to their interests. Mòn's strengths include their psychedelic sound and social media presence, but weaknesses are a lack of business strategies and not having a website. Opportunities exist in licensing their music and touring Europe, while
The document proposes the content and design for a magazine focused on hip hop and R&B music. The proposed title is "Culture" to represent the history and background of the genres. The target audience is described as 16-24 year olds from Afro-Caribbean backgrounds interested in black culture, music, and urban fashion. The front cover would feature a serious-looking black teenager photographed against a brick wall. The contents page would continue this theme with a close-up photo of someone's shoe and hand gesture. The double-page spread would interview a member of the target audience about how hip hop has affected them, accompanied by black and white photos of three urban youths suitably dressed.
1) The document discusses several hip-hop magazines including Vibe, The Source, and XXL. It analyzes aspects of their covers, contents pages, and double page spreads including visual elements, target audiences, and genre representation.
2) Key details covered include the founding and focuses of each magazine as well as visual analyses of their uses of images, colors, layouts and how these relate to representing the hip-hop genre.
3) The magazines are compared in terms of visual consistency, representation of the hip-hop culture and lifestyle, and attention to dense textual profiles of artists.
This document analyzes how HUSTLE magazine represents the social group of its target demographic through various design elements. Key aspects analyzed include:
- The cover uses red color and blank facial expressions to represent the rebellious and "not caring" attitudes of its young, male, hip-hop fan audience.
- The contents page features only photos of white, young males to show the magazine's predominantly male demographic.
- Feature articles present subjects in typical attire of the target group like hoodies, but in a positive light that challenges stereotypes by portraying them as talented rather than criminal.
- Interview layouts and typography represent the audience's value of free speech and humility, contradicting
This document represents a particular social group of male, working class individuals aged 17+ who enjoy rock music.
The magazine cover features a young, white male dressed in rock style clothing to represent the target audience. Interior photos also depict young, white males engaging in stereotypical rock behaviors to connect with the social group.
The black background color, rebellious hand gestures, and intense staring were design choices meant to symbolize the independence and recklessness associated with the social group of rock music fans.
The document provides an analysis of the front cover design elements of several hip hop music magazines. It discusses the use of large, prominent images of iconic artists to draw attention and represent the target audience. Colors, fonts, and other visual symbols are described as conveying meanings related to the hip hop genre and culture through connotations of violence, wealth, and individualism. Layout features such as the logo, additional article snippets, and contents pages are analyzed in terms of typical magazine conventions and representing the publication's brand.
The document provides an analysis of the front cover design elements of several hip hop music magazines. It discusses the use of large, prominent images of iconic artists to draw attention and represent the target audience. Font styles, colors and layouts are also described as working to match the themes and aesthetics of the featured artists while reinforcing stereotypes associated with the hip hop genre through imagery like chains and grills. Common magazine design conventions are also noted, including issue details, additional article previews and an emphasis on exclusivity through featured content.
The document discusses how a hip hop music magazine represents its target social group. The magazine targets young African American males aged 16-24 who listen to hip hop music. It represents this group through the mise-en-scene in photos featuring a model wearing stereotypical hip hop clothing like hoodies and gold accessories. It also represents the group through the use of slang language in interviews and articles, engaging readers who commonly use slang. Color choices like red and black connote danger and mystery, reflecting stereotypes about the social group.
The document discusses the design conventions of music magazine covers, specifically hip hop magazines. It analyzes the covers of XXL magazine to inform the design of the author's own music magazine cover. The author's cover follows conventions like central placement of the main image and masthead, and uses stylistic elements common in hip hop magazines like dark colors and clothing styles. It challenges some conventions by including a puff and having the artist clothed rather than topless. Overall the cover adheres closely to hip hop magazine conventions while incorporating some original elements.
The document proposes the content and design for a magazine focused on hip hop and R&B music. The proposed title is "Culture" to represent the history and background of the genres. The target audience is described as 16-24 year olds from Afro-Caribbean backgrounds interested in black culture, music, and urban fashion. The front cover would feature a serious-looking black teenager photographed against a brick wall. The contents page would continue this theme with a close-up photo of someone's shoe and hand gesture. The double-page spread would interview a member of the target audience about how hip hop has affected them, accompanied by black and white photos of three urban youths suitably dressed.
1) The document discusses several hip-hop magazines including Vibe, The Source, and XXL. It analyzes aspects of their covers, contents pages, and double page spreads including visual elements, target audiences, and genre representation.
2) Key details covered include the founding and focuses of each magazine as well as visual analyses of their uses of images, colors, layouts and how these relate to representing the hip-hop genre.
3) The magazines are compared in terms of visual consistency, representation of the hip-hop culture and lifestyle, and attention to dense textual profiles of artists.
This document analyzes how HUSTLE magazine represents the social group of its target demographic through various design elements. Key aspects analyzed include:
- The cover uses red color and blank facial expressions to represent the rebellious and "not caring" attitudes of its young, male, hip-hop fan audience.
- The contents page features only photos of white, young males to show the magazine's predominantly male demographic.
- Feature articles present subjects in typical attire of the target group like hoodies, but in a positive light that challenges stereotypes by portraying them as talented rather than criminal.
- Interview layouts and typography represent the audience's value of free speech and humility, contradicting
This document represents a particular social group of male, working class individuals aged 17+ who enjoy rock music.
The magazine cover features a young, white male dressed in rock style clothing to represent the target audience. Interior photos also depict young, white males engaging in stereotypical rock behaviors to connect with the social group.
The black background color, rebellious hand gestures, and intense staring were design choices meant to symbolize the independence and recklessness associated with the social group of rock music fans.
The document provides an analysis of the front cover design elements of several hip hop music magazines. It discusses the use of large, prominent images of iconic artists to draw attention and represent the target audience. Colors, fonts, and other visual symbols are described as conveying meanings related to the hip hop genre and culture through connotations of violence, wealth, and individualism. Layout features such as the logo, additional article snippets, and contents pages are analyzed in terms of typical magazine conventions and representing the publication's brand.
The document provides an analysis of the front cover design elements of several hip hop music magazines. It discusses the use of large, prominent images of iconic artists to draw attention and represent the target audience. Font styles, colors and layouts are also described as working to match the themes and aesthetics of the featured artists while reinforcing stereotypes associated with the hip hop genre through imagery like chains and grills. Common magazine design conventions are also noted, including issue details, additional article previews and an emphasis on exclusivity through featured content.
The document discusses how a hip hop music magazine represents its target social group. The magazine targets young African American males aged 16-24 who listen to hip hop music. It represents this group through the mise-en-scene in photos featuring a model wearing stereotypical hip hop clothing like hoodies and gold accessories. It also represents the group through the use of slang language in interviews and articles, engaging readers who commonly use slang. Color choices like red and black connote danger and mystery, reflecting stereotypes about the social group.
The document discusses the design conventions of music magazine covers, specifically hip hop magazines. It analyzes the covers of XXL magazine to inform the design of the author's own music magazine cover. The author's cover follows conventions like central placement of the main image and masthead, and uses stylistic elements common in hip hop magazines like dark colors and clothing styles. It challenges some conventions by including a puff and having the artist clothed rather than topless. Overall the cover adheres closely to hip hop magazine conventions while incorporating some original elements.
The target audience for the magazine would be male, aged 16-24, of African American race, living in urban areas, interested in hip hop music and new branded sneakers. They would likely be students or recent graduates attracted to articles about up-and-coming hip hop artists similar to themselves growing up in environments portrayed in hip hop songs.
This document summarizes how the magazine addresses its target audience. It uses fashionable clothing brands and artists that were most popular from the 1960s-1990s to attract readers interested in music from that era. Models on the cover are dressed in classic mod styles and make eye contact to engage readers. Story titles and pull quotes tease interesting content. The table of contents and band index allow readers to easily find content they care about. A competition and listing of upcoming gigs provide additional value for readers. Overall, the magazine is designed to appeal to 15-45 year old fans of mod, indie, and alternative rock music from the UK through its focus on fashion, artists, and content relevant to that demographic.
The document provides questions for evaluating a media product. The respondent's magazine targets people interested in 1960s-1990s English music genres like mod, indie rock, and alternative music. It aims to appeal to this audience through its fashionable models, focus on well-known artists from these genres, and interviews providing insider perspectives on bands. The respondent believes the magazine accurately represents its primarily male, working class, 15-45 year old readership interested in this older style of English music.
The document provides questions for evaluating a media product. The respondent's magazine targets people interested in 1960s-1990s English music genres like mod, indie rock, and alternative music. It aims to appeal to this audience through its fashionable models, focus on well-known artists from these genres, and interviews providing insider perspectives on bands. The respondent believes the magazine accurately represents its primarily male, working class, 15-45 year old readership interested in this nostalgic music culture.
The document provides questions for evaluating a media product. The respondent's magazine targets people aged 15-45 interested in 1960s-1990s English music genres like mod, indie rock, and alternative music. To attract this audience, the magazine features fashionable models, prominent artists from those genres, and interviews bands in their own words. While both genders may be interested, the respondent estimates more male than female readers due to the predominantly male artists featured. The magazine aims to represent working class audiences and revive interest in English music from those eras that is often overlooked today.
The document summarizes the design elements of a hip-hop music magazine called "Vibe". It notes that the large "V" in the title sticks to the branding theme and symbolizes the magazine. Subheadings are in bold capital letters to help readers find sections, and the bold white font complements the red background color. The main image depicts a naked hip-hop artist with tattoos and jewelry, symbolizing the genre and implying his success. The target audience is described as males aged 18-30, mainly from working-class backgrounds who listen to hip-hop.
The document discusses codes and conventions of rap music magazines. It notes that the target audience is young males aged 16-24 who are inspired by themes of street life, money, and success. The magazines feature predominantly black male rappers depicted in ways that emphasize their toughness, wealth, and sexuality. Common magazine elements like consistent mastheads and cover lines are discussed, as well as topics typically addressed in rap lyrics like violence and objectification of women. Music videos are also said to exemplify conventions like flashy cars and revealing costumes for women.
This document summarizes how the magazine addresses and attracts its target audience. It aims to appeal to people aged 15-45 interested in 1960s-1990s British music genres like mod, indie rock, and alternative music. The models are dressed in classic mod fashion to represent this subculture. Band names and artists mentioned on the cover, like Oasis and The Libertines, would appeal to this audience. The content, layout, and price are designed to clearly communicate the magazine's focus on this niche music scene and attract readers interested in learning about new artists and going to concerts within this style of music.
Billboard is a popular music magazine that features famous celebrities in the music industry. It provides information on music charts, reviews, and profiles of popular artists. The magazine cover shown features singer Rihanna with the headline "My fans don't know who I am". The cover is intended to attract Rihanna's fans and generate interest in learning more about her through the magazine article.
The document outlines plans for a new music magazine called "Remix" that will cover pop, indie rock, R&B, and country music genres and be aimed at 14-20 year old teenage girls. It discusses the magazine's content such as quizzes, fashion tips, interviews, and competitions, as well as draft designs for the front cover, contents page, and double page spread that incorporate bright colors and popular artists to appeal to the target demographic. Feedback is solicited on aspects like representation of women, color scheme, and ways to potentially improve the magazine.
Lucy Twyman created a punk rock magazine called "CORRUPT" for a class project. She researched conventions from magazines like Kerrang! to make her magazine recognizable as a punk genre magazine, while also challenging some conventions. She used brighter colors on the cover than typical magazines to attract readers while still fitting the punk genre. Her photography and layouts on the inside pages were also influenced by conventions from magazines she researched but challenged in ways to better appeal to her target audience of 15-18 year old females interested in punk rock music.
The document discusses how the student's media product magazine uses conventions of real music magazines in its design and layout. Key similarities discussed include a central prominent image on the front cover, similar masthead placement and style, inclusion of barcodes/prices/issue numbers, use of headlines on the left third of the cover page, and similar stylistic elements like top/bottom strips. The intended audience is discussed as teenagers from inner-city Birmingham interested in grime music. The summary also notes that Ditto Music would be a suitable distributor given their experience distributing UK singles. Techniques like eye-level images and prize/interview promotions are discussed to attract audiences.
- The document discusses possible genres for a new music magazine, including rock, R&B, and hip hop. It analyzes the strengths and weaknesses of targeting each genre.
- The author decides to target the pop genre because it is versatile and appeals to both genders, allowing for a wider target audience aged 16-24. Pop will allow for inclusion of various popular artists.
- Examples of existing music magazines like Blender are analyzed for effective cover designs, color schemes, fonts, and how they target younger audiences through celebrity images.
- The author selects a font for the magazine masthead that incorporates a bubble gum "O" to symbolize the pop genre and target audience. The masthead name "LO
The document discusses how a media product represents the social group of hip hop/R&B fans. It focuses on images used in a music magazine featuring hip hop/R&B artists. The producer used photographs of their friend, who is a black rapper/producer, to make the magazine appealing to the target demographic. Colors and clothing styles stereotypically associated with hip hop/R&B, like baseball caps, baggy jeans, and designer brands, were incorporated into the photos to create an authentic look.
Q magazine targets older music fans and features many genres of music. Advertisements in Q magazine primarily feature photos of pop artists like Paloma Faith and Lily Allen to promote their music and public image. Advertisements in Kerrang magazine, which focuses on rock music, do not typically feature photos and instead use fonts, graphics and information like tour dates to promote bands like Slipknot and Motorhead. The style of advertisements varies between magazines depending on the targeted genre and audience.
The magazine advertisement is promoting Jay Z's third Blueprint album, which was released in September 2009. It features a faded image of piled musical instruments in the center with three red lines drawing the eye. The simple color scheme of red, white, grey and black text is intended to represent the genres of rap and R&B. Information about popular songs on the album and Jay Z's record label are included to intrigue readers. The advertisement layout effectively promotes the album's identity and release using the album cover image and consistent font.
This document analyzes how HUSTLE magazine portrays the social group of its target demographic of 16-30 year old, lower-income, hip-hop fans. Key aspects analyzed include the magazine's use of red on the cover to suggest danger and rebellion, photos of young white males to represent the predominantly male audience, and fashion photography showing attire associated with the demographic. The feature article presents the social group in a positive light by highlighting an artist's talents and achievements rather than stereotyping them as criminals. Overall, the document examines visual and written elements across HUSTLE magazine's pages to understand how this social group is represented.
This document provides an analysis of the independent artist Mickey Taelor for a university assignment. It identifies Taelor's target audience as African American, bi-racial, and Hispanic/Latino women ages 18-28 based on her chillwave/alternative R&B sound that is similar to Jhene Aiko. Details are given about the target audience's demographics, psychographics, and geographic locations. An analysis of Taelor's strengths, weaknesses, opportunities, and threats is also provided along with potential revenue sources to pursue.
This document provides an audit of the artist Kristal Fonrodona across several key areas:
1. Social media stats - Instagram is her most active platform with over 3,000 followers while her Facebook fan page has nearly 2,000 likes. She has modest numbers on other platforms like YouTube, SoundCloud, and Twitter.
2. Content analysis - Her Instagram consists mainly of live performance photos that receive dozens to hundreds of likes. Facebook includes promotional posts, live performance photos, and statements. Her Twitter focuses on music industry topics.
3. Target audience - Her target audience is primarily 18-24 year old Latin females from Puerto Rico who are into organic/vegan lifestyles and artists like Karol
The document discusses different youth subcultures in the UK and their interests and styles. It lists various tribes such as punks, geeks, cosplayers, fan girls, sports junkies, makers, activists, urban artists, scenesters, trendies, vloggers, hypebeasts, hipsters, and more. Each tribe is described briefly, focusing on their core interests, passions, and how they express their identities through clothing, music, and media preferences. The document serves as a reference for understanding different UK youth cultures and subcultures.
This document provides summaries of three music artists' websites:
1. Dope Lemon/Angus Stone's website features information about the artist, his albums, music videos, and an online store for purchasing merchandise.
2. Local Natives' website includes their logo, music videos, information on where to purchase or stream their albums, and an online store selling merchandise and tour tickets.
3. Unknown Mortal Orchestra's website displays their name and slogan, upcoming tour dates, ways to follow the band on social media and streaming platforms, photos related to the band, a list of songs, and options to watch music videos or sign up for their email list.
The document provides background information on the band Rizzle Kicks and their music video for the song "Miss Cigarette". It discusses their image as young urban teenagers interested in fashion but not as fixated on clothes as many hip hop/rap artists. It also analyzes how the music video for "Miss Cigarette" both incorporates and subverts conventions of hip hop/rap music videos, such as including male artists performing for the camera but not including sexualized dancing by women or displays of wealth. The target audience is identified as being 16-20 years old, black, male, and from a lower social class. The band is described as being signed to the independent record label TVT Records, known for hip hop
The target audience for the magazine would be male, aged 16-24, of African American race, living in urban areas, interested in hip hop music and new branded sneakers. They would likely be students or recent graduates attracted to articles about up-and-coming hip hop artists similar to themselves growing up in environments portrayed in hip hop songs.
This document summarizes how the magazine addresses its target audience. It uses fashionable clothing brands and artists that were most popular from the 1960s-1990s to attract readers interested in music from that era. Models on the cover are dressed in classic mod styles and make eye contact to engage readers. Story titles and pull quotes tease interesting content. The table of contents and band index allow readers to easily find content they care about. A competition and listing of upcoming gigs provide additional value for readers. Overall, the magazine is designed to appeal to 15-45 year old fans of mod, indie, and alternative rock music from the UK through its focus on fashion, artists, and content relevant to that demographic.
The document provides questions for evaluating a media product. The respondent's magazine targets people interested in 1960s-1990s English music genres like mod, indie rock, and alternative music. It aims to appeal to this audience through its fashionable models, focus on well-known artists from these genres, and interviews providing insider perspectives on bands. The respondent believes the magazine accurately represents its primarily male, working class, 15-45 year old readership interested in this older style of English music.
The document provides questions for evaluating a media product. The respondent's magazine targets people interested in 1960s-1990s English music genres like mod, indie rock, and alternative music. It aims to appeal to this audience through its fashionable models, focus on well-known artists from these genres, and interviews providing insider perspectives on bands. The respondent believes the magazine accurately represents its primarily male, working class, 15-45 year old readership interested in this nostalgic music culture.
The document provides questions for evaluating a media product. The respondent's magazine targets people aged 15-45 interested in 1960s-1990s English music genres like mod, indie rock, and alternative music. To attract this audience, the magazine features fashionable models, prominent artists from those genres, and interviews bands in their own words. While both genders may be interested, the respondent estimates more male than female readers due to the predominantly male artists featured. The magazine aims to represent working class audiences and revive interest in English music from those eras that is often overlooked today.
The document summarizes the design elements of a hip-hop music magazine called "Vibe". It notes that the large "V" in the title sticks to the branding theme and symbolizes the magazine. Subheadings are in bold capital letters to help readers find sections, and the bold white font complements the red background color. The main image depicts a naked hip-hop artist with tattoos and jewelry, symbolizing the genre and implying his success. The target audience is described as males aged 18-30, mainly from working-class backgrounds who listen to hip-hop.
The document discusses codes and conventions of rap music magazines. It notes that the target audience is young males aged 16-24 who are inspired by themes of street life, money, and success. The magazines feature predominantly black male rappers depicted in ways that emphasize their toughness, wealth, and sexuality. Common magazine elements like consistent mastheads and cover lines are discussed, as well as topics typically addressed in rap lyrics like violence and objectification of women. Music videos are also said to exemplify conventions like flashy cars and revealing costumes for women.
This document summarizes how the magazine addresses and attracts its target audience. It aims to appeal to people aged 15-45 interested in 1960s-1990s British music genres like mod, indie rock, and alternative music. The models are dressed in classic mod fashion to represent this subculture. Band names and artists mentioned on the cover, like Oasis and The Libertines, would appeal to this audience. The content, layout, and price are designed to clearly communicate the magazine's focus on this niche music scene and attract readers interested in learning about new artists and going to concerts within this style of music.
Billboard is a popular music magazine that features famous celebrities in the music industry. It provides information on music charts, reviews, and profiles of popular artists. The magazine cover shown features singer Rihanna with the headline "My fans don't know who I am". The cover is intended to attract Rihanna's fans and generate interest in learning more about her through the magazine article.
The document outlines plans for a new music magazine called "Remix" that will cover pop, indie rock, R&B, and country music genres and be aimed at 14-20 year old teenage girls. It discusses the magazine's content such as quizzes, fashion tips, interviews, and competitions, as well as draft designs for the front cover, contents page, and double page spread that incorporate bright colors and popular artists to appeal to the target demographic. Feedback is solicited on aspects like representation of women, color scheme, and ways to potentially improve the magazine.
Lucy Twyman created a punk rock magazine called "CORRUPT" for a class project. She researched conventions from magazines like Kerrang! to make her magazine recognizable as a punk genre magazine, while also challenging some conventions. She used brighter colors on the cover than typical magazines to attract readers while still fitting the punk genre. Her photography and layouts on the inside pages were also influenced by conventions from magazines she researched but challenged in ways to better appeal to her target audience of 15-18 year old females interested in punk rock music.
The document discusses how the student's media product magazine uses conventions of real music magazines in its design and layout. Key similarities discussed include a central prominent image on the front cover, similar masthead placement and style, inclusion of barcodes/prices/issue numbers, use of headlines on the left third of the cover page, and similar stylistic elements like top/bottom strips. The intended audience is discussed as teenagers from inner-city Birmingham interested in grime music. The summary also notes that Ditto Music would be a suitable distributor given their experience distributing UK singles. Techniques like eye-level images and prize/interview promotions are discussed to attract audiences.
- The document discusses possible genres for a new music magazine, including rock, R&B, and hip hop. It analyzes the strengths and weaknesses of targeting each genre.
- The author decides to target the pop genre because it is versatile and appeals to both genders, allowing for a wider target audience aged 16-24. Pop will allow for inclusion of various popular artists.
- Examples of existing music magazines like Blender are analyzed for effective cover designs, color schemes, fonts, and how they target younger audiences through celebrity images.
- The author selects a font for the magazine masthead that incorporates a bubble gum "O" to symbolize the pop genre and target audience. The masthead name "LO
The document discusses how a media product represents the social group of hip hop/R&B fans. It focuses on images used in a music magazine featuring hip hop/R&B artists. The producer used photographs of their friend, who is a black rapper/producer, to make the magazine appealing to the target demographic. Colors and clothing styles stereotypically associated with hip hop/R&B, like baseball caps, baggy jeans, and designer brands, were incorporated into the photos to create an authentic look.
Q magazine targets older music fans and features many genres of music. Advertisements in Q magazine primarily feature photos of pop artists like Paloma Faith and Lily Allen to promote their music and public image. Advertisements in Kerrang magazine, which focuses on rock music, do not typically feature photos and instead use fonts, graphics and information like tour dates to promote bands like Slipknot and Motorhead. The style of advertisements varies between magazines depending on the targeted genre and audience.
The magazine advertisement is promoting Jay Z's third Blueprint album, which was released in September 2009. It features a faded image of piled musical instruments in the center with three red lines drawing the eye. The simple color scheme of red, white, grey and black text is intended to represent the genres of rap and R&B. Information about popular songs on the album and Jay Z's record label are included to intrigue readers. The advertisement layout effectively promotes the album's identity and release using the album cover image and consistent font.
This document analyzes how HUSTLE magazine portrays the social group of its target demographic of 16-30 year old, lower-income, hip-hop fans. Key aspects analyzed include the magazine's use of red on the cover to suggest danger and rebellion, photos of young white males to represent the predominantly male audience, and fashion photography showing attire associated with the demographic. The feature article presents the social group in a positive light by highlighting an artist's talents and achievements rather than stereotyping them as criminals. Overall, the document examines visual and written elements across HUSTLE magazine's pages to understand how this social group is represented.
This document provides an analysis of the independent artist Mickey Taelor for a university assignment. It identifies Taelor's target audience as African American, bi-racial, and Hispanic/Latino women ages 18-28 based on her chillwave/alternative R&B sound that is similar to Jhene Aiko. Details are given about the target audience's demographics, psychographics, and geographic locations. An analysis of Taelor's strengths, weaknesses, opportunities, and threats is also provided along with potential revenue sources to pursue.
This document provides an audit of the artist Kristal Fonrodona across several key areas:
1. Social media stats - Instagram is her most active platform with over 3,000 followers while her Facebook fan page has nearly 2,000 likes. She has modest numbers on other platforms like YouTube, SoundCloud, and Twitter.
2. Content analysis - Her Instagram consists mainly of live performance photos that receive dozens to hundreds of likes. Facebook includes promotional posts, live performance photos, and statements. Her Twitter focuses on music industry topics.
3. Target audience - Her target audience is primarily 18-24 year old Latin females from Puerto Rico who are into organic/vegan lifestyles and artists like Karol
The document discusses different youth subcultures in the UK and their interests and styles. It lists various tribes such as punks, geeks, cosplayers, fan girls, sports junkies, makers, activists, urban artists, scenesters, trendies, vloggers, hypebeasts, hipsters, and more. Each tribe is described briefly, focusing on their core interests, passions, and how they express their identities through clothing, music, and media preferences. The document serves as a reference for understanding different UK youth cultures and subcultures.
This document provides summaries of three music artists' websites:
1. Dope Lemon/Angus Stone's website features information about the artist, his albums, music videos, and an online store for purchasing merchandise.
2. Local Natives' website includes their logo, music videos, information on where to purchase or stream their albums, and an online store selling merchandise and tour tickets.
3. Unknown Mortal Orchestra's website displays their name and slogan, upcoming tour dates, ways to follow the band on social media and streaming platforms, photos related to the band, a list of songs, and options to watch music videos or sign up for their email list.
The document provides background information on the band Rizzle Kicks and their music video for the song "Miss Cigarette". It discusses their image as young urban teenagers interested in fashion but not as fixated on clothes as many hip hop/rap artists. It also analyzes how the music video for "Miss Cigarette" both incorporates and subverts conventions of hip hop/rap music videos, such as including male artists performing for the camera but not including sexualized dancing by women or displays of wealth. The target audience is identified as being 16-20 years old, black, male, and from a lower social class. The band is described as being signed to the independent record label TVT Records, known for hip hop
The document summarizes the history and development of the music industry from the 18th century to modern times. It discusses how composers first began marketing their music through sheet music sales and performances. The recording industry emerged in the late 1880s and record sales replaced sheet music by the 1920s. In the 21st century, digital distribution of music became popular but also led to a rise in illegal file sharing, lowering industry revenues. The modern music industry consists of record labels that scout, finance, package, distribute and promote artists. Independent labels allow more artistic freedom but some are owned by major labels. The document also discusses various marketing and distribution methods and theoretical concepts in sociology about the commercialization of music.
This document contains brainstorming ideas for promoting music venues and artists in York aimed at 16-21 year olds. The main idea is to create a print advert highlighting upcoming pop and hip hop artists performing in York venues like Fibbers and The Basement. Colors like pink, yellow, blue would be used to appeal to the target audience as these genres commonly use bright colors. The advert would feature iconic York images and landmarks to contextualize the music scene. Demographic research found most 16-19 year olds listen to pop and hip hop, so the advert will follow the conventions of these genres with bold fonts and simple artist names.
The document discusses key concepts in magazine design including covers, spreads, and contents pages. It then examines how music magazines represent their audience and genres like indie/alternative music. The document notes magazines make money through advertising and readership while retaining audiences through attractive design, free gifts, offers, and famous artists. Business models like TV channels, radio, and festival stages help ensure sustained audiences and develop the magazine brand.
This document provides information about the independent artist 8 Graves as part of a portfolio piece. It includes sections on the artist's foundation, target audience, talents, experience, SWOT analysis, potential revenue sources, and 1-year goals. The target audience is described as primarily 18-24 year olds who enjoy going to local concerts and shopping at stores like Urban Outfitters. Strengths include strong live performances while weaknesses include lack of social media presence and limited merchandise options. Goals for the first year include releasing a high-quality album and increasing content creation and Instagram followers. Progress will be reviewed at 6 month intervals.
XL Recordings is an independent record label known for its diverse roster of artists across many genres. It allows artists more freedom to create the music they want without pressure to conform to commercial expectations. While it has less money for production than a major label, artists retain control over their music and image. For these reasons, the student concludes XL Recordings would be the best choice to represent their new indie-pop artist, as it prioritizes the music over profits and won't force the artist into a particular mold.
The document discusses research conducted for a student's music magazine coursework project on hip hop genres. It includes an analysis of an existing hip hop magazine called Vibe and a questionnaire distributed to students aged 14-20 about their music preferences and what they want in a magazine. The summary highlights that most respondents listened to hip hop and R&B, preferred gossip features, and were willing to spend £1-2 on a magazine.
The document discusses research conducted for a student's music magazine coursework project on hip hop genres. It includes an analysis of an existing hip hop magazine called Vibe and a questionnaire distributed to students aged 14-20 about their music preferences and what they want in a magazine. Key findings from the questionnaire indicated that most listeners were 14-16, listened to hip hop and R&B, and preferred gossip features in a magazine that costs £1-2.
Decene is a 22-year-old indie rock band from the UK releasing their debut album "Nothing But Sea". The objectives are to sell 2,000 copies in the UK and target 17-23 year olds interested in indie music and festivals through social media and radio play. Key goals include headlining a small tour, releasing special edition vinyls, and playing smaller stages at festivals. The band would use social media, posters, magazines, and radio to promote the album and connect with their target audience of 17-23 year old indie music fans.
This document contains brainstorming ideas for various promotional materials focused on music events in York. Some of the key ideas discussed include:
- Creating an advert or guide promoting upcoming music artists and venues in York, targeting 16-21 year olds. Bright colors, large images and references to York's history would be used.
- Developing a music venue guide for students in York, listing popular venues like Fibbers and The Basement that appeal to younger audiences.
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Authentically Social by Corey Perlman - EO Puerto Rico
Mon 1-Year Plan!
1. ARTIST MANAGEMENT - Assignment 1
Artist Selection, Target Audience Profile, and Artist Analysis
FOUNDATION
1. Alisson Bisono, Rita de Moura Santos, and Darrel Williams.
2. Mòn; https://www.facebook.com/monbandofficial/
3. A very similar artist to Mòn is The XX. They are an English indie-pop band based
from London, United Kingdom.
TARGET AUDIENCE
4. Target Audience - Demographics:
Solely based on the Mòn’s music & choice of clothing, their demographic is filled
with hipsters ages 17-24 years old. They’re high school/college students that
enjoy thrift store shopping, bonfires & cheap beer. Their economic status is
middle class & lower with them making $20,000 or higher/lower. The gender
ratio is overall balanced because most people within their fan base use the music
as comfort during a breakup. The relationship status of the fans is mostly single,
with people in relationships being the minority of their base.
5. Target Audience- Psychographics:
a. Give 3 specific examples of each of the following behavioral categories
as they pertain to your artist’s target audience.
i. Hobbies/Lifestyle Choices: Internet surfing, active in the
urban scene, constantly looking for new music in record stores,
LGBTQ.
ii. Clothing/Accessory Brands: Indie-urban look consists of
flannels, Doc Martens, and shopping in local thrift stores and
Urban Outfitters.
iii. Food/Restaurant Preferences: Discovering new up-an-
coming restaurants, Vegan and Vegetarian based, local and
caters to their lifestyle.
iv. Other Artists: Bon Iver, Nirvana, Alt-J
v. Movies and TV Shows: Anime like Attack on Titan, The Great
Gatsby, and Riverdale.
6. Target Audience – Description
a. Their target audience consists of men and woman between the age of
17-24. Individuals that look to music as a source of comfort cater to
2. Mòn’s audience. Since most of their songs are about relationship problems
and significant life events, they can resonate with their narrative based
songs.
7. Target Audience- Geographic:
a. In what city is the artist based? List 5 cities within a 500-mile radius
that have niche-specific businesses, venues, schools, or other
organizations that would be frequented by the target audience you have
defined. Provide a reliable source for each of the 5 examples.
Hometown: Rome
i. City 1: Rome, IT.
1. Example and source: One event that Mòn’s audience
would frequent is CRACK fumetti dirompenti, this event is
an underground comic and art festival that also has an
outside stage for indie independent artists to perform.
Their audience would be interested in coming to this
festival due to it being in their hometown, on top of that it
explores several of the audience’s interests such as design,
comics and alternative music.
https://www.facebook.com/Crackfestival/
ii. City 2: Palermo, IT.
1. Example and source: Mòn’s fans like to go out at night
and have fun, therefore I Candelai bar would be a good
example business their target audience would go to. This
bar is frequented by young people between the ages of 18
to 28 and frequently has live performances given by
independent artist in the genres of indie rock and rap.
https://www.facebook.com/icandelai/
iii. City 3: Cannes, Fr.
1. Example and source: Since Mòn’s fans are deeply
connected to the European independent film scene,
Cannes Film Festival is a place of interest that they are
very likely to go to. Mòn, just like The XX is often featured
in independent films and TV shows which makes it more
likely for the fans to attend the screening of the movies at
the festival.
iv. City 4: Trento, IT.
1. Example and source: Il Fiume Che Non C’è is an urban
social space in Trento, that hosts hybrid artistic acts, such
as theatrical and musical. Also the venue is also a house
for photography and art expositions that contributes to
the integration of culture, social and artistic in our
society. The fans of Mòn are attracted to this place
3. because it is a cultural hub that allows them to socialize
with people their age who also have the same interests as
them.https://www.facebook.com/pg/IlFiumeCheNonCe/
photos/?ref=page_internal
v. City 5: Milan, IT.
1. Example and source: In order to look like their fashion
icon’s, Mòn’s fans have to dig deep through the city and
find the best vintage stores in the country. Because of that
Groupies Vintage Alice Di Cipriani is the perfect place for
them to shop and buy the colorful statement pieces that
they need to fit the underground scene.
8. Provide at least two pictures of ideal members of the artist’s target
audience. Remember to consider psychographic information when
choosing these images.
4. GETTING TO KNOW THE ARTIST:
Discuss the questions sections below thoroughly with your group in regard to your artist,
then answer them in writing.
Choose at least 3 talents out of the list below that apply to your chosen artist and
write 4 sentences describing each talent. (Total of 12 sentences) Please elaborate and
provide specific details.
1. Songwriting:
Their songwriting is really mellow with a mix of genres such as Trip-Hop, Rock,
Electronic, and Alternative. The singing goes back and forth from the lead singer to the
leading lady that’s the manager of the group also. Their songs are really dynamic with the
vibes moving similar to waves. The singing specifically is really soft and smooth giving a
relaxing layer to the instrumental.
2. Instruments Played
One of the singers plays the keyboard while performing. The other singer plays the lead
guitar while performing. There’s two other guitar players on the left and right side of the
stage. There’s one drummer that plays in the back. They are often remembered by their
place on stage. Most fans know where to look for their favorite member based on their
formation.
3. Stage presence
Their stage presence isn’t the most commanding, their music and the joyfulness the band
shares amongst themselves grabs your attention. One of the guitar players struts a little
dance when he’s in his zone, which entertain their audiences. They’re not the most
animate and the lighting isn’t too special. The vibe doesn't change too much throughout
the show and their style could be described as urban. The overall performance style is
chill and it caters to their audience.
Choose at least 3 elements of experience that apply to your chosen artist and write 4
sentences describing each element of experience. (Total of 12 sentences) Please
elaborate and provide specific details.
1. Recording:
Mòn has multiple releases, releasing their first EP in 2017 titled ‘Zama’. Throughout
their album, their most popular song is Flourescence. With 4,159 monthly listeners,
they have managed to receive 1,671 followers on their Spotify page. Mòn
is planning on releasing new music by the end of 2019.
2. Touring/Booking Themselves:
Mòn has been touring all of Italy since the start of their career. Since they reside in
the boot-sized country, most of their sets are hosted at local music festivals. They do
travel outside of Italy; however, they could only afford to do shows in the country.
One of the lead singers, Carlotta, runs all of the social media accounts. She also
books every show the band performs. Instead of hiring a booking agent, they are
saving much more money having someone in the band take that position.
3. Merchandise:
5. Relating to what their fans are interested in, Mòn has released their own Vinyl’s for
sale. You could purchase merchandise like CD’s, Vinyl, Shirts, and buttons. Since
Mòn does not have a website, most of their sales come from shows. Once they start
getting known, they could partner with merch sites to collaborate on more ideas
their fans would like.
ARTIST SWOT ANALYSIS:
To evaluate your chosen artist, write 4 sentences describing each element of a
SWOT analysis. (Total of 16 sentences) Please provide a minimum of 2 specific
examples of each category and give specific details.
A. Strengths
Mòn’s main strengths are their social media presence and the psychedelic sound of their
music. Being an underground band, Mòn’s content stands strong and sets them apart from
other indie-folk projects. Their sound itself is a movement, it explores different
frequencies along with analogical and rhythmic effects which contrast with the
melancholic and intimate vocals, creating a unique audio experience, opening new
market opportunities for the band. Also, Mòn’s presence on social media is very heavy.
They are actively present on YouTube, Facebook, Instagram and Twitter. Mòn is
communicative with their fans and the underground community, bringing more people to
their fan base.
B. Weaknesses
Their main weakness are business and marketing related. Due to the fact that they are an
underground band Mòn has not explored opportunities that could generate them more
income and improve their audiences. If they invest on social media, promotions and
online marketing they will see their audience grow exponentially, making their content
more relevant. Also, another weakness is the absence of a website, it is extremely
beneficial for a band to have a website, that way their fans can get to know the band a
little bit more, see when and where they are performing next and buy their CD/Vinyl as
well as their merch.
C. Opportunities
Since Mòn’s style is very mellow, an opportunity for the band to expand their audience
and get the, more paid opportunities is to license their music to European movies and
commercials. Another opportunity for Mòn to grow is organizing a tour around Europe.
Mòn has played all over Italy, their home country but they never played in other
countries. This would be a great opportunity for them because Mòn’s music is also in
English, therefore people from all over Europe and the world will be able to understand
their lyrics along with the fact that the underground scene is very big and growing
steadily in Europe.
D. Threats
Their immediate threat at all times is other bands in the same music genre but with more
flair, such as The XX, Radiohead, God Is An Astronaut, etc. The band’s overall act is
entertaining, but not fierce enough to really compete with other bands. Since Mòn isn’t as
business savvy, there can be a downfall if someone in the band doesn’t study business or
could make strategic business decisions. Their brand seems consistent, which is a good
6. thing, but they actually haven’t recreate themselves at all from album to album. I just
believe recreating yourself as an artist is a great way to keep your fans engaged.
ACTION ITEMS:
Read this article regarding potential revenue sources for an independent artist: -
http://ambitious.com/10-ways-to-make-money-as-a-musician-in-a-world-
of-digital-sales-and-streaming/
For each of the 2 strengths identified in the SWOT analysis, brainstorm a list of 3
potential revenue sources for the artist. (Total of 6)
STRENGTH 1 – Potential Revenue Sources
1. Paid advertising in their social media posts
2. Sponsorships with other companies
3. Product Placement in social media posts, some examples are beer, specific
shoes, coffee brewing company, etc.
STRENGTH 2 – Potential Revenue Sources
1. Figuring out the right Performing Right Organization for Mòn’s genre of
music.
2. Licensing their music for shows, movies, or commercials.
3. Mòn could get a publishing deal for their original music.
For each of the 2 weaknesses identified in the SWOT analysis, brainstorm a list of 2
potential ways to improve or fix the issue/circumstance. (Total of 4)
WEAKNESS 1 – Potential Solution
1. Hire a marketing expert to create their next marketing campaigns.
2. Invest in social media advertisement through defining a specific target
audience and buy ads on Facebook and Instagram.
WEAKNESS 2 – Potential Solution
1. Creating a website in order to have all their content organized in just one
page (Merchandise, Music, Bio, CD/Vinyl, Tour Dates)
2. Hire a web developer and a designer in order to create an unique and stylish
website.