Micro Elements - Bartek Wielblad
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1) The document discusses various micro film techniques including extreme close-ups, close-ups, medium shots, and long shots. 2) It also covers camera movements like panning, tilting, tracking, and zooming as well as editing techniques like jump cuts. 3) Additional concepts covered include pace, performance, diegetic and non-diegetic sound, and mise-en-scene.
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This document outlines different types of camera shots including extremely wide shots, very wide shots, wide shots, mid shots, extreme close ups, and medium close ups. It also discusses two-shot, over the shoulder shots, noddy shots, point of view shots, and weather shots. Cutting techniques like cut-ins, cutaways, jump cuts, match on action, superimpose, and split screen are also defined. The document provides brief descriptions of when each shot or cut would be used, such as establishing scenery for extremely wide shots or showing intense emotions for extreme close ups.
Shots and camera movements
This document defines and describes various shots and camera movements used in filmmaking. It discusses close-up shots that focus on details and magnify objects, extreme close-ups that show even smaller elements, and medium shots that capture figures from the knees up. It also outlines wide shots that show some of the setting, long shots that approximate life-size scale, and extreme long shots that establish exterior landscapes from far away. Additionally, it defines point-of-view shots, two shots, vertical shots, over the shoulder shots, and zoom lenses that change magnification without moving. Rounds out descriptions of high and low camera angles, tilts, pans, tracking shots, dolly shots, and crane shots.
Angles and movements
The document provides descriptions of various camera angles and movements used in filmmaking. It defines close-ups, establishing shots, extreme wide shots, wide shots, mid shots, medium close-ups, extreme close-ups, cutaways, two-shots, over the shoulder shots, point of view shots, tracking, tilting, zooming, rules of framing, and the rule of thirds. Each term is accompanied by a brief explanation of how it is used within the film industry.
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This document defines and describes different types of camera shots and movements that are used in filmmaking. It discusses extreme close-ups, close-ups, medium shots, and long shots, which vary based on how much of the subject or background is included. It also explains tracking shots, cut-in shots, panning shots, tilt shots, and zoom shots, which involve moving the camera horizontally, vertically, or altering the lens. Finally, it distinguishes between diegetic and non-diegetic sounds, and defines mise-en-scene as everything visible within the frame.
Camera Shots, Angles and Movement
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Camera
This document discusses techniques for analyzing camera use in micro detail. It examines framing and movement. For framing, it discusses camera distance, angle, and point of view. It provides examples of different shot types defined by distance and angle. It also examines types of camera movement like panning, tilting, rolling, tracking, craning, and aerial shots. Key terms for both framing and movement are defined. Different shot types and their functions are also outlined.
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Presentationtech
The document defines and describes various filmmaking techniques including shots, lighting styles, sound types, editing transitions, camera movements, and scripting. It provides definitions and examples of techniques like establishing shots, close-ups, diegetic and non-diegetic sound, foley work, cuts, dissolves, dolly shots, pans, scripts, and more. These techniques are fundamental building blocks that filmmakers use to construct scenes, convey meaning, and tell visual stories.
The four technical areas within media
This document defines and describes various camera shots, angles, movements, compositions, editing techniques, sound techniques, and elements of mise-en-scene used in filmmaking. It discusses close-ups, mid shots, long shots, over the shoulder shots, two shots, establishing shots, master shots, and wide shots. It also covers high angles, low angles, canted angles, pans, tilts, tracks, dollies, cranes, steadicams, handheld cameras, zooms, and reverse zooms. Finally, it discusses framing, the rule of thirds, depth of field, deep focus, shallow focus, and focus pulls.
Media glossary
This document provides definitions for common filmmaking terminology related to editing techniques, camera shots, sound, and general concepts. Some key terms defined include continuity editing, shot-reverse-shot, cross-cutting, establishing shots, diegetic and non-diegetic sound, mise-en-scene, and protagonist vs antagonist. The glossary concisely explains techniques and concepts that filmmakers use to construct scenes and tell stories visually.
Glossary 120701153506-phpapp01
This document provides definitions for common filmmaking terminology related to editing techniques, camera shots, sound, and general concepts. Some key terms defined include continuity editing, shot-reverse-shot, cross-cutting, establishing shots, diegetic and non-diegetic sound, mise-en-scene, and protagonist vs antagonist. The glossary concisely explains techniques and concepts used in editing, cinematography, sound design, and overall film construction.
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Evaluation 4- Bartek Wielblad
- The document discusses the media technologies used by the author at different stages of their media projects, including research, planning, production, and post-production.
- During research, the author primarily used online resources like YouTube to study existing horror film openings and hip hop music videos. Surveys and vox pops were also used to gather opinions.
- In production, the author used their personal PC, Adobe Photoshop, and a smartphone camera to create logos, posters, and capture footage.
- Post-production involved editing on the author's PC using Sony Vegas Pro to assemble the film opening and music video, adding effects and downloading extra sound effects.
Evaluation 3 -Bartek Wielblad
The document discusses the results of audience feedback gathered through a survey about a student's music video and ancillary texts (a digipak and magazine poster). Key findings from the feedback include: most people rated the music video highly; most felt it fit the hip hop genre; high lighting was seen as the biggest difference from other music videos; and the ancillary texts were seen as effectively promoting the music video. The student concludes some areas for improvement like adding more information to the ancillary texts based on feedback.
Evaluation 2 - Bartek Wielblad
The document discusses the effectiveness of ancillary texts (a digipak and magazine poster) in promoting a main product (a music video). The ancillary texts were produced to promote the music video and apply uses and gratification theory. Specifically, the poster and digipak feature the artist to make them identifiable and provide identity gratification. While different layouts are used to distinguish the texts, they maintain similarities like font and color scheme to effectively promote the music video through synergy between the materials.
Evaluation 1 - Bartek Wielblad
- The document discusses a music video created for the genre of hip hop and how it both uses conventions of the genre but also challenges them.
- The music video uses typical hip hop elements like clothing, drugs, and money but challenges conventions by having a white rapper instead of the typical black rapper.
- The ancillary texts for the music video, like the digipak and magazine poster, were designed to promote the music video and artist. They apply Stuart Hall's theory of readings to try and ensure the audience interprets them as intended. They also challenge conventions through the use of atypical colors.
Institutional research- Bartek Wielblad
EMI, Sony BMG, Universal Music Group, and Warner Music Group are four major music institutions. EMI was founded in 1897 and merged with Columbia in 1930. Sony BMG was formed through mergers and acquisitions starting in 1929. Universal Music Group originated as part of Universal Pictures in the 1930s and was renamed in 1996 after acquisitions. Warner Music Group was founded in 1958 as Warner Bros. Records and went through ownership changes over the decades. Copyright law requires permission to use other artists' music and credits them to avoid legal issues.
Richard Dyer’s star theory
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5. Audience Research - Bartek Wielblad
The document summarizes the results of a survey about music video viewing habits. It finds that most 16-18 year olds watch music videos on YouTube, while those aged 26+ prefer social media. Males prefer rap/grime genres more than females, who prefer pop music more. When asked about video types, the majority of respondents said they prefer a mixture of types. Over 60% said music videos are important to them. Most people learn of new videos through social media, with no one reporting TV or newspapers as an information source.
1. Analysis of two music videos- Bartek Wielblad
This document analyzes and compares two grime music videos: "Bugzy Malone - Gone Clear" and "Chip x Stormzy - Hear Dis". It discusses the conventions, camera work, editing, genre, performance, representation, institutions, and values/ideology portrayed in each video. Both videos use conventions common to grime music like close-ups of jewelry and drugs, but "Hear Dis" incorporates more special effects. The editing and camera work create fast-paced styles in both. While "Gone Clear" focuses on Bugzy's life and desire to quit drugs, "Hear Dis" depicts a lyrical battle between artists.
History of horror -bartek wielblad
The history of horror films began in 1896 with the 3-minute silent film The Haunted Castle, which was among the first to depict horror scenes and scare audiences, though it seems laughable by today's standards. Horror originated from authors before becoming a film genre. Frankenstein was the second horror film made in 1910 over three days and sixteen minutes based on the novel. The Cabinet of Dr. Calibari gained popularity in 1920 for its storyline and cast, and still holds high ratings today. Modern horror films focus on families, spirits, and murder, with popular recent examples including The Conjuring, Insidious, and Paranormal Activity.
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Micro Elements - Bartek Wielblad
- 1. Micro Features By Bartek Wielblad
- 2. The extreme close up (ECU) is not used much in film openings because it is too close. This is because it does not show much emotion in the shot/face. Extreme close up
- 3. Close Up The close up (CU) are used to show detail and can be used as cut-ins. The close up shot can emphasize their emotion.
- 4. Medium Shot (MS) The medium shot shows how some part of the object is in more detail, whilst still showing enough for the audience to feel as if they were looking at the whole subject
- 5. Long Shot This shot usually shows the full entire human body. While the focus is on the characters there is still plenty of background details which can be recognised
- 6. Extreme Long Shot This can be taken from a quarter of a mile away and is usually as a scene-setting shot. It normally shows the exterior such as a building or a landscape image.
- 7. Track This is when a camera is set on a track and follows the characters around from their side.
- 8. Pan The pan shot is a horizontal camera movement which can move left and right on a central axis.
- 9. Tilt The tilt shot is when the camera is on a vertical movement and points up or down from a stationary position/location.
- 10. Zoom The zoom shot is not really a camera movement as it does not require the camera to do any movement. The zooming shot is essentially altering the length of the lens to give the illusion of moving closer to or further away from the action
- 11. Jump Cut The jump cut (JC) is a transition between two shots which start of for example from the back and then jumps to being half way.
- 12. Pace Pace is essentially the speed of the clips/plays. It is how fast or slow the clips are played. It is the rate of movement of the clips/action.
- 13. Performance Performance is acting out the scene. It is also presenting the play,concert or other form of entertainment.
- 14. Diegetic Diegetic sound is a sound which the character or characters on screen can hear.
- 15. Non Diegetic Non diegetic sound is any sound which the audience can hear and the characters on screen cant.
- 16. Mise-en-scene Mise en scene is essentially the setting of the play. It is the arrangement of setting/scenery of the play.