1. Mise-en-scene<br />Realism<br />Character<br />Setting<br />costume and makeup<br />lighting/colour design<br />Staging (movement and acting)<br />special effects<br />sound other than dialogue<br />space <br />time<br />Shot types<br />Master Shot/Establishing Shot (EST)<br />Wide Shot (WS)<br />Long Shot (LS)<br />Mid Shot (MS)<br />Medium Shot Close up (MCU)<br />Close up (CU)<br />Extreme Close up (ECU)<br />Shot angles<br />High angle<br />Low angle<br />Canted angle<br />Camera movement<br />Pan tilt<br />Track#dolly<br />Crane<br />Steadicam<br />Hand-held<br />Zoom (zoom in)<br />Reverse zoom (zoom out)<br />Composition<br />Framing<br />Rule of thirds<br />Depth of field<br />Deep and shallow focus<br />Focus pulls (moving from one thing being in focus to another)<br />Editing<br />Action match<br />Cut<br />Continuity editing<br />Cut away<br />Dissolve<br />Editing<br />Ellipsis<br />Expansion of time<br />Errors of continuity<br />Establishing shot<br />Eye line math<br />Fade (in and out)<br />Final cut<br />Insert<br />Graphic match<br />Jump cut<br />Long take<br />Montage<br />Parallel editing<br />Rough cut<br />Shot/reverse shot<br />Slow motion<br />Superimposition<br />Wipe<br />Post-production visual effects<br />Sound<br />Sound bridge<br />Diegetic sound<br />Non-diegetic sound<br />Incidental<br />Score<br />Sound effects<br />Themes and Stings<br />Ambient sound<br />Voice over<br />Motif<br />Synchronous<br />Asynchronous<br />Dialogue<br />Mode of address/direct address<br />Sound mixing<br />Sound perspective<br />Social Groups<br />Gender<br />Sexuality<br />Age<br />Ethnicity<br />Ability/Disability<br />Class and Status<br />Regional Identity<br />