Media poster number 2
•Download as PPTX, PDF•
0 likes•167 views
The album cover and poster for the Arctic Monkeys' new album uses a simple yet bold and effective black and white design. It features the album title in large white capital letters against a black background to draw attention, along with the classic Arctic Monkeys logo and release date. As a well-established band, the Arctic Monkeys do not need a complicated design but rather a succinct visual that catches the reader's eye.
Report
Share
Report
Share
Recommended
Digipaks media hw finished draft
A digipak is a type of cardboard packaging with a plastic holder for CDs or DVDs that offers more content than a standard CD case. It provides space for photos, liner notes, and other extras to incentivize purchasing the physical copy rather than downloading or streaming. The given document discusses how NWA's debut album "Straight Outta Compton" was packaged in a digipak, featuring photos of the group, their logo, tracklist, and a booklet with stories and lyrics.
Digipack analysis
This document discusses and analyzes several album covers and their digipak packaging. It describes the designs and visual elements used on the covers of albums by Two Door Cinema Club, The Kooks, and The Stone Roses. For Two Door Cinema Club's "Beacon" album, a simple black and white design is described as being cohesive across the cover and packaging. Elements like colors, photos, and layouts are examined for how they represent the bands' styles and appeal to their target demographics. Imagery from the bands themselves and abstract artwork are highlighted as visual motifs on the covers.
Digipak Analysis
This document analyzes a digipak for the album "Sam's Town" by the rock band The Killers. It discusses the textual, visual, and design conventions used in the digipak. Textually, the band name is larger than the album title and the back contains the track list and credits. Visually, images of the band are included but not on the front cover, and repeated images portray similarity. In terms of design, a clear color scheme of monochrome and red is used to represent the band's genre and style.
what is a digipak?
This document discusses DVD digipaks, which are an alternative packaging format to traditional jewel cases. Digipaks are made of cardboard with plastic trays inside to hold discs. They offer more graphic design flexibility than jewel cases and help protect discs. Major artists commonly release special edition albums and live recordings in digipak format. Advantages of digipaks for audiences include enhanced packaging graphics and bonus content, while advantages for the music industry include opportunities for extra profits, promotion and environmentally friendly packaging.
Jeff Buckley - Live at Sine E
The digipak for Jeff Buckley's live album Live at Sin-é contains 3 CDs and additional materials celebrating Buckley's performance. The front cover features a coffee stain acknowledging the venue was a coffee shop, while interior panels resemble a concert ticket and include photos. A booklet provides background on Buckley and the performance. The packaging is designed to feel vintage and match the live recording through its use of serif fonts, orange and yellow color scheme, and imagery directly from the concert.
Digipak and magazine advert analysis
A2 Media. I have in depth analysis three digibaks and three album advertisements in music magazines and then selected on what I have learnt.
Digi pak
The 1975 album cover has a simplistic yet stylish and edgy black and white design. The white writing stands out against the dark background, grabbing people's attention. The 'spotlight' effect on the band name makes it the focal point. This punk-inspired design gives listeners a sense of the band's musical style. The back cover maintains the same color scheme and stylized font for the song titles. Though the CD inside follows the dark color theme, the black writing distinguishes it while still drawing attention through its central large text. The consistent visual style across the packaging creates an attractive overall presentation.
Digipak Analysis 3 - Mumford and Sons 'Babel'
The document discusses the design of a Mumford and Sons album digipak. It notes that the band's name is larger than the album title on the cover to make it more recognizable to consumers. The typography uses varied fonts on the back for the track listing to give a unique look. Imagery on the cover effectively represents the band's indie/folk genre through a medieval backdrop and costumes. Colors on the cover attract attention while blues on the disk create a royal, consistent house style matching the medieval theme.
Recommended
Digipaks media hw finished draft
A digipak is a type of cardboard packaging with a plastic holder for CDs or DVDs that offers more content than a standard CD case. It provides space for photos, liner notes, and other extras to incentivize purchasing the physical copy rather than downloading or streaming. The given document discusses how NWA's debut album "Straight Outta Compton" was packaged in a digipak, featuring photos of the group, their logo, tracklist, and a booklet with stories and lyrics.
Digipack analysis
This document discusses and analyzes several album covers and their digipak packaging. It describes the designs and visual elements used on the covers of albums by Two Door Cinema Club, The Kooks, and The Stone Roses. For Two Door Cinema Club's "Beacon" album, a simple black and white design is described as being cohesive across the cover and packaging. Elements like colors, photos, and layouts are examined for how they represent the bands' styles and appeal to their target demographics. Imagery from the bands themselves and abstract artwork are highlighted as visual motifs on the covers.
Digipak Analysis
This document analyzes a digipak for the album "Sam's Town" by the rock band The Killers. It discusses the textual, visual, and design conventions used in the digipak. Textually, the band name is larger than the album title and the back contains the track list and credits. Visually, images of the band are included but not on the front cover, and repeated images portray similarity. In terms of design, a clear color scheme of monochrome and red is used to represent the band's genre and style.
what is a digipak?
This document discusses DVD digipaks, which are an alternative packaging format to traditional jewel cases. Digipaks are made of cardboard with plastic trays inside to hold discs. They offer more graphic design flexibility than jewel cases and help protect discs. Major artists commonly release special edition albums and live recordings in digipak format. Advantages of digipaks for audiences include enhanced packaging graphics and bonus content, while advantages for the music industry include opportunities for extra profits, promotion and environmentally friendly packaging.
Jeff Buckley - Live at Sine E
The digipak for Jeff Buckley's live album Live at Sin-é contains 3 CDs and additional materials celebrating Buckley's performance. The front cover features a coffee stain acknowledging the venue was a coffee shop, while interior panels resemble a concert ticket and include photos. A booklet provides background on Buckley and the performance. The packaging is designed to feel vintage and match the live recording through its use of serif fonts, orange and yellow color scheme, and imagery directly from the concert.
Digipak and magazine advert analysis
A2 Media. I have in depth analysis three digibaks and three album advertisements in music magazines and then selected on what I have learnt.
Digi pak
The 1975 album cover has a simplistic yet stylish and edgy black and white design. The white writing stands out against the dark background, grabbing people's attention. The 'spotlight' effect on the band name makes it the focal point. This punk-inspired design gives listeners a sense of the band's musical style. The back cover maintains the same color scheme and stylized font for the song titles. Though the CD inside follows the dark color theme, the black writing distinguishes it while still drawing attention through its central large text. The consistent visual style across the packaging creates an attractive overall presentation.
Digipak Analysis 3 - Mumford and Sons 'Babel'
The document discusses the design of a Mumford and Sons album digipak. It notes that the band's name is larger than the album title on the cover to make it more recognizable to consumers. The typography uses varied fonts on the back for the track listing to give a unique look. Imagery on the cover effectively represents the band's indie/folk genre through a medieval backdrop and costumes. Colors on the cover attract attention while blues on the disk create a royal, consistent house style matching the medieval theme.
Conventions of digipaks
This document discusses conventions of digipaks and CD covers. It notes that while this particular digipak does not include a picture of the band on the front, it follows other conventions such as clearly listing the band name and album title. It also lists the song titles on the back, uses bright colors to stand out, and includes the band picture on the front and back. Overall, the digipak adheres to typical conventions around labeling the band, album, and tracklist while experimenting somewhat with design elements like color and imagery placement.
DIGIPAK ANALYSIS
The document provides analysis of the album artwork designs (digipaks) for 4 different albums:
1) The Knife's "Shaking the Habitual" uses contrasting fonts, bright unusual colors, and distorted imagery that make it eye-catching yet difficult to discern details.
2) Captain Murphy's "Duality" has minimal text and vivid colors alongside complex graphics that retain attention on the artwork.
3) Death Grips' "Exmilitary" places the intimidating image of a stranger prominently with contrasting fonts and natural colors highlighting him against the background.
4) Atoms for Peace' "Amok" stands out with its intricate black and white graphic design spread
Digipak analysis 1
The Stone Roses album cover stands out due to its varied colors and graphic design elements. Paint is spread across the cover and the band's name is featured prominently in yellow. The back cover also uses varied bright colors to make the band members stand out against the background. The CD disc features the band's name in black lettering against a plain black background.
DIGIPAK ANALYSIS
This document discusses and analyzes the design elements of several album covers, focusing on their use of images, colors, typography, and conventions. Key aspects mentioned include placement of the CD in the center, use of band names and images, inclusion of song listings, and simplicity versus originality in design. Comparisons are drawn between different albums to evaluate similarities and differences in their visual presentations.
Digi paks
Conventional music album packaging called Digi-Paks contained lyrics, artist information, and photos. While they were once the primary way fans learned about artists, people now use the internet for information more. Some people still prefer owning physical copies of albums. The document discusses two examples of appealing Digi-Pak album designs: the minimalist, simple design of The XX album with just a logo and no text; and the distinctive, memorable design of SBTRKT's self-titled album reflecting its electronic music style with a unique masked logo and bold colors. The writer hopes to create similarly aesthetically pleasing album packaging.
CD Digipak Analysis
The front cover of the Chutes Too Narrow digipak by The Shins uses a variety of bright colors and imaginative illustrations to catch the audience's attention. Both the band name and album name are placed cleverly within the illustrations. The inside continues the pastel color scheme and subtle design elements. The CD features similar illustrations and brighter colors to stand out while not overcrowding the design. Overall the digipak utilizes illustrations and color strategically to intrigue audiences.
Album cover analysis
The document discusses several album covers and their design elements. It notes design features like basic fonts that allow the artwork to stand out, circular mazes and colors that reference sci-fi music styles. Album covers are described as having simple silhouettes of band members, ocean life with neon features relating to electronic music, and band symbols used consistently across the CD and album artwork.
Digipak Research
The document discusses design elements that were researched for inclusion in a digipak album cover. Some key elements discussed include:
- Using bright colors that were popular in album covers from the 1970s to draw attention to the cover.
- Including an image of the band to make the album recognizable and inform audiences about the artists.
- Placing the band and album name prominently on the front and spine for visibility and easy discovery on store shelves.
- Making the track list the clear focus on the back cover without other distracting elements.
Digipak research
The document discusses design elements that were researched for inclusion in a digipak album cover. Some key elements discussed include:
- Using bright colors that draw the eye as well as images of the band to make the album recognizable.
- Placing the band and album name prominently to identify the artist and title.
- Keeping the track list as the sole focus on the back cover so it is easy to read.
- Incorporating consistent colors, fonts, and layouts across the digipak surfaces to create a cohesive design.
Magazine Advert Analysis
The magazine advertisement promotes a new album by a band. It features the album cover art as the main image, combining all four band members' faces. Text elements like the band and album names match the style and fonts used on the album cover to create synergy. Conventionally, the ad lists singles and information on where to purchase the album to encourage sales.
Nick cave and the bad seeds
The digipack for Nick Cave & The Bad Seeds' album "The Lyre of Orpheus" has a unique design where the front and back are nearly identical, featuring slight changes to the picture and subtitle. The material used for the digipack, a sewn fabric layer, gives it a distinctive feel and look compared to other albums. Inside are 2 CD packets and a book with lyrics and behind-the-scenes photos from recording. The simplistic design, consistent font, and lack of text are intended to draw viewers in and appeal more to dedicated fans than reveal the genre of music.
Step by step costruction of media products
The document provides step-by-step instructions for designing the packaging and advertising materials for a rock album. It describes editing a photo of a model's eye for the digipak cover, adding the band and album names. It then details constructing the back cover, inside, and a black and white magazine ad, maintaining consistent fonts and motifs. Recurring elements include an edited eye photo and red/pink colors to create a recognizable visual style across the materials to promote the album.
Digipak analysis
The document provides an analysis of three different digipak album covers and three different magazine advertisements promoting music albums. For the digipak analyses, it examines the color schemes, images, layouts and other design elements of the covers. It notes how these aspects appeal to audiences and represent the music. For the magazine ads, it evaluates the color schemes, images, fonts and information presented in ads promoting new albums by Stereophonics, Kasabian and The Killers.
Cd Cover Design
This document discusses and analyzes the cover designs of several CDs. It notes key design elements for each cover like colors, images, typography and how these elements reflect the band's style and target audience. Overall, the covers aim to attract audiences through unique, bold and intriguing designs that identify each band's style while considering things like genre and intended demographic.
Digipak and Magazine Advert improvments
The document discusses improvements made to a digipak and magazine advertisement based on audience feedback. Key changes included:
1. Adding the song listings to the back cover of the digipak for visibility.
2. Redesigning the inside left of the digipak to have a simpler, consistent style.
3. Making the eyes on the front cover symmetrical and aligned by resizing one eye.
4. Choosing a new picture for the magazine ad that better represented the rock genre and removing the background. Social media links were also added.
Digipack decon 2
The document summarizes the design elements of the album cover and packaging for Razorlight's "Digipack" album. The front cover features a collage of images in a scrapbook style reflecting a free spirit theme. The inside cover and disk feature a simple dotted pattern with minimal text. The back cover brings together both the dotted pattern and collage scrapbook themes to tie the overall album packaging design together in an understated color scheme.
Evaluation q1
Our media product uses and develops many conventions of real album covers and packaging. For the front cover, we linked the image to the album name and used selective coloring and contrasts in tones similarly to real covers. The back cover includes typical elements like a tracklist, barcode, and credits in bright colors as most pop covers do. However, we also challenge conventions by making the main image darker and grainier rather than clear. The inlays similarly feature plain photos of the artist with little text, sharing themes with the front and back covers. The magazine ad contains basic album information but also includes social media addresses to reach digital audiences. Overall, our product draws from real conventions but also challenges expectations in some ways.
Digipak analysis google docs
This document analyzes the packaging and promotional materials for Bruno Mars' 2012 album "Unorthodox Jukebox" and Beyoncé's 2011 self-titled album. For Bruno Mars, the front cover features a gorilla at a jukebox, referencing the album title and a song. Colors are limited to reds, blacks, and beiges. For Beyoncé, the front cover is minimalist, focusing on her name and image to emphasize her fame and connection to audiences. Both albums utilize consistent fonts and color schemes throughout their packaging to clearly identify the artist and album.
Digipak and poster analysis
The document discusses conventions for magazine advertisements and digital packaging (digipaks) for music. It notes that typical elements included are release dates, images, reviews, the album name, record label, and an image related to the album name. For house music genres, digipaks usually feature an image of the artist linked to their music video to create brand identity. The artist and album names are prominently displayed centrally. Backs typically include the artist image, track list, barcode and record company. Insides commonly have more artist images and lyrics. Effective digipaks examined were simple in design with the artist and album names clearly displayed alongside a single relevant image.
Digipak mate
This document discusses and compares the album covers, backs, CDs, and inside covers of several albums. It notes that some covers have graphic elements while incorporating photos, and that they vary in their inclusion of band names, album titles, and other typical information. Some covers are simplistic with minimal text while others contain more details. The inside covers also differ regarding additional images, lyrics, and materials used for the CD case. Overall, the document examines the visual design choices across formats for presenting album information.
Kendrick
The music video for Kendrick Lamar's song "Alright" is analyzed. The video is shot in San Francisco and Los Angeles to connect with viewers. It features dancing scenes to keep the hip-hop feel while conveying a deeper message. Images in the video relate to the lyrics, depicting themes of religion, violence, happiness, and sudden death. The video structure mirrors the song's beat. It presents Kendrick Lamar as a role model and possible messianic figure. There are few voyeuristic elements and references are made to the Bible and works by Tupac Shakur.
Genre analysis
Grime originated in the early 2000s in East London, influenced by the 1990s garage scene. Wiley was an early grime artist who rapped over different beats about more relatable topics, helping establish the genre. As Wiley and other London artists' styles grew in popularity through clashes and competitions, grime attracted many young fans and spread through the internet, leading artists like Skepta, Stormzy, and JME to break into the mainstream charts with grime songs in recent years.
More Related Content
What's hot
Conventions of digipaks
This document discusses conventions of digipaks and CD covers. It notes that while this particular digipak does not include a picture of the band on the front, it follows other conventions such as clearly listing the band name and album title. It also lists the song titles on the back, uses bright colors to stand out, and includes the band picture on the front and back. Overall, the digipak adheres to typical conventions around labeling the band, album, and tracklist while experimenting somewhat with design elements like color and imagery placement.
DIGIPAK ANALYSIS
The document provides analysis of the album artwork designs (digipaks) for 4 different albums:
1) The Knife's "Shaking the Habitual" uses contrasting fonts, bright unusual colors, and distorted imagery that make it eye-catching yet difficult to discern details.
2) Captain Murphy's "Duality" has minimal text and vivid colors alongside complex graphics that retain attention on the artwork.
3) Death Grips' "Exmilitary" places the intimidating image of a stranger prominently with contrasting fonts and natural colors highlighting him against the background.
4) Atoms for Peace' "Amok" stands out with its intricate black and white graphic design spread
Digipak analysis 1
The Stone Roses album cover stands out due to its varied colors and graphic design elements. Paint is spread across the cover and the band's name is featured prominently in yellow. The back cover also uses varied bright colors to make the band members stand out against the background. The CD disc features the band's name in black lettering against a plain black background.
DIGIPAK ANALYSIS
This document discusses and analyzes the design elements of several album covers, focusing on their use of images, colors, typography, and conventions. Key aspects mentioned include placement of the CD in the center, use of band names and images, inclusion of song listings, and simplicity versus originality in design. Comparisons are drawn between different albums to evaluate similarities and differences in their visual presentations.
Digi paks
Conventional music album packaging called Digi-Paks contained lyrics, artist information, and photos. While they were once the primary way fans learned about artists, people now use the internet for information more. Some people still prefer owning physical copies of albums. The document discusses two examples of appealing Digi-Pak album designs: the minimalist, simple design of The XX album with just a logo and no text; and the distinctive, memorable design of SBTRKT's self-titled album reflecting its electronic music style with a unique masked logo and bold colors. The writer hopes to create similarly aesthetically pleasing album packaging.
CD Digipak Analysis
The front cover of the Chutes Too Narrow digipak by The Shins uses a variety of bright colors and imaginative illustrations to catch the audience's attention. Both the band name and album name are placed cleverly within the illustrations. The inside continues the pastel color scheme and subtle design elements. The CD features similar illustrations and brighter colors to stand out while not overcrowding the design. Overall the digipak utilizes illustrations and color strategically to intrigue audiences.
Album cover analysis
The document discusses several album covers and their design elements. It notes design features like basic fonts that allow the artwork to stand out, circular mazes and colors that reference sci-fi music styles. Album covers are described as having simple silhouettes of band members, ocean life with neon features relating to electronic music, and band symbols used consistently across the CD and album artwork.
Digipak Research
The document discusses design elements that were researched for inclusion in a digipak album cover. Some key elements discussed include:
- Using bright colors that were popular in album covers from the 1970s to draw attention to the cover.
- Including an image of the band to make the album recognizable and inform audiences about the artists.
- Placing the band and album name prominently on the front and spine for visibility and easy discovery on store shelves.
- Making the track list the clear focus on the back cover without other distracting elements.
Digipak research
The document discusses design elements that were researched for inclusion in a digipak album cover. Some key elements discussed include:
- Using bright colors that draw the eye as well as images of the band to make the album recognizable.
- Placing the band and album name prominently to identify the artist and title.
- Keeping the track list as the sole focus on the back cover so it is easy to read.
- Incorporating consistent colors, fonts, and layouts across the digipak surfaces to create a cohesive design.
Magazine Advert Analysis
The magazine advertisement promotes a new album by a band. It features the album cover art as the main image, combining all four band members' faces. Text elements like the band and album names match the style and fonts used on the album cover to create synergy. Conventionally, the ad lists singles and information on where to purchase the album to encourage sales.
Nick cave and the bad seeds
The digipack for Nick Cave & The Bad Seeds' album "The Lyre of Orpheus" has a unique design where the front and back are nearly identical, featuring slight changes to the picture and subtitle. The material used for the digipack, a sewn fabric layer, gives it a distinctive feel and look compared to other albums. Inside are 2 CD packets and a book with lyrics and behind-the-scenes photos from recording. The simplistic design, consistent font, and lack of text are intended to draw viewers in and appeal more to dedicated fans than reveal the genre of music.
Step by step costruction of media products
The document provides step-by-step instructions for designing the packaging and advertising materials for a rock album. It describes editing a photo of a model's eye for the digipak cover, adding the band and album names. It then details constructing the back cover, inside, and a black and white magazine ad, maintaining consistent fonts and motifs. Recurring elements include an edited eye photo and red/pink colors to create a recognizable visual style across the materials to promote the album.
Digipak analysis
The document provides an analysis of three different digipak album covers and three different magazine advertisements promoting music albums. For the digipak analyses, it examines the color schemes, images, layouts and other design elements of the covers. It notes how these aspects appeal to audiences and represent the music. For the magazine ads, it evaluates the color schemes, images, fonts and information presented in ads promoting new albums by Stereophonics, Kasabian and The Killers.
Cd Cover Design
This document discusses and analyzes the cover designs of several CDs. It notes key design elements for each cover like colors, images, typography and how these elements reflect the band's style and target audience. Overall, the covers aim to attract audiences through unique, bold and intriguing designs that identify each band's style while considering things like genre and intended demographic.
Digipak and Magazine Advert improvments
The document discusses improvements made to a digipak and magazine advertisement based on audience feedback. Key changes included:
1. Adding the song listings to the back cover of the digipak for visibility.
2. Redesigning the inside left of the digipak to have a simpler, consistent style.
3. Making the eyes on the front cover symmetrical and aligned by resizing one eye.
4. Choosing a new picture for the magazine ad that better represented the rock genre and removing the background. Social media links were also added.
Digipack decon 2
The document summarizes the design elements of the album cover and packaging for Razorlight's "Digipack" album. The front cover features a collage of images in a scrapbook style reflecting a free spirit theme. The inside cover and disk feature a simple dotted pattern with minimal text. The back cover brings together both the dotted pattern and collage scrapbook themes to tie the overall album packaging design together in an understated color scheme.
Evaluation q1
Our media product uses and develops many conventions of real album covers and packaging. For the front cover, we linked the image to the album name and used selective coloring and contrasts in tones similarly to real covers. The back cover includes typical elements like a tracklist, barcode, and credits in bright colors as most pop covers do. However, we also challenge conventions by making the main image darker and grainier rather than clear. The inlays similarly feature plain photos of the artist with little text, sharing themes with the front and back covers. The magazine ad contains basic album information but also includes social media addresses to reach digital audiences. Overall, our product draws from real conventions but also challenges expectations in some ways.
Digipak analysis google docs
This document analyzes the packaging and promotional materials for Bruno Mars' 2012 album "Unorthodox Jukebox" and Beyoncé's 2011 self-titled album. For Bruno Mars, the front cover features a gorilla at a jukebox, referencing the album title and a song. Colors are limited to reds, blacks, and beiges. For Beyoncé, the front cover is minimalist, focusing on her name and image to emphasize her fame and connection to audiences. Both albums utilize consistent fonts and color schemes throughout their packaging to clearly identify the artist and album.
Digipak and poster analysis
The document discusses conventions for magazine advertisements and digital packaging (digipaks) for music. It notes that typical elements included are release dates, images, reviews, the album name, record label, and an image related to the album name. For house music genres, digipaks usually feature an image of the artist linked to their music video to create brand identity. The artist and album names are prominently displayed centrally. Backs typically include the artist image, track list, barcode and record company. Insides commonly have more artist images and lyrics. Effective digipaks examined were simple in design with the artist and album names clearly displayed alongside a single relevant image.
Digipak mate
This document discusses and compares the album covers, backs, CDs, and inside covers of several albums. It notes that some covers have graphic elements while incorporating photos, and that they vary in their inclusion of band names, album titles, and other typical information. Some covers are simplistic with minimal text while others contain more details. The inside covers also differ regarding additional images, lyrics, and materials used for the CD case. Overall, the document examines the visual design choices across formats for presenting album information.
What's hot (20)
Viewers also liked
Kendrick
The music video for Kendrick Lamar's song "Alright" is analyzed. The video is shot in San Francisco and Los Angeles to connect with viewers. It features dancing scenes to keep the hip-hop feel while conveying a deeper message. Images in the video relate to the lyrics, depicting themes of religion, violence, happiness, and sudden death. The video structure mirrors the song's beat. It presents Kendrick Lamar as a role model and possible messianic figure. There are few voyeuristic elements and references are made to the Bible and works by Tupac Shakur.
Genre analysis
Grime originated in the early 2000s in East London, influenced by the 1990s garage scene. Wiley was an early grime artist who rapped over different beats about more relatable topics, helping establish the genre. As Wiley and other London artists' styles grew in popularity through clashes and competitions, grime attracted many young fans and spread through the internet, leading artists like Skepta, Stormzy, and JME to break into the mainstream charts with grime songs in recent years.
Evaluation Q 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Hype in the booth evaluation two
The document discusses the synergy between three media products created to promote musician Isaiah Dreads' album: a music video, album digipak, and magazine poster. Synergy was maintained throughout by aligning the aesthetics, imagery, and themes of each product to the London grime genre. Close-up shots of the artist from the music video were consistently featured to connect the audience visually. Location, clothing, fonts, and color schemes were also aligned across products to establish coherence and effectively promote the artist and album as a whole.
Genre differentiation
This document provides analyses of three music videos:
1) "With That" by Yungen and Sneakbo reflects the London grime genre through its nighttime filming in London and portrayal of the artists as underground figures.
2) "You Belong With Me" by Taylor Swift reflects the American pop genre through its portrayal of a mainstream high school love story through lyrics and imagery.
3) "Thnks Fr Th Mmrs" by Fall Out Boy reflects the soft rock genre through its filming on stage and in a dark room with sexual innuendo and smoking, portraying the band as cool and stylish with groupies.
Magazine analysis work
The document discusses two music magazines - Q Magazine and XXL Magazine. Q Magazine targets an older audience and covers mainstream music genres. XXL Magazine focuses on hip-hop and R&B music and would be more suitable for promoting the artist Isaiah Dreads, whose genre of Grime is closer to R&B. The magazine ads in XXL portray artists as more powerful and exclusive, which is the image the document wants to portray for their artist. Therefore, XXL Magazine would be a better fit for promoting their song "Hype In The Booth" due to its alignment with target audiences and portrayal of artists.
Pop music genre presee
Pop music conventions include upbeat songs with catchy hooks and consistent beats. Artists are often portrayed as happy and fashionable to provide a feel-good vibe. Lyrics frequently discuss love and relationships. Videos aim to appeal to teenagers through themes of partying, dancing, and sex while utilizing bright colors and special effects. Pop follows trends more than innovation to gain radio play and sales.
Magazine Promo Cover (options)
5 varying options for out promotional magazine cover. This will promote the song 'Hype In The Booth' and the album 'Lights Turn Greaan' by Isaiah Dreads
Evaluation question 1 (2)
The document discusses how a media product about the indie rock band "The Jungle Doctors" uses and develops conventions of the indie rock genre. It analyzes the music video created, discussing how it features common conventions like a focus on the band's performance, authentic instrumentation, and simple narrative sequences. The document also summarizes how other aspects like the digipak, magazine advertisements, and influences from other indie rock music videos help situate the media product within the genre.
Lyrics hype in the booth presentation
The lyric analysis summarizes the lyrics of a grime artist who is confident in his rapping abilities. He says that he "lights up the room" when rapping due to his skill. While he takes breaks from music, he is now back and hasn't lost his talents. He prides himself on writing multiple tracks in a single day through hard work. He represents where he came from and won't change his humble ways even if he achieves fame and success.
Evaluation Question 1
The document discusses conventions of the indie rock music genre and how the media product draws from, develops, and challenges these conventions. Key conventions discussed include using close-ups of band members and instruments in music videos to emphasize authenticity and musicianship over visuals. Simplistic designs are also common for album artwork and merchandise. The media product takes inspiration from videos by Circa Waves and Arctic Monkeys but adapts conventions like using locations around London to represent the band's origins. Overall, the media product aims to portray the band as real and passionate about their music while putting their own spin on familiar indie rock conventions.
Evaluation 1
The document discusses the development of a promotional package for an indie rock band called "The Jungle Doctors" including a music video, digipak, and magazine advertisement. Research was conducted on conventions of indie rock music videos, digipaks, and magazine ads. Inspiration was drawn from bands like The Strokes, Arctic Monkeys, and Jake Bugg. The music video incorporated performance and action shots cut together. The digipak and ad utilized simple designs and images to tie the materials together cohesively and promote the band's new single and album release.
Skepta
This music video for "Shutdown" by Skepta is for a grime song. It shows Skepta surrounded by a large group of people wearing tracksuits, hats, and hoodies, typical of the grime genre. The video cuts between shots of Skepta rapping and group shots that rotate around him, presenting him as the central figure. There are references to other grime artists and songs. Overall it lacks a narrative and instead focuses on visually representing Skepta's lyrics and the grime music and culture.
Digipak analysis
The album cover depicts Chris Brown in a graffiti-style font, suggesting his appreciation for his fans and artistic talents in music and drawing. The colorful background includes images of Brown and words spelling "Forgiving all my enemies," portraying his move to a positive life. It shows domination of his new character over his old self. The serious expression and passionate music aim to connect Brown to his fans and guide their emotions.
Eminem presents the re up
The album cover for Eminem's "RE-UP" album follows stereotypes of hip-hop aesthetics through its use of dark colors and imagery of gang signs and guns. The large parental advisory sticker reflects Eminem's reputation for causing trouble. Inside the album, images of vinyl records, CDs, money, and microphones represent the evolution of rap music and wealth in the industry, while shots of a worn kitchen suggest the humble origins of many rappers.
Moodboard
The document provides a brief list of elements including the setting of London, costumes, lighting, emotions, and instruments. It does not provide any additional context or details about these elements.
Fonts
The document lists the words "Late", "Dry", "I Can’t Believe", "Falling", "Settle", "Landslide" repeated multiple times with different font names in between each repetition. It appears to be testing different fonts without providing any additional context or information.
Billie jean
The document analyzes and summarizes key elements of Michael Jackson's music video for "Billie Jean". It finds that the genre is mainstream pop due to its choreographed dance routines, flashy costumes, and lighting effects. The video tells a narrative story through its images, portraying the paparazzi trying to catch Jackson with a girl. Throughout the video, the images and cuts are synchronized to the beat and lyrics of the song. It effectively sells Jackson as the main focus and star through close-ups and solo dance shots.
Viewers also liked (20)
Similar to Media poster number 2
Digipak analysis-x3
The document analyzes the digital packaging designs of several albums:
1) Arctic Monkeys' "AM" has a simplistic black and white design with waveforms that subtly include the band and album initials. This simple yet clever design makes the band highly recognizable.
2) Nickelback's "Greatest Hits" clearly displays the band name and title at the top for instant recognition. It features a photo of the band members and a dull color scheme common in the rock genre.
3) Oasis' "Acoustic" album differs by showing an acoustic guitar instead of the band, informing listeners that it is an acoustic release. It is a double digipak containing a CD and more
Task c digipack and advert research fini
The document analyzes and compares the album covers and advertising designs for Arctic Monkeys' "AM" album and The Neighbourhood's "Wiped Out!" album. Both album covers have a black background with white text and a simple white graphic or image in the center. This minimalist, black and white design is intended to attract younger audiences to the indie and alternative rock music styles. While the designs are subtle and leave out band names or photos to create intrigue, the use of the same graphics from the advertisements helps make the albums recognizable to fans.
Magazine slide
This document summarizes magazine advertisements for three bands:
- The Linkin Park advertisement features a large image of the band and their name in bold white writing to catch the eye. The dark colors create a relaxed atmosphere suiting their soft rock genre.
- The Coldplay advertisement stands out with its bright, colorful background and sketch effect. It features the album name in bold white writing and informs viewers how to pre-order the album.
- The Arctic Monkeys advertisement contains more information like additional artist images and a banner. It uses red and black typography that stands out against the black and white primary image. At the top it promotes "Best albums of 2009."
Research into digipacks
The document discusses the album cover for Klaxons' album "Surfing the Void". It summarizes that the cover features a cat in a space suit, created by merging two photos. It then discusses conventions of album covers like simple designs and fonts. It notes the album cover has minimal text, just the band name on the space suit. The photography combined two photos in a clever way. Bright lighting and props help make the cover eye-catching. The document also summarizes a magazine ad for The Killers' "Day & Age" album, noting conventions like the band/album name and recognizable fonts and artwork.
Task c digipack and advert research
The document analyzes and compares the album covers and advertisements for Arctic Monkeys' "AM" album and The Neighbourhood's "Wiped Out!" album. Both covers have a black background with white text and images to stand out. Arctic Monkeys' cover features only a white squiggly line for mystery and intrigue, while The Neighbourhood includes their logo for recognition. Though simplistic, the designs reflect the bands' styles and genres and are intended to attract younger audiences.
Album covers and digipaks
The document summarizes the album covers of several albums by the Arctic Monkeys in chronological order. It describes the simple yet effective designs that became iconic symbols, including AM (2013) with its white zigzagged lines on black, Suck It and See (2011) with a plain white background highlighting the bold title, and Humbug (2009) featuring a hazy image suggesting drug influence. It also discusses the designs relating to the bands' style and helping the albums stand out on store shelves. Across the albums, common design elements include monochrome color schemes, distorted or non-linear text, and imagery connecting to the bands' music videos or urban influences.
Digipak Analysis
The document analyzes the album covers of three different albums:
1) Mumford and Sons' "Sign No More" uses a simple design that matches the band's folk music style. The cover features the band members in a shop window to portray them as being "on display".
2) The 1975's self-titled album has a minimalist black and white design with the band name in neon lights, conveying an urban artistic influence.
3) Lana Del Rey's "Born to Die" shows a close-up of her face, allowing the focus to be on her vintage style and beauty. It uses a softening filter and nature backdrop to reflect her music.
Digipak Analysis
The digipak for Mumford and Sons' album "Sign No More" follows a simple, understated design that matches the band's indie music style. The front cover features a photo of the band members posing in a shop window to portray themselves as being "on display" for the public. The interior panels continue this casual, realistic aesthetic with solo shots of each band member in a window. The minimalist design and color scheme create continuity throughout the digipak.
Digipack analysis
The poster uses a simple color scheme of red, white, and black with bold capitalized fonts to prominently display the artist and album name. It indicates the album's popularity through labels like "multi-platinum" and star ratings from popular magazines. The main image shows the artist performing on stage, reflecting the style on the album cover also pictured, creating continuity throughout the advertisement.
Q magazine textual analysis
The main image is a close-up of Noel Gallagher to capture his stern personality. It uses dull colors but draws the eye with contrast. The cover line "OASIS ARE BACK!" is in red and white to stand out and intrigue fans about the band's return. The image of Arctic Monkeys frontman Alex Turner makes direct eye contact with the viewer and is shown in typical clothes to relate to his fans.
Digipack analysis
This document summarizes and analyzes the album artwork and promotional materials for several musical artists. In 3 sentences:
It discusses the album artwork for Emeli Sande, 1975, and Plan B, noting design elements like simple backgrounds, use of color, and images of the artists. Advertisements for Arctic Monkeys, Adele, and Plan B are also examined, highlighting the large font used for the artist and album names, reviews from magazines, and information about the music. Overall, the document analyzes how the visual design of albums and ads target audiences and convey aspects of the artist's image and music.
Media Studies, Digipack Research
The Coldplay digipack uses lyrics and words placed around the CD to build a relationship between the band and audience and provide clues about the music inside. The unconventional album title "Mylo Xyloto" is displayed prominently and the background features made-up words related to the album's theme. In an unconventional move, the band's name does not appear on the cover. The digipack effectively reflects the unique aspects of Coldplay and their new album.
Poster analysis
The poster advertises an upcoming Arctic Monkeys album using their logo, name, and album release date to clearly communicate what is being promoted while reinforcing the band's image and star power. A minimalist black and white design features their soundwave-style logo in the top center, reminiscent of the band's style across platforms like YouTube. The lack of additional images suggests the band wants fans to focus solely on the new album.
Analysis of Covers
The document discusses the design elements of a magazine cover. The masthead stands out at the top in bright red and has a consistent font and style. The main image in the center focuses on the band Arctic Monkeys, putting each member in their own section. The colors used are red, white, and black, which work well together without distracting from the celebrities. The layout is stylish by presenting elements neatly without being cluttered.
Poster analysis
The poster advertises the new album from Arctic Monkeys using minimal design elements. It features the band's name and logo in black and white at the top to identify the band and reinforce their image. Below is their soundwave-style logo reminiscent of how the band presents itself across platforms. The release date informs viewers when the album can be purchased on CD or downloaded, communicating availability on different platforms. An overall minimalist design with just text and the soundwave image aims to focus attention on the album itself for fans.
Lana del ray
The document analyzes and summarizes the design elements of an album cover for Lana Del Rey's "Born to Die". It notes that the vintage styling of Lana appeals to the genre conventions. While retaining some vintage elements like makeup and collared shirt, the background uses bright natural colors instead of solely black and white. The colors complement each other and match the sky and shirt. The text is kept simple with the artist and title displayed prominently. Lana looks directly at the camera, drawing the viewer's eye, while the background is plain to focus on her. Features of both indie and pop music are represented in the minimalist, subtly eye-catching design.
Arctic monkeys front and back analysis.
The document describes the album cover design for Arctic Monkeys' album "AM". The cover features a simple black background with a zigzagging white line that resembles a sound wave. This unique design makes the cover easily recognizable and also relates to the music video for the song "Do I Wanna Know?". The Arctic Monkeys band name stands out in white writing against the black background, helping to promote the album by identifying it as being by a well-known band. Additional identifying information like the barcode and copyright are also listed.
Genre specific digipack analysis
This document analyzes album packaging and promotional materials for several indie and dream pop artists. It discusses how the album packaging for The XX's "Coexist" and Youth Lagoon's "The Year of Hibernation" uses minimalist designs that reflect the genres. It also examines how M83's "Before the Dawn Heals Us" incorporates some traditional elements while adding individualistic touches. Magazine advertisements for albums by Coldplay, Florence and the Machine, and Ed Sheeran are discussed in terms of incorporating images of the artist, album, names, and release dates in designs suited to each artist's style.
Digipack presentation
The document discusses the conventions and design elements of digipacks. It provides examples of digipacks for the albums Nevermind by Nirvana, Smash by Offspring, and The Battle of LA by Rage Against the Machine. Some key points:
- Digipacks typically include the artist/album name, tracklist, label logo, and barcode
- Front panels usually feature the artist image and name in a recognizable font
- Back panels contain the tracklist, barcode, and label logos
- Color schemes aim to represent the genre and atmosphere of the music
Magazine analysis
This document provides an analysis of the layout, design elements, and content of a music magazine cover. Key points:
- The cover is dominated by a mid-shot photo of Alex Turner, indicating he is the main focus of the issue.
- Additional articles and artists mentioned show the magazine's diversity beyond just rock/indie genres.
- Bold red masthead and logo create a distinctive visual identity and brand recognition for the magazine.
- Placement of cover lines and puffs is strategically designed to attract readers and promote exclusive or unique content.
Similar to Media poster number 2 (20)
More from Shane Farrell
Gold dofe presentation to show
This document discusses tourism in the Ardeche region of France and regulations to protect it. It notes that tourism enables people to see the Ardeche's beauty but that an influx of plastic boats and companies has diminished this, so new rules limit boat numbers and companies to better protect the region for the future while still allowing necessary tourism.
Questionnaire
Based on a survey of grime music fans in the UK:
- 27% of respondents were under 14 years old, 59% were 14-24, 12% were 25-40, and 2% were over 41.
- Stormzy was the favorite grime artist of 48% of respondents, followed by Skepta at 14% and Chip at 26%.
- 32% of respondents attend live grime events every week, 30% every odd week, 20% once a month, and 14% every few months.
- Elements commonly expected to be seen in grime music videos include a good performance from the artist, an urban location, the artist's crew or friends, symbols of gang culture,
Thriller of my Choice
A thief who steals corporate secrets through dream-sharing technology is tasked with planting an idea in a CEO's mind. Starring Leonardo DiCaprio and others, Inception follows DiCaprio on a journey of redemption through one last dream heist. The film uses various locations, costumes, lighting and other techniques to distinguish between dreaming and reality, keeping the audience questioning what is real. Sound also helps orient the audience on the dream levels. The fast-paced plot keeps viewers engaged with unexpected twists until its ambiguous ending.
Conventions of Thrillers
A Phoenix secretary steals $40,000 from her employer's client, goes on the run and checks into a remote motel run by a young man under the domination of his mother. She is taking a shower alone in her motel room when she is murdered by an unknown assailant. Sound, editing, and camera techniques are used to build atmosphere, tension, and surprise the audience with the shocking murder scene.
P2p networks slides for show
P2P stands for peer-to-peer and refers to a network where each computer acts as both a client and server, allowing direct exchange of files and emails between all connected computers. Residential users can configure their computers into peer workgroups to share files, printers, and other resources equally. While P2P networks make sharing easy, they can also enable illegal activities like copyright infringement and hacking if misused.
P2p networks
P2P stands for peer-to-peer and refers to a network of computers that act as both clients and servers allowing direct exchange of files and email between computers. Each computer can access files shared by others on the network. Most home networks today use peer-to-peer networking to allow sharing of resources between devices. Popular peer-to-peer file sharing systems like Napster and Kazaa became some of the most widely used internet applications, allowing users to find and transfer files over the internet by connecting their computers directly to others on the network. While peer-to-peer networking enables easy sharing of resources, it also raises legal issues if used to share copyrighted content without authorization and exposes users to security risks like viruses
Networking cadets
P2P networking has generated widespread interest among Internet users and IT professionals. The author plans to create a blogger site to inform people about P2P networking and grow their audience by sharing the blog on multiple networks and encouraging friends to read it.
More from Shane Farrell (7)
Recently uploaded
Types of Herbal Cosmetics its standardization.
Physiology and chemistry of skin and pigmentation, hairs, scalp, lips and nail, Cleansing cream, Lotions, Face powders, Face packs, Lipsticks, Bath products, soaps and baby product,
Preparation and standardization of the following : Tonic, Bleaches, Dentifrices and Mouth washes & Tooth Pastes, Cosmetics for Nails.
How to Build a Module in Odoo 17 Using the Scaffold Method
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
CACJapan - GROUP Presentation 1- Wk 4.pdf
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
PCOS corelations and management through Ayurveda.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Introduction to AI for Nonprofits with Tapp Network
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...Nguyen Thanh Tu Collection
https://app.box.com/s/y977uz6bpd3af4qsebv7r9b7s21935vdYour Skill Boost Masterclass: Strategies for Effective Upskilling
Your Skill Boost Masterclass: Strategies for Effective UpskillingExcellence Foundation for South Sudan
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptxMohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
Top five deadliest dog breeds in America
Thinking of getting a dog? Be aware that breeds like Pit Bulls, Rottweilers, and German Shepherds can be loyal and dangerous. Proper training and socialization are crucial to preventing aggressive behaviors. Ensure safety by understanding their needs and always supervising interactions. Stay safe, and enjoy your furry friends!
The History of Stoke Newington Street Names
Presented at the Stoke Newington Literary Festival on 9th June 2024
www.StokeNewingtonHistory.com
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
Hindi varnamala | hindi alphabet PPT.pdf
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
Recently uploaded (20)
How to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold Method
Introduction to AI for Nonprofits with Tapp Network
Introduction to AI for Nonprofits with Tapp Network
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
Digital Artefact 1 - Tiny Home Environmental Design
Digital Artefact 1 - Tiny Home Environmental Design
Liberal Approach to the Study of Indian Politics.pdf
Liberal Approach to the Study of Indian Politics.pdf
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
Media poster number 2
- 1. Simple, bold and effective. The overall layout gives a direct and succinct message. Includes the simple soundwave we also see on the cover art. As the arctic monkeys are already very well established they don’t need to have a very complicated album cover or posters. Includes the album title in bold white capital letters to draw peoples attention. Simply a date, which is obviously the release date to make a statement. The logo of the company distributing the album. Simple black and white colour scheme, the completely black background would contrast with the rest of the magazine and strike the reader. As the Arctic Monkeys are already very well established the poster is more about catching the readers attention that letting them know about the band. The classic arctic monkeys logo. Unchanged so that fans will recognise it and at the top in bold so that new people can notice it.