Media evaluation part 2
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The document provides details on designing album artwork and branding for a band. It includes examples of existing album covers that are effective and influence the design choices. Research was conducted on similar bands and genres to understand the target audience. The proposed album artwork design features the band logo prominently over a nature-themed background to represent the genre of happy, nature-inspired pop punk/rock music. Merchandise and other branding elements would similarly feature the band characters.
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DIGIPAK ANALYSIS
The document provides analysis of the album artwork designs (digipaks) for 4 different albums:
1) The Knife's "Shaking the Habitual" uses contrasting fonts, bright unusual colors, and distorted imagery that make it eye-catching yet difficult to discern details.
2) Captain Murphy's "Duality" has minimal text and vivid colors alongside complex graphics that retain attention on the artwork.
3) Death Grips' "Exmilitary" places the intimidating image of a stranger prominently with contrasting fonts and natural colors highlighting him against the background.
4) Atoms for Peace' "Amok" stands out with its intricate black and white graphic design spread
DigiPak Analysis
The document discusses several CD and album covers, analyzing their visual design elements and artistic styles:
- The Tame Impala cover features psychedelic artwork in a cream palette with minimalist text, allowing the art to be the focus.
- The XX cover depicts an iridescent oil spill in the shape of an X, reflecting their minimalist electronic style. Their consistent use of a limited black/white/pastel color palette and the X logo builds recognition.
- The Alt-J cover has no text, relying on intriguing pastel artwork to attract listeners without identifying the band. In contrast to The XX's consistency, Alt-J's covers have not followed a single approach.
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Digipak research + planning
The document discusses research and planning for a digipak album cover design. It examines conventions from existing album covers in similar genres, finding that they typically do not feature band photos and do not follow visual themes across albums. The document sketches initial cover ideas featuring teddy bears to represent a relationship depicted in a music video. A mock-up places one teddy bear and band/album text to link the cover visually to the video while following genre conventions of non-band imagery and individual album designs.
Media evaluation part 3
The document summarizes an album advertisement that uses visual techniques to attract attention and convey meaning:
- The artwork features unusual imagery like a stern vulture that suggests the band takes their music seriously.
- Logos, fonts, and colors are consistent across the band's albums to build their brand identity and make their work recognizable.
- Details like release dates, hit singles, and reviews help inform potential listeners about the album's contents and quality.
Digipak and magazine advert analysis
A2 Media. I have in depth analysis three digibaks and three album advertisements in music magazines and then selected on what I have learnt.
Digipak and Magazine Advert improvments
The document discusses improvements made to a digipak and magazine advertisement based on audience feedback. Key changes included:
1. Adding the song listings to the back cover of the digipak for visibility.
2. Redesigning the inside left of the digipak to have a simpler, consistent style.
3. Making the eyes on the front cover symmetrical and aligned by resizing one eye.
4. Choosing a new picture for the magazine ad that better represented the rock genre and removing the background. Social media links were also added.
Step by step costruction of media products
The document provides step-by-step instructions for designing the packaging and advertising materials for a rock album. It describes editing a photo of a model's eye for the digipak cover, adding the band and album names. It then details constructing the back cover, inside, and a black and white magazine ad, maintaining consistent fonts and motifs. Recurring elements include an edited eye photo and red/pink colors to create a recognizable visual style across the materials to promote the album.
Magazine Advert Analysis
The magazine advertisement promotes a new album by a band. It features the album cover art as the main image, combining all four band members' faces. Text elements like the band and album names match the style and fonts used on the album cover to create synergy. Conventionally, the ad lists singles and information on where to purchase the album to encourage sales.
Recommended
DIGIPAK ANALYSIS
The document provides analysis of the album artwork designs (digipaks) for 4 different albums:
1) The Knife's "Shaking the Habitual" uses contrasting fonts, bright unusual colors, and distorted imagery that make it eye-catching yet difficult to discern details.
2) Captain Murphy's "Duality" has minimal text and vivid colors alongside complex graphics that retain attention on the artwork.
3) Death Grips' "Exmilitary" places the intimidating image of a stranger prominently with contrasting fonts and natural colors highlighting him against the background.
4) Atoms for Peace' "Amok" stands out with its intricate black and white graphic design spread
DigiPak Analysis
The document discusses several CD and album covers, analyzing their visual design elements and artistic styles:
- The Tame Impala cover features psychedelic artwork in a cream palette with minimalist text, allowing the art to be the focus.
- The XX cover depicts an iridescent oil spill in the shape of an X, reflecting their minimalist electronic style. Their consistent use of a limited black/white/pastel color palette and the X logo builds recognition.
- The Alt-J cover has no text, relying on intriguing pastel artwork to attract listeners without identifying the band. In contrast to The XX's consistency, Alt-J's covers have not followed a single approach.
-
Digipak research + planning
The document discusses research and planning for a digipak album cover design. It examines conventions from existing album covers in similar genres, finding that they typically do not feature band photos and do not follow visual themes across albums. The document sketches initial cover ideas featuring teddy bears to represent a relationship depicted in a music video. A mock-up places one teddy bear and band/album text to link the cover visually to the video while following genre conventions of non-band imagery and individual album designs.
Media evaluation part 3
The document summarizes an album advertisement that uses visual techniques to attract attention and convey meaning:
- The artwork features unusual imagery like a stern vulture that suggests the band takes their music seriously.
- Logos, fonts, and colors are consistent across the band's albums to build their brand identity and make their work recognizable.
- Details like release dates, hit singles, and reviews help inform potential listeners about the album's contents and quality.
Digipak and magazine advert analysis
A2 Media. I have in depth analysis three digibaks and three album advertisements in music magazines and then selected on what I have learnt.
Digipak and Magazine Advert improvments
The document discusses improvements made to a digipak and magazine advertisement based on audience feedback. Key changes included:
1. Adding the song listings to the back cover of the digipak for visibility.
2. Redesigning the inside left of the digipak to have a simpler, consistent style.
3. Making the eyes on the front cover symmetrical and aligned by resizing one eye.
4. Choosing a new picture for the magazine ad that better represented the rock genre and removing the background. Social media links were also added.
Step by step costruction of media products
The document provides step-by-step instructions for designing the packaging and advertising materials for a rock album. It describes editing a photo of a model's eye for the digipak cover, adding the band and album names. It then details constructing the back cover, inside, and a black and white magazine ad, maintaining consistent fonts and motifs. Recurring elements include an edited eye photo and red/pink colors to create a recognizable visual style across the materials to promote the album.
Magazine Advert Analysis
The magazine advertisement promotes a new album by a band. It features the album cover art as the main image, combining all four band members' faces. Text elements like the band and album names match the style and fonts used on the album cover to create synergy. Conventionally, the ad lists singles and information on where to purchase the album to encourage sales.
Final Digipak Outcome
The document discusses two template designs for a band's album digipak. Template 1 uses pastel colors and geometric patterns to portray a mature, classic style. It features overlapping triangles on the inside representing the band's unity. Template 2 is monochromatic with hints of purple. It features a group shot showing the band's individuality and unity. Film strips alternate between band members to give them equal representation. The inside links the band members with complexly interlinking triangles. Both designs aim to portray the band's professionalism and maturity through classic, traditional visual styles.
Double page analysis
The document contains summaries of magazine pages about concerts by the bands Paramore and Nirvana:
1) The Paramore page uses puns in the masthead and kicker related to the band's songs and their boat concert. Photos show the band and opening acts performing.
2) The Nirvana page features a black-and-white photo of Kurt Cobain playing guitar. The article discusses the band's top ten gigs. Photos show band performances and a theater advertising their name.
3) Both pages have an unorganized layout with uneven columns and randomly placed images, reflecting the messy conventions of rock music and its target teenage audience.
Music double page
Both magazines share some similarities in their house style and design principles while also having some differences. They both use consistent colors and layouts to identify their brand. The Q magazine spread balances a large central image with surrounding text, while the NME magazine focuses more on the image and uses less text. A key similarity is drawing attention to the name of the featured artist through prominent placement and repetition.
Image analysis
This document analyzes images used in music magazines. It finds that front covers typically feature one or two prominent images of artists to identify the subject matter. Contents pages contain many smaller images of artists accompanied by details to promote content. Within articles, images are used to illustrate musicians and provide context for written pieces. A variety of shots including close-ups, group shots, and portraits are employed to characterize subjects and complement text.
Digipak and poster analysis (2)2
The main image of the digipak is Rihanna, satisfying the record label and drawing in fans. The sepia tones and her dark makeup/hair set a tone of dark, edgy music. However, the album name is written small in white, symbolizing her elegant side. There is a theme of female dominance through her body language and clothing. Key features of the digipak include the artist and album names, images of the artist, tracklist, and label info. The album advert uses the same main image as the digipak to clearly relate the two. Key features are the artist name, album name, release date, and hit songs. Both emphasize Rihanna as the star through the prominent
Digi Packs- Code and Conventions
This document analyzes album cover designs of bands in the grindie music genre. It notes several common conventions, including featuring the band's name in a graffiti-style font, using bold colors, having a dominant central image related to the music, and not including photos of the band members. The document discusses individual album covers from bands like Does It Offend You Yeah?, Klaxons, Linkin Park, and Gym Class Heroes to identify design similarities and differences between their covers in font, images, and styles used.
Media logo analysis
The document discusses logo analysis for a record label project. It begins by explaining that the author researched existing record label logos to understand how companies designed logos to reflect their products' styles, genres, or size. The author then created a mood board of inspirational logos and analyzed trends in color, size, and themes used. Most concluded that today's record label logos are generic to represent a wide range of music tastes, though some directly reference the label or music produced. The author designed their logo with initials for a personal touch, and images of a sun and blue font to reference the themes and lyrics of the song for their music video.
Audience feedback on drafts
The document provides feedback from several people on draft designs for a punk pop album. They praise the designer's clear understanding of genre conventions in fonts, layout, and black and white color scheme. They suggest minor improvements like adding more song titles and a color key for future drafts. Overall, the feedback confirms the drafts effectively capture conventions of the punk pop genre and will appeal to the target audience.
Research into digipacks
The document discusses the album cover for Klaxons' album "Surfing the Void". It summarizes that the cover features a cat in a space suit, created by merging two photos. It then discusses conventions of album covers like simple designs and fonts. It notes the album cover has minimal text, just the band name on the space suit. The photography combined two photos in a clever way. Bright lighting and props help make the cover eye-catching. The document also summarizes a magazine ad for The Killers' "Day & Age" album, noting conventions like the band/album name and recognizable fonts and artwork.
Analysis
The document provides an analysis of the album cover for Beyoncé's "I'm Sasha Fierce" album. It summarizes the strengths as the powerful pose and bold font, but notes the weaknesses as lack of noticeability and eye-catching elements on the shelf. It also analyzes the color scheme, positioning of the artist name, and improvements that could be made such as adding a bright color and moving the name higher. The analysis then compares it to album covers by Kelly Rowland and Ms. Kelly, noting similarities and differences in poses, fonts, color schemes, and use of space.
Task 10b formal proposal
The document proposes initial ideas for a house music magazine called "In the Mix". It will target both young males and females ages 16-20. The front cover will feature a medium shot of a male DJ mixing tracks to appeal to both genders. The contents page will have a two column layout with images of artists and a banner highlighting key articles. A double page spread will review a theoretical DJ set with the cover artist, using photos and text across both pages.
Digipak anil
The digipak features Rihanna as the sole character. On the cover, she is shown in close-up with red lips and hair against a blue backdrop, suggesting contrasting emotions of sadness and passion. Inside, she wears a white wedding dress while sleeping among red and white roses, symbolic of love. The narrative portrays a story of love through the use of symbolic imagery and settings, suggesting the album's themes of love and loss. Technically, studio lighting was likely used to highlight Rihanna's glowing skin and contrasting colors like red lips against white dress among the roses in a garden setting. Overall, the digipak tells a linear narrative of the character's experience with love through its symbolic use of
Fanzine- Research
Three fanzines are summarized: one for a song, one for a fashion line, and one for the band Twenty One Pilots. Details examined include visual themes and styles, page layouts, inclusion of lyrics, facts or merchandise
Digipak Analysis
The digipak cover for The Libertines features a medium shot of two band members, Carl Barat and Pete Doherty. One looks at the camera while the other looks down holding a cigarette. The band's name appears in a recognizable font. The disc features the band name in white text on black with the track list and copyright information. The back cover depicts all four band members in a faded image and features the track list again in an uncommon location.
Ancillary task - media - Josh Manley
The document provides an analysis of the digipak designs of three different albums: Arctic Monkeys' "Humbug", Oasis' "Time Flies", and The Script's "Science & Faith". For each album, key design elements of the front and back covers are described, including placement of text, images, color schemes, and inclusion of typical information. Across the three albums, design conventions are followed while also conveying aspects of each band's style and relating to the themes of the album titles.
Question 1
The document discusses the conventions of a digipak that the author has learned through research. It provides details on typical elements found on the front cover, back cover, CD, inside cover, and spine of a digipak. These include featuring the artist name and album title in distinctive fonts, inclusion of track listings, copyright information, and barcode. The author then analyzes their own designed digipak for a fictional band, noting how it follows conventions such as font styles and placement of elements, while also challenging some conventions through design choices like the positioning of text.
Task 13 - Digipak Design
The document provides details about designing a digipak for a single from the Arctic Monkeys album AM. It discusses using the same black and white color scheme as the original album. Research was conducted into digipak designs and inspirational artwork. Photographs were taken from the music video and edited using Photoshop to give them a realistic cartoon style. Feedback was gathered on font and image choices. The final designs were selected for the front cover, back cover, extra panel, and inside pages based on the audience feedback.
Front Cover Planning
The document discusses planning for a new music magazine, including:
1) Five potential magazine name options are discussed: Base, Bass, Beatz, Blueprint, and Player.
2) Different fonts are tested for the potential names to see which fits best.
3) Details are planned for a photoshoot including potential actors, locations, costumes, props, and photo angles.
4) Example layout and color mockups are presented to demonstrate potential magazine designs.
Media music magazine analysis
The document analyzes the front covers and contents pages of various music magazines. It describes the colour schemes, titles, and main images used on each cover and contents page. Common elements included bold colours like red to grab attention, well-known magazine titles in distinctive fonts, and photos of famous musicians. The covers aimed to highlight important artists and articles through the use of larger images and text sizes. Contents pages also used colour and images to identify key stories and sections within the issue.
Double page spread analysis 1
This double page magazine spread features an interview with Corey Taylor from the heavy metal band Slipknot. The spread uses bold imagery and text styles that reflect the dark and rebellious genre. A large central image of Corey grabs readers' attention. The uneven design balances large visual elements with small text, prioritizing imagery over information. The language uses informal, conversational, and sometimes taboo terms to entertain readers with Corey's personal views rather than promote new music.
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The document describes the key specifications of a modern Formula One race car. It is a single-seater open-cockpit car with a V8 engine mounted behind the driver. It has lightweight carbon fiber body construction, produces over 1750 kW of heat dissipated through radiators, and can brake from 100 to 0 km/h within 15 meters. Aerodynamic wings and drag reduction systems are adjustable to control air flow and reduce drag during races.
De constructing band photos
The document discusses analyzing and deconstructing band photos, album covers, and artwork by genre. It examines several examples, including a band photo showing tattoos and stained shirts indicating a heavy metal band. An album cover by Jay-Z is all black with a close-up of his face, conveying a dark, serious album. The Deftones album White Pony has a simple white horse outline, leaving interpretation open. Underoath's album features an intense breathing mask, graphic for the genre. Artist Dan Mumford does artwork for metal/deathcore bands in a style that brands those genres.
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Final Digipak Outcome
The document discusses two template designs for a band's album digipak. Template 1 uses pastel colors and geometric patterns to portray a mature, classic style. It features overlapping triangles on the inside representing the band's unity. Template 2 is monochromatic with hints of purple. It features a group shot showing the band's individuality and unity. Film strips alternate between band members to give them equal representation. The inside links the band members with complexly interlinking triangles. Both designs aim to portray the band's professionalism and maturity through classic, traditional visual styles.
Double page analysis
The document contains summaries of magazine pages about concerts by the bands Paramore and Nirvana:
1) The Paramore page uses puns in the masthead and kicker related to the band's songs and their boat concert. Photos show the band and opening acts performing.
2) The Nirvana page features a black-and-white photo of Kurt Cobain playing guitar. The article discusses the band's top ten gigs. Photos show band performances and a theater advertising their name.
3) Both pages have an unorganized layout with uneven columns and randomly placed images, reflecting the messy conventions of rock music and its target teenage audience.
Music double page
Both magazines share some similarities in their house style and design principles while also having some differences. They both use consistent colors and layouts to identify their brand. The Q magazine spread balances a large central image with surrounding text, while the NME magazine focuses more on the image and uses less text. A key similarity is drawing attention to the name of the featured artist through prominent placement and repetition.
Image analysis
This document analyzes images used in music magazines. It finds that front covers typically feature one or two prominent images of artists to identify the subject matter. Contents pages contain many smaller images of artists accompanied by details to promote content. Within articles, images are used to illustrate musicians and provide context for written pieces. A variety of shots including close-ups, group shots, and portraits are employed to characterize subjects and complement text.
Digipak and poster analysis (2)2
The main image of the digipak is Rihanna, satisfying the record label and drawing in fans. The sepia tones and her dark makeup/hair set a tone of dark, edgy music. However, the album name is written small in white, symbolizing her elegant side. There is a theme of female dominance through her body language and clothing. Key features of the digipak include the artist and album names, images of the artist, tracklist, and label info. The album advert uses the same main image as the digipak to clearly relate the two. Key features are the artist name, album name, release date, and hit songs. Both emphasize Rihanna as the star through the prominent
Digi Packs- Code and Conventions
This document analyzes album cover designs of bands in the grindie music genre. It notes several common conventions, including featuring the band's name in a graffiti-style font, using bold colors, having a dominant central image related to the music, and not including photos of the band members. The document discusses individual album covers from bands like Does It Offend You Yeah?, Klaxons, Linkin Park, and Gym Class Heroes to identify design similarities and differences between their covers in font, images, and styles used.
Media logo analysis
The document discusses logo analysis for a record label project. It begins by explaining that the author researched existing record label logos to understand how companies designed logos to reflect their products' styles, genres, or size. The author then created a mood board of inspirational logos and analyzed trends in color, size, and themes used. Most concluded that today's record label logos are generic to represent a wide range of music tastes, though some directly reference the label or music produced. The author designed their logo with initials for a personal touch, and images of a sun and blue font to reference the themes and lyrics of the song for their music video.
Audience feedback on drafts
The document provides feedback from several people on draft designs for a punk pop album. They praise the designer's clear understanding of genre conventions in fonts, layout, and black and white color scheme. They suggest minor improvements like adding more song titles and a color key for future drafts. Overall, the feedback confirms the drafts effectively capture conventions of the punk pop genre and will appeal to the target audience.
Research into digipacks
The document discusses the album cover for Klaxons' album "Surfing the Void". It summarizes that the cover features a cat in a space suit, created by merging two photos. It then discusses conventions of album covers like simple designs and fonts. It notes the album cover has minimal text, just the band name on the space suit. The photography combined two photos in a clever way. Bright lighting and props help make the cover eye-catching. The document also summarizes a magazine ad for The Killers' "Day & Age" album, noting conventions like the band/album name and recognizable fonts and artwork.
Analysis
The document provides an analysis of the album cover for Beyoncé's "I'm Sasha Fierce" album. It summarizes the strengths as the powerful pose and bold font, but notes the weaknesses as lack of noticeability and eye-catching elements on the shelf. It also analyzes the color scheme, positioning of the artist name, and improvements that could be made such as adding a bright color and moving the name higher. The analysis then compares it to album covers by Kelly Rowland and Ms. Kelly, noting similarities and differences in poses, fonts, color schemes, and use of space.
Task 10b formal proposal
The document proposes initial ideas for a house music magazine called "In the Mix". It will target both young males and females ages 16-20. The front cover will feature a medium shot of a male DJ mixing tracks to appeal to both genders. The contents page will have a two column layout with images of artists and a banner highlighting key articles. A double page spread will review a theoretical DJ set with the cover artist, using photos and text across both pages.
Digipak anil
The digipak features Rihanna as the sole character. On the cover, she is shown in close-up with red lips and hair against a blue backdrop, suggesting contrasting emotions of sadness and passion. Inside, she wears a white wedding dress while sleeping among red and white roses, symbolic of love. The narrative portrays a story of love through the use of symbolic imagery and settings, suggesting the album's themes of love and loss. Technically, studio lighting was likely used to highlight Rihanna's glowing skin and contrasting colors like red lips against white dress among the roses in a garden setting. Overall, the digipak tells a linear narrative of the character's experience with love through its symbolic use of
Fanzine- Research
Three fanzines are summarized: one for a song, one for a fashion line, and one for the band Twenty One Pilots. Details examined include visual themes and styles, page layouts, inclusion of lyrics, facts or merchandise
Digipak Analysis
The digipak cover for The Libertines features a medium shot of two band members, Carl Barat and Pete Doherty. One looks at the camera while the other looks down holding a cigarette. The band's name appears in a recognizable font. The disc features the band name in white text on black with the track list and copyright information. The back cover depicts all four band members in a faded image and features the track list again in an uncommon location.
Ancillary task - media - Josh Manley
The document provides an analysis of the digipak designs of three different albums: Arctic Monkeys' "Humbug", Oasis' "Time Flies", and The Script's "Science & Faith". For each album, key design elements of the front and back covers are described, including placement of text, images, color schemes, and inclusion of typical information. Across the three albums, design conventions are followed while also conveying aspects of each band's style and relating to the themes of the album titles.
Question 1
The document discusses the conventions of a digipak that the author has learned through research. It provides details on typical elements found on the front cover, back cover, CD, inside cover, and spine of a digipak. These include featuring the artist name and album title in distinctive fonts, inclusion of track listings, copyright information, and barcode. The author then analyzes their own designed digipak for a fictional band, noting how it follows conventions such as font styles and placement of elements, while also challenging some conventions through design choices like the positioning of text.
Task 13 - Digipak Design
The document provides details about designing a digipak for a single from the Arctic Monkeys album AM. It discusses using the same black and white color scheme as the original album. Research was conducted into digipak designs and inspirational artwork. Photographs were taken from the music video and edited using Photoshop to give them a realistic cartoon style. Feedback was gathered on font and image choices. The final designs were selected for the front cover, back cover, extra panel, and inside pages based on the audience feedback.
Front Cover Planning
The document discusses planning for a new music magazine, including:
1) Five potential magazine name options are discussed: Base, Bass, Beatz, Blueprint, and Player.
2) Different fonts are tested for the potential names to see which fits best.
3) Details are planned for a photoshoot including potential actors, locations, costumes, props, and photo angles.
4) Example layout and color mockups are presented to demonstrate potential magazine designs.
Media music magazine analysis
The document analyzes the front covers and contents pages of various music magazines. It describes the colour schemes, titles, and main images used on each cover and contents page. Common elements included bold colours like red to grab attention, well-known magazine titles in distinctive fonts, and photos of famous musicians. The covers aimed to highlight important artists and articles through the use of larger images and text sizes. Contents pages also used colour and images to identify key stories and sections within the issue.
Double page spread analysis 1
This double page magazine spread features an interview with Corey Taylor from the heavy metal band Slipknot. The spread uses bold imagery and text styles that reflect the dark and rebellious genre. A large central image of Corey grabs readers' attention. The uneven design balances large visual elements with small text, prioritizing imagery over information. The language uses informal, conversational, and sometimes taboo terms to entertain readers with Corey's personal views rather than promote new music.
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Seminar
The document describes the key specifications of a modern Formula One race car. It is a single-seater open-cockpit car with a V8 engine mounted behind the driver. It has lightweight carbon fiber body construction, produces over 1750 kW of heat dissipated through radiators, and can brake from 100 to 0 km/h within 15 meters. Aerodynamic wings and drag reduction systems are adjustable to control air flow and reduce drag during races.
De constructing band photos
The document discusses analyzing and deconstructing band photos, album covers, and artwork by genre. It examines several examples, including a band photo showing tattoos and stained shirts indicating a heavy metal band. An album cover by Jay-Z is all black with a close-up of his face, conveying a dark, serious album. The Deftones album White Pony has a simple white horse outline, leaving interpretation open. Underoath's album features an intense breathing mask, graphic for the genre. Artist Dan Mumford does artwork for metal/deathcore bands in a style that brands those genres.
Media evaluation part 4
This document discusses revisions made to promotional materials for a band. The key points discussed are:
1) The original poster design featured a logo over a background photo but was revised to use a triangle symbol to represent unity between band members.
2) Photos taken during a holiday were considered for the new design, with a tide going out selected to portray calmness.
3) The triangle was added to this photo and desaturated to give it a calm grey look, completing the revised album cover background idea.
Media part 5
The document discusses the process of designing an album cover in Photoshop. Some key points:
- Effects like distort and diffuse glow were used to add contrast and brightness to a photo. Lyrics were added in the text tool.
- Photoshop layers and effects like balance, stroke length, and sharpness were used to make a triangle overlay the photo seamlessly.
- An initial basic cover was improved in the final draft by making it more vibrant, colorful, and engaging for the target audience while keeping the sea theme and message of unity.
- Photoshop was used to import the cover, compress it, and adjust the brightness to make it stand out more on the flyer
Evaluatiion part 1
This document discusses conventions used in music videos. It compares two music videos, one with a dark, grainy feel representing the song while the other has a light, calm shot of a river portraying the band and song. Popular conventions discussed include establishing shots of the band, natural backgrounds, and the singer walking toward the stage to show their status.
Evaluation part 1
This document discusses conventions used in music videos. It compares two music videos, one with a dark, grainy feel representing the scary leaves in the establishing shot, while the other has a light, calm shot of a river portraying the band and song. Popular conventions discussed include a pull focus shot revealing the band, having the band perform in front of a natural background, and the singer walking towards the stage front to show power. The document analyzes creative choices made in filming closer to the band to fit the meaning of the song.
Media part 2
I used various camera shots and angles in my video, including cut shots, to fit the theme of friendship in the song lyrics. These shots showed different perspectives and helped tell the story. Close-up shots made the audience feel closer to the band. An over-the-shoulder shot showed the song mixing process. Direct address shots broke the fourth wall and engaged viewers. Equal time was given to each band member instead of just focusing on the singer. Close-ups of instruments showed the band's musical ability. Uniforms and clothing also suggested the band's genre.
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Media evaluation part 2
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Evaluation question 2
The document discusses how the creator linked together their main media product (a music video) with ancillary texts (a CD cover and poster). Specifically:
- The CD cover and poster used the same font and certain colors like pinks and purples to create a consistent brand identity and make it clear they were related.
- Photographs from the music video shooting were used on the CD cover and poster to directly connect the visuals between the products.
- Locations and clothing featured on the CD cover matched what appeared in the music video to help the audience understand the connections.
- The logo, font, and colors were carried through all pieces to tie them together as a cohesive package representing
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Digipaks
The document discusses various design elements that are commonly found on album covers and CD packaging. It notes that legal information is often hidden in small text on the front cover. A parental advisory label may be needed if an album contains explicit lyrics. The back of the case usually contains the record label name, barcode, song list, and production credits. The artist and album name are typically printed on the spine. Elements like fonts, images, and color contrasts are explored that help covers stand out visually and represent the music's genre.
Album Poster Analysis
The document analyzes five album posters, summarizing key elements of each poster's design. Common elements included are: the artist name in large font at the top to identify them; the album title below in smaller font; the main image, often featuring band members, that takes up significant space; and release date and song information to promote the album. Color schemes, font styles, and placement of elements are designed to maximize visibility and recognition of the artist and album.
Student Digipak Analysis
The student analyzes two student-made album covers, one labeled "Bad" and one labeled "Good", based on how well they meet conventions of the rock genre. The "Bad" cover uses fonts and colors that don't fit rock, features an irrelevant anime image, and doesn't showcase the band. In contrast, the "Good" cover uses bold, dark fonts that convey the music's style, prominently features a photo of the band, sticks to the band's iconic dress code, and effectively uses composition and color scheme to match the rock genre and represent the music. Overall, the "Good" cover is deemed professionally done and a strong example of following rock album cover conventions.
Magazine Double Page Spread Research
This document discusses several rock music magazine double page spreads (DPS), analyzing their layout, design, and use of images and colors to appeal to audiences. Key points made include:
- DPS feature well-known bands to attract mainstream audiences and increase sales. Photos are configured to identify band leaders and styles suit genres like heavy metal.
- Dark colors, violence themes, and aged backgrounds portray bands as mysterious and appeal to older rock audiences. Facial tattoos also suit some genres.
- Recognizable bands and catchy titles draw readers' attention. Stereotypical rock styles and defiance themes create a sense of rebellion.
- Configurations identify band leaders. Coordinated colors
Digipak ideas
The document provides details on the design ideas for a digipak for a compilation album featuring songs from various artists. It discusses including information about the songs on the CD disk, using album artwork that represents the compilation rather than individual artist photos, and laying out the track lists and artist information on the front and back covers as well as the spine in between. The design aims to make the album cohesive while highlighting the various artists and songs included.
AS Media Evaluation
The document discusses the conventions and layout of rock music magazines. It describes elements like the banner at the top of the page, big coverlines, side articles, photo advertisements, editor letters, columns, quotes in interviews, and subscription offers that are commonly found. It also explains how the covers and contents pages were designed following these conventional styles, with banners, posters, competitions, big titles and introductions. Images and editing were used to represent the punk, emo and gothic social groups that make up the target audience.
Digipack presentation
The document discusses creating a CD digipack and magazine advertisement for a music video production. It describes the typical features of a CD digipack, including images on the front and back covers and insert. It also discusses designing the digipack using software like Photoshop. Examples of album covers are provided and analyzed for design elements that could inform the student's own cover design, such as positioning of images and use of color schemes. Considerations for an effective magazine advertisement are also described.
Digipak ideas
This document outlines ideas for designing a digipak for a compilation album featuring songs from various artists. It discusses including information about songs and copyright on the CD disk. The front cover design ideas include featuring photos of all the artists or a single photo representing the album's feel. The back cover would include CD and DVD track lists with background images and information at the bottom. The spine would feature the album name to match the color scheme and provide cohesion across the design.
Youmeatsix Take Off Your Colours
The front and back covers of the album portray a simplistic design with dull colors and lack of characters, suggesting the band cares more about their music than promotion. However, the intentional styling also attracts their target audience by portraying rebellion while still "selling" the album. Elements like the tea stains on the CD inlay and spine further this image of not caring about appearance or professionalism, though the design is carefully considered to have this effect and contradict the idea that the band is truly rebelling against industry conventions.
Digipack presentation
For a music video project, the document discusses creating a CD digipack and magazine advertisement. The digipack would include a front cover featuring the title and artist, and a back panel listing the songs. Design software like Photoshop would be used to create hand-drawn images for the cover and ad. Examples of existing album covers and ads are analyzed for design techniques, such as effective positioning of images and use of color schemes, that could inspire the student's own designs.
Blurryface – twenty one pilots digipak
This document provides analyses of the album covers for three albums: Twenty One Pilots - Blurryface, Imagine Dragons - Smoke + Mirrors, and Weezer - Pinkerton. For Twenty One Pilots, the cover uses colors associated with the band and circles representing each song. Imagine Dragons' cover depicts hands holding a bird to symbolize breaking free from industry constraints. Weezer's cover takes inspiration from Japanese art to express a personal form of music.
Analysis Of 3 CD Digipak
The document analyzes and summarizes the design elements of three CD digipaks:
1) Eminem's "Curtain Call" uses a stage motif with curtains and roses to represent the theme of show business. The roses motif is extended throughout the design.
2) Biffy Clyro's "Opposites" uses an abstract tree motif to represent nature. The front and back covers use opposing tree images to contrast themes.
3) Mika's "The Boy Who Knew Too Much" uses bright colors and crowded design to represent glam rock and new wave genres from the 1970s. The disc features an alien face image continuing the alternative theme.
Magazine analysis
The document discusses conventions for magazine advertisements of music albums. It analyzes advertisements for several albums, noting what elements are effective or could be improved. Key conventions mentioned include having the artist name largest, album title second largest, and listing popular songs. Elements like consistent fonts, inclusion of album artwork, and reviews are also discussed.
Digipak Research
The document discusses conventions for music album covers and digipak designs based on examples. Some key conventions highlighted include using a close-up of the artist's face dominating most of the cover, including only the artist's name and song title with little other text, and maintaining a consistent color theme throughout the design. The document also examines specific album covers, noting design elements like lighting, font styles, image positioning, and how they appeal to audiences. Templates and ideas for creating an original digipak are discussed at the end.
Deconstructions of rock magazines
The document provides an analysis of the deconstruction of various rock magazine covers, contents pages, and double page spreads. It examines elements like the mastheads, images, headlines, fonts, and color schemes used and what they communicate about the magazines' brands and intended audiences. Specific magazines analyzed include "Rock Sound", "NME", and "Kerrang". Key points examined include how the visual design elements relate to the genres of rock/punk music and are intended to attract target audiences interested in those styles of music.
Ancillary planning
The document discusses plans for ancillary products to promote a band. It outlines layouts for an album cover and magazine advertisement that feature images of band members and follow conventions to catch the audience's eye. Color schemes of white, black, and red are selected to relate to the indie rock genre. Font styles are chosen to look indie rock with a futuristic feel matching the music's style.
Evaluation question 2
The document discusses the design of a poster for a band and how it relates to the design of the band's digipak and music video. The key points are:
1) The poster design uses the same fonts and color scheme as the digipak to create consistency between the two ancillary texts and link them to the music video.
2) Elements of the digipak, like a close-up of the band members, are also included in the poster design to easily connect the two.
3) The styles and clothing of the band were chosen to fit the rock genre and establish a connection between the ancillary texts and music video.
4) Research into existing band designs informed choices
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Part 6
The document discusses the media technologies used to plan and create a music video, including Photoshop, Piknic, Paint, iMovie, and GarageBand. Nikon D3100 and Canon EOS 1100D cameras with various lenses were used to record footage of the band. iMovie was used to edit the over 2 hours of raw footage, add video, and crop footage to create a professional look for the final video. Various software and camera lenses allowed for special effects and precise focal points to enhance the video.
Media part 2
I used various camera shots and angles in my video, including cut shots, to fit the theme of friendship in the song lyrics. These shots showed different perspectives and helped tell the story. Close-up shots of the band members and instruments were included to show their musical abilities and make the performance feel realistic. I also tried to engage the audience by having the singer directly address them and including behind-the-scenes footage of the song being mixed in the studio.
Evaluatiion part 1
This document discusses conventions used in music videos and how the author of one video challenged some of those conventions in their own video. Some of the conventions discussed include focusing more on the singer than other band members, having the band seem distant from the audience, and using longer shot durations. The author of the one video discussed aimed to give all band members equal focus, make the band seem closer and more engaged with the audience, and used shorter shot durations to keep the video pace fast. The document also discusses other techniques used like camera angles, lighting, costumes, and editing to sync with the music.
Evaluation of summer stop motion project
Tom Butterworth evaluated his summer stop motion project. He used a digital camera to capture high resolution images, uploading them to YouTube and SlideShare to create an animation that he embedded in his blog. This enabled him to be creative by building a narrative using a pool table as his subject. Some challenges were keeping consistent lighting and focus between shots during the three hour process of holding the camera without a tripod.
Part 1
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snooker part 1
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
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Setting the Scene: The Day of the Kidnapping
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The Moment of Capture
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Everything You Need to Know About IPTV Ireland.pdf
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Top IPTV UK Providers of A Comprehensive Review.pdf
Media evaluation part 2
- 2. Elbow: build a rocket boys Band name in red, only red writing on the page Artwork, in the shape of an x but could be interpreted as an animal Release date is key for this type of promotion Hit singles included on the album Reviews from big names, this shows reader what others think of this
- 3. The information showing the name The bands logo and single and features of the album. Sponsor of the band, this shows the publicity and how established the band is
- 4. The album artwork that we came up with shows the band and portrays our music and approach to the genre we are in, I aim to design something similar to this which is as effective as this. The logo was aimed to look like paint I feel this fits with the song, this will be used on my album cover.
- 5. my final album cover, as I have done allot of research , the album covers are extremely important and have to match the feel to the band and songs on it, i have found a picture of a rope and edited the colour and the look of the texture on this, I also did this to the writing and logo making them all match have used the same font as I used on my previous album cover idea I have also made a small fade to darker in the corners to make sure the rope and the writing stand out of the cover to people, I feel this is fit to purpose, for not only the band but for the music and idea behind the music
- 6. The self titled album by of mice and men features the bands logo letter of a & sign, this is places central to the cover and is contrasted with bright colours, the picture in the back ground of waves is faded with the name of the band in the back ground as well.
- 7. Fade black edges to make the centre of the artwork the point of focus Textured letters and rope to make the artwork look 3D The fonts are quite similar but the size difference is huge from the logo and the name and are also meant to look like they have been painted onto the artwork
- 9. Brand identity Here is a small example of how a brand can be made just from album covers, as you can see each album cover is cartoon and has a character central to the cover, these covers where used to base t-shirts, merchandise and back drops o them making the band easy to identify. The star and lead singer of the band features on 4 out 6 of the covers, fans can recognize this.
- 11. Comparison of the two This has the logo like mine The band logo is central over a over the picture in the background I constructed in Photoshop background the sticker the information is smaller then the displays the information logo, this leads people to reading the information after seeing the logo, also I have included the sponsor of the band
- 12. Things I used to make my ancilary Using Photoshop I managed to get trees from a picture and the sun and mountains , I managed to fit this picture I took to the top of the picture, a good base to put my logo and text over.
- 13. Genre I feel my genre has been represented in the ancillaries and the picture of the band, 1 fits with this idea of nature, 2 fits with the lyrics of the song
- 14. Genre •Happy •Fitting with the music •And bond with friends •Nature •Pop punk/rock/alternat ive
- 16. research I had to find similar band to compare with mine to really give me an idea of the audience I was looking to target With all the album artworks I researched I decided to target 16+ male and female and decided that the consisting factor of all of them is a picture central to the cover I used and challenged this by flipping this idea of having the artwork plain with the logo of the band being central.
- 17. I decide3d for my video to target such a niche market that the video would have to have a light side in parallel to the song, this was done with soft touch to the shot to make the video have a warm vibe about it, this way the audience get the feeling of what it is like to be in the band, this makes them feel closer to the band.
- 18. The rest of question 3 is embedded in my blog through the format of prezi