Mirna Sisul - masterpieces with the story you'll not forgetMirna Sišul
Introduction about Mirna Sisul. academic painter, freelance artist. Find more about artworks and interior design from Mirna's hands. Enjoy... welcome to the creative world of Mirna Sisul!
Mirna Sisul - masterpieces with the story you'll not forgetMirna Sišul
Introduction about Mirna Sisul. academic painter, freelance artist. Find more about artworks and interior design from Mirna's hands. Enjoy... welcome to the creative world of Mirna Sisul!
The Projects series is made possible by the Elaine Dannheisser Projects Endowment Fund and by The Junior Associates
of The Museum of Modern Art and the JA Endowment Committee.
www.moma.org
The Projects series is made possible by the Elaine Dannheisser Projects Endowment Fund and by The Junior Associates
of The Museum of Modern Art and the JA Endowment Committee.
www.moma.org
MuralPop Murals, in Cincinnati Ohio, creates Wall Murals, Children\'s murals, Theme Rooms, Trompe L\'Oeil Murals, Custom Murals, for your home or business, and we\'ll even tackle your Faux Painting Project. With the help of MuralPop Murals, you can transform that once dull living or work space into a fun, exotic, relaxing and enjoyable place to be with one of our custom hand painted murals. You\'ll be amazed at the difference a wall mural can make in your world. Have a Design in Mind? Let us Create it for you!
Introduction to Art Chapter 31 Postmodernity and Global CultTatianaMajor22
Introduction to Art Chapter 31: Postmodernity and Global Cultures 448
Chapter 31: Postmodernity and Global
Cultures
“Getting” Contemporary Art
It’s ironic that many people say they don’t “get” contemporary art because, unlike Egyptian tomb
painting or Greek sculpture, art made since 1960 reflects our own recent past. It speaks to the
dramatic social, political and technological changes of the last 50 years, and it questions many of
society’s values and assumptions—a tendency of postmodernism, a concept sometimes used to
describe contemporary art. What makes today’s art especially challenging is that, like the world
around us, it has become more diverse and cannot be easily defined through a list of visual
characteristics, artistic themes or cultural concerns.
Minimalism and Pop Art paved the way for later artists to explore questions about the conceptual
nature of art, its form, its production, and its ability to communicate in different ways. In the late
1960s and 1970s, these ideas led to a “dematerialization of art,” when artists turned away from
painting and sculpture to experiment with new formats including photography, film and video,
performance art, large-scale installations and earth works. Although some critics of the time
foretold “the death of painting,” art today encompasses a broad range of traditional and
experimental media, including works that rely on Internet technology and other scientific
innovations.
John Baldessari, I Will Not Make Any More Boring Art, 1971, lithograph, 22-7/16 x 30-1/16″ (The Museum of Modern
Art). Copyright John Baldessari, courtesy of the artist.
Introduction to Art Chapter 31: Postmodernity and Global Cultures 449
Contemporary artists continue to use a varied vocabulary of abstract and representational forms
to convey their ideas. It is important to remember that the art of our time did not develop in a
vacuum; rather, it reflects the social and political concerns of its cultural context. For example,
artists like Judy Chicago, who were inspired by the feminist movement of the early 1970s,
embraced imagery and art forms that had historical connections to women.
In the 1980s, artists appropriated the style and methods of mass media advertising to investigate
issues of cultural authority and identity politics. More recently, artists like Maya Lin, who
designed the Vietnam Veterans’ Memorial Wall in Washington D.C., and Richard Serra, who was
loosely associated with Minimalism in the 1960s, have adapted characteristics of Minimalist art
to create new abstract sculptures that encourage more personal interaction and emotional
response among viewers.
These shifting strategies to engage the viewer show how contemporary art’s significance exists
beyond the object itself. Its meaning develops from cultural discourse, interpretation and a range
of individual understandings, in addition to the formal and conceptual problems that first
motivated the artist ...
The soft power of the artmarket - a new East European fresh look at the art s...Oana Nasui
”The Soft Power of the Art Market” is a new East European fresh look at the systems that are now in charge of producing contemporary art in a globalized world. It reveals the challenges of the contemporary art as a soft power, defined by its geopolitical strategies and defined as an extension of the powerful global markets. The contemporary art between media and power is changing the equilibrium between the cultural capital and economic capital.
The idea of the New Folklore is introduced in terms of the new aesthetics for the XXI century. The new aesthetics of production and consumption (under the sign of the paradigms launched by Duchamp and Warhol) is nowadays generating a very large amount of cultural artistic products lost, in a very accelerated manner. This speed and this amount lead to an unexpectedly anonymity, thus generating not individual specific creation but general, collective types of artistic work – actually a new type of folklore.
Museum as Platform; Curator as ChampionNancy Proctor
"Museum as Platform; Curator as Champion: Learning to sing in the age of social media," a presentation by Nancy Proctor at the conference, "Event Culture: The Museum and Its Staging of Contemporary Art" organized by the Copenhagen Doctoral School of Cultural Studies, Department of Arts and Cultural Studies, Louisiana Museum of Modern Art, 7 November 2009.
Creative Commons License Attribution-Noncommercial 3.0 United States
When is art now? This lecture will focus on definitions of Contemporary Art that focus on the experience of 'time', comparing and contrasting them with theories of contemporary art that hold it to be a (sub)culture, a genre, a period, or a style.
What does it mean to state that art is contemporary rather than to hold that it is modern, prescient, traditional, nostalgic, postmodern, ancient...?
What concepts of time do people need to develop and share in order to understand the contemporary?
Where and how is the temporality of the contemporary situated?
This lecture will outline some of the key ways in which art theory has attempted to approach such questions by introducing a few key concepts such as: supercessionism, presentism, contemporaneity, anachrony, polychrony and chronopolitics.
To illustrate how this works in practice, the lecture will examine the chronopolitics of the 2012 Documenta and 2013 Venice Biennale.
Here is a slideshow presentation of Street Art, with little discussion on its history, differentiation of kinds (e.g. Street Art, Mural Art, Graffiti, and Public Art), various movements, and function of street art. This is presentation is created in attempt to share information and educate people.
Similar to Maya Glyphs as Street Art in Cracow (20)
Od muzeum wirtualnego, przez muzeum w mediach społecznościowych, po muzeum społecznościowe działające według reguł marketingu humanistycznego, na przykładzie Muzeum Erotyzmu. Prezentacja, która towarzyszyła mojemu wystąpieniu na konferencji Marketing w Kulturze w Gdańsku, wygłoszonemu 19 II 2016.
Prezentacja ilustrująca wystąpienie na #KNMcatchup zorganizowanym przez Koło Nowych Mediów działające przy Instytucie Kultury UJ, w ramach III Festiwalu Kultury i Mediów Polikultura [26 maja 2015].
Prezentacja ilustrująca warsztaty przeprowadzone w ramach Akademii Nowych Mediów w Instytucie Kultury Miejskiej w Gdańsku 15 kwietnia 2015. Więcej: http://www.akademia.medialabgdansk.pl
Zrób sobie muzeum - warsztaty nowomedialne poprowadzone 24 stycznia 2014 w Międzynarodowym Centrum Kultury w Krakowie, w ramach wydarzeń towarzyszących wystawie Pamięć. Rejestry i terytoria. Garść inspiracji nt. tego, jakie media społecznościowe wykorzystać zarówno dla organizacji lub tworzenia kolekcji, jak i do jej promocji, upubliczniania, upowszechniania .
Prezentacja wygłoszona w czasie konferencji "Zarządzanie ekspozycjami w przestrzeni wirtualnej i rzeczywistej", zorganizowanej przez firmę Ontia, która odbyła się w krakowskim Bunkrze Sztuki, 27 XI 2013.
Prezentacja do wystąpienia na THATCamp Polska (Lublin, 23/24 kwietnia) o promocji projektów naukowych i kulturalnych na facebooku, ze szczególnym naciskiem na odpowiedź na pytanie - jak działają reklamy na facebooku.
Prezentacja do referatu wygłoszonego w trakcie konferencji "Dziedzictwo kulturowe Europy - mity, stereotypy, tożsamość (Polska, Rumunia, Ukraina, Białoruś)", Kraków 15 maja 2013.
Prezentacja-tło dla debaty zorganizowanej przez Miejskie Centrum Kultury w Bydgoszczy, którą poprowadziłem 29 XI 2012 w Scenie Muzycznej Gdańskiego Archipelagu Kultury. Pozdrawiam organizatorów i uczestników i dzięki za inspirującą dyskusję!
Prezentacja przedstawiona 6 listopada 2012 w Miejskim Instytucie Kultury w Gdańsku, w ramach KaWa [Kulturalna Wymiana} 2 https://www.facebook.com/events/111738152320065/
Prezentacja przedstawiona przeze mnie w ramach organizowanego przez Fundację Stańczyka seminarium NGO 2.0 i Prawo, 20 września 2012. http://www.fimo.org.pl/dzialania/ngo20iprawo/seminarium/plan-seminarium
Prezentacja o kibicowaniu na twitterze, przygotowana na spotkanie "Sport i Social Media czyli połączenie świata realnego i wirtualnego - podwójne emocje", czyli Social Media Poland III. Kraków, 28 czerwca 2012.
Referat wygłoszony na konferencji "Kreatywne rozwiązania w zarządzaniu kulturą – nowatorskie teorie, techniki i technologie możliwości i ograniczenia cyfryzacji", 11 maja 2012 na Uniwersytecie Jagiellońskim w Krakowie.
>>> http://www.kultura.uj.edu.pl/konferencja/index.php?option=com_content&view=article&id=12&Itemid=23
Prezentacja skierowana do studentów i absolwentów Akademii Sztuk Pięknych, przygotowana na zlecenie Biura Karier i Realizacji Projektów ASP w Krakowie.
More from Michał Pałasz, Jagiellonian University in Krakow, Poland (20)
4. What?
Wall painting inspired by Tortuguero Monument 6
5. What?
Wall painting inspired by Tortuguero Monument 6 - version 2.0
common
misinterpretation
+
media interest ~ media
game with the subject
6. What?
Wall painting inspired by Tortuguero Monument 6 - version 2.0
common
misinterpretation
+
media interest ~ media
game with the subject
Maya Glyphs
Mixed to Tetris
8. Why?
Maya Culture
• to take the advantage
of the 2012 Maya
culture interest
phenomenon (media)
• the biggest chance in
history to promote
Maya culture in the
Western World
9. Why?
Art & People
• to promote Street Art
as an art & society
intervention in public
space
• to promote Citizens'
Initiative - don't
criticise, act!
10. Why? :)
• to show Poland that it's not about:
Autor: El
Comandante
Wikimedia
Commons
21. Who?
A part of the Teatr Nowy Association’s “ART OF WRATH – involving art festival”. The project financially supported by
the Ministry of Culture and National Heritage of Poland, Municipality of Cracow and Małopolska Region.
Project partners: Krakow Festival Office, Foundation of New Art “Znaczy się”, Culture Institute of Jagiellonian
University, The Cervantes Institute in Cracow, Castorama, Props.
Concept and organization: Michał Pałasz
Design: Aleksandra Toborowicz
Realisation: Dasza Abibok, Krzysztof Goliński, Weronika Kasprzyk, Paulina Lichwicka, Marta Ostrowska, Aleksandra
Piórek, Weronika Piórek, Alicja Płonka, Łukasz Podolak, Joanna Róg-Ociepka, Aleksandra Toborowicz, Konrad Turaj,
Artur Wabik
Maya Culture Specialists: Jarosław Źrałka, Sven Gronemeyer, Monika Banach, Magda Rusek
Coordination: Agnieszka Unzeitig, Ola Dzwierzyńska, Joanna Foryś, Marta Sukiennik, Anna Kapusta, Iwona Sztajner
Festival Curator: Tomasz Kireńczuk
Festival Coordinator: Dana Bień
Producer: Peter Sieklucki
22. More?
Main newspapers in the region published on Mayamural.
Main radios were talking about it.
Not to mention the Internet.
Nomination: Polish Graphic Design Project of the Year 2012
facebook.com/mayamural2012 over 1.000 fans
pinterest.com/mayamural - over 4.000 fans - biggest in Poland
twitter.com/mayamural - over 1.000 followers
see more: mayamural.tumblr.com