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1
mag 24­21.34
2
ott 5­16.46
Do you know this place?
Have you ever been there?
What was your impression?
What areas did you like best/least?
A song.... A video...
3
set 12­13.02
Guess What....
4
set 12­13.10
ST. Mary Axe street
Angel alley
Goring street
Wapping street
Gresham Street
Creechurch Street
Watch the video again and rearrange the streets in the right order
What kind of building is the one in 
the picture?
Why do you think it is particularly 
marked?
Cinnamon Street 
5
set 13­16.14
Listen to the poem again and find out what the images refer to
6
set 13­16.08
What does the 
illustration add to 
the poem?
"London" illuminated 
7
mag 24­21.49
I wander through each chartered street,
Near where the chartered Thames does flow,
And mark in every face I meet,
Marks of weakness, marks of woe.
In every cry of every man,
In every infant's cry of fear,
In every voice, in every ban,
The mind­forged manacles I hear:
How the chimney­sweeper's cry
Every blackening church appals,
And the hapless soldier's sigh
Runs in blood down palace­walls.
But most, through midnight streets I hear
How the youthful harlot's curse
Blasts the new­born infant's tear, 
And blights with plagues the marriage hearse. 
Rearrange the 
lines in the correct 
order forming 4 
stanzas
What elements 
helped you?
8
ott 4­18.04
 I wander through each chartered street,
   Near where the chartered Thames does flow,
And mark in every face I meet,
   Marks of weakness, marks of woe.
In every cry of every man,
   In every infant's cry of fear,
In every voice, in every ban,
   The mind­forged manacles I hear:
How the chimney­sweeper's cry
   Every blackening church appals,
And the hapless soldier's sigh
   Runs in blood down palace­walls.
But most, through midnight streets I hear
   How the youthful harlot's curse
Blasts the new­born infant's tear,
   And blights with plagues the marriage hearse. 
Find out the meaning of the 
highlighted words with the help 
of a dictionary
Is there a rhyming scheme  in 
the poem? 
If yes, can you point it out?
9
nov 14­19.36
I wander through each chartered street,
Near where the chartered Thames does flow,
And mark in every face I meet,
Marks of weakness, marks of woe.
In every cry of every man,
In every infant's cry of fear,
In every voice, in every ban,
The mind­forged manacles I hear:
How the chimney­sweeper's cry
Every blackening church appals,
And the hapless soldier's sigh
Runs in blood down palace­walls.
But most, through midnight streets I hear
How the youthful harlot's curse
Blasts the new­born infant's tear,
And blights with plagues the marriage hearse. 
c
d
c
d
d
g
d
g
10
nov 14­19.46
Can you spot any 
sounds devices?
I wander through each chartered street,
Near where the chartered Thames does flow,
And mark in every face I meet,
Marks of weakness, marks of woe.
In every cry of every man,
In every infant's cry of fear,
In every voice, in every ban,
The mind­forged manacles I hear:
How the chimney­sweeper's cry
Every blackening church appals,
And the hapless soldier's sigh
Runs in blood down palace­walls.
But most, through midnight streets I hear
How the youthful harlot's curse
Blasts the new­born infant's tear,
And blights with plagues the marriage hearse. 
11
ott 4­18.15
"Chartered" is one of the 
most frequently used 
words in the poem. What 
does it  mean?
Compare your ideas with 
those of an American 
professor, Dr Jonas 
Prida.
How many meanings 
does he mention?
Comment on the effect the repetion 
of "every" creates
12
ott 4­19.07
13
ott 4­20.56
See Hear Feel Smell Taste 
Identify words referring to 
each sense in the poem  
What is the preavailing one/s?
Do they occur separately or 
do they mingle?
Do we get any insight from that?
Find out where and how sounds change  
into something else.
I wander through each chartered street,
Near where the chartered Thames does flow,
And mark in every face I meet,
Marks of weakness, marks of woe.
In every cry of every man,
In every infant's cry of fear,
In every voice, in every ban,
The mind­forged manacles I hear:
How the chimney­sweeper's cry
Every blackening church appals,
And the hapless soldier's sigh
Runs in blood down palace­walls.
But most, through midnight streets I hear
How the youthful harlot's curse
Blasts the new­born infant's tear,
And blights with plagues the marriage hearse. 
14
ott 6­8.20
Number 4
How many occurrences of this 
number can you spot in the poem?
What about its symbolic value?
4 stanzas
4 lines in each 
stanza 4 stresses in 
each line
A man­made prison made up of four 
walls
economic power
political power
religious authority
family 
15
ott 4­19.38
+
+ =
How is the equation 
related to the poem?
Match the pictures with the 
metaphors from the poem 
chartered streets/Thames
blackening church
blood running palace walls
marriage hearse
+
16
ott 6­8.49
I wander through each chartered street,
   Near where the chartered Thames does flow,
And mark in every face I meet,
   Marks of weakness, marks of woe.
In every cry of every man,
   In every infant's cry of fear,
In every voice, in every ban,
   The mind­forged manacles I hear:
How the chimney­sweeper's cry
   Every blackening church appals,
And the hapless soldier's sigh
   Runs in blood down palace­walls.
But most, through midnight streets I hear
   How the youthful harlot's curse
Blasts the new­born infant's tear,
   And blights with plagues the marriage hearse. 
17
ott 4­19.31
"Man is born free and everywhere he is in chains"
What Jean­Jacques Rousseau meant is that government, social class, wealth and 
poverty are man­made prisons in which people trap each other. In the "state of 
nature" to which we are all born, those things do not exist. Remember that in his 
day there were no democracies to speak of. People everywhere were ruled by 
absolute monarchs whose word was law.
Jean­Jacques Rousseau 
The Social Contract' published in 1792
18
ott 6­8.27
Match each of these people to the 
sounds they are associated with 
sigh
cry
curse
cry
19
ott 4­21.15
Comment on the issues 
from the poem in your 
own words
20
ott 4­20.22
A bit of history
21
ott 4­21.20
22
ott 5­16.33
....and of social life
23
mag 24­21.37
How is  modern London different from 
Blake's one?
24
mag 24­21.35
Would you like to know more about William Blake ?
25
ott 4­18.44
Critical essays
The invisible worm
Analysis
Lethargica
Allegati
London.docx

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