Lighting ideas
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The document discusses lighting ideas for a rap music video. It recommends using dark, dramatic lighting with blues, reds, and purples to match the genre. Strobe lighting and other high intensity effects are suggested to create mystery and a sense of disappearance. Examples from the ZAYN music video "Pillow Talk" are given, including faded lighting with red and purple hues and an animated, plastic-like effect. The goal is to use lighting to conform to the rap genre and make the video visually exciting for the audience.
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Location ideas
The document discusses location ideas for a student film project. It includes 5 potential locations: 1) The green room at the student's college which will represent a strip club setting. 2) A half-graffiti covered wall near the student's house that will be used for a musical performance scene. 3) An isolated road surrounded by landscape to create a feeling of being "on the run". 4) A bedroom in the student's house that will be lit in blue or red tones to match rap video conventions. 5) A bathtub in the student's house bathroom that will be used to film a scene matching the student's storyboard and genre conventions.
Colour schemes
The document discusses three color schemes considered for a video project. The first scheme is black, light gray, and yellow, with black representing hip hop culture and yellow referencing police warning tape. The second is black, red, and white, with red chosen for its sexy and dangerous connotations. The third incorporates navy blue and lime green to represent the album's money theme. Ultimately, the first scheme of black, light gray, and yellow is chosen for its visual cohesiveness and references to police tape.
Mediaaaa
The document discusses the conventions the author used in creating a music video for a slow pop song. These conventions included location choices like staircases, dim lighting, a stressed or depressed lead character, and props like masks. The author wanted the video to clearly represent the slow pop genre and elicit emotion from viewers by showing the lead actress singing directly to the camera. Color schemes were dull and locations lacked bright light to match the gloomy lyrics. Shots were refilmed in a darker tank room after initial park scenes proved too bright.
Presentation For Digipak
The student created a mood board for a digipak for a rock/alternative band called The Kills. They explored different colors, patterns and designs to portray the band's genre. Images from the band's black and white music video were used because they linked well to the narrative and style of the band. The student changed their design multiple times before settling on a black and white theme to make all images cohesive. Brushed textures were added to images to make them look like grungy posters fitting the theme. Lyrics from the band's song "LULLABYE" were used on the back to directly link to the music.
Media A2 Coursework Q1
This document provides an evaluation of a student's media coursework project creating promotional materials for a fictional rock band called Onyx. The student summarizes the key design elements of the album digipak cover, magazine advertisement poster, and music video for the project. For the digipak cover, a simple black and red pattern was used without images to intrigue viewers, and the band and album names were displayed in different fonts and sizes. The poster and music video continued this design approach. The music video featured a bleak abandoned building for the story location and a small studio for the performance to reflect feelings of being overwhelmed.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background emphasizing themes of emptiness. The poster/advertisement follows conventions of featuring the artist's name prominently to look professional and promote the artist and album.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background to emphasize themes of emptiness. The poster/advertisement follows conventions of featuring the artist's name prominently to promote the artist and album.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background emphasizing themes of emptiness. The poster/advertisement follows conventions with the artist's name in large white text on a black background.
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The document discusses location ideas for a student film project. It includes 5 potential locations: 1) The green room at the student's college which will represent a strip club setting. 2) A half-graffiti covered wall near the student's house that will be used for a musical performance scene. 3) An isolated road surrounded by landscape to create a feeling of being "on the run". 4) A bedroom in the student's house that will be lit in blue or red tones to match rap video conventions. 5) A bathtub in the student's house bathroom that will be used to film a scene matching the student's storyboard and genre conventions.
Colour schemes
The document discusses three color schemes considered for a video project. The first scheme is black, light gray, and yellow, with black representing hip hop culture and yellow referencing police warning tape. The second is black, red, and white, with red chosen for its sexy and dangerous connotations. The third incorporates navy blue and lime green to represent the album's money theme. Ultimately, the first scheme of black, light gray, and yellow is chosen for its visual cohesiveness and references to police tape.
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The document discusses the conventions the author used in creating a music video for a slow pop song. These conventions included location choices like staircases, dim lighting, a stressed or depressed lead character, and props like masks. The author wanted the video to clearly represent the slow pop genre and elicit emotion from viewers by showing the lead actress singing directly to the camera. Color schemes were dull and locations lacked bright light to match the gloomy lyrics. Shots were refilmed in a darker tank room after initial park scenes proved too bright.
Presentation For Digipak
The student created a mood board for a digipak for a rock/alternative band called The Kills. They explored different colors, patterns and designs to portray the band's genre. Images from the band's black and white music video were used because they linked well to the narrative and style of the band. The student changed their design multiple times before settling on a black and white theme to make all images cohesive. Brushed textures were added to images to make them look like grungy posters fitting the theme. Lyrics from the band's song "LULLABYE" were used on the back to directly link to the music.
Media A2 Coursework Q1
This document provides an evaluation of a student's media coursework project creating promotional materials for a fictional rock band called Onyx. The student summarizes the key design elements of the album digipak cover, magazine advertisement poster, and music video for the project. For the digipak cover, a simple black and red pattern was used without images to intrigue viewers, and the band and album names were displayed in different fonts and sizes. The poster and music video continued this design approach. The music video featured a bleak abandoned building for the story location and a small studio for the performance to reflect feelings of being overwhelmed.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background emphasizing themes of emptiness. The poster/advertisement follows conventions of featuring the artist's name prominently to look professional and promote the artist and album.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background to emphasize themes of emptiness. The poster/advertisement follows conventions of featuring the artist's name prominently to promote the artist and album.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background emphasizing themes of emptiness. The poster/advertisement follows conventions with the artist's name in large white text on a black background.
Evaluation Q2
The CD cover is the most successful piece as it conveys the hybrid hip hop/grime genre through the urban image and unique color/lighting effects. While the poster advertises the album release, it does not convey the genre as effectively due to too much white space and lack of the cover's color scheme. The music video is also highly successful as it subverts stereotypes through animation inspired by Kanye West, presenting the artist in a more lighthearted and positive way to appeal to audiences.
Analysis of digipack
The document analyzes and summarizes the digipack designs of three different artists - Arctic Monkeys, The Weeknd, and The Kooks. For each artist, it describes the simplistic monochrome color scheme and minimalist designs of the album covers, fronts, and backs. It notes how the designs reflect the style and image of each artist. The analysis concludes by stating how these designs have inspired the author's own preferred simple color scheme and style for minimalist, yet stylish and professional-looking packaging.
Evaluation question magazine
The document discusses the conventions used in media products like music videos, as well as how the author's products both follow and challenge some of these conventions. Specifically:
- The author's music video includes performance elements and lip syncing to connect to the song, but challenges conventions by showing both the male protagonist and a female lip syncing to represent the song's perspective.
- Elements like costumes, fonts, and imagery are carried over across the music video, album packaging, and advertisement to create cohesion and a recognizable brand.
- The author aimed to both utilize standard conventions like promotional information but also add their own style and narrative, such as setting the products in a 1950s era, to make their
Media evaluation post 2
1) The document discusses the promotion of a debut album and artist through various ancillary texts including a music video, magazine poster, and album digipak.
2) The poster and digipak utilize different imagery including Greek mythology and Renaissance art to portray a mystical theme and give clues to the artist's music.
3) Elements like repeated images, fonts, and symbols like the Greek statue create consistency that helps audiences recognize the artist across materials.
Synergy between digipak and music video
The document compares the costumes, characters, lighting, and locations portrayed in Rihanna's album "LOUD" and her music video for "Only Girl in the World". While there are some slight differences, notably in the lighting, the overall color schemes, costumes, and locations are kept very similar. This consistency in visual elements between the album and music video helps tie them together and create a recognizable style, promoting brand awareness and synergy.
Question 2 (complete)
The combination of the media main product (a music video) with ancillary texts (a digipak and poster) is effective at creating a coherent style.
The digipak incorporates motifs and imagery from the music video, such as smoke, to develop a cohesive visual theme. Photographs used in the digipak and poster are screenshots from the music video to strengthen connections between products. Layout, color schemes, and compositions are similarly minimalistic to reflect the electronic music genre.
Overall, linking photography, subject matter, and design elements across the music video, digipak and poster creates a range of complementary products that successfully advertise the artist and album in a unified way.
Question 2 for media evaluation
The document discusses how the digipak and poster for a music album effectively complement the artist's music video through consistent imagery and style.
The digipak incorporates screenshots and locations from the music video to continue motifs of smoke, isolation, and the sense of movement. Each panel flows coherently through similar color palettes, compositions, and subject matter.
The poster also features an image used in the digipak to create further coherence across the package. Typography and layout balance the artist's name and release details.
Overall, the music video, digipak and poster work together through linked photography, subjects and designs to form a cohesive promotional package that effectively advertises the artist.
Evaluation post 2
I have created this powerpoint to explain my creation of my magazine poster, digipak and also my music video.
Digipak analysis inside
The document provides details on the design choices for album packaging. These include using an excerpt from the title song in a handwritten font to avoid clutter, including a close-up image of a doll to create intrigue, and employing a 'photoframe effect' to match photos in the lyrics. Color schemes with red were selected to link the packaging to the themes in the lyrics and music video through connotations of passion and danger.
Question 1 complete
This document summarizes a music video created by the author for a class assignment. It discusses various production elements of the music video including camera work, editing, mise-en-scene, props, and inspiration from other artists' music videos. It also includes a discussion of relevant film theory from Roland Barthes and Andrew Goodwin relating to how the music video uses codes and conventions to tell a narrative story through its visuals and synchronization with the song lyrics.
Question 1
The music video uses conventions of real music videos such as mid shots, jump cuts coordinated with the beat, and shots of the artist connecting with the audience. It tells a narrative story through three locations representing the couple's relationship. Inspired by other artists' music videos, it features close ups, split screens, and slow motion shots. The print product uses album cover conventions like close ups and long shots of the artist to portray emotion. It maintains a consistent black, grey, and pink color scheme and font throughout the CD cover, magazine advert, and inside materials.
Avril Lavinge Under My Skin
The document discusses the front and back covers and CD of an Avril Lavinge album. The front cover uses a mid-shot of the artist and dark, basic colors to draw the audience in and set a gloomy theme. The CD cover continues this color scheme and style to provide continuity. The back cover differs by using black and grey colors and a shot of the artist lying on the floor to further the gloomy atmosphere and theme set by the front cover.
Digipak analysis task 4
The document provides summaries of several different album digipaks:
1) The "Distorture" digipak uses a simple color scheme of red, white, and black that is clean but conveys horror themes inappropriate for the artist's genre.
2) Rihanna's "Loud" digipak consistently uses red coloring throughout and capitalized font for readability, focusing more on her image than the music.
3) Take That's "Beautiful World" digipak features the band on every panel in natural settings relating to the album title, clearly showing the artists.
4) Florence and the Machine's mystical, fairy tale-esque digipak uses superimposed images and avoids
Chosen locations
The document discusses locations and shots for a music video. It describes using a black box room to film the actor singing with red lighting to create silhouettes and convey emotion. Various close-up shots of the actor's face and mouth singing will be used. London is selected as a location to film the actor walking and 'finding himself' with close-ups, mid, and long shots. Shots at the document writer's house will show the actor's loneliness by living alone, including the actor singing on the kitchen floor and in the loft with dimmed lights.
Evaluation q2
1) The digipak and magazine advert effectively promote the music video through consistent visual references to the video's locations, colors, and themes. Drawings and stills from the video are featured throughout the digipak in different color variations, and the magazine advert also includes a drawing from the video.
2) These visual connections create a coherent promotional package that allows the audience to easily recognize motifs from the video. The drawings aim to reflect the video's narrative of a female protagonist's personal journey of self-discovery.
3) Cultural references to folk albums and artists further enhance the promotion by connecting it to the genre and adding layers of meaning relating to themes of finding identity and inspiration.
Evaluation q2
The combination of the main product (music video) and ancillary texts (digipak and magazine ad) is highly effective in creating a coherent promotional package that references various elements of the music video.
The digipak panels use drawings, locations, and color schemes that directly reflect and reference scenes from the music video, telling the narrative and journey of the protagonist through the changing colors. The magazine ad also features the protagonist in a hand-drawn image of a scene from the video shot, tying it back to the overall package. While breaking some conventions, the promotional materials as a whole successfully engage the target audience by reflecting themes of finding identity and independence.
Evaluation q1 section 2
1) The document discusses the layout and panel design of a print music production (digipak).
2) For panel one, photographs and drawings of the protagonist were used instead of the artist's image. A blue color was chosen to reflect aspects of the music video.
3) Panels two and three featured identical drawings on both panels to create coherence and mirror imagery from the video. Yellow was used to contrast with the blue of panel one.
4) Panel four lists the track titles down the center and includes a graphic, following conventions seen on albums by Joni Mitchell, Paul McCartney, and others. Green was used to complete the color contrast across panels.
Treatment For Music video
The document outlines a music video treatment that focuses on portraying the emotions in the song's lyrics through contrasting scenes. The main artist will be shown singing in a bedroom, expressing hurt and anger, and later at a club with friends, appearing happy and liberated. Static camera work will be used for the bedroom scenes to connect with the audience, while handheld footage at an outdoor location will seem more voyeuristic. The goal is to emphasize how the artist feels better without her ex through contrasting lonely, upset scenes with fun, energetic group shots.
Prototypes for album cover
This document discusses 5 different design concepts for an album cover created by a group. The first design duplicated the main image in different shades but had a dim background. They decided to use the duplicated style for their poster but change the background. The second was a grey and white design with the artist name in different fonts, but it was dull. The third used colors and gradients behind the artist on a city landscape but there was not enough connection between the background and artist. The fourth used computer graphics with colors emitting from the artist, which the group liked. The fifth was similar to the fourth but with a real landscape and customized rainbow-colored title, showing the artist emitting light and color.
Digipak analysis
The front cover features a medium shot of the band The Script with a sepia filter, locating their style within the indie genre. The back cover continues this sepia color scheme and features a close-up image of hands pressed together relating to the album title of "Science and Faith". The inside cover and CD also follow this visual style through their presentation of hands and use of the amber/sepia color palette, reinforcing the album's themes.
Conventions analysis of 2 digipacks
The document discusses conventions for Digipak album covers and analyzes three album covers. Digipaks became popular in the early 2000s and are designed to promote artist sales through extra features like DVDs, lyric books, and photos. They give fans more reasons to purchase physical copies over digital downloads. The analysis finds that two covers prominently feature the artist's name and image to identify them as the focus, while background elements relate to the artist's genre and themes. Font size and color are used intentionally across the covers analyzed.
Font research
The document discusses font selection for an album cover design. It describes searching dafont.com for suitable fonts, settling on "Bebas Neue" for the track list due to its bold yet simple style. For the artist name, the designer chose "Colours of Autumn" for its elegance and sharpness that matches the artist's style. Typography inspiration came from Google images, experimenting with font sizing and positioning on the inside covers to make them modern and highlight impactful lyrics.
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Evaluation Q2
The CD cover is the most successful piece as it conveys the hybrid hip hop/grime genre through the urban image and unique color/lighting effects. While the poster advertises the album release, it does not convey the genre as effectively due to too much white space and lack of the cover's color scheme. The music video is also highly successful as it subverts stereotypes through animation inspired by Kanye West, presenting the artist in a more lighthearted and positive way to appeal to audiences.
Analysis of digipack
The document analyzes and summarizes the digipack designs of three different artists - Arctic Monkeys, The Weeknd, and The Kooks. For each artist, it describes the simplistic monochrome color scheme and minimalist designs of the album covers, fronts, and backs. It notes how the designs reflect the style and image of each artist. The analysis concludes by stating how these designs have inspired the author's own preferred simple color scheme and style for minimalist, yet stylish and professional-looking packaging.
Evaluation question magazine
The document discusses the conventions used in media products like music videos, as well as how the author's products both follow and challenge some of these conventions. Specifically:
- The author's music video includes performance elements and lip syncing to connect to the song, but challenges conventions by showing both the male protagonist and a female lip syncing to represent the song's perspective.
- Elements like costumes, fonts, and imagery are carried over across the music video, album packaging, and advertisement to create cohesion and a recognizable brand.
- The author aimed to both utilize standard conventions like promotional information but also add their own style and narrative, such as setting the products in a 1950s era, to make their
Media evaluation post 2
1) The document discusses the promotion of a debut album and artist through various ancillary texts including a music video, magazine poster, and album digipak.
2) The poster and digipak utilize different imagery including Greek mythology and Renaissance art to portray a mystical theme and give clues to the artist's music.
3) Elements like repeated images, fonts, and symbols like the Greek statue create consistency that helps audiences recognize the artist across materials.
Synergy between digipak and music video
The document compares the costumes, characters, lighting, and locations portrayed in Rihanna's album "LOUD" and her music video for "Only Girl in the World". While there are some slight differences, notably in the lighting, the overall color schemes, costumes, and locations are kept very similar. This consistency in visual elements between the album and music video helps tie them together and create a recognizable style, promoting brand awareness and synergy.
Question 2 (complete)
The combination of the media main product (a music video) with ancillary texts (a digipak and poster) is effective at creating a coherent style.
The digipak incorporates motifs and imagery from the music video, such as smoke, to develop a cohesive visual theme. Photographs used in the digipak and poster are screenshots from the music video to strengthen connections between products. Layout, color schemes, and compositions are similarly minimalistic to reflect the electronic music genre.
Overall, linking photography, subject matter, and design elements across the music video, digipak and poster creates a range of complementary products that successfully advertise the artist and album in a unified way.
Question 2 for media evaluation
The document discusses how the digipak and poster for a music album effectively complement the artist's music video through consistent imagery and style.
The digipak incorporates screenshots and locations from the music video to continue motifs of smoke, isolation, and the sense of movement. Each panel flows coherently through similar color palettes, compositions, and subject matter.
The poster also features an image used in the digipak to create further coherence across the package. Typography and layout balance the artist's name and release details.
Overall, the music video, digipak and poster work together through linked photography, subjects and designs to form a cohesive promotional package that effectively advertises the artist.
Evaluation post 2
I have created this powerpoint to explain my creation of my magazine poster, digipak and also my music video.
Digipak analysis inside
The document provides details on the design choices for album packaging. These include using an excerpt from the title song in a handwritten font to avoid clutter, including a close-up image of a doll to create intrigue, and employing a 'photoframe effect' to match photos in the lyrics. Color schemes with red were selected to link the packaging to the themes in the lyrics and music video through connotations of passion and danger.
Question 1 complete
This document summarizes a music video created by the author for a class assignment. It discusses various production elements of the music video including camera work, editing, mise-en-scene, props, and inspiration from other artists' music videos. It also includes a discussion of relevant film theory from Roland Barthes and Andrew Goodwin relating to how the music video uses codes and conventions to tell a narrative story through its visuals and synchronization with the song lyrics.
Question 1
The music video uses conventions of real music videos such as mid shots, jump cuts coordinated with the beat, and shots of the artist connecting with the audience. It tells a narrative story through three locations representing the couple's relationship. Inspired by other artists' music videos, it features close ups, split screens, and slow motion shots. The print product uses album cover conventions like close ups and long shots of the artist to portray emotion. It maintains a consistent black, grey, and pink color scheme and font throughout the CD cover, magazine advert, and inside materials.
Avril Lavinge Under My Skin
The document discusses the front and back covers and CD of an Avril Lavinge album. The front cover uses a mid-shot of the artist and dark, basic colors to draw the audience in and set a gloomy theme. The CD cover continues this color scheme and style to provide continuity. The back cover differs by using black and grey colors and a shot of the artist lying on the floor to further the gloomy atmosphere and theme set by the front cover.
Digipak analysis task 4
The document provides summaries of several different album digipaks:
1) The "Distorture" digipak uses a simple color scheme of red, white, and black that is clean but conveys horror themes inappropriate for the artist's genre.
2) Rihanna's "Loud" digipak consistently uses red coloring throughout and capitalized font for readability, focusing more on her image than the music.
3) Take That's "Beautiful World" digipak features the band on every panel in natural settings relating to the album title, clearly showing the artists.
4) Florence and the Machine's mystical, fairy tale-esque digipak uses superimposed images and avoids
Chosen locations
The document discusses locations and shots for a music video. It describes using a black box room to film the actor singing with red lighting to create silhouettes and convey emotion. Various close-up shots of the actor's face and mouth singing will be used. London is selected as a location to film the actor walking and 'finding himself' with close-ups, mid, and long shots. Shots at the document writer's house will show the actor's loneliness by living alone, including the actor singing on the kitchen floor and in the loft with dimmed lights.
Evaluation q2
1) The digipak and magazine advert effectively promote the music video through consistent visual references to the video's locations, colors, and themes. Drawings and stills from the video are featured throughout the digipak in different color variations, and the magazine advert also includes a drawing from the video.
2) These visual connections create a coherent promotional package that allows the audience to easily recognize motifs from the video. The drawings aim to reflect the video's narrative of a female protagonist's personal journey of self-discovery.
3) Cultural references to folk albums and artists further enhance the promotion by connecting it to the genre and adding layers of meaning relating to themes of finding identity and inspiration.
Evaluation q2
The combination of the main product (music video) and ancillary texts (digipak and magazine ad) is highly effective in creating a coherent promotional package that references various elements of the music video.
The digipak panels use drawings, locations, and color schemes that directly reflect and reference scenes from the music video, telling the narrative and journey of the protagonist through the changing colors. The magazine ad also features the protagonist in a hand-drawn image of a scene from the video shot, tying it back to the overall package. While breaking some conventions, the promotional materials as a whole successfully engage the target audience by reflecting themes of finding identity and independence.
Evaluation q1 section 2
1) The document discusses the layout and panel design of a print music production (digipak).
2) For panel one, photographs and drawings of the protagonist were used instead of the artist's image. A blue color was chosen to reflect aspects of the music video.
3) Panels two and three featured identical drawings on both panels to create coherence and mirror imagery from the video. Yellow was used to contrast with the blue of panel one.
4) Panel four lists the track titles down the center and includes a graphic, following conventions seen on albums by Joni Mitchell, Paul McCartney, and others. Green was used to complete the color contrast across panels.
Treatment For Music video
The document outlines a music video treatment that focuses on portraying the emotions in the song's lyrics through contrasting scenes. The main artist will be shown singing in a bedroom, expressing hurt and anger, and later at a club with friends, appearing happy and liberated. Static camera work will be used for the bedroom scenes to connect with the audience, while handheld footage at an outdoor location will seem more voyeuristic. The goal is to emphasize how the artist feels better without her ex through contrasting lonely, upset scenes with fun, energetic group shots.
Prototypes for album cover
This document discusses 5 different design concepts for an album cover created by a group. The first design duplicated the main image in different shades but had a dim background. They decided to use the duplicated style for their poster but change the background. The second was a grey and white design with the artist name in different fonts, but it was dull. The third used colors and gradients behind the artist on a city landscape but there was not enough connection between the background and artist. The fourth used computer graphics with colors emitting from the artist, which the group liked. The fifth was similar to the fourth but with a real landscape and customized rainbow-colored title, showing the artist emitting light and color.
Digipak analysis
The front cover features a medium shot of the band The Script with a sepia filter, locating their style within the indie genre. The back cover continues this sepia color scheme and features a close-up image of hands pressed together relating to the album title of "Science and Faith". The inside cover and CD also follow this visual style through their presentation of hands and use of the amber/sepia color palette, reinforcing the album's themes.
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Conventions analysis of 2 digipacks
The document discusses conventions for Digipak album covers and analyzes three album covers. Digipaks became popular in the early 2000s and are designed to promote artist sales through extra features like DVDs, lyric books, and photos. They give fans more reasons to purchase physical copies over digital downloads. The analysis finds that two covers prominently feature the artist's name and image to identify them as the focus, while background elements relate to the artist's genre and themes. Font size and color are used intentionally across the covers analyzed.
Font research
The document discusses font selection for an album cover design. It describes searching dafont.com for suitable fonts, settling on "Bebas Neue" for the track list due to its bold yet simple style. For the artist name, the designer chose "Colours of Autumn" for its elegance and sharpness that matches the artist's style. Typography inspiration came from Google images, experimenting with font sizing and positioning on the inside covers to make them modern and highlight impactful lyrics.
Digipack
The document discusses track selections and sequencing for an album. It chooses established songs from artists like Rihanna, Nicki Minaj, and Ariana Grande for the first few tracks to attract listeners. It then adds features like Drake, Big Sean and Future to appeal to audiences. Later tracks show more diversity and change the tone. The sequencing is designed to create cohesion and flow rather than random ordering. Feature choices aim to feel realistic for a debut album. Lyrics and titles are chosen to fit themes like money, feminism and confidence.
Spine analysis
1) The first spine design for a Rihanna album features her name in bold red letters and the album name in black to distinguish the two. It also includes the Def Jam record label logo.
2) The second spine uses black text on a black background for contrast and readability. This is a popular convention.
3) The third spine follows the font and color conventions used on the album cover for consistency. It also includes the album number and record label.
Textual analysis 2
This 3 sentence summary provides the key details about the music video for Marina & The Diamonds' song "Primadonna":
The music video portrays Marina in various glamorous settings and outfits that reference Hollywood iconography from the 1920s-1960s, changing locations through fast-paced editing to represent her fast-paced lifestyle. Cinematography uses close-ups and changes in camera angle to keep the focus on Marina and make the audience unsure of how to perceive her constantly changing ideology. The mise-en-scene, costumes, makeup, and props aim to present Marina as channelling iconic celebrity figures of the past while also showing the insecurity behind her confident persona.
Lyric Analysis
The document discusses the symbolism and meaning behind various lyrics from Green Day songs. It analyzes lyrics about hope, survival, addiction recovery, finding light in dark times, being alive above death, being raised without a father, and asking if someone is too afraid to continue living.
Textual analysis the weeknd often
The video for The Weeknd's song "Often" features slow camera movements and close-ups that focus on his face and body as the central subject. Additional shots introduce a naked woman on a bed and female lingerie on the floor. Later, many women are suddenly shown throughout the room despite not being there before. Cinematography, editing, and mise-en-scene aim to present the women as sexual objects for the male gaze without identities of their own, while The Weeknd remains the main focus.
evaluation
The document discusses the design process for a digipak for a hip hop album. It aimed to follow conventions of existing digipaks through research. Conventions followed include using the artist name, album name, tracklist, parental advisory sign, barcodes, and record label logos. Color schemes and fonts are consistent across the front, back, spine and disc to create cohesion. Some conventions were broken such as adding age ratings, but overall it strives to appear like a professionally designed real product.
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The document discusses trailers for three supernatural horror films: Sinister, Paranormal Activity, and The Orphan. For each trailer, it lists likes and dislikes, and analyzes how the film's impression is created through mise-en-scène elements like setting, costumes, sound, and props. Conventions discussed include the use of sound, visuals, pace, and iconography to convey the films' genres. The document also notes elements from the trailers that the author would like to incorporate into their own work.
7. fmp evaluation part 2 final
The peer feedback provided suggestions to improve the transitions between scenes in the trailer, add more sound effects, change some of the images used on the poster and DVD cover to make them more interesting, and ensure consistent formatting/font across all materials to better connect them. The creator agreed that adding transitions was needed to make the trailer feel more polished but disagreed that changing the music was necessary. They would make these revisions to enhance the professionalism and appeal of the marketing materials.
Evaluation Question 2
The document analyzes the coherence of visual elements like color, font, posture, props, costumes, lighting, and themes between a music video and accompanying digipak. It finds some elements like dark color schemes and fonts are coherent, while others like daylight shots, costumes, and props differ between the pieces. Overall, the document argues planning the digipak after the video may have improved coherence and branding, though some conventions are still similar enough for recognition.
Music video analysis tnght
The document provides an analysis of the music video for TNGHT's song "Bugg'n". It discusses several elements of the music video that could be incorporated into the author's own music video project. These include using opening title credits to identify the song and artist, including abstract imagery shots that reflect the style of the music, and attempting to capture footage from a live performance similar to the large venue shown in the video.
Evaluation of Media Studies Products
The document discusses the ways in which the media product challenges conventions of real media products. It analyzes the music video against theories of music video conventions proposed by Andrew Goodwin. The music video uses unconventional elements like location and characters (Lego band members) while also incorporating some conventional elements like quick cuts and close-ups. Audience feedback revealed a preference for simplicity, intertextuality, ambiguous shots, and enough visual stimulation through color and shots of the band, while still defying conventions in a coherent way. Based on this, some changes were made to the digipack products.
Conventions Task
The document discusses conventions in hip-hop music videos. It notes that props like cars signify wealth, and black costumes and lighting create a dark, dramatic mood. Videos often use hard lighting, slow pacing, and black and white filming to match sad songs. Close-ups of performers in the center of shots emphasize them. Videos also commonly feature scantily-clad women and fast editing with flashing effects to match the music's intensity.
Shots camera angle misenscene media
Within this document, the author discusses various camera shots, lighting techniques, and props that could be used in an indie/alternative music video. Some ideas mentioned include using a cut between scenes of a person in different locations and clothing to change perspective, experimenting with lighting changes between dark and light rooms, having the camera move in response to something in the shot, using smoke or glitter in shots to create a dreamlike atmosphere, throwing colored powder to depict a festival, and using sky lanterns or a puppet-like person to fit the genre's conventions. The author analyzes examples from other music videos and ads, and how their ideas could be adapted for an indie project.
Pink Video Analysis
The video analyzes aspects of Pink's music video "Just Like a Pill" including camera work, editing, sound, and mise-en-scene. The camera zooms in and out of focus to depict the singer's mental state of addiction and confusion. Dark lighting and settings portray a bleak and unhappy life. Editing uses unique transitional techniques in beat with the harsh drum music to tell the story of the lyrics about addiction and desperation.
Music video evaluation loyle carner ~ sun of jean
The music video for 'Sun of Jean' by Loyle Carner uses a narrative structure and stylistic elements to tell the story of family and motherhood. Through a series of shots featuring women in domestic settings accompanied by their children, the video explores the relationships between mothers and sons. The grainy, dimly lit footage shot on square formats evokes a nostalgic, comforting atmosphere. By zooming the camera inward, the director draws the audience into the intimate scenes before coming full circle back to the artist at his mother's home.
Mv production assignment form 2020
This document provides guidance for a music video assignment. It includes a template PowerPoint presentation with sections for idea generation, research, and potential song choices. For the idea generation section, it instructs students to select a song and generate three ideas for interpreting it through different video styles and techniques. The research section asks students to watch 5 music videos and take notes on techniques like camera work, editing, art design, and performance. It provides 5 example music video analyses that were inspirations in terms of gritty urban aesthetics, storytelling techniques, and filming styles. The potential songs section lists 5 songs and describes how their sounds and lyrics could fit the intended dark, scary atmosphere.
Fmp research
The document analyzes the trailer for the movie The Conjuring. It discusses how the trailer effectively builds suspense and tone through its use of lighting, costumes, sound design, and cinematography. Specifically, it notes that the trailer sets a melancholy tone through its grey color palette. It also highlights how the soundtrack and sound effects heighten tension during key moments. Additionally, the summary discusses how the period costumes and stylized cinematography help immerse the viewer in the time period and genre of the film. Overall, the summary examines how the trailer uses various filmmaking techniques to engage the audience and set expectations for the horror movie.
Fmp research
The document analyzes techniques used in a horror movie trailer, including transitions, audio, camera angles, and how suspense is built. Key points made include:
- The trailer is 2 minutes 28 seconds long and manages to convey horror elements and build tension while leaving mystery around the haunting entity.
- The main locations are the haunted house and surrounding area. Limited shots of a university establish the characters' backgrounds.
- Lighting gets dimmer as the evil is introduced, representing the loss of "good light".
- Costumes, decor and props indicate the film is set in the 1960s-1970s and establish genre and family closeness contrasting the coming evil.
- Sus
Fmp research
The document analyzes techniques used in a horror movie trailer, including transitions, audio, camera angles, and how suspense is built. Specifically, it discusses how the trailer's length of 2 minutes 28 seconds conveys the plot and leaves the audience wanting more. It also examines the trailer's main location of a haunted house, and how lighting and mise-en-scene elements like costumes and props set the period and genre while contrasting happiness with impending evil. Overall, the document explores how the trailer uses visual and audio elements to engage audiences and establish suspense.
Treatment sheet for showreel.pptx.......
Camera techniques: Low angle shots to make the band appear powerful on stage. Medium close ups and canted angles of each band member playing to show individuality. Various camera movements like zooming, panning and tilting.
Lighting: Moody, dark room with bright, colorful spotlights and dancing lights to create a concert atmosphere. Led and college lights may be used if not filming a live gig.
Setting: Want to capture the band's live essence by filming at a real gig so fans can see what the band does best - play music for their fans.
6. fmp production reflection (luke headland)
The document discusses the production of posters and a trailer for a horror film project. It describes experimenting with lighting, textures, and colors for the posters to achieve a disturbing look for the mask. Details like visible eyes were added to hint at a human side. The final poster featured a close-up of the mask looking directly at the viewer. Low light filming caused quality issues for the trailer, but an old, grungy look was added in post-production to style it as a 1970s film. Music was chosen and synced to trailer clips to build suspense.
Assignment 2 pp version
The document discusses lighting, editing, shots/angles, transitions, and MES/FX techniques used in various music videos that could provide inspiration for the student's own music video assignment. For lighting, it notes the use of a strong key light to create silhouettes in one video and lighting from a fire as the main focus in another. Regarding editing, it highlights the constant use of jump cuts and increased speed while keeping lip sync. For shots/angles, it examines close-ups, dutch angles, and long shots following the rule of thirds. Transitions discussed include fading between a graveyard shot and another and a blurred focus transition with bright colors. Finally, it analyzes the
Music video mood board
The document discusses ideas for clown makeup in a music video. It proposes using dark, tribal paint in a non-symmetrical style to create an abstract look rather than a stereotypical clown. Dark eye makeup would contrast strikingly with the actor's blue eyes and ginger hair. Color would start brighter and fade throughout the video to symbolize the character's declining mood, going from a happy to sad clown. The makeup aims to imply a clown through dark, unusual styling rather than typical clown appearance.
Mv production assignment form 2019
- The document discusses research and planning for a music video assignment, including case studies of artists like Rone, Lorn, and Kid Francescoli that use animation and camera work.
- The proposed idea is to create an animated music video for the song "Bye Bye Macadam" by Rone, showing a girl watching the animation on an old TV as if dreaming.
- Pre-production planning addresses locations, equipment, personnel, props, and lighting needed to film the real-world elements for transitions between the animation and camera work. Inspiration is taken from the music video for "Entangled" by Lorn for its mysterious and dark aesthetic.
Mv production assignment form 2019
- The document discusses research and planning for a music video assignment, including potential techniques, artists, and songs for inspiration.
- Animation and camera work will be used to sync visuals to the audio without a clear story, drawing from trippy and artistic music videos.
- The proposed idea is to film a girl watching an animated music video on an old TV as she dreams, transitioning between locations, and ending by revealing she is asleep.
Mv production assignment form 2019
- The document discusses research and planning for a music video assignment, including potential techniques, artists, and songs for inspiration.
- Animation and camera work will be used to sync visuals to the audio without a clear story, drawing from trippy and artistic music videos.
- The proposed idea is to film a girl watching an animated music video on an old TV as she dreams, transitioning between locations, and ending by revealing she is asleep.
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2获得真实的国外最终学历学位但国外本科学历就读经历存在问题或缺陷。【如：国外本科是教育部不承认的或者是联合办学项目教育部没有备案的或者外本科没有正常毕业的。】
3学分转移联合办学等情况复杂不知道怎么整理材料的。时间紧迫自己不清楚递交流程的。
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国外波士顿学院波士顿学院本科学位证成绩单办理方法：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询波士顿学院波士顿学院本科学位证成绩单）；
2开始安排制作波士顿学院毕业证成绩单电子图；
3波士顿学院毕业证成绩单电子版做好以后发送给您确认；
4波士顿学院毕业证成绩单电子版您确认信息无误之后安排制作成品；
5波士顿学院成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。疯一把山娃算了算这一次足足花了老爸元够他挣上半个月的山娃很不解一向节俭的父亲啥时变得如此阔绰大方大把大把掏钱时居然连眉头也不皱一下车票早买好了直达卧铺车得经过山娃老家门口山娃拒绝父亲送说往车上一躺就等着下车决无丢失的道理有手机在身联系也方便再说他都岁了还有大半车的小伙伴相伴他不怕在父亲千叮咛万嘱咐中山娃依依不舍地爬上车朝窗外不住地挥手别了父亲别了父亲的城别了我的暑假生活我的城市生活望着窗外挥舞的房
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Lighting ideas
- 2. The lighting in the rap genre is conventionally quite dark which a lot of the time represents the night life within the genre a lot of the mise en scene in rap is in clubs or bars so which the lighting is dark . As you can see on the left these three images create the illusion its night with dark purples and blues which also create mystery and cinematography they amplify everything to make it a more visual experience. The beat of my song is very fast paced and has a lot of heavy bass so therefore i want my lighting to be dramatic and to incorporate alot of dark blues and reds in order to conform to the genre so my video looks as realistic as possible.
- 3. I need my lighting in my video to be very dark and dramatic throughout i wanted to use a lot of effects like strobe lighting for example as I believe it creates a high intensity effect it gives the effect of disappearance. The lighting artificial while creating a mood than it looking realistic . Within the college and home I don't have access to this type of equipment although I could use home remedies like torches and back lights to create the same effect. There's also techniques on final cut pro in which i could add in a strobe like effect
- 4. One of the main inspirations for the lighting in my music video comes from ZAYN with his video Pillow Talk the shots are minimal but have a lot of effect due to its high intensity lighting. The first shot is faded with a red and purple effect which I think could look effective in my video as red was one of the colours that conformed to the genre. The second and third shots lighting creates an almost plastic effect it makes the shot feel more animated and visually beautiful its more exciting for the audience I hope I can add this effect to my video to help portray the narrative