Kashmir carpets are handmade and hand-knotted in Kashmir, India. They have intricate, primarily oriental and floral designs in a range of colors and qualities. The history of Kashmir carpets dates back to the 16th century when Mughal emperors introduced Persian carpet makers to Kashmir to make the stone palaces more comfortable. Kashmir carpets became known for their distinctive designs and high quality, with some taking up to 8 months to produce. They are recognized as some of the finest wool and silk carpets in the world.
(1) Shawls from Kashmir occupy a prominent place in textiles due to their elaborate designs featuring the distinctive "cone" pattern and vibrant, long-lasting colors derived from the fine underwool of the pashmina goat found in Tibet.
(2) There are two main types of Kashmiri shawls - loom woven "tiliwalla" shawls and embroidered "amlikar" shawls worked with needlepoint designs over a plain pashmina ground.
(3) Pashmina shawls specifically refer to textiles made from the ultra-fine cashmere wool collected from the high-altitude pashmina goat of the Himalayas,
Kashmiri shawls were traditionally woven using fine pashmina wool from the Kashmir region. They developed over centuries under different ruling cultures, with intricate designs woven or embroidered by skilled artisans. The most famous shawls were woven in the 18th-19th centuries for European fashion, using complex tapestry weaving techniques to piece together elaborate patterns and motifs across separate woven segments. Today, Kashmiri shawls continue to be handcrafted reflections of the rich cultural traditions and designs that evolved over hundreds of years.
Jamdani is a traditional muslin textile produced in Dhaka, Bangladesh using intricate hand weaving techniques. The word Jamdani comes from Persian and means "flower vase." It is known for its fine texture and elaborate floral motifs woven into the fabric. Jamdani weaving is a complex and time-intensive process that involves using different colored supplemental weft threads to embroider intricate patterns into the base fabric. There are several regional varieties of Jamdani produced in Bangladesh including Dhakai Jamdani, Tangail Jamdani, and Dhaniakhali Jamdani, which differ in techniques, motifs, and base fabrics used. Efforts are underway to revive this traditional textile
Vol. I discusses textiles including manufacturing, fiber types, and classification. Vol. II focuses on the Indian textile industry and Surat market. Surat is the largest producer of sarees in the world, with over 4.7 lakh powerlooms. It faces challenges like labor shortages and lack of branding. However, innovations like the new textiles university and Global Fabric Resource Centre aim to develop skills and introduce new markets.
The document discusses different types of Indian brocades such as those produced in Banaras. It outlines the various threads, dyes, motifs, and designs used in brocade weaving. Specific types are described like opaque zari brocade, ab-e-rawan, tissue brocades, himrus, and amrus. The weaving process is intricate and can take several months to complete using traditional jacquard looms. Brocades originated in Banaras but are also woven in other Indian cities.
The document provides background information on Chamba Rumal embroidery from Himachal Pradesh, India. It discusses the history of the region and the development of the embroidery art form between the 11th and 12th centuries AD. It describes the traditional motifs, themes, stitches, and materials used in Chamba Rumal embroidery including figures of deities, animals, plants and vibrant colors. The embroidery became known for its fine, delicate craftsmanship and depictions of miniature paintings from the Kangra Valley region.
Kashmir carpets are handmade and hand-knotted in Kashmir, India. They have intricate, primarily oriental and floral designs in a range of colors and qualities. The history of Kashmir carpets dates back to the 16th century when Mughal emperors introduced Persian carpet makers to Kashmir to make the stone palaces more comfortable. Kashmir carpets became known for their distinctive designs and high quality, with some taking up to 8 months to produce. They are recognized as some of the finest wool and silk carpets in the world.
(1) Shawls from Kashmir occupy a prominent place in textiles due to their elaborate designs featuring the distinctive "cone" pattern and vibrant, long-lasting colors derived from the fine underwool of the pashmina goat found in Tibet.
(2) There are two main types of Kashmiri shawls - loom woven "tiliwalla" shawls and embroidered "amlikar" shawls worked with needlepoint designs over a plain pashmina ground.
(3) Pashmina shawls specifically refer to textiles made from the ultra-fine cashmere wool collected from the high-altitude pashmina goat of the Himalayas,
Kashmiri shawls were traditionally woven using fine pashmina wool from the Kashmir region. They developed over centuries under different ruling cultures, with intricate designs woven or embroidered by skilled artisans. The most famous shawls were woven in the 18th-19th centuries for European fashion, using complex tapestry weaving techniques to piece together elaborate patterns and motifs across separate woven segments. Today, Kashmiri shawls continue to be handcrafted reflections of the rich cultural traditions and designs that evolved over hundreds of years.
Jamdani is a traditional muslin textile produced in Dhaka, Bangladesh using intricate hand weaving techniques. The word Jamdani comes from Persian and means "flower vase." It is known for its fine texture and elaborate floral motifs woven into the fabric. Jamdani weaving is a complex and time-intensive process that involves using different colored supplemental weft threads to embroider intricate patterns into the base fabric. There are several regional varieties of Jamdani produced in Bangladesh including Dhakai Jamdani, Tangail Jamdani, and Dhaniakhali Jamdani, which differ in techniques, motifs, and base fabrics used. Efforts are underway to revive this traditional textile
Vol. I discusses textiles including manufacturing, fiber types, and classification. Vol. II focuses on the Indian textile industry and Surat market. Surat is the largest producer of sarees in the world, with over 4.7 lakh powerlooms. It faces challenges like labor shortages and lack of branding. However, innovations like the new textiles university and Global Fabric Resource Centre aim to develop skills and introduce new markets.
The document discusses different types of Indian brocades such as those produced in Banaras. It outlines the various threads, dyes, motifs, and designs used in brocade weaving. Specific types are described like opaque zari brocade, ab-e-rawan, tissue brocades, himrus, and amrus. The weaving process is intricate and can take several months to complete using traditional jacquard looms. Brocades originated in Banaras but are also woven in other Indian cities.
The document provides background information on Chamba Rumal embroidery from Himachal Pradesh, India. It discusses the history of the region and the development of the embroidery art form between the 11th and 12th centuries AD. It describes the traditional motifs, themes, stitches, and materials used in Chamba Rumal embroidery including figures of deities, animals, plants and vibrant colors. The embroidery became known for its fine, delicate craftsmanship and depictions of miniature paintings from the Kangra Valley region.
Jamdani sarees are a fine weave fabric known for their intricate hand-woven patterns and motifs. The name Jamdani originates from Persian and means "flower vase". It was popular during the Mughal period but declined under British rule. The creation of Jamdani involves supplementary weft technique where designs are manually woven using thin bamboo sticks and colored threads. Common motifs include flowers, peacocks, and geometric patterns. Jamdani sarees can take up to a year to produce and are considered one of the most prized fabrics in the world.
Bandhani printing is a tie-dye technique mainly practiced in Rajasthan and Gujarat, India. The traditional colors used are yellow, red, green, blue, and black in shapes like dots, squares, waves and stripes. The process involves tying the fabric with plastic shapes and dyeing it with natural dyes extracted from plants. Different shapes used in the patterns have symbolic meanings and the technique is an important part of the cultural heritage of western India.
Sanganer near Jaipur, Rajasthan is famous for its traditional block printing technique used to create intricate floral motifs on fabrics. The handmade wooden blocks are used to apply natural dyes to cotton and silk fabrics by pressing the blocks with carved designs onto the cloth. Some key aspects of Sanganeri printing include its delicate floral patterns printed on white fabric, use of multiple blocks to create layered colored designs, and motifs depicting flowers common to the region. The centuries-old techniques provide economic opportunities for local artisans and the distinctive prints are popular for clothing and home décor throughout India and internationally.
Kashmir shawls originated in the 15th century when weavers from Central Asia were brought to Kashmir by Sultan Zain-ul-Abidin to improve local weaving skills. Made from fine pashmina and cashmere, Kashmir shawls evolved greatly over the centuries, influenced by Mughal, Afghan, and Sikh rulers. Early designs featured simple floral motifs while later shawls had intricate embroidered patterns filling the entire shawl. By the 19th century, embroidered shawls became popular as they could be made more quickly at lower cost than woven shawls. Kashmir shawls gained renown in Europe and were collected by royalty and nobility.
This document provides information on various resist dyeing techniques used in Indian textiles, including bandhini, leheria, ikat, and batik. It describes the traditional processes for each technique, discussing how sections of fabric are tied, stitched or coated with wax to prevent dye from penetrating before dyeing. For bandhini, the fabric is tied in intricate patterns before dyeing. For leheria, the fabric is pleated and portions are tied to create striped effects. Batik involves using hot wax to coat areas of fabric before dyeing to create complex patterns. The document highlights important centers for producing these traditional textiles in states like Rajasthan and provides references for further reading.
This document provides information about various topics related to textiles and weaving, including:
- Definitions of textile and weaving
- A flow chart showing the process of weaving from yarn to fabric
- Different types of yarn packages, fabrics, and medical and geo-textiles
- The objectives of yarn preparation and faults to be removed
- Qualities of a good warp
- Types of package winding and driving
- Factors affecting balloon shape during unwinding
- Types of yarn withdrawal and tension devices
- Effects of tension and the choice of tensioning device
- Objectives of warping and requirements
- Types of warping and their features
The document provides information about Chanderi sarees, a famous handloom fabric from Chanderi, Madhya Pradesh, India. Some key points:
- Chanderi sarees are known for their light weight, glossy texture and richness. They can be made of pure silk, cotton-silk blends.
- The weaving tradition dates back to the Vedic period. Motifs have evolved from traditional designs like peacocks to modern geometrics.
- Production is protected via a Geographic Indication and the handloom tradition employs over 18,000 people. Proper care involves dry cleaning or mild washing and avoiding direct sunlight.
Shawls originated in Persia in the 14th century and were traditionally made from Kashmiri goat wool. Over time, different regions developed their own shawl-making traditions using various materials like silk, pashmina, and shahtoosh wool from the rare Tibetan antelope. The iconic paisley design evolved from Persian motifs and became globally popular after being widely produced on Kashmiri wool shawls in the late 18th century. Today, handmade traditional shawls continue to be an important part of various cultures and serve purposes of warmth, fashion, and religious symbolism.
The document summarizes the history and production of traditional shawls from the Kullu Valley region of Himachal Pradesh, India. It describes how early shawls were made of locally produced wool on simple looms. In the 1940s, designs and production techniques were influenced by weavers from other regions. Over time, synthetic yarns were introduced and a wider variety of patterns were produced. It also provides details on raw materials, weaving processes, regional variations in Kinnauri shawl patterns, and styles of wearing the shawls.
Khadi is a handspun and handwoven fabric that originated over 5,000 years ago in India. Mahatma Gandhi revived the production of khadi in 1921 as part of his nonviolent independence movement. Khadi is created through processes like handpicking cotton, ginning, carding, spinning on a charkha, warping, weaving, and finishing. It is a sustainable fabric that provides employment, especially to women in rural India. Khadi advocates for self-worth and self-sufficiency through human labor.
Traditional block printing techniques are used across India with regional variations. The document outlines the printing processes which involve preparing blocks, fabric, and printing pastes as well as auxiliary components like thickeners, dyes, and resists. Specific techniques are described for regions like Sanganer with floral designs, Bagru with resist patterns, Andhra Pradesh known for vegetable dyes, and Uttar Pradesh featuring motifs like paisley and butis in classical styles.
The traditional Kalamkari art form involves hand painting or block printing cotton fabrics with natural dyes. It originated in India as early as the 10th century through Persian and Indian trade relationships. Two main styles developed - the Srikalahasti style from Andhra Pradesh focuses on Hindu mythology themes using freehand drawing, while the Machilipatnam style from Golconda was influenced by Persian motifs using carved blocks for outlines followed by freehand details. The traditional multi-stage process involves preparing, bleaching, and repeatedly dyeing and washing the fabric with plant-based dyes to create designs in different colors.
Ikat is a resist dyeing technique used in weaving that binds areas of yarn before dyeing to create patterns and designs. It is believed ikat textiles developed in coastal Indian states through ancient trade with Indonesia. Ikat can be produced in warp ikat (dyed warp threads), weft ikat (dyed weft threads), and double ikat (dyed both warp and weft threads). The intricate production process involves skillfully binding yarns with dyes, then weaving the dyed threads to produce vibrant, unique textile designs.
The document provides details about Bomkai saris from Orissa, India. It discusses:
- Bomkai saris originate from a village in Ganjam district of southern Orissa and are known for their intricate tie-dye patterns and designs influenced by tribal art.
- They traditionally use cotton but can also be made from silk. The intricate dyeing process involves tying and dyeing yarn in sections to create complex patterns.
- Motifs often feature nature and mythology themes reflecting Orissan culture like fish, peacock, flowers. Borders have detailed temple-inspired designs.
- The weaving is a long process done on pit looms. Traditional jala techniques are used to create complex patterns
Ajrak is a traditional block printing technique used in parts of India and Pakistan to print intricate patterns on fabric. The process is labor intensive and involves multiple steps of soaking, drying, resist application and dyeing to create the designs. Ballotra in India is well-known for its high quality Ajrak printing due to the availability of good water needed. The designs are printed on both sides of the fabric simultaneously using natural dyes in a process called double-sided block printing. Ajrak printing is considered an important part of Sindhi culture and the traditional craft is facing threats due to modernization.
Gota Work (also known as Gota Patti Work, Gota-Kinari work or Lappe ka Kaam) is a type of metal embroidery originated in Rajasthan, India.
Gota Patti is an appliqué work done on a base fabrics for design embellishment .
Kasuti embroidery is a traditional embroidery style from Karnataka that involves intricate patterns stitched onto fine silk or matte cloth without knots. Common motifs include temples, chariots, lamps, and palanquins. The process is labor intensive, with the pattern first marked and then stitched thread-by-thread to appear on both sides of the cloth. A traditional Kasuti saree features borders and motifs spread across the body and pallu with no consistent theme, making each saree unique.
Kasmiri Carpets Industry- A case study wherein i have made an attempt to identify the problems related to this dying art form and have laid down objectives in order to revive it.
The Kashmiri carpet industry dates back to the 14th century and forms an integral part of Kashmir's economy by playing a major role in exports. It provides a means for family livelihoods in Kashmir. The quality depends on the number of knots per square inch, with more knots resulting in higher quality. Several belts within India specialize in different carpet styles, like the iconic teardrop design in Kashmir and durable floor coverings in Panipat. Carpet production and exports are major contributors to Jammu and Kashmir's economy. However, the industry faces challenges from cheaper foreign competitors and needs government support through subsidies and improved infrastructure to strengthen its position in global markets.
Jamdani sarees are a fine weave fabric known for their intricate hand-woven patterns and motifs. The name Jamdani originates from Persian and means "flower vase". It was popular during the Mughal period but declined under British rule. The creation of Jamdani involves supplementary weft technique where designs are manually woven using thin bamboo sticks and colored threads. Common motifs include flowers, peacocks, and geometric patterns. Jamdani sarees can take up to a year to produce and are considered one of the most prized fabrics in the world.
Bandhani printing is a tie-dye technique mainly practiced in Rajasthan and Gujarat, India. The traditional colors used are yellow, red, green, blue, and black in shapes like dots, squares, waves and stripes. The process involves tying the fabric with plastic shapes and dyeing it with natural dyes extracted from plants. Different shapes used in the patterns have symbolic meanings and the technique is an important part of the cultural heritage of western India.
Sanganer near Jaipur, Rajasthan is famous for its traditional block printing technique used to create intricate floral motifs on fabrics. The handmade wooden blocks are used to apply natural dyes to cotton and silk fabrics by pressing the blocks with carved designs onto the cloth. Some key aspects of Sanganeri printing include its delicate floral patterns printed on white fabric, use of multiple blocks to create layered colored designs, and motifs depicting flowers common to the region. The centuries-old techniques provide economic opportunities for local artisans and the distinctive prints are popular for clothing and home décor throughout India and internationally.
Kashmir shawls originated in the 15th century when weavers from Central Asia were brought to Kashmir by Sultan Zain-ul-Abidin to improve local weaving skills. Made from fine pashmina and cashmere, Kashmir shawls evolved greatly over the centuries, influenced by Mughal, Afghan, and Sikh rulers. Early designs featured simple floral motifs while later shawls had intricate embroidered patterns filling the entire shawl. By the 19th century, embroidered shawls became popular as they could be made more quickly at lower cost than woven shawls. Kashmir shawls gained renown in Europe and were collected by royalty and nobility.
This document provides information on various resist dyeing techniques used in Indian textiles, including bandhini, leheria, ikat, and batik. It describes the traditional processes for each technique, discussing how sections of fabric are tied, stitched or coated with wax to prevent dye from penetrating before dyeing. For bandhini, the fabric is tied in intricate patterns before dyeing. For leheria, the fabric is pleated and portions are tied to create striped effects. Batik involves using hot wax to coat areas of fabric before dyeing to create complex patterns. The document highlights important centers for producing these traditional textiles in states like Rajasthan and provides references for further reading.
This document provides information about various topics related to textiles and weaving, including:
- Definitions of textile and weaving
- A flow chart showing the process of weaving from yarn to fabric
- Different types of yarn packages, fabrics, and medical and geo-textiles
- The objectives of yarn preparation and faults to be removed
- Qualities of a good warp
- Types of package winding and driving
- Factors affecting balloon shape during unwinding
- Types of yarn withdrawal and tension devices
- Effects of tension and the choice of tensioning device
- Objectives of warping and requirements
- Types of warping and their features
The document provides information about Chanderi sarees, a famous handloom fabric from Chanderi, Madhya Pradesh, India. Some key points:
- Chanderi sarees are known for their light weight, glossy texture and richness. They can be made of pure silk, cotton-silk blends.
- The weaving tradition dates back to the Vedic period. Motifs have evolved from traditional designs like peacocks to modern geometrics.
- Production is protected via a Geographic Indication and the handloom tradition employs over 18,000 people. Proper care involves dry cleaning or mild washing and avoiding direct sunlight.
Shawls originated in Persia in the 14th century and were traditionally made from Kashmiri goat wool. Over time, different regions developed their own shawl-making traditions using various materials like silk, pashmina, and shahtoosh wool from the rare Tibetan antelope. The iconic paisley design evolved from Persian motifs and became globally popular after being widely produced on Kashmiri wool shawls in the late 18th century. Today, handmade traditional shawls continue to be an important part of various cultures and serve purposes of warmth, fashion, and religious symbolism.
The document summarizes the history and production of traditional shawls from the Kullu Valley region of Himachal Pradesh, India. It describes how early shawls were made of locally produced wool on simple looms. In the 1940s, designs and production techniques were influenced by weavers from other regions. Over time, synthetic yarns were introduced and a wider variety of patterns were produced. It also provides details on raw materials, weaving processes, regional variations in Kinnauri shawl patterns, and styles of wearing the shawls.
Khadi is a handspun and handwoven fabric that originated over 5,000 years ago in India. Mahatma Gandhi revived the production of khadi in 1921 as part of his nonviolent independence movement. Khadi is created through processes like handpicking cotton, ginning, carding, spinning on a charkha, warping, weaving, and finishing. It is a sustainable fabric that provides employment, especially to women in rural India. Khadi advocates for self-worth and self-sufficiency through human labor.
Traditional block printing techniques are used across India with regional variations. The document outlines the printing processes which involve preparing blocks, fabric, and printing pastes as well as auxiliary components like thickeners, dyes, and resists. Specific techniques are described for regions like Sanganer with floral designs, Bagru with resist patterns, Andhra Pradesh known for vegetable dyes, and Uttar Pradesh featuring motifs like paisley and butis in classical styles.
The traditional Kalamkari art form involves hand painting or block printing cotton fabrics with natural dyes. It originated in India as early as the 10th century through Persian and Indian trade relationships. Two main styles developed - the Srikalahasti style from Andhra Pradesh focuses on Hindu mythology themes using freehand drawing, while the Machilipatnam style from Golconda was influenced by Persian motifs using carved blocks for outlines followed by freehand details. The traditional multi-stage process involves preparing, bleaching, and repeatedly dyeing and washing the fabric with plant-based dyes to create designs in different colors.
Ikat is a resist dyeing technique used in weaving that binds areas of yarn before dyeing to create patterns and designs. It is believed ikat textiles developed in coastal Indian states through ancient trade with Indonesia. Ikat can be produced in warp ikat (dyed warp threads), weft ikat (dyed weft threads), and double ikat (dyed both warp and weft threads). The intricate production process involves skillfully binding yarns with dyes, then weaving the dyed threads to produce vibrant, unique textile designs.
The document provides details about Bomkai saris from Orissa, India. It discusses:
- Bomkai saris originate from a village in Ganjam district of southern Orissa and are known for their intricate tie-dye patterns and designs influenced by tribal art.
- They traditionally use cotton but can also be made from silk. The intricate dyeing process involves tying and dyeing yarn in sections to create complex patterns.
- Motifs often feature nature and mythology themes reflecting Orissan culture like fish, peacock, flowers. Borders have detailed temple-inspired designs.
- The weaving is a long process done on pit looms. Traditional jala techniques are used to create complex patterns
Ajrak is a traditional block printing technique used in parts of India and Pakistan to print intricate patterns on fabric. The process is labor intensive and involves multiple steps of soaking, drying, resist application and dyeing to create the designs. Ballotra in India is well-known for its high quality Ajrak printing due to the availability of good water needed. The designs are printed on both sides of the fabric simultaneously using natural dyes in a process called double-sided block printing. Ajrak printing is considered an important part of Sindhi culture and the traditional craft is facing threats due to modernization.
Gota Work (also known as Gota Patti Work, Gota-Kinari work or Lappe ka Kaam) is a type of metal embroidery originated in Rajasthan, India.
Gota Patti is an appliqué work done on a base fabrics for design embellishment .
Kasuti embroidery is a traditional embroidery style from Karnataka that involves intricate patterns stitched onto fine silk or matte cloth without knots. Common motifs include temples, chariots, lamps, and palanquins. The process is labor intensive, with the pattern first marked and then stitched thread-by-thread to appear on both sides of the cloth. A traditional Kasuti saree features borders and motifs spread across the body and pallu with no consistent theme, making each saree unique.
Kasmiri Carpets Industry- A case study wherein i have made an attempt to identify the problems related to this dying art form and have laid down objectives in order to revive it.
The Kashmiri carpet industry dates back to the 14th century and forms an integral part of Kashmir's economy by playing a major role in exports. It provides a means for family livelihoods in Kashmir. The quality depends on the number of knots per square inch, with more knots resulting in higher quality. Several belts within India specialize in different carpet styles, like the iconic teardrop design in Kashmir and durable floor coverings in Panipat. Carpet production and exports are major contributors to Jammu and Kashmir's economy. However, the industry faces challenges from cheaper foreign competitors and needs government support through subsidies and improved infrastructure to strengthen its position in global markets.
The Kashmiri carpet industry dates back to 1341-1385 AD and is worth approximately Rs. 5000 crores annually. It is a major export industry for India, accounting for 35% of the global market share. However, the industry faces stiff domestic and international competition from countries like China, Iran, and Pakistan. To address this and revive the industry, the document proposes government subsidies on loans, establishing manufacturing centers abroad, and attracting youth through higher wages. Automation, tie-ups with e-retailers, and developing new low-cost products are also suggested to increase market reach and compete effectively.
Kashmiri carpets date back to the 14th century during Mughal rule and were prized possessions of royalty. They are made through hand-knotting techniques using mulberry silk or wool. Production is organized through family-owned cottage industries with skilled craftsmen. However, the industry faces economic challenges like an unorganized domestic market, lack of modernization, shortage of raw materials, and declining labor force. To increase market share, better customer engagement, online availability, and promotion through media are recommended. The industry also needs to address weaknesses like child labor, explore youth and foreign markets, and obtain government and foreign investment support.
Anuj Kumar provides his resume which includes his educational qualifications and experience. He completed high school in 2007, intermediate school in 2009, and graduated with a B.A. in 2012. He also obtained an ITI certificate in 2015 and passed CCC that same year. His experience includes passing ADCA in 2011. Additional personal details are included such as his date of birth, sex, nationality, religion, language skills, and hobbies. He declares that all information provided is true to the best of his knowledge.
The document discusses the Kashmiri carpet industry. It began in the 14th century under Hazrat Mir Syed Ali Hamdani and the skills have been passed down generations. The industry is an important part of Kashmir's economy and the region is renowned for its hand-knotted wool and silk carpets as well as other textiles. Creating the carpets is a labor intensive process that can take years to complete a single carpet. The industry has faced challenges but there are opportunities to improve through reforms, developing infrastructure, attracting youth, and expanding markets.
Kashmiri carpet Power Point by aditi bhattAditi Bhatt
The Indian handmade carpet industry is the largest in the world, with a 35% global market share. It employs over 2 million rural workers across over 1,200 manufacturing units. While it faced setbacks in the late 1990s due to child labor issues, programs like Rugmark and Kaaleen have helped address this. Major carpet types produced in India include hand-knotted wool, hand-tufted wool, hand-woven wool, and silk carpets. The United States is the largest importer of Indian carpets. To strengthen the industry, the government and private sector should provide subsidies, increase artisan wages, improve infrastructure, and focus on innovation and emerging markets through research and aggressive marketing.
This document summarizes yarn and carpet printing technologies. It discusses various yarn printing methods like solution dyeing, hang/skein dyeing, and space dyeing. For carpet printing, it describes direct printing, discharge printing, resist printing, and pigment printing methods. It also discusses chemicals and machinery used like flat-screen and rotary screen printing machines, and jet printing machines. In conclusion, it provides an overview of yarn and carpet printing processes and technologies.
This document discusses the value chain of the Kashmir carpet industry. It identifies various factors that influence the industry, including tourism, transportation costs, and terrorism. There are several challenges facing the industry like competition from other regions, lack of private investment, and weak marketing. However, there are also opportunities to expand online marketing and attract tourism. A SWOT analysis finds strengths in market potential and employment but weaknesses in infrastructure and engaging youth. Overall strategies proposed to increase sales include expanding exhibitions, test marketing new products, improving quality and packaging, and generating customer awareness of handloom advantages.
In today’s service economy cutting cost and making processes more efficient is the key. The OpenERP for Carpet Industry is going to reduce various costs and make processes efficient providing High ROI made in OpenERP.
The document discusses the Kashmir carpet industry in India. It notes that while once the industry captured hearts worldwide for intricate designs and durability, it is now losing its essence due to government trends, weakening currency, and increased foreign competition. The top competitors are Nepal, China, Afghanistan, and Pakistan. The industry faces issues like child labor, an unorganized market, storage problems, and changing trends. The document proposes solutions like auctioning the industry, improving worker conditions, subsidizing transportation and raw materials, promoting carpets online and offline.
Automotive textiles are widely used in vehicles for components like upholstery, seats, carpets, seat belts, air bags, and more. Common fibers used include polyester, nylon, and polypropylene. Upholstery fabrics are typically woven or knitted and require properties like abrasion resistance. Carpets are made by tufting or needle-felting and employ backing layers and adhesives. Seat belts need properties like flexibility, rigidity, strength and UV resistance. Weaving has shifted from shuttle to shuttle-less looms for seat belts.
Jaipur Rugs was founded in 1978 in India and has since expanded to work with over 40,000 artisans across 10 states. It aims to empower local artisan communities by connecting them directly to global markets for their handmade carpet products, eliminating exploitative middlemen. Jaipur Rugs Foundation, the company's CSR arm, works to improve living standards for artisans through healthcare, education and skills training initiatives. The company has received several awards for its social business model and high-quality hand-knotted carpet products that are exported worldwide.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the handicraft industry in Jammu and Kashmir. It notes that the handicraft sector provides employment for about 3.78 lakh workers and had production of Rs. 1650.30 crores in 2012-13. A major export, handicraft goods worth Rs. 1080.80 crore were exported in 2012-13. Shawl making is a prominent handicraft in the region, with the traditional process involving harvesting, sorting, spinning, weaving, and finishing. The industry has potential for employment and exports but faces challenges like underdeveloped infrastructure, lack of modernization, and impact of political instability on production.
This document provides an overview of the economy and industries of Kutch district in India. Some key points:
- Kutch has emerged as a major industrial hub with industries such as chemicals, minerals, textiles, engineering and ports. The district accounts for 39.07% of industrial projects under implementation in Gujarat.
- Major economic drivers include minerals, ports, engineering, steel pipes, cement, salt production and tourism. The district has large reserves of minerals like lignite, limestone and bauxite.
- Industrial parks and special economic zones are located across multiple talukas and sectors like ports, textiles and engineering to boost economic growth. Mundra port is a key logistics and trade hub
this presentation includes 4 different dyeing techniques performed in India. this includes: Bandhani/Bandhej, Shibori, Clamp dyeing and Batik. these are easy dyeing techniques and DIY projects
This document provides information on various types of embroidery techniques found in Asia, including mirror work, soof embroidery, kharek embroidery, pakko embroidery, rabari embroidery, jats embroidery, and mutwas embroidery. The summary highlights that these embroidery styles originate from communities in places like Gujarat, Rajasthan, Sindh, and Kutch and involve the use of mirrors, geometric patterns, and motifs inspired by nature, mythology, and daily life. The embroidery is used to create various products like clothes, bags, caps, and home decor items.
Phulkari is a traditional embroidery art from Punjab involving intricate needlework on odhni (head drapes or shawls). It originated with the migrant Jat people from Central Asia and was transmitted orally, resulting in regional variations. Phulkari is linked to important events in a woman's life and signifies more than just clothing. There are two main types - Bagh, where embroidery is so dense the base color disappears, and Chope which involves embroidery along borders. Motifs draw from everyday life and include flowers, fruits, and animals. The art continues to evolve today in its patterns, products, and techniques.
The document summarizes the Kashmiri carpet industry in India. It discusses the history and legacy of Kashmiri carpets dating back to the 14th century. It also outlines the current state of the industry, noting there are 1215 manufacturing units with 190 in the organized sector. The top markets for Kashmiri carpets are the US, Germany, and UK. The summary calls for the industry to focus on new market development, cost management, and support from the government and private sector to improve infrastructure, subsidies, and industry promotion.
The Kashmiri carpet industry faces several challenges, including a lack of financial resources, modern technology, and innovations. Exports of Kashmiri carpets have declined from a peak of 5750 quintals in 1995-96 to just 650 quintals in 1999-2000. However, some artisans have started using computer software to more easily design carpets, and targeting online markets could help capture the growing e-commerce industry to boost sales of these traditional handmade carpets.
We, the students of Indira Institute of Management, Pune have discussed the International and Indian views on Leather Industry. We discussed the major initiatives taken by the Indian Government for the Leather industry and have suggested leather substitutes in it.
Reference - www.ibef.org
The Kashmir carpet industry dates back to the 14th century and was introduced by Mughals. It remains a highly labor intensive industry concentrated in several belts across India. The key steps of the value chain for handmade Kashmiri carpets include wool sorting, spinning, dyeing, knotting, trimming, and packaging. While the industry has strengths like cheap labor and market potential, it faces bottlenecks such as outdated techniques, lack of infrastructure, and unorganized sector. The government and industry are working on strategies to upgrade skills, access new markets, and improve policies and initiatives to support the growth and competitiveness of the Kashmiri carpet industry.
This document discusses the Kashmir carpet industry in India. It provides background on the origins of Kashmir carpets, lists some major Indian exporters, and identifies challenges like lack of modern technology, duplicate products, and terrorism. Reasons for a slowdown are analyzed. International competitors like China and Iran that have larger market shares are also mentioned. The document concludes with potential solutions like focusing on affordable price points, new designs, and increased government support and funding.
The handloom industry in India provides employment to over 4.3 million people and accounts for 14.9% of the country's total cloth production, making it the second largest employment sector in rural India after agriculture. It is comprised of over 2.3 million looms operated across thousands of villages and towns. While handloom products face competition from other countries, the industry has potential for growth in domestic and international markets through improved marketing, product development, and process efficiencies.
The document provides information about Pakistan's textile industry. It discusses the history and development of the textile industry in Pakistan from its beginnings in the 1950s to the present day. Key points include:
- Textiles are Pakistan's largest industrial sector and main export earner, contributing over 50% of total exports.
- The industry has grown significantly since the 1950s and now includes over 400 textile units employing millions of workers.
- Pakistan has a dynamic textile industry due to its abundant cotton crops and cheap labor. The industry produces goods for major global brands.
- Major textile hubs include Faisalabad, known as the "Manchester of Pakistan" for its large number of power loom
This document provides information on the Indian handicrafts sector and the government's efforts to promote and support it. It lists various handicraft products and initiatives taken by the government to boost the sector such as market development assistance, setting up technology centers and training programs, and developing clusters. It also discusses distribution channels, buyers of Indian handicrafts, strengths, weaknesses, opportunities, threats and measures to promote the sector domestically and internationally.
Brief Introduction to Sericulture, lifecyle of silk worm, types of silk, processing silk production and its marketing, government scheme of production of mulberry and silkworm.
1) The textile industry in Pakistan has seen robust growth in exports in recent years and is a major contributor to the country's GDP and employment.
2) Gul Ahmed Textile Mills is one of the largest textile companies in Pakistan, with integrated operations from yarn production to finished goods.
3) The company produces a wide range of textile products for domestic and international markets, with a focus on quality through modern technology and strict quality control practices.
- Carpet making is an important handicraft industry in Pakistan that produces carpets for domestic use and export. Traditionally made from natural materials like wool and plant dyes, but increasing demand has led to larger scale production.
- Wool from sheep is the primary raw material for handmade carpets. Different breeds produce wool of varying quality, with Asian wool being well-suited for its color-absorbing properties.
- A handmade carpet production business would require around 21 employees across different roles to produce an estimated 3,000 square feet of carpet per year, utilizing approximately 84kg of wool monthly during early stages.
The Indian textile industry occupies an important position in the Indian economy, accounting for 14% of industrial production and employing over 35 million people. The industry encompasses traditional handloom and mill sectors as well as decentralized powerloom and knitting sectors. Cotton accounts for 70% of total textile production. While the industry faces challenges like fragmentation and technology obsolescence, it also has opportunities to capitalize on growing domestic demand, develop new products, and improve design capabilities to increase its share of the global textile market. Stakeholders must work to enhance competitiveness and prepare for increased social and environmental standards.
The Indian textile industry occupies an important position in the Indian economy, contributing 14% of industrial production and employing over 35 million people. The industry encompasses traditional handloom and mill sectors as well as decentralized powerloom and knitting sectors. Cotton accounts for 70% of total textile production. While the industry has strengths like abundant raw materials and low labor costs, it faces weaknesses such as fragmentation and technology obsolescence. Opportunities for growth include new product development and faster design capabilities to better compete globally in the post-WTO regime.
The Indian textile industry occupies an important position in the Indian economy, contributing 14% of industrial production and employing over 35 million people. The industry encompasses traditional handloom and mill sectors as well as a large decentralized powerloom and knitting sector. Cotton accounts for 70% of total textile production. While the industry has strengths like abundant raw materials and low labor costs, it faces weaknesses such as fragmentation and technology obsolescence. With opportunities in the growing domestic market and new product development, the industry must address threats from competition and increasing social and environmental standards to capitalize on its growth prospects.
The textile industry is the largest manufacturing industry in Pakistan, contributing approximately 8.5% to the GDP and employing over 30% of the manufacturing workforce. It faces several challenges including outdated machinery, a lack of research and development, high production costs due to energy shortages, and insufficient worker training. The government and industry associations seek to overcome these issues to strengthen Pakistan's textile export market and take advantage of the country's competitive labor costs.
International Business Management-Final Project-Nishat LinenYamna Rashid
A complete analysis of foreign direct investment of Nishat Linen Pakistan in Dubai. Contains possible investment opportunities as well as the strategies needed to enter Dubai and make sales. A complete research has been conducted by interviewing important personnel. Can be used by anyone trying to gouge foreign direct investment of any company anywhere in the world.
The leather industry in Pakistan started in 1947 with a few small-scale tanneries. It expanded in the 1950s-1970s with new tanneries established in major cities. Currently there are around 700 tanneries, with 450 small-scale units and 250 organized sector members. The industry relies heavily on imported hides/skins, dyes, chemicals, and machinery. It employs over 200,000 people but lacks training programs. The industry exports leather products worth over $1 billion annually, mainly to Europe. However, poor infrastructure, environmental issues, and an unfavorable country image pose challenges to its growth.
RAW MATERIALS RESEARCH AND DEVELOPMENT COUNCIL(RMRDC) DIRECTOR GENERAL PRESE...Emmanuel Ugbodaga
The document provides information about an event promoting the development and utilization of indigenous raw materials for the leather and footwear industries in Nigeria. It discusses the Raw Materials Research and Development Council (RMRDC) and their efforts to source raw materials locally including establishing a common facility center for leather production in Kano. The document outlines challenges to sourcing local raw materials and highlights RMRDC's achievements such as hosting an annual raw materials exposition, developing a prototype leather glazing machine, and establishing a raw materials data bank.
1) The Indian textile industry struggled for many years due to export quotas imposed by other countries and outdated machinery, but it has started improving recently due to government initiatives.
2) The government is focusing on rural development and streamlining subsidy programs, which will increase domestic demand for textiles.
3) Removing import duties on viscose staple fiber could reduce costs for the textile industry and boost exports, but the sole domestic producer opposes this as it benefits from the duties.
Textile industry of pakistan Afroze textile mils.Khurram Alam
The document summarizes Pakistan's textile industry. It discusses that textiles are the backbone of Pakistan's economy, with Pakistan being a major global producer and exporter of cotton and textiles. It provides an overview of the history and growth of the textile industry in Pakistan from the 1950s onwards. It also describes one textile company called Afroze Textile Industries and provides details about its facilities, production capacities, product lines, machinery, and environmental practices. It concludes by emphasizing the importance of textiles to Pakistan's economy and foreign exchange.
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ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
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There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
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Chapter wise All Notes of First year Basic Civil Engineering.pptxDenish Jangid
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
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"Learn about all the ways Walmart supports nonprofit organizations.
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Answers about how you can do more with Walmart!"
How to Make a Field Mandatory in Odoo 17Celine George
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2. CARPET INDUSTRY OF INDIA
• CARPET WEAVING IS NOT CONSIDERED TO BE INDIGENOUS TO KASHMIR BUT THOUGHT TO BE
INTRODUCED BY PERSIAN’S
• CRAFT THAT HAS ASSORTED SKILL AND EXPERTISE FROM LANDS AS DIVERSE AS PERSIA,
CHINA AND AFGHANISTAN
• IT IS OFTEN SAID IN KASHMIR FOLKLORE THAT A HOME IS INCOMPLETE WITHOUT A SOUL - A
KASHMIR CARPET, WHICH IS SAID TO "BRING THE ENTIRE HOUSE TOGETHER" INTO A UNIFIED
WHOLE.
• EXPENSIVE BECAUSE OF AN ELABORATE PRODUCTION PROCESS AND THE TYPE OF MATERIAL
USED- SILK AND WOOL
• PRODUCTION OF CARPETS MAINLY CARRIED OUT IN SRINAGAR, BUDGAM, ANANTNAG,
BARAMULLA
2
3. Carpet belt Features
Bhadohi - Mirzapur in Uttar
Pradesh
• Maximum carpet production- 90% market share
• Medium quality , 60 -80 knots per square inch
Agra belt in Uttar Pradesh
• Persian style Carpets, emphasizing elegance and simplicity
surrounded by bold floral borders
• Turkman and Abussan are the famous varieties
Jaipur-Bikaner belt in Rajasthan
• Medium quality with about 80 knots to 120 knots per
square inch and geometric patterns
• Jaipur carpets are known for their innovativeness.
Panipat belt in Haryana
• Panipat is famous for ‘panja’ durries a kind of a floor
covering
• Durries resulted in a burgeoning number of private and
state owned weaving units within the city
Kashmir belt
• Famous for hand knotted woollen and silk carpets, they
are a symbol of quality and artistic expertise
• Pure silk carpets of Kashmir are such high quality that
they are woven with 324-600 knots per square inch
3
4. MAJOR CARPETS OF
INDIA
4
Hand Knotted Woollen Carpets
Hand Woven Woollen Carpets
Hand Tufted Woolen Carpets
Handmade Woollen Dhurries
Pure Silk Carpets
Staple or Synthetic Carpets
5. QUALITY STANDARDS
Kaleen- According to CEPC promotional material, the label
signifies that “the user is abiding by the code of conduct
adopted by the Carpet Export Promotion Council for the
eradication of child labour.
Step- Ensure market opportunities and transparent
business,better working condition and remunerations for
adult workers.
Care and fair-To ensure the medical, educational and
career opportunistic needs of the labours and elimination
of child labour.
5
6. INDUSTRY OVERVIEW
Indian Handmade Carpet Industry is ranked No. 1 in the international market ,market share of
35% of total world import of Handmade Carpets, Employs over 2 million rural workers.
Export oriented , 1215 carpet manufacturing units recorded and of that 190 are in the
organized sector and the rest are in small scale industry sector.
Though it experienced a major set back during 1996 -2000 due to the involvement of the
child labour, it has over come the jolt by implying special measures like "rugmark" and
"kaaleen " labels that ensure the non involvement of child labour.
“Hand made carpet of Bhadohi” have been granted the Geographical Indication (G.I.). 6
7. MARKET SHARE OF KASHMIRI CARPETS :
RAN
K
COUNTRY OR
AREA
MARKET SHARE
(in%)
1 USA 14.9
2 Germany 11.5
3 United
Kingdom
10.3
4 Canada 6.5
5 France 4.9
7
During 9-Jul-2014 to 9-Aug-
2014, India exported Kashmir
Carpets worth USD 2,846. UNITED
STATES is the largest supplier of
Kashmir Carpets accounting for
imports worth USD 2,846
The developed countries absorbs
88-90% of Indian carpet exports
USA and Germany, the two largest
and established markets for
carpets together account for 76%
of India’s exports
World flooring and carpet demand
will rise 4.9 percent yearly to 18.6
billion square meters in 2016.
Hence, India must concentrate
more on the exports of Kashmiri
8. COMPETITOR ANALYSIS
Chinese carpets are emerging as the biggest threat in terms
of pricing and volumes
Owing to cheap prices of the foreign carpets from Turkey,
Belgium and China, the demand for the Kashmiri carpets
have decreased by 20 per cent in the domestic market
Prices per square feet of Kashmiri carpet range from Rs
1000 to Rs 2000 while cost of Chinese carpets range from
Rs150 to 400 per square feet 8
9. 9
Strengths
1.Low labour cost and innovative carpet designs
2. Low cost raw material, Availability of skilled
labours
3. Made up of Pure silk and wool, Hang Woven
4. High durability due to its high knottage which
makes these carpets stiffer and firmer
Weaknesses
1. High interest rates as compared to
neighbouring countries
2. Under-financed handicraft producers and
Traders/Exporters
3. Cheap prices of foreign carpets
4. Channels for local selling and marketing is
very low
5. Highly unorganised sector- Access to local as
well as foreign customers should be simple and
easy
Opportunity
1.Improving the productivity and quality of raw
materials at reasonable price
2. Improvement in the R&D for improvement of
fibre quality
3. Involve US importers, enhance the scope
through road shows ,fairs & exhibitions.
5. Tie up with wal-mart and other retailer to
have a huge customer base
Threats
1. Artisans are forced to quit this industry due
to recession
2. Low end carpets, made in China is driving the
market and the growth of the carpet industry
3. Stiff competition from Pakistan and China
4. Child Labour has made carpet industry a
defamed industry
SWOT
10. GOVERNMENT’S
INTERVENTION
• GOVERNMENT MUST COME FORWARD TO ASSIST THE INDUSTRY WITH SUBSIDIES TO
MAKE CARPET COMPETITIVE IN INTERNATIONAL MARKET
• REMUNERATION TO WEAVERS AND ARTISANS SHOULD BE SUITABLY INCREASED TO
BRING IT TO A LEVEL HIGHER THAN MNEREGA WAGES
• MDA ASSISTANCE SHOULD BE MADE AVAILABLE FOR CARPET EXPORTERS TO
UNDERTAKE OVERSEAS VISITS FOR THE PURPOSE OF MARKETING, PARTICULARLY IN
NON-TRADITIONAL AND DEVELOPING MARKETS
• PUBLIC- PRIVATE PARTNERSHIP TO IMPROVE INFRASTRUCTURE, POWER SUPPLY ETC.
• ENCOURAGING ORGANISATIONS LIKE CEPC, AICMA TO PROMOTE INDIAN CARPET BY
INCREASING THE DEMAND
• LARGEST FINANCIAL INSTITUTION IN KASHMIR ANNOUNCED AN INTEREST-FREE AND
MORTGAGE-FREE 18-MONTH BAILOUT PACKAGE FOR CARPET INDUSTRY ARTISANS
10
11. BUSINESS STRATEGY AND EFFECTIVE
MARKETING
• DEVELOP AND MARKET NEW DESIGNS BASED ON INDIAN
ETHNIC THEMES
• CUSTOMER SOLUTION- ONE ON ONE WITH THE CUSTOMERS,
EMPLOYEES TO SELL THE CARPETS DIRECTLY TO CUSTOMER OR
PURCHASE THROUGH ONLINE PORTALS
• AGGRESSIVE MARKETING IN EMERGING MARKETS IN
DEVELOPING COUNTRIES AND CREATING A STRONG HOLD IN
THE DOMINATING BUYERS LIKE USA & GERMANY
• INNOVATIVE PRODUCTS RANGE WITH LOWER VOLUME COULD
BE A SUCCESS MANTRA FOR INDIAN CARPET INDUSTRY -
REGULAR RESEARCH & DEVELOPMENT, PROPER TRAINING TO
THE ARTISANS IS REQUIRED
11