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Born in the town of Badoc, Ilocos
Norte in the northern Philippines, Juan
Luna was the third among the seven
children of Don Joaquin Luna de San
Pedro y Posadas and Doña Laureana
Novicio y Ancheta.

     In 1861, the Luna family moved
to Manila and he went to Ateneo
Municipal de Manila where he obtained
his Bachelor of Arts degree.
Luna enrolled at Escuela Nautica de
Manila (now Philippine Merchant Marine
Academy). He took drawing lessons under the
illustrious   painting   teacher    Lorenzo
Guerrero of Ermita, Manila.

      He also enrolled in the Academy of Fine
Arts (Academia de Dibujo y Pintura) in Manila
where he was influenced and taught how to
draw by the Spanish artist Agustin Saez.
Unfortunately, Luna's vigorous brush strokes
displeased his teacher and Luna was
discharged from the Academy. studies.
Juan entered the Escuela de
Bellas Artes de San Fernandouela,
where he befriended the painter
Don    Alejo    Vera.   Luna    was
discontented with the style of
teaching in school and decided that
it would be much better to work
with Vera.
O It was in 1878 when his artistic talents
 was established with the opening of the
 first art exposition in Madrid which
 was called the Exposicion Nacional de
 Bellas Artes (National Demonstration
 of Beautiful Arts). From then on, Luna
 became engrossed in painting and
 produced a collection of paintings that
 he exhibited in the 1881 Exposition.
His La Muerte de Cleopatra (The
Death of Cleopatra) won him a silver medal
and came in second place. Luna's growing
reputation    as    an   artist   led   to
apensionado (pension) scholarship at 600
pesos annually through the Ayuntamiento of
Manila.
     The condition was that he was obliged
to develop a painting which captured the
essence of Philippine history which would
then become the Ayuntamiento's property.
In 1883 Luna started the painting
demanded of him by the Ayuntamiento.
In May 1884, he shipped the large
canvas of the Spoliarium to Madrid for
the year's Exposición Nacional de Bellas
Artes. He was the first recipient of the
three gold medals awarded in the
exhibition and Luna gained recognition
among the connoisseurs and art
critics present.
O On   June 25, 1884, Filipino and
 Spanish nobles organized an event
 celebrating Luna's win in the
 exhibition. That evening, Rizal
 prepared a speech for his friend,
 addressing the two significant
 things of his art work, which
 included the glorification of genius
 and the grandeur of his artistic
 skills.
Luna developed a friendly
relationship with the King of
Spain and was later commissioned by
the Spanish Senate to paint a large
canvas which was called the La Batalla
de Lepanto (The Battle of Lepanto).
He moved to Paris in 1885 where he
opened his own studio and befriended
Hidalgo.
OA  year after, he finished the
piece El Pacto de Sangre (The Blood
Compact) in accordance with the
agreement     he   had    with   the
Ayuntamiento of Manila. Depicted in
this piece was the blood compact
ceremony      between    the    Datu
Sikatuna , one of the lords in Bohol
island, and the Spanish conquistador
Miguel López de Legazpi.
It    is   now     displayed    in
the Malacañan Palace. He also sent
two other paintings in addition to the
one required; the second canvas sent
to Manila was a portrait of López de
Legazpi reconstructed by Luna from
his recollection of a similar portrait
he saw in the hall of the Cabildo, and
the third was of Governor-general
Ramón Blanco y Erenas.
In 1887, Luna once again
traveled back to Spain to enter
in that year's Exposition two of
his pieces, the La Batalla de
Lepanto and Rendición de
Granada      (Surrender      of
Granada),
O He celebrated his triumph with his
   friends in Madrid with Graciano
     López-Jaena delivered Luna a
     congratulatory speech. Luna's
 paintings are generally described as
being vigorous and dramatic. With its
  elements of Romanticism, his style
          shows the influence
       of Delacroix, Rembrandt,
             and Daumier.
On December 8, 1886, Luna
married Maria de la Paz Pardo de
Tavera, a sister of his friend Felix
and Trinidad Pardo de Tavera. The
couple traveled to Venice and Rome
and settled in Paris. They had one
son, whom they named Andrés, and
a daughter nicknamed Bibi who died
in infancy. Luna was fond of
painting his wife.
O However,     the    jealous    Luna
 frequently accused Paz of having an
 affair with a certain Monsieur
 Dussaq. Finally in a fit of jealousy,
 he killed his wife and mother-in-law
 and wounded his brother-in-law,
 Felix, on September 23, 1892. He
 was arrested and murder charges
 were filed against him.
Luna was acquitted of
charges on February 8, 1893,
on grounds of temporary
insanity; the "unwritten law" at
the time forgave men for
killing unfaithful wives.
O He was ordered to pay the Pardo de
 Taveras a sum of one thousand six
 hundred fifty one francs and eighty
 three cents, and an additional
 twenty five francs for postage, in
 addition to the interest of
 damages. Five days later, Luna went
 to Madrid with his brother, Antonio
 Luna, and his son, Andrés
In 1891 Luna moved back to the
Philippines and traveled to Japan in 1896,
returning during the Philippine Revolution of
the Cry of Balintawak. Unfortunately, on
September      16,    1896,   he    and    his
brother Antonio Luna were arrested by Spanish
authorities    for    being   involved    with
the Katipunan rebel army.
       Despite his imprisonment, Luna was still
able to produce a work of art which he gave to
a visiting priest. He was pardoned by the
Spanish courts on May 27, 1897 and was
released from prison and he traveled back to
Spain.
In 1898, he was appointed by the
executive board of the Philippine
revolutionary government as a member of
the Paris delegation which was working for
the      diplomatic      recognition      of
the República Filipina (Philippine Republic).
In 1899, upon the signing of the Treaty of
Paris (1898), Luna was named a member of
the delegation to Washington, D.C. to
press for the recognition of the Philippine
government.
He traveled back to the Philippines in
December 1899 upon hearing of the
murder of his brother Antonio by
the Kawit Battalion in Cabanatuan. On
December 7, 1899, Luna suffered a heart
attack and died there. His remains were
buried in Hong Kong and in 1920 were
exhumed and kept in Andrés Luna's house,
to be later transferred to a niche at the
Crypt of the San Agustin Church in the
Philippines.
O Five years later, Juan would be
 reinstated as a world renowned
 artist and Peuple et Rois, his last
 major work, was acclaimed the
 best entry to the Saint Louis
 World's Fair in the United States.
 Unfortunately     some    of    his
 paintings were destroyed by fire
 in World War II.
La Muerte de Cleopatra (The Death of
Cleopatra)
THE END

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Juan Luna

  • 1.
  • 2. Born in the town of Badoc, Ilocos Norte in the northern Philippines, Juan Luna was the third among the seven children of Don Joaquin Luna de San Pedro y Posadas and Doña Laureana Novicio y Ancheta. In 1861, the Luna family moved to Manila and he went to Ateneo Municipal de Manila where he obtained his Bachelor of Arts degree.
  • 3. Luna enrolled at Escuela Nautica de Manila (now Philippine Merchant Marine Academy). He took drawing lessons under the illustrious painting teacher Lorenzo Guerrero of Ermita, Manila. He also enrolled in the Academy of Fine Arts (Academia de Dibujo y Pintura) in Manila where he was influenced and taught how to draw by the Spanish artist Agustin Saez. Unfortunately, Luna's vigorous brush strokes displeased his teacher and Luna was discharged from the Academy. studies.
  • 4. Juan entered the Escuela de Bellas Artes de San Fernandouela, where he befriended the painter Don Alejo Vera. Luna was discontented with the style of teaching in school and decided that it would be much better to work with Vera.
  • 5. O It was in 1878 when his artistic talents was established with the opening of the first art exposition in Madrid which was called the Exposicion Nacional de Bellas Artes (National Demonstration of Beautiful Arts). From then on, Luna became engrossed in painting and produced a collection of paintings that he exhibited in the 1881 Exposition.
  • 6. His La Muerte de Cleopatra (The Death of Cleopatra) won him a silver medal and came in second place. Luna's growing reputation as an artist led to apensionado (pension) scholarship at 600 pesos annually through the Ayuntamiento of Manila. The condition was that he was obliged to develop a painting which captured the essence of Philippine history which would then become the Ayuntamiento's property.
  • 7. In 1883 Luna started the painting demanded of him by the Ayuntamiento. In May 1884, he shipped the large canvas of the Spoliarium to Madrid for the year's Exposición Nacional de Bellas Artes. He was the first recipient of the three gold medals awarded in the exhibition and Luna gained recognition among the connoisseurs and art critics present.
  • 8. O On June 25, 1884, Filipino and Spanish nobles organized an event celebrating Luna's win in the exhibition. That evening, Rizal prepared a speech for his friend, addressing the two significant things of his art work, which included the glorification of genius and the grandeur of his artistic skills.
  • 9. Luna developed a friendly relationship with the King of Spain and was later commissioned by the Spanish Senate to paint a large canvas which was called the La Batalla de Lepanto (The Battle of Lepanto). He moved to Paris in 1885 where he opened his own studio and befriended Hidalgo.
  • 10. OA year after, he finished the piece El Pacto de Sangre (The Blood Compact) in accordance with the agreement he had with the Ayuntamiento of Manila. Depicted in this piece was the blood compact ceremony between the Datu Sikatuna , one of the lords in Bohol island, and the Spanish conquistador Miguel López de Legazpi.
  • 11. It is now displayed in the Malacañan Palace. He also sent two other paintings in addition to the one required; the second canvas sent to Manila was a portrait of López de Legazpi reconstructed by Luna from his recollection of a similar portrait he saw in the hall of the Cabildo, and the third was of Governor-general Ramón Blanco y Erenas.
  • 12. In 1887, Luna once again traveled back to Spain to enter in that year's Exposition two of his pieces, the La Batalla de Lepanto and Rendición de Granada (Surrender of Granada),
  • 13. O He celebrated his triumph with his friends in Madrid with Graciano López-Jaena delivered Luna a congratulatory speech. Luna's paintings are generally described as being vigorous and dramatic. With its elements of Romanticism, his style shows the influence of Delacroix, Rembrandt, and Daumier.
  • 14. On December 8, 1886, Luna married Maria de la Paz Pardo de Tavera, a sister of his friend Felix and Trinidad Pardo de Tavera. The couple traveled to Venice and Rome and settled in Paris. They had one son, whom they named Andrés, and a daughter nicknamed Bibi who died in infancy. Luna was fond of painting his wife.
  • 15. O However, the jealous Luna frequently accused Paz of having an affair with a certain Monsieur Dussaq. Finally in a fit of jealousy, he killed his wife and mother-in-law and wounded his brother-in-law, Felix, on September 23, 1892. He was arrested and murder charges were filed against him.
  • 16. Luna was acquitted of charges on February 8, 1893, on grounds of temporary insanity; the "unwritten law" at the time forgave men for killing unfaithful wives.
  • 17. O He was ordered to pay the Pardo de Taveras a sum of one thousand six hundred fifty one francs and eighty three cents, and an additional twenty five francs for postage, in addition to the interest of damages. Five days later, Luna went to Madrid with his brother, Antonio Luna, and his son, Andrés
  • 18. In 1891 Luna moved back to the Philippines and traveled to Japan in 1896, returning during the Philippine Revolution of the Cry of Balintawak. Unfortunately, on September 16, 1896, he and his brother Antonio Luna were arrested by Spanish authorities for being involved with the Katipunan rebel army. Despite his imprisonment, Luna was still able to produce a work of art which he gave to a visiting priest. He was pardoned by the Spanish courts on May 27, 1897 and was released from prison and he traveled back to Spain.
  • 19. In 1898, he was appointed by the executive board of the Philippine revolutionary government as a member of the Paris delegation which was working for the diplomatic recognition of the República Filipina (Philippine Republic). In 1899, upon the signing of the Treaty of Paris (1898), Luna was named a member of the delegation to Washington, D.C. to press for the recognition of the Philippine government.
  • 20. He traveled back to the Philippines in December 1899 upon hearing of the murder of his brother Antonio by the Kawit Battalion in Cabanatuan. On December 7, 1899, Luna suffered a heart attack and died there. His remains were buried in Hong Kong and in 1920 were exhumed and kept in Andrés Luna's house, to be later transferred to a niche at the Crypt of the San Agustin Church in the Philippines.
  • 21. O Five years later, Juan would be reinstated as a world renowned artist and Peuple et Rois, his last major work, was acclaimed the best entry to the Saint Louis World's Fair in the United States. Unfortunately some of his paintings were destroyed by fire in World War II.
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