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Change how you see instead of what you see
From 1 Corinthians: A 35-Day Devotional
Read1 Corinthians 7:17-24
In a world full of Photoshop and instant gratification, it’s easy to buy the lie that if we don’t like something, we can and
should change it.
If we don’t like our physical appearance, there’s a surgery to fix it. If we don’t like our relationship status, there is a dating
service to change it. If we don’t like our circumstances, we can buy, charm, run, and fight our way out of it.
But what if the circumstances we’re in are exactly where God wants us to be?
What if the circumstances we’re in are exactly where God wants us to be?
We are called to live the life we are given. Each one of us has unique value, insight, and experience God wants to work
through to share the good news about Jesus. Our lives were not meant to be a comparison party where we attempt to
constantly gain or achieve other people’s stuff and circumstances.
When we are being who God made us to be in the circumstances, He has given us, people can look at our lives and ask:
“How does she have so much peace in the midst of _____?” or “How can he be so generous when he has so little?”
When we find ourselves in less than desirable circumstances and prayer doesn’t seem to be changing them, maybe we need
to change our prayer. Instead of focusing on finding a way out, ask for a change of perspective about the situation we’re in.
Then, watch and see how God works through our struggle for our strength and His glory.
Discovering Philippine
What we’ll discuss:
Works of Antonio Luna & Fernando Amorsolo
Topic 1 --------- Life of Juan Luna
Topic 2 --------- Works of Juan Luna
Topic 3 --------- Life of Fernando
Amorsolo
Topic 4 --------- Works of Fernando
Amorsolo
HISTORICAL PAINTINGS - are visual
representations of concrete happenings on the life
of people in a specific period. The idea about
certain events and people is communicated or
expressed aesthetically through art with form,
technique, and style. Essentially, these paintings
are instrumental to the visualization of the reality
which stands equally with texts, photos,
caricatures, and films.
Life of Juan Luna
JUAN LUNA (1857-1899) –Juan Luna y Novicio, a
famous painter, sculptor and political activist was born on
October 23, 1857. He was famous for his masterpieces
such as Spoliarium, and The Parisian life. The Battle of
Lepanto and Blood Compact.
-is best known for impressive rendition of classical subjects
in his academic works. This works include historical scenes
and portraiture, however subsequently he turned to realism
depicting social inequalities. The “SPOLIARIUM” and “
THE PARISIAN LIFE” are Luna’s paintings presented for
the analysis of the students.
1861
• The Luna family moved to Manila and he went to Ateneo Municipal Manila
where he obtained his Bachelor of Arts Degree.
• He enrolled at Escuela Nautica de Manila (now Philippine Merchant Marine
Academy)
• He took drawing lessons under the illustrious painting teacher Lorenzo
Guerrero of Ermita, Manila.
• He also enrolled in the Academy of Fine Arts (Academia de Dibujo y Pintura) in
Manila where he was influenced and taught how to draw by the Spanish artist
Agustin Saez.
1877 – when Juan Luna traveled to spain.
1895, he obtained his certificate as a pilot at age17.
1886, Luna married Maria de Paz Pardo de Tavera. They had a son
named Andres and a daughter who died in infancy.
1892, jealous Luna killed his wife and mother-in-law, leaving his brother-
in-law wounded. He was arrested and murder charges were filed.
1893, he was acquitted of murder charges on grounds of temporary
insanity. Later on he went to Madrid, Spain.
1891, he returned and was captured in Philippines. Imprisoned at Fort
Santiago.
1899, Juan Luna died due to a heart attack
1883-1884
• 1883 Luna started the painting demanded of him by the Ayuntamiento.
• In May 1884, he shipped the large canvas of the Spoliarium to Madrid for
the years exposicion Nacional de Bellas Artes. He was the first recipient of
the three gold medals awarded in the exhibition and Luna gained
recognition among the connoisseurs and art critics present.
• June 25, 1884, Filipino and Spanish nobles organized on event celebrating
Luna's win in the exhibition. That evening, Rizal prepared a speech for his
friend, addressing the two significant things of his work, which included the
glorification of genius and the grandeur of his artistic skills.
1861
• The Luna family moved to Manila and he went to Ateneo Municipal
Manila where he obtained his Bachelor of Arts Degree.
• He enrolled at Escuela Nautica de Manila (now Philippine Merchant
Marine Academy)
• He took drawing lessons under the illustrious painting teacher
Lorenzo Guerrero of Ermita, Manila.
• He also enrolled in the Academy of Fine Arts (Academia de Dibujo y
Pintura) in Manila where he was influenced and taught how to draw
by the Spanish artist Agustin Saez.
“Death of
Cleopatra”
Works of Juan Luna
The Death of Cleopatra, which was
painted at a time when there was a
rise in national consciousness, not
only represented a colonial people
resisting their colonizer but also
highlighted the superiority of Filipino
painters, particularly Luna himself,
over their European peers.
Luna’ s first artwork is called “Death of
Cleopatra” he painted his art piece in
year 1881 and he was awarded a
silver medal at the Exposicion Nacional
de Bellas Artes.
Works of Juan Luna
"Spoliarium"
Luna was able to draw
attention to the struggles
endured by the Filipino people
during Spanish domination with
this work. In Spoliarium,
defeated gladiators are shown
being dragged onto a heap of
other dead bodies in the arena.
He earned the gold medal in 1884
at the Exposición Nacional de
Bellas Artes for his enormous and
mesmerizing "Spolarium."
This is the most valuable oil- on-
canvass painting with a size of
4.22 meters x 7.675 meters,
making it the largest painting in
the Philippines. It won First Gold
Medal in 1884 as an entry to the
prestigious Exposicion de Bellas
Artes in Madrid.
Works of Juan Luna
“Blood Compact"
When Luna was given a pensionado-
ship that allowed him to continue his
painting studies in Rome, he was
required to create The Blood Compact
for the Ayuntamiento de Manila.
One year after relocating to Paris to
establish an art studio, Luna finished The
Blood Compact with assistance from
José Rizal and Trinidad H. Pardo de
Tavera. The painting is now on display at
the Malacaan Palace's great staircase as
of the time of this post.
He painted this in year 1886 It depicts the 1565
Sandugo (blood compact rite) between Miguel
Lopez de Legazpi and Rajah Sikatuna of Bohol,
who were joined by other conquistadors.The
artwork was awarded first place in 1904 in both
Paris, France and the St. Louis Exposition in the
United States.It is on display at the moment in
Malacang Palace.
The Battle of Lepanto (Spanish: La
Batalla de Lepanto)
is a painting by Filipino painter and revolutionary
activist Juan Luna. Along with Félix Resurrección Hidalgo,
Luna is one of the first Filipinos to excel and earn
recognition in the international field
of arts and culture.Painted by Luna in 1887, the
masterpiece is about the Battle of Lepanto of October 7,
1571. The painting features Don Juan of Austria (also
known as Don John of Austria) in battle while at the bow
of a ship. It is one of the “huge epic canvasses” painted by
Luna (the others are the Spoliarium and The Blood
Compact).The painting is also known as The Battle of
Lepanto of 1571.
Life of Fernand Amorsolo
also known: Fernando Amorsolo y Cueto; May 30, 1892 – April 24,
1972) was a portraitist and painter of rural Philippine landscapes.
Nicknamed the "Grand Old Man of Philippine Art,"he was the first-
ever to be recognized as a National Artist of the Philippines”. He
was recognized as such for his "pioneering use of impressionistic
technique" as well as his skill in the use of lighting and backlighting
in his paintings, "significant not only in the development of
Philippine art but also in the formation of Filipino notions of self
and identity.
- Delights people of his impressionistic technique depicting idyllic
country scenes, beautiful maidens, and colorfully dressed peasants
planting or harvesting rice. The “ ANTIPOLO FIESTA” and “
PALAY MAIDEN ” paintings are presented for analysis.
Life of Fernando Amorsolo
• When he graduate in year 1914 he began his career as commercial
artist
• 3 years later he grew tired and he moved to madrid then he enrolled
at Escuela de Fernando
• After 7 months Fernando visit New York and it was there that he first
across the works of post-war impressionists and cubists, which had a
strong and lasting impact on his sense of aesthetics and his artistic
approach. He created his own private studio upon his return to
Manila.
• 1939, his iconic painting, ‘Afternoon Meal of the Workers’
was awarded the 1st prize at the New York Worlds’ Fair.
Works of Fernando Amorsolo
“Dalagang Bukid"
The first National Artist, Fernando Amorsolo, is praised for imbuing the
public psyche with an idyllic and romanticized view of the Philippines.
The dalagang bukid, or Philippine provincial lass, is widely regarded
as the maestro's most iconic subject matter. Amorsolo's bright and
colorful pastoral representations are distinctive for being suffused with
a golden glow, reflecting the sweet disposition, charm, and wholesome
beauty of the subject. She is the embodiment of all that is admirable
about the motherland, surrounded by lush vegetation that is dappled
with sunlight. She is the image of a long-forgotten, bygone past. Atang
de la Rama, a National Artist, made famous the song "May isang
dalagang nagsalok ng tubig Kinis ng ganda nya'y hubog sa nilatik,"
which is referenced by the young woman's banga, or clay jar, which is
a receptacle for holding water and is viewed as a symbol of fragility
and innocence.
Works of Fernando Amorsolo
“The Lavanderas"
One of national artist Fernando Amorsolo's most well-
known works depicts a woman and her pals washing the
day's laundry while sitting by the river, with one of them
winsomely taking a bath. The background trees and water
stream are primarily depicted in green tones, highlighting
the grandeur of the Philippines' natural surroundings.
Amorsolo is renowned for his skillful use of light, which he
displays by accentuating the skin of the main subject and
the front torso of the subject. Although doing laundry is
frequently thought of as a mundane duty, Amorsolo depicts
it as a necessary activity that interacts with life's cycle, a
time of joy, companionship, cleansing, and rebirth, which
gives this rich canvas a tangible romance.
ANTIPOLO FIESTA
This oil painting on canvas depicts a rural scene
where a group of people are shown celebrating
a fiesta in Antipolo. The main focus is on a pair
of dancers in the field surrounded by revelers
both young and old. Abundant food is
presented in basketful of assorted fruits on the
benches and on the ground, as well as the
traditional roasted pig or lechon being prepared
by two men. Nearby is a house with huge
windows from where dwellers watch the
revelers. At the background is a huge church, a
symbolic town structure. A vast number of
townsmen complete the essence of a fiesta.
It can be said that the pair of dancers are in the usual same
pose as those of dancers in Fernando Amorsolo’s various
well-known tinikling-related paintings. A viewer may be
quick to surmise at a glance that this painting belongs to
that category, as the bamboo handlers in the
usual tinikling dance often blend in the crowd and are not
easily distinguished. However, there are no bamboo-
handlers present in this painting simply because the
dancers are not performing the tinikling dance. Thus, this
indication is what makes this painting very unique.
Works of Fernando Amorsolo
“The Bathers"
After the war Amorsolo resumed
painting idyllic scenes decipting the
countryside. In 1953, he created The
Bathers , which is representative of one
of Amorsolo’s favorite themes: maiden
in the water
PALAY MAIDEN
This painting portrays a provincial Filipina beauty or dalagang bukid
during a rice harvest and dressed in and developed by the colors of the
Philippine flag.
Oil on canvas
Palay is Tagalog for grain, which is symbolic of the Philippines’ most staple
crop. Maiden bears significance to Amorsolo’s preference for beauty.
Throughout his pieces showing women, Amorsolo does not conform to a
Western standard of beauty; rather, he portrayed them to have:rounded
face, not of the oval type often presented to us in newspapers and
magazine illustrations. The eyes should be exceptionally lively, not the
dreamy, sleepy type that characterizes the Mongolian. The nose should be
of the blunt form but firm and strongly marked. … So the ideal Filipina
beauty should not necessarily be white complexioned, nor of the dark
brown color of the typical Malayan, but of the clear skin or fresh colored
type which we often witness when we met a blushing girl.
Thank You
for
listening!
References
Reading History for Students
What Makes the Past
Important
By Dana Blakemoor
By Chrissy Malpert

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Lesson 2 Famous Painters.pptx

  • 1. Change how you see instead of what you see From 1 Corinthians: A 35-Day Devotional Read1 Corinthians 7:17-24 In a world full of Photoshop and instant gratification, it’s easy to buy the lie that if we don’t like something, we can and should change it. If we don’t like our physical appearance, there’s a surgery to fix it. If we don’t like our relationship status, there is a dating service to change it. If we don’t like our circumstances, we can buy, charm, run, and fight our way out of it. But what if the circumstances we’re in are exactly where God wants us to be? What if the circumstances we’re in are exactly where God wants us to be? We are called to live the life we are given. Each one of us has unique value, insight, and experience God wants to work through to share the good news about Jesus. Our lives were not meant to be a comparison party where we attempt to constantly gain or achieve other people’s stuff and circumstances. When we are being who God made us to be in the circumstances, He has given us, people can look at our lives and ask: “How does she have so much peace in the midst of _____?” or “How can he be so generous when he has so little?” When we find ourselves in less than desirable circumstances and prayer doesn’t seem to be changing them, maybe we need to change our prayer. Instead of focusing on finding a way out, ask for a change of perspective about the situation we’re in. Then, watch and see how God works through our struggle for our strength and His glory.
  • 3. What we’ll discuss: Works of Antonio Luna & Fernando Amorsolo Topic 1 --------- Life of Juan Luna Topic 2 --------- Works of Juan Luna Topic 3 --------- Life of Fernando Amorsolo Topic 4 --------- Works of Fernando Amorsolo
  • 4. HISTORICAL PAINTINGS - are visual representations of concrete happenings on the life of people in a specific period. The idea about certain events and people is communicated or expressed aesthetically through art with form, technique, and style. Essentially, these paintings are instrumental to the visualization of the reality which stands equally with texts, photos, caricatures, and films.
  • 5. Life of Juan Luna JUAN LUNA (1857-1899) –Juan Luna y Novicio, a famous painter, sculptor and political activist was born on October 23, 1857. He was famous for his masterpieces such as Spoliarium, and The Parisian life. The Battle of Lepanto and Blood Compact. -is best known for impressive rendition of classical subjects in his academic works. This works include historical scenes and portraiture, however subsequently he turned to realism depicting social inequalities. The “SPOLIARIUM” and “ THE PARISIAN LIFE” are Luna’s paintings presented for the analysis of the students.
  • 6. 1861 • The Luna family moved to Manila and he went to Ateneo Municipal Manila where he obtained his Bachelor of Arts Degree. • He enrolled at Escuela Nautica de Manila (now Philippine Merchant Marine Academy) • He took drawing lessons under the illustrious painting teacher Lorenzo Guerrero of Ermita, Manila. • He also enrolled in the Academy of Fine Arts (Academia de Dibujo y Pintura) in Manila where he was influenced and taught how to draw by the Spanish artist Agustin Saez.
  • 7. 1877 – when Juan Luna traveled to spain. 1895, he obtained his certificate as a pilot at age17. 1886, Luna married Maria de Paz Pardo de Tavera. They had a son named Andres and a daughter who died in infancy. 1892, jealous Luna killed his wife and mother-in-law, leaving his brother- in-law wounded. He was arrested and murder charges were filed. 1893, he was acquitted of murder charges on grounds of temporary insanity. Later on he went to Madrid, Spain. 1891, he returned and was captured in Philippines. Imprisoned at Fort Santiago. 1899, Juan Luna died due to a heart attack
  • 8. 1883-1884 • 1883 Luna started the painting demanded of him by the Ayuntamiento. • In May 1884, he shipped the large canvas of the Spoliarium to Madrid for the years exposicion Nacional de Bellas Artes. He was the first recipient of the three gold medals awarded in the exhibition and Luna gained recognition among the connoisseurs and art critics present. • June 25, 1884, Filipino and Spanish nobles organized on event celebrating Luna's win in the exhibition. That evening, Rizal prepared a speech for his friend, addressing the two significant things of his work, which included the glorification of genius and the grandeur of his artistic skills.
  • 9. 1861 • The Luna family moved to Manila and he went to Ateneo Municipal Manila where he obtained his Bachelor of Arts Degree. • He enrolled at Escuela Nautica de Manila (now Philippine Merchant Marine Academy) • He took drawing lessons under the illustrious painting teacher Lorenzo Guerrero of Ermita, Manila. • He also enrolled in the Academy of Fine Arts (Academia de Dibujo y Pintura) in Manila where he was influenced and taught how to draw by the Spanish artist Agustin Saez.
  • 10. “Death of Cleopatra” Works of Juan Luna The Death of Cleopatra, which was painted at a time when there was a rise in national consciousness, not only represented a colonial people resisting their colonizer but also highlighted the superiority of Filipino painters, particularly Luna himself, over their European peers. Luna’ s first artwork is called “Death of Cleopatra” he painted his art piece in year 1881 and he was awarded a silver medal at the Exposicion Nacional de Bellas Artes.
  • 11. Works of Juan Luna "Spoliarium" Luna was able to draw attention to the struggles endured by the Filipino people during Spanish domination with this work. In Spoliarium, defeated gladiators are shown being dragged onto a heap of other dead bodies in the arena. He earned the gold medal in 1884 at the Exposición Nacional de Bellas Artes for his enormous and mesmerizing "Spolarium."
  • 12. This is the most valuable oil- on- canvass painting with a size of 4.22 meters x 7.675 meters, making it the largest painting in the Philippines. It won First Gold Medal in 1884 as an entry to the prestigious Exposicion de Bellas Artes in Madrid.
  • 13. Works of Juan Luna “Blood Compact" When Luna was given a pensionado- ship that allowed him to continue his painting studies in Rome, he was required to create The Blood Compact for the Ayuntamiento de Manila. One year after relocating to Paris to establish an art studio, Luna finished The Blood Compact with assistance from José Rizal and Trinidad H. Pardo de Tavera. The painting is now on display at the Malacaan Palace's great staircase as of the time of this post. He painted this in year 1886 It depicts the 1565 Sandugo (blood compact rite) between Miguel Lopez de Legazpi and Rajah Sikatuna of Bohol, who were joined by other conquistadors.The artwork was awarded first place in 1904 in both Paris, France and the St. Louis Exposition in the United States.It is on display at the moment in Malacang Palace.
  • 14. The Battle of Lepanto (Spanish: La Batalla de Lepanto) is a painting by Filipino painter and revolutionary activist Juan Luna. Along with Félix Resurrección Hidalgo, Luna is one of the first Filipinos to excel and earn recognition in the international field of arts and culture.Painted by Luna in 1887, the masterpiece is about the Battle of Lepanto of October 7, 1571. The painting features Don Juan of Austria (also known as Don John of Austria) in battle while at the bow of a ship. It is one of the “huge epic canvasses” painted by Luna (the others are the Spoliarium and The Blood Compact).The painting is also known as The Battle of Lepanto of 1571.
  • 15. Life of Fernand Amorsolo also known: Fernando Amorsolo y Cueto; May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art,"he was the first- ever to be recognized as a National Artist of the Philippines”. He was recognized as such for his "pioneering use of impressionistic technique" as well as his skill in the use of lighting and backlighting in his paintings, "significant not only in the development of Philippine art but also in the formation of Filipino notions of self and identity. - Delights people of his impressionistic technique depicting idyllic country scenes, beautiful maidens, and colorfully dressed peasants planting or harvesting rice. The “ ANTIPOLO FIESTA” and “ PALAY MAIDEN ” paintings are presented for analysis.
  • 16. Life of Fernando Amorsolo • When he graduate in year 1914 he began his career as commercial artist • 3 years later he grew tired and he moved to madrid then he enrolled at Escuela de Fernando • After 7 months Fernando visit New York and it was there that he first across the works of post-war impressionists and cubists, which had a strong and lasting impact on his sense of aesthetics and his artistic approach. He created his own private studio upon his return to Manila. • 1939, his iconic painting, ‘Afternoon Meal of the Workers’ was awarded the 1st prize at the New York Worlds’ Fair.
  • 17. Works of Fernando Amorsolo “Dalagang Bukid" The first National Artist, Fernando Amorsolo, is praised for imbuing the public psyche with an idyllic and romanticized view of the Philippines. The dalagang bukid, or Philippine provincial lass, is widely regarded as the maestro's most iconic subject matter. Amorsolo's bright and colorful pastoral representations are distinctive for being suffused with a golden glow, reflecting the sweet disposition, charm, and wholesome beauty of the subject. She is the embodiment of all that is admirable about the motherland, surrounded by lush vegetation that is dappled with sunlight. She is the image of a long-forgotten, bygone past. Atang de la Rama, a National Artist, made famous the song "May isang dalagang nagsalok ng tubig Kinis ng ganda nya'y hubog sa nilatik," which is referenced by the young woman's banga, or clay jar, which is a receptacle for holding water and is viewed as a symbol of fragility and innocence.
  • 18. Works of Fernando Amorsolo “The Lavanderas" One of national artist Fernando Amorsolo's most well- known works depicts a woman and her pals washing the day's laundry while sitting by the river, with one of them winsomely taking a bath. The background trees and water stream are primarily depicted in green tones, highlighting the grandeur of the Philippines' natural surroundings. Amorsolo is renowned for his skillful use of light, which he displays by accentuating the skin of the main subject and the front torso of the subject. Although doing laundry is frequently thought of as a mundane duty, Amorsolo depicts it as a necessary activity that interacts with life's cycle, a time of joy, companionship, cleansing, and rebirth, which gives this rich canvas a tangible romance.
  • 19. ANTIPOLO FIESTA This oil painting on canvas depicts a rural scene where a group of people are shown celebrating a fiesta in Antipolo. The main focus is on a pair of dancers in the field surrounded by revelers both young and old. Abundant food is presented in basketful of assorted fruits on the benches and on the ground, as well as the traditional roasted pig or lechon being prepared by two men. Nearby is a house with huge windows from where dwellers watch the revelers. At the background is a huge church, a symbolic town structure. A vast number of townsmen complete the essence of a fiesta. It can be said that the pair of dancers are in the usual same pose as those of dancers in Fernando Amorsolo’s various well-known tinikling-related paintings. A viewer may be quick to surmise at a glance that this painting belongs to that category, as the bamboo handlers in the usual tinikling dance often blend in the crowd and are not easily distinguished. However, there are no bamboo- handlers present in this painting simply because the dancers are not performing the tinikling dance. Thus, this indication is what makes this painting very unique.
  • 20. Works of Fernando Amorsolo “The Bathers" After the war Amorsolo resumed painting idyllic scenes decipting the countryside. In 1953, he created The Bathers , which is representative of one of Amorsolo’s favorite themes: maiden in the water
  • 21. PALAY MAIDEN This painting portrays a provincial Filipina beauty or dalagang bukid during a rice harvest and dressed in and developed by the colors of the Philippine flag. Oil on canvas Palay is Tagalog for grain, which is symbolic of the Philippines’ most staple crop. Maiden bears significance to Amorsolo’s preference for beauty. Throughout his pieces showing women, Amorsolo does not conform to a Western standard of beauty; rather, he portrayed them to have:rounded face, not of the oval type often presented to us in newspapers and magazine illustrations. The eyes should be exceptionally lively, not the dreamy, sleepy type that characterizes the Mongolian. The nose should be of the blunt form but firm and strongly marked. … So the ideal Filipina beauty should not necessarily be white complexioned, nor of the dark brown color of the typical Malayan, but of the clear skin or fresh colored type which we often witness when we met a blushing girl.
  • 23. References Reading History for Students What Makes the Past Important By Dana Blakemoor By Chrissy Malpert

Editor's Notes

  1. Unfortunately, Luna's vigorous brush strokes displeased his teacher and Luna was discharged from the Academy. Studies.   Juan entered the Escuela de Bellas Artes de San Fernandouela, where he befriended the painter Don Alejo Vera. Luna was discontented with the style of teaching in school and decided that it would be much better to work with Vera.
  2. His La Muerte de Cleopatra (The Death of Cleopatra) won him a silver medal and came in second place. Luna's growing reputation as an artist led to apensionado (pension) scholarship at 600 pesos annually through the Ayuntamiento of Manila.   The condition was that he was obliged to develop a painting which captured the essence of Philippine history which would then become the Ayuntamiento's property.  
  3. The biggest contribution of Juan Luna is the historical “Spoliarium”. It is a remarkable painting when it is a tremendous interpretation of the sociological situations in the Phil.
  4. 3 years - For the next seven months, Fernando immersed himself in giving free reign to his artistic passions, visiting Museums where he would sit for hours sketching the great works of notable artists, or walking down the streets of Madrid, sketching random people and experimenting with the interplay of natural light and colors.
  5. Painted either 1986 or 1958