This document discusses several key concepts related to media analysis, including auteur theory, reception theory, and the male gaze.
Auteur theory suggests that a film director's style and themes across their body of work identifies them as the "author" of their films. Reception theory examines how audiences interpret and make meaning from media texts in different, negotiated ways based on their own experiences and identities.
The male gaze theory proposes that visual media, especially films, are often constructed from the perspective of the heterosexual male viewer. This frames women as passive sexual objects to be looked at, prioritizing their appearance and the male viewer's desire over women's own subjectivity or agency. Studies link the influence of the male
The document discusses how the male gaze theory is relevant when analyzing women in Playboy magazines. It explores how Playboy magazines objectify and sexualize women to attract a male audience. The male gaze frames women as passive objects for male pleasure rather than full subjects. Hugh Hefner exerted control over his girlfriends' appearances to fit his brand's stereotypical image. Analyzing Playboy helped inform the document writer's own fashion project, which aims to portray women with confidence and self-expression rather than for the male gaze.
The document discusses the male gaze theory and how it is exemplified in the opening title sequence of the James Bond film GoldenEye. It explains that the male gaze theory postulates that in films, the audience views the action from the perspective of the heterosexual male gaze. The opening of GoldenEye contains symbols like naked women, guns, and cigars that appeal to stereotypical male interests. The document considers how inverting the male gaze to a female gaze would change the interpretation of the title sequence symbols and the audience's perspective. It explores how the male gaze theory aims to raise political awareness of gendered perspectives in film viewing.
The document discusses the concept of the "male gaze" in media. It describes the male gaze as a feminist view of voyeurism where the observer feels power over the observed subject, reducing them to an object. An example image is then analyzed showing Keira Knightley using props like a hat and blanket to draw the gaze towards revealed areas of her body. Facial expressions and lighting are also discussed as techniques that make the subject seem more open and attractive to gain the viewer's attention and connection, ultimately making products more appealing.
The document discusses the concept of the male gaze in film theory. It describes Laura Mulvey's influential 1975 work which argued that women are presented in film as objects of male visual pleasure. Mulvey proposed that films are viewed from the perspective of a heterosexual male gaze and that women are sexualized for male pleasure. The document also reviews other theorists who have expanded on or critiqued Mulvey's ideas, and discusses whether these theories still apply to modern films.
The document discusses Laura Mulvey's concept of the "Male Gaze" in film. Mulvey coined the term in 1975 to refer to how audiences view characters from the perspective of a heterosexual male. Features of the Male Gaze include the camera lingering on female bodies and events involving women being presented through a man's reaction. This relegates women to the status of objects for the male gaze and female viewers must experience the narrative through identifying with the male perspective. The document also discusses how the Male Gaze manifests in advertising by sexualizing women's bodies even when unrelated to the product, and criticisms of Mulvey's theory regarding some women enjoying being looked at and the gaze not always being sexual.
The document discusses Laura Mulvey's concept of the "male gaze" in film theory. Mulvey argues that films typically present the perspective of a heterosexual male viewer who objectifies female characters. This relegates women to the status of objects and viewers must identify with the male perspective. The male gaze lingers on women's bodies and defines events through a man's reaction. While some argue this allows female sexuality, critics say it still treats women as objects for the male viewer's pleasure through their visual representation.
This document discusses several key concepts related to media analysis, including auteur theory, reception theory, and the male gaze.
Auteur theory suggests that a film director's style and themes across their body of work identifies them as the "author" of their films. Reception theory examines how audiences interpret and make meaning from media texts in different, negotiated ways based on their own experiences and identities.
The male gaze theory proposes that visual media, especially films, are often constructed from the perspective of the heterosexual male viewer, portraying women as sexual objects to be looked at. Studies have linked the influence of the male gaze to negative impacts on women's self-esteem and well-being. The sources discussed provide
Laura Mulvey developed the theory of the "male gaze" which argues that cinema and visual media are typically constructed from a masculine point of view that objectifies and sexualizes women for the pleasure of the male viewer. She identified two ways women are depicted: "voyeuristic", seen as sexual objects, and "fetishistic", seen as madonnas. Examples are given of Hollywood pin-ups like Marilyn Monroe being voyeuristic. The theory also holds that male viewers identify with powerful male protagonists who control the film's fantasy. Mulvey's theory was influential in explaining how media representation enforces patriarchal social norms.
The document discusses how the male gaze theory is relevant when analyzing women in Playboy magazines. It explores how Playboy magazines objectify and sexualize women to attract a male audience. The male gaze frames women as passive objects for male pleasure rather than full subjects. Hugh Hefner exerted control over his girlfriends' appearances to fit his brand's stereotypical image. Analyzing Playboy helped inform the document writer's own fashion project, which aims to portray women with confidence and self-expression rather than for the male gaze.
The document discusses the male gaze theory and how it is exemplified in the opening title sequence of the James Bond film GoldenEye. It explains that the male gaze theory postulates that in films, the audience views the action from the perspective of the heterosexual male gaze. The opening of GoldenEye contains symbols like naked women, guns, and cigars that appeal to stereotypical male interests. The document considers how inverting the male gaze to a female gaze would change the interpretation of the title sequence symbols and the audience's perspective. It explores how the male gaze theory aims to raise political awareness of gendered perspectives in film viewing.
The document discusses the concept of the "male gaze" in media. It describes the male gaze as a feminist view of voyeurism where the observer feels power over the observed subject, reducing them to an object. An example image is then analyzed showing Keira Knightley using props like a hat and blanket to draw the gaze towards revealed areas of her body. Facial expressions and lighting are also discussed as techniques that make the subject seem more open and attractive to gain the viewer's attention and connection, ultimately making products more appealing.
The document discusses the concept of the male gaze in film theory. It describes Laura Mulvey's influential 1975 work which argued that women are presented in film as objects of male visual pleasure. Mulvey proposed that films are viewed from the perspective of a heterosexual male gaze and that women are sexualized for male pleasure. The document also reviews other theorists who have expanded on or critiqued Mulvey's ideas, and discusses whether these theories still apply to modern films.
The document discusses Laura Mulvey's concept of the "Male Gaze" in film. Mulvey coined the term in 1975 to refer to how audiences view characters from the perspective of a heterosexual male. Features of the Male Gaze include the camera lingering on female bodies and events involving women being presented through a man's reaction. This relegates women to the status of objects for the male gaze and female viewers must experience the narrative through identifying with the male perspective. The document also discusses how the Male Gaze manifests in advertising by sexualizing women's bodies even when unrelated to the product, and criticisms of Mulvey's theory regarding some women enjoying being looked at and the gaze not always being sexual.
The document discusses Laura Mulvey's concept of the "male gaze" in film theory. Mulvey argues that films typically present the perspective of a heterosexual male viewer who objectifies female characters. This relegates women to the status of objects and viewers must identify with the male perspective. The male gaze lingers on women's bodies and defines events through a man's reaction. While some argue this allows female sexuality, critics say it still treats women as objects for the male viewer's pleasure through their visual representation.
This document discusses several key concepts related to media analysis, including auteur theory, reception theory, and the male gaze.
Auteur theory suggests that a film director's style and themes across their body of work identifies them as the "author" of their films. Reception theory examines how audiences interpret and make meaning from media texts in different, negotiated ways based on their own experiences and identities.
The male gaze theory proposes that visual media, especially films, are often constructed from the perspective of the heterosexual male viewer, portraying women as sexual objects to be looked at. Studies have linked the influence of the male gaze to negative impacts on women's self-esteem and well-being. The sources discussed provide
Laura Mulvey developed the theory of the "male gaze" which argues that cinema and visual media are typically constructed from a masculine point of view that objectifies and sexualizes women for the pleasure of the male viewer. She identified two ways women are depicted: "voyeuristic", seen as sexual objects, and "fetishistic", seen as madonnas. Examples are given of Hollywood pin-ups like Marilyn Monroe being voyeuristic. The theory also holds that male viewers identify with powerful male protagonists who control the film's fantasy. Mulvey's theory was influential in explaining how media representation enforces patriarchal social norms.
The document discusses the male gaze theory in film and media. The male gaze theory proposes that the camera in visual media positions the audience with the perspective of a heterosexual man, often lingering on a woman's body in a way that highlights her sexuality and femininity. The document provides examples of how the male gaze is depicted through camera angles, lighting, editing techniques, facial expressions and types of gazes between characters and the audience in music videos. It examines how the male gaze influences how women are portrayed and how audiences view portrayed femininity.
This document discusses Laura Mulvey's concept of the "male gaze" in film. Mulvey introduced the idea in her 1975 essay, arguing that women in films are typically objects of desire for the male gaze. She believed audiences were encouraged to view films from the perspective of a heterosexual male, seeing women as objects. The male gaze involves lingering camera shots on women's bodies, presenting events through men's reactions, and degrading women as possessions. It suggests women are weak and can be divided into men looking at women, women looking at themselves critically, and women looking at other women competitively.
Laura Mulvey analyzed how mainstream films appeal to the "male gaze" through the representation of women as passive objects for the male spectator to look at and desire. She argued that films encourage identification with active male protagonists and voyeuristic or fetishistic viewing of female characters. This reinforces patriarchal notions of masculinity and femininity for the benefit of the presumed male audience.
1) Mulvey analyzes how cinema provides visual pleasure through scopophilia, or the pleasure of looking, which stems from psychological processes like Jacques Lacan's concept of the "Mirror Phase" of development.
2) Cinema reinforces traditional gender stereotypes by giving men narrative agency and positioning women as objects to be looked at, reinforcing the "male gaze."
3) The "male gaze" refers to how women are looked at in film for both the pleasure of male characters and the audience, asserting power and control through sight as stereotypically masculine traits.
Laura Mulvey is a British feminist film theorist known for her 1975 article "Visual Pleasure and Narrative Cinema" which introduced the concept of the "male gaze". She argues that in classic Hollywood cinema, the camera presents women as objects of male pleasure through techniques like lingering shots of their bodies. This reflects the patriarchal ideology of representing women as passive objects to be looked at by both male characters and the audience. Mulvey's work helped establish psychoanalytic film theory and influenced feminist film criticism by revealing how gender is constructed through cinematic techniques.
The document discusses how the male gaze theory is relevant when analyzing women in fashion magazines. It explores how women are often objectified in magazines aimed at both men and women. The male gaze influences how women are featured in magazines, both in terms of the models and the intended audience. Magazines like Playboy historically presented women as objects for male pleasure and satisfaction rather than individuals. The male gaze can decrease female empowerment and self-esteem by treating women as props and commodities to be looked at.
This document discusses the theory of the male gaze in film. It begins by defining the male gaze as how audiences view characters presented to them. Specifically, it examines how men look at women, how women look at themselves, and how women look at other women. It then discusses different types of gazes including the spectator's gaze, the intra-diegetic gaze, and the extra-diegetic gaze. A major section is devoted to theorist Laura Mulvey who introduced the concept of the male gaze and argued that films present women as objects of visual pleasure for men through voyeurism and fetishization. The document also analyzes how the male gaze functions in the famous shower scene from Psycho. Finally, it outlines
Laura Mulvey's Male Gaze theory argues that in film and media, the camera lens represents the perspective of the heterosexual male viewer who objectifies female characters. This denies women their subjectivity and reduces them to objects for the male gaze. Mulvey suggests this reinforcement of patriarchal ideals through media can influence societal norms by making female objectification seem normal or desired. The theory is exemplified through common techniques used in films like James Bond to highlight women's physical features from the male perspective.
Laura Mulvey introduced the concept of the "male gaze" in her influential essay "Visual Pleasure and Narrative Cinema." She argued that in most films, the audience is positioned to view female characters from the perspective of a heterosexual male viewer. This denies women their humanity and reduces them to objects for the male gaze. Mulvey suggested that mainstream films typically portray women in passive roles that exist only in relation to male characters and provide visual pleasure or inspiration for men's actions.
Laura Mulvey - Male Gaze Theory Researchskywalker97
Laura Mulvey was a British feminist film theorist who developed the influential Male Gaze Theory. She argued that mainstream cinema represented women as sexual objects for the pleasure of the male heterosexual gaze. Films were constructed to be viewed through the perspective of a heterosexual man, which objectified and degraded women on screen. The camera would linger on the female form and present women as "to-be-looked-at." This imbalance between the male gaze and female gaze reinforced patriarchal norms and could negatively impact how women saw themselves. While critics argued her theory did not account for diverse spectator experiences, the Male Gaze Theory was seminal in shifting film theory towards psychoanalysis and feminist perspectives on objectification and representation of
Laura Mulvey - The Male Gaze Theory Essay DianneKaren
The document discusses Laura Mulvey's Male Gaze theory from 1975. The theory proposes that most films and media are viewed from the perspective of a heterosexual male gaze, as men largely control cameras. This results in the objectification and sexualization of women for the male viewer's pleasure. Examples discussed include focusing only on a woman's body in films and using revealingly dressed women in music videos to appeal to male viewers. Some criticize that the theory ignores instances where women seek attention or the gaze is between members of the same sex.
1. Laura Mulvey introduced the concept of the "male gaze" in film theory, which refers to the way films are typically shot from the perspective of the heterosexual male viewer. This objectifies women and turns them into objects to be looked at.
2. The theory suggests that women are often denied agency and identity in films, existing primarily as objects for the male gaze. This can influence how women see themselves.
3. The male gaze is argued to be prevalent in many mainstream films and media, potentially reinforcing patriarchal social norms and power dynamics by influencing how both men and women see gender roles.
Laura Mulvey's Male Gaze theory proposes that in film and media, the viewer assumes the perspective of a heterosexual man when viewing content. Specific techniques like camera movements, cutaways, and slow motion are used to invite the viewer to examine scenes, especially those featuring women, through a male lens. This denies women autonomy and reduces them to objects of visual pleasure defined by their physical appearance. While women's presence may be important to narratives, they often serve little purpose other than how they make male characters act or feel. Mulvey argues this reflects and reinforces patriarchal ideals in society by consistently framing women from a male perspective.
Laura Mulvey introduced the concept of the "male gaze" in her 1975 essay "Visual Pleasure and Narrative Cinema." She argued that in films, the audience is positioned to view female characters from the perspective of a heterosexual male viewer. This objectifies and dehumanizes women by reducing them to objects for the male gaze. It also positions women as passive objects to be looked at, while men are active subjects. Mulvey's theory suggests that this reinforcement of patriarchal gender roles and objectification of women has influenced societal views.
This document discusses Laura Mulvey's concept of the "Male Gaze" in film. It explains that the Male Gaze refers to how women are viewed from the perspective of a heterosexual male in films. Specifically, the camera will linger on a woman's body and events involving women are presented in the context of a man's reaction. This relegates women to the status of objects for the male gaze rather than active subjects. The document also discusses how the Male Gaze concept has been applied to areas like music videos and advertising.
Laura Mulvey developed the concept of the "male gaze" in 1975, which refers to the perspective through which most films are viewed and portrayed, through the eyes of a heterosexual man. Some key features of the male gaze include focusing on and sexualizing women's bodies even when irrelevant, and portraying women as objects for men to look at. While controversial, the male gaze theory suggests that the camera and audience view women through a lens of male power and superiority. Criticisms argue that some women enjoy being looked at and the gaze can be directed at same gender individuals for non-sexual reasons as well.
The document discusses Laura Mulvey's concept of the "Male Gaze" in film. It explains that Mulvey coined the term in 1975 to refer to how audiences are positioned to view characters from the perspective of a heterosexual male. This constructs women as objects to be looked at. Features of the Male Gaze include the camera lingering on female bodies and presenting events that happen to women in the context of a man's reaction. The document also discusses various theorists' perspectives on the Male Gaze and its criticism.
Laura Mulvey argues that in film and literature, the representation of women is dominated by the male gaze. She believes that patriarchal societies view men as active and women as passive objects. Traditionally, films portrayed women in stereotypical roles like wives, mothers, or sex objects, while privileging the male point of view. However, the character of Ellen Ripley in Alien challenged norms by depicting the first self-reliant female science fiction heroine. As women's social roles changed, their media representations also began to feature more career-driven and empowered portrayals.
Laura Mulvey developed the concept of the "male gaze" in her 1975 essay, arguing that mainstream cinema reflects the underlying patriarchal power structure of society by privileging the male perspective over the female. The male gaze objectifies women on screen for the pleasure and view of the presumed male viewer. Women are often displayed as erotic objects to be looked at rather than active agents. This diminishes women's identities and reduces them to their appearance rather than their personality.
The document discusses Laura Mulvey's theory of the male gaze. Mulvey proposed that in films, the audience is positioned to view characters and scenes from the perspective of a heterosexual male gaze. This objectifies women and denies their humanity by portraying them as objects to be looked at for visual pleasure. According to Mulvey, women in films are often depicted through conventions like lingering shots of their bodies to appeal to the male gaze. Their roles exist to further the narrative of male characters and they are viewed as passive objects under the control of the male gaze.
Laura Mulvey's Male Gaze Theory argues that films and videos are often made from the perspective of heterosexual men to objectify and appeal to male audiences. It looks at how men view women, how women see themselves, and how women see other women in media images. Evidence for this includes the emphasis on women's bodies and portrayal as objects in many popular music videos. Richard Dyer's Star Theory also examines how institutions construct celebrity personas through various media to embody certain ideologies and target audiences for financial gain.
The document discusses several theories related to analyzing narratives, genres, and audiences in media. It covers:
1. Todorov's 5 stages of narrative structure including equilibrium, disruption, recognition, attempts to repair, and new equilibrium.
2. Vladimir Propp's identification of 8 character types commonly found in narratives like heroes, villains, helpers.
3. Thomas Schatz's theory that genres pass through innovative, classical, parody, and deconstruction stages over time.
4. Different audience theory effects models like hypodermic needle, cultivation, and copycat; and uses and gratifications approach.
5. Intentional, reflective, and constructionist views of how representations are formed and
The document discusses the male gaze theory in film and media. The male gaze theory proposes that the camera in visual media positions the audience with the perspective of a heterosexual man, often lingering on a woman's body in a way that highlights her sexuality and femininity. The document provides examples of how the male gaze is depicted through camera angles, lighting, editing techniques, facial expressions and types of gazes between characters and the audience in music videos. It examines how the male gaze influences how women are portrayed and how audiences view portrayed femininity.
This document discusses Laura Mulvey's concept of the "male gaze" in film. Mulvey introduced the idea in her 1975 essay, arguing that women in films are typically objects of desire for the male gaze. She believed audiences were encouraged to view films from the perspective of a heterosexual male, seeing women as objects. The male gaze involves lingering camera shots on women's bodies, presenting events through men's reactions, and degrading women as possessions. It suggests women are weak and can be divided into men looking at women, women looking at themselves critically, and women looking at other women competitively.
Laura Mulvey analyzed how mainstream films appeal to the "male gaze" through the representation of women as passive objects for the male spectator to look at and desire. She argued that films encourage identification with active male protagonists and voyeuristic or fetishistic viewing of female characters. This reinforces patriarchal notions of masculinity and femininity for the benefit of the presumed male audience.
1) Mulvey analyzes how cinema provides visual pleasure through scopophilia, or the pleasure of looking, which stems from psychological processes like Jacques Lacan's concept of the "Mirror Phase" of development.
2) Cinema reinforces traditional gender stereotypes by giving men narrative agency and positioning women as objects to be looked at, reinforcing the "male gaze."
3) The "male gaze" refers to how women are looked at in film for both the pleasure of male characters and the audience, asserting power and control through sight as stereotypically masculine traits.
Laura Mulvey is a British feminist film theorist known for her 1975 article "Visual Pleasure and Narrative Cinema" which introduced the concept of the "male gaze". She argues that in classic Hollywood cinema, the camera presents women as objects of male pleasure through techniques like lingering shots of their bodies. This reflects the patriarchal ideology of representing women as passive objects to be looked at by both male characters and the audience. Mulvey's work helped establish psychoanalytic film theory and influenced feminist film criticism by revealing how gender is constructed through cinematic techniques.
The document discusses how the male gaze theory is relevant when analyzing women in fashion magazines. It explores how women are often objectified in magazines aimed at both men and women. The male gaze influences how women are featured in magazines, both in terms of the models and the intended audience. Magazines like Playboy historically presented women as objects for male pleasure and satisfaction rather than individuals. The male gaze can decrease female empowerment and self-esteem by treating women as props and commodities to be looked at.
This document discusses the theory of the male gaze in film. It begins by defining the male gaze as how audiences view characters presented to them. Specifically, it examines how men look at women, how women look at themselves, and how women look at other women. It then discusses different types of gazes including the spectator's gaze, the intra-diegetic gaze, and the extra-diegetic gaze. A major section is devoted to theorist Laura Mulvey who introduced the concept of the male gaze and argued that films present women as objects of visual pleasure for men through voyeurism and fetishization. The document also analyzes how the male gaze functions in the famous shower scene from Psycho. Finally, it outlines
Laura Mulvey's Male Gaze theory argues that in film and media, the camera lens represents the perspective of the heterosexual male viewer who objectifies female characters. This denies women their subjectivity and reduces them to objects for the male gaze. Mulvey suggests this reinforcement of patriarchal ideals through media can influence societal norms by making female objectification seem normal or desired. The theory is exemplified through common techniques used in films like James Bond to highlight women's physical features from the male perspective.
Laura Mulvey introduced the concept of the "male gaze" in her influential essay "Visual Pleasure and Narrative Cinema." She argued that in most films, the audience is positioned to view female characters from the perspective of a heterosexual male viewer. This denies women their humanity and reduces them to objects for the male gaze. Mulvey suggested that mainstream films typically portray women in passive roles that exist only in relation to male characters and provide visual pleasure or inspiration for men's actions.
Laura Mulvey - Male Gaze Theory Researchskywalker97
Laura Mulvey was a British feminist film theorist who developed the influential Male Gaze Theory. She argued that mainstream cinema represented women as sexual objects for the pleasure of the male heterosexual gaze. Films were constructed to be viewed through the perspective of a heterosexual man, which objectified and degraded women on screen. The camera would linger on the female form and present women as "to-be-looked-at." This imbalance between the male gaze and female gaze reinforced patriarchal norms and could negatively impact how women saw themselves. While critics argued her theory did not account for diverse spectator experiences, the Male Gaze Theory was seminal in shifting film theory towards psychoanalysis and feminist perspectives on objectification and representation of
Laura Mulvey - The Male Gaze Theory Essay DianneKaren
The document discusses Laura Mulvey's Male Gaze theory from 1975. The theory proposes that most films and media are viewed from the perspective of a heterosexual male gaze, as men largely control cameras. This results in the objectification and sexualization of women for the male viewer's pleasure. Examples discussed include focusing only on a woman's body in films and using revealingly dressed women in music videos to appeal to male viewers. Some criticize that the theory ignores instances where women seek attention or the gaze is between members of the same sex.
1. Laura Mulvey introduced the concept of the "male gaze" in film theory, which refers to the way films are typically shot from the perspective of the heterosexual male viewer. This objectifies women and turns them into objects to be looked at.
2. The theory suggests that women are often denied agency and identity in films, existing primarily as objects for the male gaze. This can influence how women see themselves.
3. The male gaze is argued to be prevalent in many mainstream films and media, potentially reinforcing patriarchal social norms and power dynamics by influencing how both men and women see gender roles.
Laura Mulvey's Male Gaze theory proposes that in film and media, the viewer assumes the perspective of a heterosexual man when viewing content. Specific techniques like camera movements, cutaways, and slow motion are used to invite the viewer to examine scenes, especially those featuring women, through a male lens. This denies women autonomy and reduces them to objects of visual pleasure defined by their physical appearance. While women's presence may be important to narratives, they often serve little purpose other than how they make male characters act or feel. Mulvey argues this reflects and reinforces patriarchal ideals in society by consistently framing women from a male perspective.
Laura Mulvey introduced the concept of the "male gaze" in her 1975 essay "Visual Pleasure and Narrative Cinema." She argued that in films, the audience is positioned to view female characters from the perspective of a heterosexual male viewer. This objectifies and dehumanizes women by reducing them to objects for the male gaze. It also positions women as passive objects to be looked at, while men are active subjects. Mulvey's theory suggests that this reinforcement of patriarchal gender roles and objectification of women has influenced societal views.
This document discusses Laura Mulvey's concept of the "Male Gaze" in film. It explains that the Male Gaze refers to how women are viewed from the perspective of a heterosexual male in films. Specifically, the camera will linger on a woman's body and events involving women are presented in the context of a man's reaction. This relegates women to the status of objects for the male gaze rather than active subjects. The document also discusses how the Male Gaze concept has been applied to areas like music videos and advertising.
Laura Mulvey developed the concept of the "male gaze" in 1975, which refers to the perspective through which most films are viewed and portrayed, through the eyes of a heterosexual man. Some key features of the male gaze include focusing on and sexualizing women's bodies even when irrelevant, and portraying women as objects for men to look at. While controversial, the male gaze theory suggests that the camera and audience view women through a lens of male power and superiority. Criticisms argue that some women enjoy being looked at and the gaze can be directed at same gender individuals for non-sexual reasons as well.
The document discusses Laura Mulvey's concept of the "Male Gaze" in film. It explains that Mulvey coined the term in 1975 to refer to how audiences are positioned to view characters from the perspective of a heterosexual male. This constructs women as objects to be looked at. Features of the Male Gaze include the camera lingering on female bodies and presenting events that happen to women in the context of a man's reaction. The document also discusses various theorists' perspectives on the Male Gaze and its criticism.
Laura Mulvey argues that in film and literature, the representation of women is dominated by the male gaze. She believes that patriarchal societies view men as active and women as passive objects. Traditionally, films portrayed women in stereotypical roles like wives, mothers, or sex objects, while privileging the male point of view. However, the character of Ellen Ripley in Alien challenged norms by depicting the first self-reliant female science fiction heroine. As women's social roles changed, their media representations also began to feature more career-driven and empowered portrayals.
Laura Mulvey developed the concept of the "male gaze" in her 1975 essay, arguing that mainstream cinema reflects the underlying patriarchal power structure of society by privileging the male perspective over the female. The male gaze objectifies women on screen for the pleasure and view of the presumed male viewer. Women are often displayed as erotic objects to be looked at rather than active agents. This diminishes women's identities and reduces them to their appearance rather than their personality.
The document discusses Laura Mulvey's theory of the male gaze. Mulvey proposed that in films, the audience is positioned to view characters and scenes from the perspective of a heterosexual male gaze. This objectifies women and denies their humanity by portraying them as objects to be looked at for visual pleasure. According to Mulvey, women in films are often depicted through conventions like lingering shots of their bodies to appeal to the male gaze. Their roles exist to further the narrative of male characters and they are viewed as passive objects under the control of the male gaze.
Laura Mulvey's Male Gaze Theory argues that films and videos are often made from the perspective of heterosexual men to objectify and appeal to male audiences. It looks at how men view women, how women see themselves, and how women see other women in media images. Evidence for this includes the emphasis on women's bodies and portrayal as objects in many popular music videos. Richard Dyer's Star Theory also examines how institutions construct celebrity personas through various media to embody certain ideologies and target audiences for financial gain.
The document discusses several theories related to analyzing narratives, genres, and audiences in media. It covers:
1. Todorov's 5 stages of narrative structure including equilibrium, disruption, recognition, attempts to repair, and new equilibrium.
2. Vladimir Propp's identification of 8 character types commonly found in narratives like heroes, villains, helpers.
3. Thomas Schatz's theory that genres pass through innovative, classical, parody, and deconstruction stages over time.
4. Different audience theory effects models like hypodermic needle, cultivation, and copycat; and uses and gratifications approach.
5. Intentional, reflective, and constructionist views of how representations are formed and
Personal Study Essay Research Document Pro Forma - Copy.pptxOliviaDay7
This document provides a schedule and plan for a personal study project on the topic of the male gaze in creative media production. The schedule outlines research tasks to be completed from summer to mid-October, including researching relevant theories such as the auteur theory, reception theory, and Laura Mulvey's male gaze theory. The document also includes notes summarizing these theories and quotes related to them. An essay plan is then outlined analyzing how the male gaze infiltrates society through figures like Kim Kardashian and social media, and how this affects women's self-perception.
The document discusses several theories related to how women are portrayed in media through a masculine lens, known as the "male gaze". It begins by explaining Laura Mulvey's theory of the male gaze in film and how women are often depicted as sexual objects for male pleasure. It then outlines the three perspectives of the male gaze: that of the creator, characters, and audience. Later sections discuss additional related concepts like the feminist theory of objectification and oppositional gaze. The document provides an overview of feminist theories in communication and media studies, focusing on examining gender and power dynamics in communicative texts.
The article discusses the concept of the "female gaze" in film and compares it to the traditional "male gaze". It notes that the term "male gaze" was coined by film critic Laura Mulvey to refer to the perspective of sensually viewing and objectifying the female body. In contrast, the female gaze is proposed to be more emotional, intimate, empathetic rather than objectifying, and respectful. The article highlights a film festival featuring the works of female cinematographers to showcase alternative perspectives to the male gaze. It notes debate around defining and developing the concept of a "female gaze", with differing opinions among female filmmakers on its usefulness as a term and whether it simply reinforces a gender binary.
The article discusses the concept of the "female gaze" in film in response to Laura Mulvey's theory of the "male gaze". It introduces the Film Society at Lincoln Center's series on "The Female Gaze", which features 36 films shot by female cinematographers. These films range in style from raw to disorienting. The article explores different perspectives on what a "female gaze" might be, including that it sees people as people rather than objects, is emotional and intimate, and seeks to empathize rather than objectify. It notes that female cinematographers interviewed have varying opinions on the usefulness of the term and what it means given their technical skills and experiences that extend beyond gender.
Laura Mulvey's Male Gaze theory argues that women are often portrayed as passive sex objects in media for the pleasure of male audiences. Richard Dyer's Star Theory claims that celebrities are constructed by media institutions to appeal to audiences and make money. Tessa Perkins' theory challenges common assumptions about stereotypes, arguing that they are not always negative, about minorities, unchanging, or entirely false. Stereotypes can reflect cultural values and have origins in partial truths.
A2 Media theories, Representational theory, Genre theory, Narrative theory, A...Alishaaa24
This document discusses various theories of media representation and language. It covers representational theory, narrative theory, audience theory, genre theory, and media language. Key points include that representation is a construction of reality rather than a direct reflection; narratives follow common patterns and codes; audiences consume media actively for various needs and gratifications; genres have conventions that create expectations; and media use codes and conventions to construct meaning.
The document discusses several theories related to media audiences:
- The two-step flow theory explains how information spreads from media to opinion leaders to the general audience.
- The hypodermic syringe model from the 1920s viewed audiences as vulnerable to manipulation by media producers.
- Laura Mulvey's "male gaze" theory from 1975 argues that audiences view characters in film from the perspective of a heterosexual male.
- Bulmer and Katz's uses and gratification theory from 1974 examines why audiences use media for entertainment, social relationships, identity, and information.
- These audience theories can be applied to the horror genre, such as viewing females through the male gaze in horror films with a male killer targeting women.
Laura Mulvey's 'Male Gaze' theory argues that women are often sexually objectified in media through the male gaze. She focuses on how women are portrayed, how women see themselves, and how women see each other based on these portrayals. Richard Dyer's 'Star Theory' claims that celebrities are constructed by institutions for financial gain and to appeal to audiences. Stars are not real people but constructed personas, and audiences relate to them in ways that can develop into idolization and unrealistic standards. Tessa Perkins challenges common assumptions about stereotypes, arguing they are not always negative, about minorities, unchanging, or false. Stereotypes can be positive, about any group, accepted by those groups, change over
The Hypodermic Needle model from the 1920s suggested that audiences passively receive media messages without challenging them. While crude, it can still apply to some modern media scares. The Two-Step Flow model proposes that information spreads from media to opinion leaders and their associates, rather than directly to the mass audience. Representation theories examine how characters and genders are portrayed in media through concepts like stereotypes, hegemony, and ideology. Laura Mulvey's Male Gaze theory analyzes how the camera presents women's bodies for the viewing pleasure of the presumed male audience.
Representation refers to how aspects of reality are constructed in media. Representation theorists Stuart Hall, David Chandler, and Laura Mulvey explored how social groups are portrayed and how audiences interpret media texts. Hall discussed dominant codes and preferred readings, while Chandler's "gaze theory" examined how audiences view media portrayals. Mulvey's "male gaze" argued that films are made from a male viewpoint, portraying women as objects of desire. These theories are relevant to analyzing the horror genre, where males often fill antagonist roles, audiences can interpret symbols differently, and females are commonly depicted as needing protection.
The document discusses several theories about how audiences interact with and are influenced by media texts. It describes the hypodermic syringe model which views audiences as passive and easily manipulated masses. It also outlines cultivation theory which suggests that repeated exposure to certain themes or issues can shape audiences' views over time. Additionally, it discusses uses and gratifications theory which sees audiences as active in choosing media content to fulfill specific needs or gratifications.
The document discusses Abraham Maslow's hierarchy of needs theory and how it can be applied to understanding consumer and brand motivations on social media platforms. It also provides an overview of Maslow's pyramid model, which places the most fundamental needs like breathing at the bottom and higher-level needs like self-actualization at the top. Additionally, it summarizes theories around passive and active audiences, including the hypodermic needle model and cultivation theory.
The document discusses representation and stereotypes in media. It defines representation as how media constructs reality through selective presentation. Representations encode certain ideologies and paradigms while excluding others to shape a preferred view. Stereotypes are shortcuts used to understand media that define characters as either belonging or not belonging in a society. While stereotypes can enhance a text's realism, they also risk oversimplifying groups and misrepresenting reality. The document analyzes how various theories like the male gaze approach stereotypes and representation in media production and reception.
This document provides an overview of feminist perspectives and concepts that are relevant to analyzing media from a feminist critical lens. It discusses the origins and types of feminism, including first wave, second wave, third wave, Marxist feminism, radical feminism, and others. Key concepts discussed include the male gaze, representations of women in media, and the Bechdel test. The document aims to help readers understand and apply feminist perspectives to analyzing texts.
The document discusses several media theories:
- The male gaze theory explains how media typically presents the perspective of a heterosexual male viewer and objectifies women.
- Reception theory examines how audiences actively interpret media texts differently than how they were encoded by producers.
- Uses and gratifications theory focuses on what audiences do with media and what needs it fulfills rather than how it affects them. It suggests audiences choose media to satisfy specific needs like entertainment, social interaction, or education.
- The hypodermic needle model from the 1920s viewed audiences as passive receivers of media messages without processing them critically.
Liam Metcalfe - Unit 4: theorists and theories LiamMetcalfe2
Laura Mulvey and John Berger developed theories about how the media objectifies women for the male gaze. Bell Hooks argues that media underrepresents and stereotypes black women. Stuart Hall examined how black subjects are portrayed in different historical stages. Uses and gratification theory explores how audiences actively engage with media differently. Propp's and Todorov's narrative theories analyzed common story structures. Levi-Strauss examined how opposing themes like good vs evil drive narratives.
This document discusses several key concepts in media theories:
Narrative refers to how a story is organized through elements like structure. Todorov identified three stages in narratives - equilibrium, disruption, new equilibrium. Genre categorizes media based on similar narrative elements. Audiences are important as media is produced with target audiences in mind. Representation refers to how media portrays social groups, and theorists like Stuart Hall and Laura Mulvey analyzed power dynamics and stereotypes in representation.
The document discusses key concepts for analyzing representations in media texts, including:
1) Who or what is being represented, how the representation is created and by whom, and why the representation is constructed in a certain way.
2) Groups that are commonly underrepresented or misrepresented, such as women, minorities, and LGBTQ individuals.
3) Theories for analyzing representations, including the male gaze, female gaze, and concepts of femininity, patriarchy, and progressive vs. regressive portrayals.
The document discusses two presentation methods used for a fashion marketing project (FMP): Instagram and a website.
Instagram was chosen because it is known as the best form of fashion advertisement in 2022, allowing photos of clothing pieces to be shared. The author was already familiar with Instagram from personal use and following competitors.
A website was also beneficial as it allowed all images and more detailed brand information to be displayed. Websites are commonly used by fashion brands for selling and promoting new lines. The website builder Wix was used due to its popularity and the author's experience using it for previous projects.
The document provides information about audience research and existing fashion brands. It analyzes the demographics, interests and behaviors of Instagram users. It also examines the website and Instagram of the brand ASOS. Some key points:
- Instagram's largest audiences are aged 25-34, followed by 18-24. Females make up 51% of users. Top interests are travel, music and food.
- ASOS targets a similar demographic to the author's (ages 18-25). Its website uses large images and features sales to attract customers. Its Instagram uses influencers, celebrity content and varied creative images.
- Examining existing successful brands provides inspiration for styles, techniques and strategies to engage the target
Jessica Crosland is proposing a fashion brand project focused on print and photography. She has gained experience creating magazines, websites and using tools like Photoshop. Her concept is to create a fashion brand promoting body confidence through a website, Instagram page and model photography. Research will include analyzing other brands and the fashion industry. She will evaluate her work through reflection and feedback to improve her skills for university studies. A schedule outlines tasks from pre-production research, experiments, production of the website and social media, to evaluation and presentation.
1) The author has a passion for fashion design and media. Their photoshop and illustration skills have improved over time through projects. Organization is also a strength which helps with time management and meeting deadlines.
2) The author wants to use their strengths and address past weaknesses in their final project. They enjoy the creative and theoretical aspects of fashion and want to explore how social media impacts how women are portrayed.
3) Previous projects include magazines, websites, and posters related to fashion. This experience will help with creating a website and social media platform for their final project advertisement. The author hopes to gain skills relevant to their future career goals.
The document discusses the author's passion for fashion promotion and their choice to study fashion promotion at university. The author loves fashion and has always been interested in trends. They have skills in areas like photography, design, and social media marketing that they feel will help them in a career promoting fashion brands. While the author originally considered fashion design, they realized a degree in fashion promotion would better allow them to utilize their technical and branding skills. Previous projects in college focused on fashion and helped the author envision having their own fashion brand one day. They are motivated to learn more about promoting fashion through media and are eager to gain experience through placements and working with others interested in the industry.
The student proposes a fashion media project centered around creating their own clothing brand and photography. They are passionate about fashion and have always enjoyed the design aspects of media like websites and magazines. The main part of the project that is important is establishing their own fashion brand, which has been a goal of theirs after university. They want to get practice with this project. Influences for the project include successful Instagram fashion brands that began with media and progressed to having their own lines. The student wants their audience to feel confident and surprised by the clothes, which will have a streetwear yet classy style using on-trend colors. They have chosen this project style as it represents themselves and their passion for the fashion industry.
This document provides an evaluation template for a Year Two creative media production project. It includes sections for an overview of the project, what attracted the student to the theme, research conducted and how it informed the project, the project outcome, personal reflections on the experience, collaboration, feelings upon completion, evaluation of good and bad points, challenges faced, rating the final piece, successful elements, and how it appeals to the target audience.
In Week 1, the author began their project by researching statistics about their target demographic of 16-24 year olds using various websites. They looked at popular social media platforms and audience interests to help design an appealing product. They created an audience profile using the research.
In Week 2, the author continued researching existing products and found information on color schemes, fonts, and logos that would appeal to their target demographic. They were happy with the logo they created.
In Week 3, the author began creating assets for their website and social media account, including a background image and first Instagram post. They reflected on areas they still wanted to improve or add more research to.
This proposal outlines Jessica Crosland's project focusing on creating a website for a swipe match app targeting 16-24 year olds. She will focus on print design and production. Her tasks include researching the target audience, exploring interests and existing apps, developing content and a logo in Photoshop, building the website using Wix, tracking progress in a reflective diary, and evaluating the final project. She aims to understand how to attract and understand her target demographic through audience research and an engaging design.
The document provides research on audience interests and existing social media platforms and products that are popular among the 16-24 age demographic. It analyzes the audiences, content topics, and design features of Twitter, TikTok, Instagram, Squid Game, Love Island, and Spider-Man to understand what resonates with the target age group. Colour schemes, fonts, logos, and a proof of concept Instagram profile are developed based on the research. A mood board is also created with ideas for including social media links, events calendar, and forum discussions on the planned website.
The document discusses how the male gaze theory, which views women as objects for male pleasure, is relevant when analyzing women depicted in Playboy magazines. It describes how Playboy magazines presented women in a highly sexualized manner focused on their physical appearance. The male gaze relegates women to a subordinate status and can negatively impact women's self-esteem. Playboy founder Hugh Hefner exerted strict control over the magazine's models, dictating their hair, dress, and behavior to conform to his preferences and priorities of objectifying and commodifying women. Analyzing Playboy through the lens of the male gaze theory provides insights into how women have historically been portrayed in media primarily for male audiences.
This document discusses how the male gaze theory is relevant to analyzing women in Playboy magazines. It explores how Playboy magazines and TV shows objectify women to attract a male audience. The male gaze reduces women to passive objects for male pleasure and consumption. By analyzing magazine covers, photos, and TV episodes, the document finds that Playboy portrayed women through a male lens, controlling their appearance and empowering men over women.
This evaluation form guides the assessment of projects. It emphasizes using appropriate terminology, concise analysis, and judging work rather than process. The student created a fashion and social media fanzine. Research of existing fanzines informed layouts and content. Ideas developed through mood boards, style sheets, and planning interviews. Outcomes met expectations. Challenges included choosing colors and improving illustrations. Time management and planning supported success. The student is proud but notes areas for more refinement.
- The document is a reflective diary of a student's 4-week process of creating a fanzine in Photoshop.
- In week 1, the student designed the front and back covers, struggling with layout and fonts but improving with practice.
- In week 2, the student created hashtag pages and continued improving speed and layout skills.
- In week 3, the student added interview pages and illustrations, struggling with fitting text but making progress.
- In the 4th and final week, the student completed the fanzine by adding final articles and pages, then compiling it online.
- Overall the student was pleased with completing the fanzine but noted areas for further improvement and practice.
Jessica has chosen to create a fanzine focusing on how social media and the fashion industry impact women's mental health. Her fanzine will include facts about these topics and an interview with an Instagram influencer or model. She will target her fanzine towards females aged 16-25, as they are most active on social media and interested in fashion. By researching existing fanzines, Jessica found ideas for layouts, colors, fonts and ways to engage her audience. She also conducted research on the definitions of fanzines, effects of social media on mental health, and the pressures of working in the fashion industry.
Jessica Crosland created a mood board and style sheet to plan her fanzine focused on fashion, social media, and mental health. She included inspirational quotes, illustration art, and photos related to her themes and audience of women. For her fanzine content, she plans to conduct an interview and include pages on the effects of social media and mental health, as well as fashion and women. Her 12-page fanzine will have a content page and include a hashtag for audience involvement. Jessica reached out to brands and influencers to interview but made a backup plan to interview a friend if needed. She drafted interview questions and will record and transcribe the interview. Her production schedule spans 4 weeks, beginning with
Jessica Crosland created a mood board and style sheet to plan her fanzine focused on fashion, social media, and mental health. She included inspirational quotes, illustration art, and photography related to her themes. For her fanzine content, she plans to conduct an interview and include pages on social media/mental health impacts, the fashion industry/women, and a hashtag for audience involvement. Her production schedule spans 4 weeks, beginning with information gathering, conducting her interview, and starting fanzine page creation in Photoshop. She will then focus on design, finishing touches, and ensuring all content is included before submission.
Jessica Crosland created a mood board and style sheet to plan her fanzine focused on fashion, social media, and mental health. She included inspirational quotes, illustration art, and photos related to her themes and audience of women. For content, she plans to conduct an interview and include pages on social media effects, the fashion industry, and a hashtag for audience involvement. Her 12-page fanzine will have a basic front cover, content page, interview, and sectioned information. She has planned a 4-week production schedule to research, design, and finish the fanzine.
The document describes experiments conducted by Jessica Crosland using Photoshop to learn new techniques for her project. In her first experiment, she used tools like the rectangle and warp tools to transform an image of a strawberry into a new shape. While she struggled with some aspects, she was able to learn new skills. For her second experiment, she replicated the technique with a watermelon image and also used the drawing tool, gaining more experience. She then created proof of concept pages for her fanzine, transforming images and incorporating colors, fonts, and elements to prototype layout ideas. The experiments helped her progress her skills and ideas for her final project.
Jessica has chosen to create a fanzine focusing on how women are objectified in fashion and how social media like Instagram affects mental health. She will include facts about these topics and an interview. Her target audience is females aged 16-25. She wants readers to understand that social media is not reality and fashion involves more than it seems. By looking at existing fanzines, she found examples that use bold fonts, colors, images and layouts effectively to engage audiences and convey important messages about social and environmental issues in fashion.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
2. AUTEUR THEORY
A present day analogy would the ‘writer director’ and having control over the final cut of a film. Auteur
theory has had a major impact on film criticism ever since it was advocated by film director and film critic
Francois Truffaut in 1954.
“Auteurism” is the method of analysing films based on this theory and the characteristics of a film makers
work that makes her or him an auteur. Associated with the French New Wave and the film critics who wrote
for the influential French film review periodical Cahiers du cinema.
The theory basically suggests that consistent visual style throughout a directors body of work makes them
the auteur of his films which I believe Malick has from the many auteur features that can be recognised
throughout his films.
James Morrison (12 July 2018). Auteur Theory and My Son
John . London: Bloomsbury Publishing
An auteur is an artist, usually a film director who applies a highly centralized and subjective control to many
aspects of a collaborative creative work. And is viewed as the major creative force in a motion picture
Auteur theory was imported to the united states in the 1960s, with Andrew Sarris its strongest proponent.
I found this information from Bloomsbury.com
ISSUES WITH AUTEUR THEORY
• Films are a collaborative effort
• Ignores the role of writers, actors and musicians
• Praise for the director at the expense of
everyone else
• The most powerful force in most films is the
studio under which I being made
• New criticism, argued that making meaning out
of what directors were attempting to portray
was secondary to the actual visualisation on
screen.
3. RECEPTION THEORY
The reception theory is a version of a readers response literary theory that emphasizes each
particular readers reception or interpretation in making meaning from a literary text.
Stuart Hall states that media texts are encoded by the producer meaning that whoever produces the
text fills the product with value and messages the text is then decoded by spectators. Different
spectators will decode the text in different ways not always in the way the producer intended.
Producers encodes
messages/meaning
Dominant or preferred
negotiated
Oppositional
Lots of factors could effect whether we take the dominant,
oppositional or negotiated reading :
• Life experience
• Mood at the time of viewing
• Age
• Culture
• Beliefs
• gender
According to Morley audiences came from many different cultures and thus
there were many possible ‘negotiated’ readings. He further argued that
individuals had many aspects to their identities, and they interpreted media
content in a variety of ways, often chopping and changing their
interpretations over time.
The reception analysis model is an ‘active audience’ model associated
with Morley (1980) who conducted research on how several different
groups of people interpreted media messages.
https://revisesociology.com/2019/11/06/the-reception-analysis-
model-of-audience-effects/
https://revisionworld.com/a2-level-level-revision/media-studies-
level-revision/reception-theory
4. The Hypodermic Needle
Model
• It was developed in the 1920s and 1930s after researchers observed the effect of
propaganda during World War I and events like Orson Welles’ War of the Worlds
broadcast. The Hypodermic Needle Theory is a linear communication theory which
suggests that media messages are injected directly into the brains of a passive
audience It suggests that we’re all the same and we all respond to media messages in
the same way.
In the 1930s, many researchers realized the limitations of this idea and some
dispute whether early media theorists gave the idea any serious attention at all.
Nevertheless, The Hypodermic Needle Theory continues to influence the way we
talk about the media. People believe that the mass media has a powerful effect.
Parents worry about the influence of television and violent video games. News
outlets run headlines like ‘Is Google making us stupid’ and ‘Grand Theft Auto led
teen to kill’.
On the surface, events like these seem to suggest that the media can have
a powerful influence on audiences. Nevertheless, The Hypodermic Needle
Theory is kind of inadequate to describe communication and media
influence. It just doesn’t work.
Although the hypodermic needle theory has been abandoned by most media
theorists, it continues to influence mainstream discourse about the influence of the
mass media. People believe that the mass media can have powerful effect on people
and parents continue to worry about the effect of television and violent video
games.
5. THE MALE GAZE
• The “gaze” is a term that describes how viewers engage with visual media.
Originating in film theory and criticism in the 1970s, the gaze refers to how we look
at visual representations. These include advertisements, television programs and
cinema.
• When film critics talk about the gaze, they are often referring to the “male gaze”
The “male gaze” invokes the sexual politics of the gaze and suggests a sexualised way
of looking that empowers men and objectifies women. In the male gaze, woman is
visually positioned as an “object” of heterosexual male desire. Her feelings, thoughts
and her own sexual drives are less important than her being “framed” by male desire.
A key idea of feminist theory, the concept of the male gaze was introduced by scholar
and filmmaker Laura mulvery in her now famous 1975 essay, visual pleasure
Although sometimes described as the “male gaze”, Mulvey’s concept is
more accurately described as a heterosexual, masculine gaze.
Visual media that respond to masculine voyeurism tends to sexualise
women for a male viewer. As Mulvey wrote, women are characterised by
their “to-be-looked-at-ness” in cinema. Woman is “spectacle”, and man is
“the bearer of the look”.
The Postman Always Rings Twice (1946) offers a famous
example of the male gaze. In the scene below, the audience is
introduced to Cora Smith, the film’s lead female character.
Using close-ups, the camera forces the viewer to stare at
Cora’s body. It creates a mode of looking that is sexual,
voyeuristic, and associated with the male protagonist’s point-
https://www.communicationtheory.org/reception-theory/
6. • The male gaze theory describes a way of portraying and looking at
women that empowers men while sexualizing and diminishing
women. We are driven to look at and evaluate each other as
potential mates, the male gaze twists this natural urge, turning the
women into passive items to possess and use as props.
• The term ‘male gaze’ was first popularized in relation to the
depiction of female characters in film as inactive, often overly
sexualized objects of male desire. However, the influence of the
male gaze theory is not limited to how women and girls are featured
in the movie. It extends to the experience of being seen in this way,
both for the female figures on screen, the viewers, and by extension,
to all girls.
• The male gaze discourages female empowerment and self advocacy
while encouraging self-objectification and deference to men and the
patriarchy at large.
• Despite the fact that women make up over the 50% of the
population, the male gaze relegates women and girls to the position
of other-and really to have.
• From a feminist perspective, the male gaze limits and defines
women in ways that are harmful and demeaning.
• Studies show that increasing incidences of depression, anxiety,
loneliness, low self-esteem are related o female objectification.
• For my essays and the topic I have chosen to talk about is male gaze
theory and included in my FMP which is print I will reflect on fashion
and magazines etc how women are portrayed through this and I
have chosen this because this is something I am interested in and
would love to find out more information. I will also look into 4
sources relating to the male gaze to find out more into this specific
topic.
MALE GAZE THEORY
7. Source 1
• https://www.westminster.ac.uk/about-us/our-university/outreach-for-schools-and-colleges/extended-
project-qualification-epq-support/breaking-free-from-the-male-gaze
• I am starting my research by looking into 4 sources which link in both with the male gaze and my chosen
specialism of print and design I began this by looking into an article/post which I found on the Westminster
university website. This post mainly focuses on the way the body is presented in the media and it can
contribute to body diversity and body positivity-the knowledge that all bodies are different and a ‘normal’
body as such does not exist and that it can make us feel good about ourselves. The post also relates towards
the audience as we look out ourselves and others everyday in many ways. Television, advertising, films ,
magazines and social media.
• Media portrayals of female bodies in particular are often problematic and merely serve the purpose of
showing women as objects to be consumed and looked at by men which has been explored by media and
communication researchers. From this post I gathered that the male gaze is a big thing when it comes to film
makers or genuinely in films of how women are portrayed characters etc as Hollywood Cinema was
structured along a threefold gaze (by the audience, the camera and the characters) that looks at women
from a male point of view and regards them as mere (sexual) objects. This is from close-ups of female bodies
or body parts are brought into focus and that women can only be shown in patriarchal terms and in relation
to men as some women in films are shown on the side or always with a male character as he takes charge
and leads the plot. Whereas the viewers then see the women as glamours, powerful and a perfect character
on screen and might want to be like him and women identify with the female characters and want to be
desired in a similar way and objectify themselves as sexual objects which occur largely unconsciously for
audiences. From this I have learnt a lot more detail to the film side of the male gaze and how there is a
pattern to how each characters is portrayed or shown in certain roles they have.
8. Source 2
• https://theconversation.com/explainer-what-does-the-male-gaze-mean-and-what-about-a-female-gaze-52486
• The next source I have moved onto was linked onto my first source website this is how I found this one and this source
links in with the male gaze theory on what does it mean and what about a female gaze? The idea of the male gaze invokes
the sexual politics of the gaze and suggests a sexualised way of looking that empowers men and objectifies women.in the
male gaze, woman is visually positioned as an ‘object’ of heterosexual male desire. The male gaze takes many forms, but
can be identified by situations where female characters are controlled (as said in the first source) by the hero.
• A YouTube video ‘the postman always rings twice’ 1946 offers a famous example of the male gaze. I watched this video
and noticed the camera uses close ups and also forces the viewers to stare at Cora's body it creates a mode of looking
that is sexual, voyeuristic and associated with the males point of view.it also establishes some important plot points the
hero desires Cora, Cora recognises his lust, Cora is an attractive women which the audience learns even before they know
her name. A lifetime of seeing women sexualised in television, music videos and advertisements has made people very
comfortable with assuming the male gaze.
• https://youtu.be/WGFer3-Aguw
• Filmmakers often attempt to avoid presenting female characters as “mere” sexual objects by giving them complex back
stories, strong motivations and an active role in the plot of their story however most show the women as to “be looked
at”.
9. Source 3
• Moving onto my 3rd source I found by searching through the internet focusing on films within the male gaze theory and
found this website which has many examples of films but also detail on how the male gaze is presented in films. Men are
considered the “active” do-ers of the world, while women are expected to take a more “passive” role supporting the men
and men's goals especially shown in films as characters.
• In the context of cinema, its mostly men who write films we watch, mostly men who make those films, and its men who
are usually the target audience therefore, men are usually given the lead in the stories themselves while female
characters are assigned functions that are limited to serving the goals of those male protagonists. (this is a sort of
character conduit to connect the reader to the world of that particular medium).the determining male gaze is what
happens when we put it all together-in other words we all been conditioned to adopt the male gaze because that is the
way we were “raised” by traditional cinemas.
• Women displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic
object for the spectator within the cinema auditorium.it is Asif females must perform their story function while also
adhering to the heterosexual male sexual fantasy though this is not always in a literal way simply being beautiful is all
that is needed.
• The main thing which people need to remember about Laura Mulvey's male gaze is that its the perspective of the
heterosexual male fantasy.
• https://www.studiobinder.com/blog/what-is-the-male-
gaze-definition/
10. Source 4
• https://intheirownleague.com/2019/09/29/feminist-film-theory-101-defining-the-male-gaze/
• This source also links a lot with male gaze in film which I noticed most of these sources do, in regards to representation in
film the male gaze is seen to strip away the human identity of female characters. The woman is visually positioned as an
“object” of heterosexual male desire through the use of the camera. Her feelings and thoughts are less important when
compared to the male counterparts, which often sees the female characters being almost invisible in the narrative. If they
were to be removed from the film, then the plot wouldn’t be affected by their lack of presence as said.
• From a feminist perspective, this theory can be viewed in three ways: how men look at women, how women look at
themselves and how women look at other women. Typical examples of the male gaze include medium close-ups shots of
women from over a mans shoulder, shots that pan across and over as well as fixate on a woman's body. According to
Mulvey, it is women who are “the bearer of meaning and not the maker of meaning” this implies that women are not
placed in a role where they can take control of a scene, instead they are simply put there to be observed from an
objectified point of view. A man possesses the gaze because he is a man, however a woman has the gaze only when she
assumes the role of a male viewer – when she objectifies others by gazing a them like a man.
• We may be more aware of the male gaze and the depiction of women but its such an integrated part of our popular culture
that I may never disappear, how we view film has certainly changed since Mulvey's essay and now with social media sites
such as Instagram we have all become subject to the gaze .
11. BAUER MEDIA
• Bauer media group is one of the worlds largest privately-owned media business with media assets all over the globe.
Founded in Hamburg in 1875 and now in its 5th generation of family ownership, the Bauer media group reaches 200 million
consumers worldwide and operates in 14 countries including the Czech republic, Denmark, Finland, France, Germany, Israel,
Norway, Poland, Slovakia, Spain, Sweden, UK, Ireland and the USA and has 15,000 employees.
• Bauer media UK is part of the wider Bauer media group and is the No.1 UK publisher and the No.1 digital commercial audio
broadcaster. No other media owner has the range and diversity of brands and audiences that Bauer truly different they use
audience insight to get a deep understanding of the audiences- knowing that it is no longer enough to understand what
consumers are doing right now but its crucial to understand where behaviours, values and attitudes are changing.
• From today Bauer media are the Uks biggest selling magazine publisher, creating iconic and influential magazine media
brands for diverse, passionate audiences. They have a women's weekly magazine which include take a break which has long
been the Uks best selling women weekly title and TV choice.
• Bauer Audio:
• This is Europe's leading digital commercial radio broadcast and audio operator. Experts in the power of sound, the company
reaches over 57 million listeners weekly through its market-leading broadcast radio, online services and podcasts.in the UK
they reach over 20 million listeners a week and operate over 120 commercial, local, national and digital stations. They also
own the Hits Radio Brand Network; the biggest commercial network in the UK made up Hits Radio, Greatest Hits Radio,
Country Hits Radio and other iconic local brands.
• https://www.bauermedia.co.uk/brands/audience-finder
12. • An idea into the websites which include a range of
magazines and audio (which I will look into for my sources).
Bauer Media Website
13. SOURCE 1-THAT’S LIFE
• That’s life is a magazine in which combines real-life stories with classic women's weekly editorial and
a sense of humour. This magazine is unique, sassy and gritty involving editorial talks to its readers in
their own language this ensures it has one of the strongest reader relationships of any magazine in
the UK and is incredibly thoroughly read. With readers devouring every last page it is also an
empowering magazine, bursting with character its perfect mix of humorous and captivating editorial,
make it the most engaging magazine in the market. This is a British women's magazine founded in
1995 and published by H Bauer UK a subsidiary of the German Bauer Media Group on a weekly
bases, it also includes women's health and lifestyle features, puzzles and competitions.
It’s a magazine a slice of reality for women who want a little more out of life
and aren’t afraid to get it. The readers are mainly busy mums and workers the
backbone of the family who sees that life which is for the younger women's
weekly readers and the content holds a mirror up to their lives.
The readers also want to look and feel good so they are interested in beauty
and make up (receives more than 200 requests a week for beauty advice )
14. SOURCE 2- YOURS
• Yours magazine puts its readers at the heart of everything we do and they reward us with
unprecedented levels of loyalty, trust and engagement. offering highly relevant, trusted and
useful advice, whether it’s to help readers look their best, to stay healthy and active, to enjoy
their free time or to manage their money better they celebrate 50+ women too, whether
they’re overcoming difficulties or achieving amazing things. And like to look back with our
readers and listen to their views, enjoy a shared heritage, shared values and a sense of
friendship and community. The covers stars aren’t just ‘celebs’ they are stars with integrity,
warmth and values that the readers share, the real-life features celebrate women who have
shown courage against the odds or are making a difference In the world. Moving on from this
the readers want to look and feel their best, so this magazine provides trusted expert advice in
every area the health advice is relevant but positive + the fashion pages always feature
affordable, figure fixing fashion.
They also have ‘Yours Retro’ which is an issue which uncovers the secrets of the
unforgettable stars we love, from Hollywood greats to home-grown talent
bringing new and intriguing information about yesterdays icons. They also rejoice
in the everyday things we used to take for granted and reminisce about the
fashion and fads from years gone by.
15. SOURCE 3-GRAZIA
• ‘Brave, bold and innovative’- they were the words used to describe Grazia when it first
launched, and they're just as relevant today. This is the only magazine within the market to
offer a breadth of need-to-know news, whether in the world of celebrity, fashion, beauty or
culture, on a regular basis with a new issue every two weeks. This magazine has a highly
targeted demographic of 25-45 year old women and more AB profile readers than Vogue and
Elle which are very high brands within the magazine fashion industry. Grazia adds to our
curated charts of the fortnights hottest drops and brings an added usefulness to its unrivalled
fashion offering and also has the best business beauty editors are ging further than ever to
test and try the products that truly deserve your money, time and trust – bring in mental
health with new troubleshooting franchise school for thought.
Grazia online is a real time fashion, lifestyle and news website for
the hottest and most relevant news stories of the moment. With
fashion, beauty, celebrity and lifestyle sections with stories ranging
from the best high street items to buy this pay day to the world
exclusive.
16. SOURCE 4- HEAT
• heat is the brand that sets popular culture alight and gets people talking, now a huge
multiplatform brand that’s unrivalled in the entertainment market heat is more than just a
magazine it’s a radio station, podcast, an app and has a huge online and social media
presence. Things published are reports, investigations, exclusive picture stories and analysis
and help celebrities talk about their biggest stories.
• At heat they edit and road test the latest trends, treatments, launches and brands arming
readers with the information they need to make savvy decisions when it comes to trends they
like to make sure they have advice that works for everyone with the all new ;all inclusive’
fashion and beauty section. In print they bring readers a truly unique quality experience from
clever A list access shoots no their magazine could pull off to celeb news heat has the celeb
contacts to give readers the exclusive every time. The all inclusive approach promises style for
everybody and the team test fashion and beauty products to make sure readers spend their
hard-earned pennies wisely.(life hacks) gives readers down-time inspo by curating the
buzziest experiences in travel, Food, fitness, wellbeing and homes.
17. SOURCE 5- COUNTRY
The leading bird title on the UK newsstand, this is the definitive source of information for
bird watchers, allowing them to get the best out of their hobby. With 65% of readers
receiving their copy on subscription they get all they need direct to their door allowing them
more time to pursue their passion.92% having been on a holiday or short break that has
involved walking in the last year.
For those who love walking in hills and mountains trail is an informative and inspirational
read, especially when it comes to buying the best gear and equipment for tough terrains. In
the past 12 months trail readers have spent more than £18 million on off-road running gear
and equipment with 92% buying something walking related as a result of seeing it in the
magazine.86% readers actively look at the magazines advertisements while reading.
18. SOURCE 6- GOOD HOUSEKEEPING
• Good housekeeping is an American women's magazine featuring
articles about women's interests, product testing by the good house
keeping institute, recipes, diet and health as well as literary articles it
was founded in 1885 by American publisher and poet Clark W Bryan.
Good housekeeping is one of the ‘seven sisters’ a group of women's
service magazines in 1922 the hearst corporation created a British
edition along the same lines named British good housekeeping. The
target audience is mainly focused at a more mature audience about
around 30s as the magazine is presented in this way through it cover
lines and layout design and the information to which is included inside
the magazine. This magazine stood out to me a lot more than the other
sources I have looked into because it gives a stereotype of how women
are ‘just housekeepers for men’ which reflects on the male gaze that
men are in control and overpower the women therefore women feel
less powerful in this situation.
19. Analysing A Product:
Moving onto analysing my chosen product which is a women's
magazine “women's health” I chose this magazine because it stood
out to me as the type of magazine which you would be able to refer
the male gaze to and link in some points related to this theory. The
first thing which stood out when looking at the cover of this
magazine was the image which is a women in a small tank top and
bikini bottoms which can be very revealing to certain audiences of
the male gaze, however from this it seems the body image has to
look a particular way which heightens this femininity. From the cover
line ‘15 minutes,3 days a week’ ‘ways to look hot’ this reveals the
people are trying to get the audience to absorb this male gaze and
even do it themselves by loosing weight, wearing makeup and
wearing revealing clothes to look ‘hot’ this is empowering women to
look like this perfect image with no flaws for the male gaze. The mise-
en-scene of the women's body language looks Asif she means
business with both hands on her hips to show the power she holds
this also links to the masthead as the women image is on top of the
masthead to also show her importance within this magazine and
what the main focus is. The facial expression of the women are
smiley and happy this reveals she looks like she is confident and
proud of how she looks and Asif she is proud of the confidence she is
showing through the cover.
20. Analysing a product
The next magazine I decided to look into was ‘seventeen’ magazine which
has a target audience of 13–19-year-old females this magazine is supposed
to empower young girls on the latest trends and how to ‘look’ a certain
beauty standards seemingly for men I noticed when looking into this
specific cover I had found. This included cover lines such as ‘best body’ &
‘pretty looks for you’ this reveals the magazine is trying to pursued its
audience to change their appearance for the specific beauty standards
which have become a ‘trend’ to each generation. As this magazine is aimed
at such a young demographic, I think this is very wrong in many ways young
girls want to enjoy their life and not know how to get the best body or look
appealing for others, this fits in with the male gaze that women must fit a
certain criteria to be attractive or for a man to find them attractive. This can
be very damaging to the younger teens as they may not feel they are good
enough or look good enough which effects mental health at a young age.
The font used are large and the cover lines stand out a lot to its audience
with the use of the saturated colour scheme which is feminine colours this
suggest they want to make sure the audience focuses on these cover lines
as this will pull them in and make them want to buy the magazine. The
body language of the model is very similar to the last magazine as she is
smiling and showing the power which, she holds this is also done as the
audience will want to look like these models when focusing on the images
as well as the fact this is Beyoncé who is a celebrity it will attract a fan base.
21. What Is PLAYBOY?
• PLAYBOY is an American men's lifestyle and
entertainment magazine including clothing, sports,
consumer goods, men's health, politics, and , formerly in
print (which is what I am focusing on) and currently
online. It was founded in Chicago in 1953, by Hugh
Hefner and his associates and funded in part by a $1,000
loan from Hefner’s mother. The first to present female
nudity and sexually oriented material in a relatively
sophisticated format, although most famous for its
photo spread Playboy also published general articles and
fiction, both of which were frequently of high quality
(which is interviews with celebrities and other
newsworthy person won wide attention)7.2 million
copies where sold in November 1972 and average sales
of 5.6 million copies per issue in 1975.
22. Secrets of PLAYBOY…
• This is an A&E network docuseries that explores the dark side of the lifestyle Hefner
sought to embody. Sister network lifetime notably had considerable impact with its
documentary expose ‘surviving R.Kelly’ and this fits squarely within that genre, yet
because hefner is gone having died in 2017 the main thrust lies in examining the
culture that PlayBoy promoted and the tactics employed to protect is founder, the
brand and Hefners buddies from facing damaging scrutiny.
• Secrets of PlayBoy names about some of the most egregious behavior associated
with the carte blanche including allegations of sexual misconduct and drug use.
• As much as Hefner advanced the idea of PlayBoy empowering women, the stories
about misconduct being overlooked and bunnies being regularly weighed and
reprimanded if they put on a few pounds, therefore they don’t fit that part of the
narrative. Ditto for the enormous power disparity that defined interactions
between young women working for playboy and Hefner and his celebrity pals.
• ‘obscured abusive and manipulative actions towards women who saw Playboy as a
path to fame and successes.
• This premiers on the 24th of Jan.
23. Episode one- The Playboy Legacy
• I decided to watch an episode on the secrets of playboy to find out a little more information and some
facts which I can then reflect on.
NOTES:
• Some of the girls didn’t want to bring up the memories as they were very traumatized and weren’t
even prepared to open up about Hefner
• Hefner changed the magazine culture, his legacy is very confusing because he sold women a very
seductive package about sexual freedom
• one of the women who lived in the mansion stated ‘I think he was a monster’ another said ‘ I could
look at him, and I saw the devil’
• Age of 27 when he began his first magazine
• Hefner was in his own world he created this fantasy, he thought he was the king and emperor looking
back on these photos everyone else was invisible to him.
• 7 million copies sold each month
• Women being exploded through the mansion- objectifying women
• This wasn’t empowering women this was the breaking down of women
• ¾ main girlfriends-one was the main
• Security cameras everywhere + microphones
• ‘I had to keep my mouth shut if I wanted to keep my job’
• He believed he owned these women
24. Analysis of Playboy
Magazine:
I came across this magazine which was advertised for the ‘Girls
Next Door’ TV series I noticed a lot of things as soon as I had
seen this image and the sort of way it is portraying to its
demographic. I noticed the dress codes of the three women
which were very revealing as they had only bikini tops on and
shorts with long socks, I feel Hefner did this to attract the
audience because of how the women ‘look’ as the clothing is
very little. The mise en scene of the women's facial expressions
seem overly happy as they have direct eye contact to the
audience which will also attract them to this cover. I noticed they
are holding what seems to be props which are lollipops again
themselves I feel Asif this is trying to be portrayed in a sexual
way by giving a hint this reveals that Hefner is trying to objectify
these women into using them to attract an audience and taking
power to how they will look and be sexualized in certain ways.
The colours schemes are very feminine colours of saturated
colours such as pinks with large fonts but still is trying to reach
for the male audience to these magazines. The phrase ‘up close
and personal’ also suggests Hefner wants its audience to feel
close to these women and know everything about them just by
looking at these images. I feel that Hefner is also trying to refer
to these women as young girls as they are dressed like teen girls
and the colour schemes and fonts seem like they are reaching a
younger audience.
25. Bibliography:
• Ben Khon PlayBoy. Available: https://en.wikipedia.org/wiki/Playboy. Last accessed 11 jan 2022.
• Bianca Bee Garner. (29th September 2019). Defining the male gaze. Available:
https://intheirownleague.com/2019/09/29/feminist-film-theory-101-defining-the-male-gaze/. Last accessed 11 jan 2022.
• Breaking Free From The Male Gaze. Available: https://www.westminster.ac.uk/about-us/our-university/outreach-for-
schools-and-colleges/extended-project-qualification-epq-support/breaking-free-from-the-male-gaze. Last accessed 11 jan
2022.
• Brian Lowry. (24th Jan 2022). secrets of PlayBoy. Available: https://edition.cnn.com/2022/01/24/entertainment/secrets-
of-playboy-review/index.html. Last accessed 11 jan 2022.
• James Morrison (12 July 2018). Auteur Theory and My Son John . London: Bloomsbury Publishing
• Janice Loreck. (5th jan 2016). what does the male gaze mean, and what about the female gaze?. Available:
https://theconversation.com/explainer-what-does-the-male-gaze-mean-and-what-about-a-female-gaze-52486. Last
accessed 11 jan 2022.
• Kim Leonard. (25th April 2021). what is the male gaze?. Available: https://www.studiobinder.com/blog/what-is-the-male-
gaze-definition/. Last accessed 11 jan 2022.
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• Noah Berlatsky. (25 March 2013). Womens magazines objectify women just as much as mens magazines do. Available:
https://www.theatlantic.com/sexes/archive/2013/03/womens-magazines-objectify-women-just-as-much-as-mens-
magazines-do/274330/. Last accessed 11 jan 2022.
• Reception Theory. Available: https://revisionworld.com/a2-level-level-revision/media-studies-level-revision/reception-
theory. Last accessed 11 jan 2022.
• Reception Theory. Available: https://www.communicationtheory.org/reception-theory/. Last accessed 11 jan 2022.