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Project 1: Understanding Different types of Professions and Drawings in the Built Environment
Introduction to Drawing [ARC30103]
Introduction to the Construction Industry [QSB30105]](https://image.slidesharecdn.com/interiorarchitecture-150816131601-lva1-app6891-150816162648-lva1-app6892/85/Interiorarchitecture-150816131601-lva1-app6891-2-320.jpg)
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- 2. InteriorArchitecture Project 1: UnderstandingDifferent types of Professions and Drawings in the Built Environment Introduction to Drawing [ARC30103] Introduction to the Construction Industry [QSB30105]
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- 4. Roles of an interior architect Design and build interiors for safety, functionality and aesthetics Understand the durability and strength of building structure materials Be skilled in the use of light, colours and textures in a space Draft plans to create or refinish spaces in private home or in commercial buildings Design with their clients’ taste in mind Be aware of the federal, state and local building regulations so their designs are up-to-code
- 5. Interior architectsare part of the building and remodelling process from the beginning to end They begin their job by meeting clients to discuss the expectations for the project At these points, the interior architect will listen to the wants and needs of his/her clients as well as giving suggestions to his/her clients
- 6. Responsibilities of an interior architect Meet clients’ needs, ideas and budgets create, present and implement design concepts according to a client’s spatial needs and wants Select colours, schemes, texture, fabrics, fittings and furniture map out the space to determine furniture location and overall room design Ensure that the work is completed on time and on budget making sure that the timeline is met, and costs are within budget Create illustrations and renderings Establish competence standards
- 7. Responsibilities of an interior architectat differentstages of construction BEFORE CONSTRUCTION Pre-project Programming phase – data is gathered and analysed to determine requirements to be met, culminating in a design concept that express the proposed character of space. Schematic design phase – Drawings & other documents are prepared to depict design concept and solutions (ideas for space allocation, furniture layouts, types of finishes to be used) Design development phase – Drawings & other documents refined and executed to scale, with greater detail for client approval. Contract document phase – requirements for construction & furnishings are documented for the client’s written approval.
- 8. DURING CONSTRUCTION Construction/Installation advise whether the work conforms with the construction drawings and specifications check for any defects and errors and to ensure they are corrected Contract administration phase – execution of design plans, including oversight of work performed by tradespeople, to see that they are consistent with the design concept.
- 9. AFTERCONSTRUCTION Post-completion Meet with all interested parties (client and employees, general contractor, and architect) Make follow-up phone calls to the client, asking how things are going and whether any additional services are required
- 10. Drawings Produced by InteriorArchitects “Drawingis a tool and a language. A tool because it serves to analyse and understand, and a language in so far as it expresses and procures to ‘translate’ those formless sensations that ‘float’ in the interior, retaining the impressions produced in the act of observing.” – Arne Jacobsen
- 11. Concept/Mood Board conveys theoverall feel of a project, putting together images and objects which inspire, target desires and depict creativity and innovation a method of creating a ‘visual conversation’ with the client and other members of the design team a guide tool to show to clients for approval before proceeding further helps the designer to keep all of their ideas together and integrated
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- 13. Sketches SKETCHES – fast,immediate & require only a pen and paper Used as a way of observing & recording A way of ‘thinking out loud’
- 14. Sketches (Analytical Sketches) is whenyou draw something out in order to understand or explain something either to yourself or others involve non-formal elements such as lines of sights/measurements, often incorporating fragments of plan, section and perspective on the same page. could be described as sketching out ideas rather than spaces.
- 15. Sketches (Design Sketches) Sketches arean immediate and intuitive form of drawing.They are a fast and fluid way of exteriorising thoughts. Because of the ease and speed of sketching they are often done in a series and it is possible to literally see the thought process as it develops.
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- 17. Survey Drawings Interior architectswill often find themselves working within existing buildings and spaces. Some of the first drawings to be made for a proposal will therefore be a survey or record of the building in its existing condition. The more accurate and thorough the survey the easier the subsequent work will be.
- 18. Survey Drawings Record allthe information that might be useful or inform the proposed design. often are quick, rough and in the form of sketches and notes, with layers of information and use of colour to highlight important aspects. If available, the original plans and sections are referred to.The drawings should be checked that they are ‘as built’ and any alterations that have occurred to the building should be noted.
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- 22. Diagrams Abstract drawingsthat use symbols/ideograms as a graphic shorthand rather than attempting pictorial likeness. They focus on specific attributes, editing out superfluous information for clarity.
- 23. Diagrams (Conceptual Diagram) Often calleda “Bubble Diagram” Indicates functional and spatial relations Identifies major spaces, areas, and other important features Bubble size is not drawn to scale at this time
- 24. Diagrams (Schematic Plan) Indicates spatialad circulation relationships Scale and shape of the spaces become evident Important features are delineated Several schemes are quickly sketched for study
- 25. Preliminary Plan Scaled proportionsof spaces and elements Addition of internal architectural details Walls, windows, and built-in items are shown Furniture might be indicated in some areas
- 26. Final Plan Fullyscaled drawing depicting space, objects, and usage Details such as doors, windows, counters, etc., are shown Furniture often shown to indicate how a space is used Textures often drawn to show surface of materials
- 27. Orthographic Projection One ofthe most useful tools available to the interior architect A geometrical technique of projecting lines at right angles between a picture plane and an object, usually a building. Projection lines are parallel and the resulting image has no perspective. Depending on the picture plane, there are different types of orthographic projection: Plan Elevation Section Plan and section provide a method of opening up the building to look inside. If drawn to scale, different drawings are able to refer to each other and a 3D design can be constructed entirely from 2D drawings.
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- 29. Orthographic Projection PLAN A horizontal measuredcut through the structure, space or object. SECTION A vertical measured cut through a structure, space or object. The section is generally cut through the centre of the space but again can be cut at any point along the plan. ELEVATION A frontal measured drawing that documents the front face of things. This can be an ‘external elevation’ or for interior spaces an ‘internal elevation’.
- 30. Axonometric & Isometric Drawings Axonometric(aka ‘paraline’) is constructed by placing a plan at 45 degrees to the paper edge and extruding or projecting the edge lines vertically to describe the walls. Isometric works on the same principle but the plan is set at 30 degrees. ability to offer a swift method of constructing a 3D view while allowing for ‘true’ measurement in all 3 dimensions. However, the resulting interior will have no perspective because the projecting lines are parallel, and the image can look distorted with the viewer placed floating above/below the space.
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- 32. Perspective Drawings The linesof projection converge on the viewpoint (the viewer’s or painter’s eye) and thereby give an illusion of depth. Allows the viewer to stand in the space in a way the previous drawings never can. It is about focal points in a room and the arrangement of elements and furniture. It can be useful to show the more experiential qualities of the interior such as the space itself, light qualities and views beyond.
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- 35. Summary Interior architecture/design/decorationdeal with the design and development of an interior space but on different scales The interior architect must be a creative individual with knowledge about colours and textures but must also have sound knowledge of architectural and structural concepts The interior architect may deal with a proposed building or may be redesigning an existing structure The interior architect produces various 2D and 3D images to convey ideas and may also act as a construction reference. However, they may also refer to existing drawings when working with pre-existing buildings.
- 36. Sources IMAGES https://m1.behance.net/rendition/modules/42919639/disp/d424dc4e2d41dfee58ccc97d 98035abe.jpg?cb=495350802 http://www.interiordesign777.com/wp-content/uploads/2014/03/Orange-Wall-Interior- Design.jpg http://www.michaelfullen.com/projects/crystalCove/michaelFullen_CrystalCove02.jpg http://www.homedecorarcade.com/wp-content/uploads/2010/01/wooden-orange- furniture-design-ideas.jpg http://cimots.com/wp-content/uploads/2011/06/Incredibly-Inspiring-Interior- Design4.jpg http://clearleft.com/thinks/images/visex-mood-board.jpg https://s-media-cache- ak0.pinimg.com/236x/a8/a2/27/a8a227708053700e418df62341a04607.jpg https://colourillusions.files.wordpress.com/2015/01/mood-board-1-001.jpg INFORMATION INTERIOR DESIGN –THEORYAND PROCESS BYANTHONY SULLY FOUNDATIONSOF INTERIOR DESIGN 2ND EDITION BY SUSAN J.SLOTKIS BASICSOF INTERIORARCHITECTURE 01 – FORM + STRUCTURE BY BROOKER + STONE BASICSOF INTERIORARCHITECTURE 03 – DRAWING OUTTHE INTERIOR BY RO SPANKIE INTERIOR DESIGNCOURSE BYTOMRISTANGAZ http://www.aia.org/aiaucmp/groups/aia/documents/pdf/aiab089255.pdf
Editor's Notes
- #11 Danish architect and designer
- #12 Words fail miserably when trying to translate design concepts – what one person calls “edgy” another might see as chaotic. Visuals communicate things that words cannot. Picture is worth a thousand words, and mood boards are a great tool to create that picture for the client. Mood boards (sometimes called inspiration boards) are used in a variety of disciplines. Fabric swatches and paint chip samples are grouped together on a poster to show a homeowner what type of atmosphere the new décor will create. The mood board is essentially casual; it lets the designer start with broad strokes and get feedback before too much time is invested in the wrong direction. Think of it as rapid visual prototyping.
- #13 Designers use concept boards to convey the overall feel of a project, putting together images and objects which inspire, target desires and depict creativity and innovation. Concept boards are also very useful at the early stages of a project as a guide tool to show to clients for approval before proceeding further. The images which are used on these presentation boards do not necessarily have to relate directly to the project, some of the images can create a "feeling" or "mood" rather. These images are for inspiration and the designer can draw out certain elements or colours from them and use these to inform their design concept.