Initial pitch
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This presentation pitch outlines the key elements of a horror film trailer promotional package, including defining the target audience as those who enjoy possession genre films. It will discuss how the film's narrative follows conventions of the possession subgenre while also challenging them. The presentation will provide an initial outline of the film's story and include images of the location that will be featured in the trailer.
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This document provides an overview of cinematography techniques used to create atmosphere, tension, and meaning in films. It defines cinematography as "the art and methods of film photography" and discusses how lighting, camera angles, framing, camera movement, and filmmaking style can be manipulated to elicit different emotions from viewers. Specifically, it notes that low key lighting creates tension and suspense through high contrasts, while high key lighting produces more relaxed moods. The document instructs students to analyze how District 9 and Ripper Street employ these cinematography tools.
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Film openings typically use conventions like flashbacks, narrators, or landscape pans to set the scene and provide context. They usually display credits and production company logos to identify who made the film. The opening aims to engage audiences through techniques like title sequences, chase scenes, or fight scenes that hint at the film's genre and plot. The overall purpose is to introduce characters, settings, and draw viewers into what to expect from the story.
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The document provides an analysis of the opening scene of the film "American Sniper". It summarizes that the opening establishes the film is set during the Iraq War and introduces the main character Chris Kyle as a highly trained sniper. Various camera techniques like extreme long shots, eye line matching, and close ups are used to create tension and suspense during shooting scenes. Elements like costumes, props, and sound editing help make the film seem realistic and immerse the audience. The pacing increases during action but slows on shots of Kyle aiming to build anticipation.
Q5
To attract their target audience of Marvel and DC fans, the creators made their media product have fast pacing and elements of thriller. They tried to make the opening look like a superhero film. They also did not reveal details about the main character, Jack Noir, to generate interest in learning more. Additionally, they changed conventions by focusing on a super villain rather than hero, which they believed would attract a wider audience. The opening titles used static and flashing text to seem like it was filmed on an old broken camera, creating a sense of realism and showing the lower class of the main character.
Presentation1
The group will create a film opening in the drama/action genre because their research found that many successful films like The Dark Knight, Fast and Furious, and Taken fall into this category. These films are well-known for narratives that audiences can relate to and for providing escapism. Additionally, including action makes the films more interesting to viewers. The group decided on this genre for their opening to make it unique.
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This document outlines several common conventions found in thriller films, including protagonists, antagonists, settings, themes, enigmas, visual styles, and iconography. It prompts the reader to explain how a given thriller film uses, develops, or challenges these conventions through descriptions of the protagonist, antagonist, setting, visual style, and other elements.
Evaluation pt
The document discusses the group's preliminary media project. It chose to recreate an opening scene from the TV show "Suits" to demonstrate its creativity and ability to work together. The group felt its original proposal of recreating the "Suits" scene was successfully achieved, especially the chase scene. The group planned the production over two weeks, first brainstorming ideas and creating a structured shot timeline to reduce planning time and allow a focus on filming and editing. This planning method was deemed effective as it allowed for collaboration and input from all group members to reduce conflict and make everyone feel involved in the project.
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Lesson 3 - cinematography
This document provides an overview of cinematography techniques used to create atmosphere, tension, and meaning in films. It defines cinematography as "the art and methods of film photography" and discusses how lighting, camera angles, framing, camera movement, and filmmaking style can be manipulated to elicit different emotions from viewers. Specifically, it notes that low key lighting creates tension and suspense through high contrasts, while high key lighting produces more relaxed moods. The document instructs students to analyze how District 9 and Ripper Street employ these cinematography tools.
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Film openings typically use conventions like flashbacks, narrators, or landscape pans to set the scene and provide context. They usually display credits and production company logos to identify who made the film. The opening aims to engage audiences through techniques like title sequences, chase scenes, or fight scenes that hint at the film's genre and plot. The overall purpose is to introduce characters, settings, and draw viewers into what to expect from the story.
Lesson 3 - cinematography
This document outlines a lesson plan on cinematography. It introduces cinematography as using cameras, lighting, and color to create the visual style and look of a film. Examples from The Godfather and La Haine are provided to demonstrate how cinematographers use techniques like lighting, shot composition, and camera angles/movement to build mood, atmosphere, tension, and convey meaning. Students will analyze examples from Roger Deakins' work to understand these cinematography techniques and their effect. The goal is for students to understand and explain how cinematography is used to visually tell stories.
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The document provides an analysis of the opening scene of the film "American Sniper". It summarizes that the opening establishes the film is set during the Iraq War and introduces the main character Chris Kyle as a highly trained sniper. Various camera techniques like extreme long shots, eye line matching, and close ups are used to create tension and suspense during shooting scenes. Elements like costumes, props, and sound editing help make the film seem realistic and immerse the audience. The pacing increases during action but slows on shots of Kyle aiming to build anticipation.
Q5
To attract their target audience of Marvel and DC fans, the creators made their media product have fast pacing and elements of thriller. They tried to make the opening look like a superhero film. They also did not reveal details about the main character, Jack Noir, to generate interest in learning more. Additionally, they changed conventions by focusing on a super villain rather than hero, which they believed would attract a wider audience. The opening titles used static and flashing text to seem like it was filmed on an old broken camera, creating a sense of realism and showing the lower class of the main character.
Presentation1
The group will create a film opening in the drama/action genre because their research found that many successful films like The Dark Knight, Fast and Furious, and Taken fall into this category. These films are well-known for narratives that audiences can relate to and for providing escapism. Additionally, including action makes the films more interesting to viewers. The group decided on this genre for their opening to make it unique.
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This document outlines several common conventions found in thriller films, including protagonists, antagonists, settings, themes, enigmas, visual styles, and iconography. It prompts the reader to explain how a given thriller film uses, develops, or challenges these conventions through descriptions of the protagonist, antagonist, setting, visual style, and other elements.
Evaluation pt
The document discusses the group's preliminary media project. It chose to recreate an opening scene from the TV show "Suits" to demonstrate its creativity and ability to work together. The group felt its original proposal of recreating the "Suits" scene was successfully achieved, especially the chase scene. The group planned the production over two weeks, first brainstorming ideas and creating a structured shot timeline to reduce planning time and allow a focus on filming and editing. This planning method was deemed effective as it allowed for collaboration and input from all group members to reduce conflict and make everyone feel involved in the project.
Sm 7b
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Evaluation question 1
The media product challenges conventions of horror films in several ways:
1) The title "The Darkness" fits the narrative and horror film genre to attract audiences.
2) The red title against a black background follows horror film conventions to engage viewers.
3) The setting of a house allows for audience relatability and builds suspense, relating to films like Scream.
4) Camerawork and editing with various shots maintain interest and show emotion and mystery.
5) Costuming simply distinguishes the antagonist in black from the protagonist in white, representing purity and safety with the bedside lamp.
6) Characters are introduced with the protagonist in the mirror and antagonist as a supernatural
Task 3 distribution 1
Distribution involves getting a film to audiences. Distribution companies acquire films through their own studios or film festivals. As our film is a complex, dark conspiracy thriller with a slow pace, it may appeal to distributors if it has a large enough audience. However, we would need to promote it at film festivals to get noticed. While our film features some universal themes that could appeal internationally, its dark tone may limit its foreign audience appeal. Exhibition strategies like film festivals and marketing through online ads, TV spots, and magazines could help distributors and consumers notice our film. It might be released in cinemas, on DVD/Blu-ray, online or on demand. We could also self-distribute to maintain more control
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Film production
This document discusses the film production process. It explains that there are four main stages: pre-production, production, post-production, and distribution. Pre-production involves developing the idea, storyboarding, and budgeting. Production is the filming stage. Post-production is where the film is edited together and promoted. Distribution is getting the film into cinemas by working with film distributors. Short films, foreign films, and independent films are also briefly mentioned.
Question 2 V2
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Final Piece Evaluation
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- It describes that students will film their interpretation of the scene in groups and edit the footage on computers in the next class.
Lets get thinking
The document discusses plans for a film trailer targeting 16-25 year olds interested in the "Slender" myth. It will attract audiences through unique plot elements based on this myth. Specific shots and camera movements are planned to build tension and unease. The film score will use strings and drums to match the horror genre. While referencing horror conventions like limited visibility of threats, the trailer aims to develop its own tone through erratic editing and shots. It will fulfill audience expectations revealed through feedback. The narrative structure follows Todorov's model of introducing danger to later resolve, without fully revealing the story. Character archetypes alluded to in the trailer reference Propp's models.
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This document outlines technical and symbolic codes used in moving images. The technical codes section describes editing techniques, sounds, camera movements, camera angles/lenses/types, and types of shots. It also discusses CGI technology. The symbolic codes section covers aspects of mise-en-scene like settings, objects/props, body language, lighting/color, costume, and use of space.
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The document discusses different types of scripts in the commissioning process:
1) "Spec scripts" are written without payment to target a specific producer in hopes of being developed.
2) "Optioned scripts" are bought by a producer, who pays a writer for the rights to produce their original script or adapt an existing property into a screenplay.
3) "Commissioned scripts" involve a writer being paid to produce a script for a specific production like a film, series, or episode according to the producer's needs.
Qustion 1 evaluation
The media product uses several conventions found in real horror films. It begins with an aerial establishing shot, panning down to the location like in "Hush." The isolated old farmhouse location is similar to films like "The Changeling" that reveal secrets in old buildings. Shots of the protagonist walking used a steady cam to look professional, mirroring techniques used in other films. The main character's costume presented her as a vulnerable girl, setting up her identity as is common in opening scenes. Throughout, titles used a simple, worn font consistent with the horror genre.
Alex Evaluation Q3
1) The document discusses what the filmmakers learned from audience feedback on movie trailers. Audiences preferred trailers that built tension and suspense without revealing too much of the plot.
2) It was also found that audiences could identify with morally questionable characters if they were developed and their actions were justified or accepted as part of their character.
3) Trailers typically establish the setting, hook, and dramatic scenes to draw audiences in, suggesting the emotions they will feel watching the full movie while following genre conventions.
Evaluation1
The document discusses an AS Media evaluation for a group project creating a horror film opening. It summarizes the key conventions and techniques used from real horror films, both those included (e.g. blackout scenes, not showing the villain) and not included (e.g. no dialogue, no false scares). It also addresses target audience, distribution opportunities, and what was learned about technologies through the project process.
Marketing campaign
The marketing campaign for the film eZ Life will include a television advert with the film's title, release date, and genre shown through conventions to make it obvious. Posters will be placed in cinemas, shopping centers, and other high-traffic areas to target the audience. A website will be created containing photos, exclusive clips, and merchandise links, with the main focus being the trailer to convince people to watch. Social media accounts on Twitter, Facebook, and YouTube will constantly post updates and exclusives to promote the film.
Conventions of a Film Poster
This document discusses conventions of film posters. It explains that film posters aim to catch people's eyes with a main image related to the film's genre. Posters usually include the director, producers, and main actors to promote the film. Once a film is screened, posters can be updated to include positive reviews and awards. Taglines are used to emphasize the film's key points and hint at the plot. Dates are included to show when the film will be in theaters or available for purchase. Symbols on the poster can also provide clues about the film's plot and themes.
Pitch Analysis
This is an analysis of the pitch we completed in front of our classmates in order to find out how to improve our promotional package.
Evaluation Question 1
We decided to use a quotation from Empire Magazine and display it in a typing style to add credibility and keep consistency. We also included a "recording box" graphic over footage to represent a handheld camera. A montage was used to build tension and heighten emotion leading up to revealing the stalker character. Contact information was provided at the end in a "coming soon" graphic to allow the target audience to learn more about the film.
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Sm 7b
This document discusses how media texts attract different audiences. It provides examples of factors to consider in analyzing a text's audience appeal, such as trailers, target demographics, adherence to genre expectations, dramatic elements, visual style, and stars/directors. It also notes that a film was a major success due to its mixing of conventional romance and drama themes through an unusual narrative and visual storytelling that allowed it to appeal to both mainstream and less mainstream audiences.
Evaluation question 1
The media product challenges conventions of horror films in several ways:
1) The title "The Darkness" fits the narrative and horror film genre to attract audiences.
2) The red title against a black background follows horror film conventions to engage viewers.
3) The setting of a house allows for audience relatability and builds suspense, relating to films like Scream.
4) Camerawork and editing with various shots maintain interest and show emotion and mystery.
5) Costuming simply distinguishes the antagonist in black from the protagonist in white, representing purity and safety with the bedside lamp.
6) Characters are introduced with the protagonist in the mirror and antagonist as a supernatural
Task 3 distribution 1
Distribution involves getting a film to audiences. Distribution companies acquire films through their own studios or film festivals. As our film is a complex, dark conspiracy thriller with a slow pace, it may appeal to distributors if it has a large enough audience. However, we would need to promote it at film festivals to get noticed. While our film features some universal themes that could appeal internationally, its dark tone may limit its foreign audience appeal. Exhibition strategies like film festivals and marketing through online ads, TV spots, and magazines could help distributors and consumers notice our film. It might be released in cinemas, on DVD/Blu-ray, online or on demand. We could also self-distribute to maintain more control
storyboard
This document provides guidance on creating a storyboard for a video production. It defines a storyboard as a sequence of drawings representing the planned shots for a movie or television production. Storyboards are created during pre-production planning and are used by the director, cinematographer, camera operators, and lighting technicians on set to plan shots and ensure continuity. The document instructs on including relevant information in each storyboard panel like the frame, camera movements, shot numbering, descriptions of the action, and continuity indicators. It emphasizes that storyboards are a necessary visual aid used by the film crew to plan shots and lighting.
Film production
This document discusses the film production process. It explains that there are four main stages: pre-production, production, post-production, and distribution. Pre-production involves developing the idea, storyboarding, and budgeting. Production is the filming stage. Post-production is where the film is edited together and promoted. Distribution is getting the film into cinemas by working with film distributors. Short films, foreign films, and independent films are also briefly mentioned.
Question 2 V2
This document discusses how the media product uses and develops conventions of real thriller films. It examines conventions like POV shots, sound techniques, editing styles, and character archetypes. Research was conducted on thriller openings, directors, and subgenres. Based on this, the film employs mysteries like an anonymous stalker kidnapping a girl. Conventions like tense music, silence, and jump cuts were utilized to create suspense as the film follows typical thriller tropes and genres like mystery thrillers to engage audiences. Unconventional techniques were avoided to maintain expectations of the thriller format.
In what ways does your media product use
This document discusses how a media product can use, develop, or challenge conventions of real media. It analyzes the opening sequence of The Dark Knight in terms of costume, setting/location, characters, camera angles, editing, and props. It also discusses how the author's opening sequence incorporates conventions like stereotypical costumes, settings that suit the plot and target audience, and props that define characters and conform to thriller genre codes. In conclusion, the author's sequence follows many thriller conventions seen in The Dark Knight.
Final Piece Evaluation
Our media piece uses some conventions of thriller films like having a dark antagonist but also challenges conventions by having a female protagonist. It represents both male and female genders but not a wide range of social groups. The piece could be distributed by independent film festivals or distributors due to its low budget. The target audience would be both men and women between classes B to E who seek escapism. We promoted it through social media and targeting film festivals. Through making this piece, I learned new filming and editing techniques like color correction and using a camera stabilizer. My skills in directing, planning, and organizing production improved from the preliminary task.
Amber Hinton Foundation Portfolio Evaluation
The document provides a summary of Amber Hinton's evaluation of her media product, which was a slasher film. It follows conventions of the genre but adds some sophistication. It typically represents the female as weaker than the male. As a low-budget film, it would likely be distributed by a smaller institution. The target audience is mainly 15-40 year old men, attracted by sticking to genre conventions but also differentiating itself. The evaluation reflects on technologies used and lessons learned about filmmaking techniques.
Horror week 1
This document provides information about a film studies exam on British film topics. It outlines that the exam will focus on the horror genre, with 3 sections examining audience and producers, British film topics, and a US comparative study. For the British film topics section, students will analyze the macro and micro features of horror films, including their narratives, representation issues, audiences, and context. At least two British horror films must be discussed in detail: The Descent (2004), Dog Soldiers (2002), The Woman in Black (2012), and Dracula (1958). Sample exam questions are provided focusing on narrative, representation, and distinctive British elements.
Movie making, character analysis
- The document provides instructions for students to film a scene remaking the movie "Boy in the Striped Pyjamas" in groups. They have a time limit and are under pressure to create a successful film faithful to the source material.
- It describes that students will film their interpretation of the scene in groups and edit the footage on computers in the next class.
Lets get thinking
The document discusses plans for a film trailer targeting 16-25 year olds interested in the "Slender" myth. It will attract audiences through unique plot elements based on this myth. Specific shots and camera movements are planned to build tension and unease. The film score will use strings and drums to match the horror genre. While referencing horror conventions like limited visibility of threats, the trailer aims to develop its own tone through erratic editing and shots. It will fulfill audience expectations revealed through feedback. The narrative structure follows Todorov's model of introducing danger to later resolve, without fully revealing the story. Character archetypes alluded to in the trailer reference Propp's models.
Technical and symbolic codes moving image
This document outlines technical and symbolic codes used in moving images. Technical codes include editing techniques like cuts, transitions, and sound elements. Camera movements, angles, lenses, and shot types are also discussed. Symbolic codes cover aspects of mise-en-scene like settings, objects/props, body language, lighting/color, costume, and use of space. The document provides definitions and examples of these various codes to concisely analyze elements of visual storytelling.
Technical and symbolic_codes_-_moving_image
This document outlines technical and symbolic codes used in moving images. The technical codes section describes editing techniques, sounds, camera movements, camera angles/lenses/types, and types of shots. It also discusses CGI technology. The symbolic codes section covers aspects of mise-en-scene like settings, objects/props, body language, lighting/color, costume, and use of space.
Role of the Writer
The document discusses different types of scripts in the commissioning process:
1) "Spec scripts" are written without payment to target a specific producer in hopes of being developed.
2) "Optioned scripts" are bought by a producer, who pays a writer for the rights to produce their original script or adapt an existing property into a screenplay.
3) "Commissioned scripts" involve a writer being paid to produce a script for a specific production like a film, series, or episode according to the producer's needs.
Qustion 1 evaluation
The media product uses several conventions found in real horror films. It begins with an aerial establishing shot, panning down to the location like in "Hush." The isolated old farmhouse location is similar to films like "The Changeling" that reveal secrets in old buildings. Shots of the protagonist walking used a steady cam to look professional, mirroring techniques used in other films. The main character's costume presented her as a vulnerable girl, setting up her identity as is common in opening scenes. Throughout, titles used a simple, worn font consistent with the horror genre.
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Alex Evaluation Q3
1) The document discusses what the filmmakers learned from audience feedback on movie trailers. Audiences preferred trailers that built tension and suspense without revealing too much of the plot.
2) It was also found that audiences could identify with morally questionable characters if they were developed and their actions were justified or accepted as part of their character.
3) Trailers typically establish the setting, hook, and dramatic scenes to draw audiences in, suggesting the emotions they will feel watching the full movie while following genre conventions.
Evaluation1
The document discusses an AS Media evaluation for a group project creating a horror film opening. It summarizes the key conventions and techniques used from real horror films, both those included (e.g. blackout scenes, not showing the villain) and not included (e.g. no dialogue, no false scares). It also addresses target audience, distribution opportunities, and what was learned about technologies through the project process.
Marketing campaign
The marketing campaign for the film eZ Life will include a television advert with the film's title, release date, and genre shown through conventions to make it obvious. Posters will be placed in cinemas, shopping centers, and other high-traffic areas to target the audience. A website will be created containing photos, exclusive clips, and merchandise links, with the main focus being the trailer to convince people to watch. Social media accounts on Twitter, Facebook, and YouTube will constantly post updates and exclusives to promote the film.
Conventions of a Film Poster
This document discusses conventions of film posters. It explains that film posters aim to catch people's eyes with a main image related to the film's genre. Posters usually include the director, producers, and main actors to promote the film. Once a film is screened, posters can be updated to include positive reviews and awards. Taglines are used to emphasize the film's key points and hint at the plot. Dates are included to show when the film will be in theaters or available for purchase. Symbols on the poster can also provide clues about the film's plot and themes.
Pitch Analysis
This is an analysis of the pitch we completed in front of our classmates in order to find out how to improve our promotional package.
Evaluation Question 1
We decided to use a quotation from Empire Magazine and display it in a typing style to add credibility and keep consistency. We also included a "recording box" graphic over footage to represent a handheld camera. A montage was used to build tension and heighten emotion leading up to revealing the stalker character. Contact information was provided at the end in a "coming soon" graphic to allow the target audience to learn more about the film.
Evaluation 1
The document discusses conventions for teaser trailers, film posters, and magazine covers. It notes that teaser trailers are typically 60-90 seconds and do not reveal the full story to generate interest. For posters, it discusses how lighting and font styles signal genre. Teaser trailers and posters for crime dramas often use dark, low-key lighting and bold fonts. The document also discusses magazine cover conventions like featuring cast images and including cover lines with additional content information.
Intro to genre 2012 ppt
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This document provides an overview of key concepts related to film production and superhero films. It defines the three stages of film production as production, distribution, and exhibition. It explains what a film package and franchise are, giving examples of each. Benefits of franchises are generating large profits through sequels, merchandising, and other ancillary markets. However, overreliance on franchises can be limiting. The document also discusses film audiences and how they are targeted through genre films like superhero movies.
Secondary Research
The document provides research on creating effective film trailers, posters, and magazines. It discusses several theories for trailers, including following genre conventions, using mystery, and disrupting equilibrium. For posters, it recommends striking images, style matching the film, and lasting appeal. Magazine tips include compelling covers, benefits for readers, and sparking curiosity without clutter.
Media evaluation
The document provides an analysis of a student media project creating a horror film trailer. It discusses how the trailer used conventions of real horror films in its editing, narrative structure, sound design, and characterization. Feedback was gathered from class discussions and surveys to improve the trailer. Various media technologies were used in filming, editing, and researching for the project, including Final Cut Express for video editing.
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Question one 2
This document discusses how the media product uses and develops conventions of real thriller films. It examines conventions like setting, characters, narratives, and visual style. Research was conducted on thriller subgenres and mystery thrillers were chosen. This influenced choices like keeping the stalker's identity anonymous. References were made to similar films like The Call and Kidnap. Conventional thriller conventions were utilized to signal the genre and make the complex narrative understandable.
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This document discusses the conventions used in creating a teaser trailer, film magazine cover, and poster for a teen drama film about cyberbullying. It examines how the media products follow conventions of those genres, such as using montage editing and voiceovers in the teaser trailer. Character stereotypes, settings, and issues of friendship and bullying seen in films like Mean Girls are also discussed. The document compares the created media products to real-life examples and notes how they fit conventions of lower-budget, independent films rather than large Hollywood blockbusters.
The four Cs
Young & Rubicam developed four categories of consumers: mainstreamers, aspirers, reformers, and succeeders. The document discusses targeting mainstreamers and aspirers for the film trailer. It also outlines three gratifications the trailer will provide: diversion, surveillance, and developing a sense of personal relationships with characters. Finally, it asserts the trailer will appeal to audiences through its narrative pleasure, with a twist hinted at but not revealed that mixes science and horror to threaten society in an unspeakable way.
Genre Theory (DAPS 6 and 7)
This document provides an introduction to a film studies unit that aims to:
1) Understand how films are made for audiences and create meaning for them
2) Explore industry practices and apply film theory
3) Inform students' own film production
The unit will help students:
1) Analyze films using different approaches
2) Understand film production contexts
3) Grasp the relationship between filmmakers and audiences
To succeed, students should actively watch films, think critically, and recognize multiple valid interpretations. The document also discusses genre theory and conventions, using examples to illustrate how genres communicate and are marketed.
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How do you use media technologies in the
The document discusses the use of various digital technologies and media in the construction, research, planning, and evaluation stages of a promotional package. It describes using Blogger to present research and planning in a creative way, with the ability to embed videos. The internet was key for uploading work and looking at existing examples. Photoshop and Sony Vegas were used to edit the horror trailer, bringing the vision to life. A DSLR camera captured high quality footage and photos for the trailer, poster, and magazine cover.
How do you use media technologies in the
The document discusses the use of various digital technologies and media in the construction, research, planning, and evaluation stages of a promotional package. It describes using Blogger to present research and planning in a creative way, with the ability to embed videos. The internet was key for uploading work and looking at existing examples. Photoshop and Sony Vegas were used to edit a film trailer, bringing the vision to life. A DSLR camera captured high quality footage and photos for the trailer, poster, and magazine cover.
Appealing to your target audience
This document discusses strategies for appealing to target audiences when promoting a horror film magazine or trailer. It analyzes the conventions used in the magazine cover, poster, and trailer for the film. For the magazine cover, contrasting elements like a glowing jack-in-the-box and dark colors create intrigue. The poster follows familiar conventions like central protagonist imagery to establish the horror genre. And the trailer uses typical horror techniques like a montage to engage audiences and remain consistent with the genre. The overall goal is to attract audiences through creative yet recognizable designs.
Evidence of post production target audience research
The document discusses evidence of post-production target audience research for a film or television show. Producers may test early cuts of a project with select audiences to determine what works and what doesn't. They use the feedback to refine the editing, visual effects, and music before finalizing the project for public release. The goal is to gauge audience reaction and make any necessary changes to improve the entertainment value and commercial performance.
Shooting schedule
The shooting schedule outlines filming dates and locations for a movie production. On November 21st, 2013 at 1:30pm filming will take place at Chris' House in SL0 0EB for location scenes, an aunt's arrival, and parts of a montage. On December 4th, 2013 at 4:00pm additional filming at Chris' House will include scenes of a son being possessed, a father and son playing, burying a box, parents sleeping watched by their son, and more of the montage and a sting.
The pitch 1
The document discusses targeting a sophisticated audience aged 18-30 for a new possession horror movie. It describes the target audience as bored of typical horror films and seeking something more sophisticated. It then explains that possession horror was chosen as the genre because it has many conventions to explore while still appealing to a wide audience. Finally, it provides a 3 sentence summary of the movie's plot where a family is tormented by an evil jack-in-the-box that possessed the father as a child and now threatens his son.
6. call sheet
The call sheet is for the film "Devil's Toy" shooting on 1/12/2013 at 1pm. It will film scenes of a father and son playing, the father burying a box, and the parents sleeping while the son watches. The shoot will take place at Chris' house and require Miriana, Ninette, Chris, Harry and Matthew. Makeup includes black eyes for some actors, and costumes include pajamas, casual clothes and a priest's outfit. Lighting, a dark light and spot light will be used along with props of a torch, toy box, jack-in-the-box, phone, football and bible.
5. call sheet
Harry and Chris are filming scenes for the movie Devil's Toy on April 12, 2013 at 4:00pm at Chris' house. Dad will be on the phone with a priest while wearing jeans and casual top with natural makeup, and Chris will wear a black shirt, black trousers and white collar with natural makeup. Ambient lighting and a phone will be used to capture their dialogue. Ninette, Miriana and Chris will be the crew present.
3. call sheet
The call sheet is for the production of Devil's Toy shooting on April 12, 2013 at 4:00pm. It will film the scene of a box reappearing at Chris' House and will require Matthew and Harry in pajamas with natural makeup, dark lighting, and an Assyrian voice over along with the prop of a jack in the box. Chris, Miriana and Ninette will be the crew present.
2. call sheet
The call sheet is for the film production "Devil's Toy" shooting on November 21st, 2013 at 2:30pm. It will film a scene of a father burying a jack in the box in the garden of Chris' house. The crew of Miriana, Ninette and Chris will be present along with actor Harry, who needs casual clothing and natural makeup. Ambient lighting and the sound of deep breathing will be used with the prop of a jack in the box.
1. call sheet
The call sheet is for the production "Devil's Toy" shooting on November 21st, 2013 at 1:30pm at Chris' House. It will film the opening scene and Aunties arrival. The crew includes Miriana, Ninette and Chris, and the actors are Matthew, Ninette, Miriana and Harry. The call sheet provides costume, makeup, lighting and sound requirements as well as props needed for the scenes.
4. call sheet
The call sheet is for the film "Devil's Toy" and provides details for a shoot taking place on April 12, 2013 at 4:00pm. It lists the bed scene shot taking place at Chris' house and requires Matthew, Miriana and Harry in pajamas with specified makeup, along with dark lighting and a spot light. No other equipment or props are needed.
Sub genre
This document discusses the typical conventions of several horror subgenres, including supernatural, gothic, possession, and slasher films. For supernatural films, it notes that they are often set in isolated homes of the main characters where a supernatural presence is unwelcome. Gothic films commonly use gloomy settings like castles and churches with secret areas. Possession films typically have isolated locations like abandoned buildings with a hidden dark history. Slasher films feature quiet suburban towns as settings and involve an unknown killer in a mask who uses weapons to kill victims after disabling their means of escape. The document provides examples from films to illustrate these conventions.
Target audience questionnaire
This document is a questionnaire for a target audience of a horror film marketing campaign. It asks respondents about their horror film viewing habits and preferences, including how often they watch them, their ratings of sample possession films, what scares them most, and what elements of films, posters and trailers influence their decisions to watch horror films. It concludes by asking them to name three things that make for a successful horror magazine or poster. The questionnaire aims to gather audience insight that can help design an effective horror film marketing campaign.
Target audience questionnaire anaylsis
The document summarizes the results of a questionnaire given to the target audience for a new horror film trailer. It found that the audience is mostly female (79%), between the ages of 18-25 (75%), and either in full-time education or working class (92%). Additionally, 75% watch movies often or frequently and 90% enjoy the horror genre. Understanding the audience's demographics, interests, and greatest fears of the unknown (35%) will help effectively create a horror trailer and marketing materials that appeal to this target group.
The possession poster analysis
The poster summarizes the key elements of the horror film "The Possession" in 3 sentences:
The tagline "darkness lives inside" hints that something bad happens to the young female protagonist depicted on the poster. The title implies that the main characters are battling a demon that takes over bodies. Most prominently, the poster depicts a frightened young girl with a dirty, gray hand emerging from her open mouth, suggesting something inhuman is inhabiting her.
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国外波士顿学院波士顿学院本科学位证成绩单办理方法：
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国外毕业证学位证成绩单如何办理：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作昆士兰科技大学毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。望着父亲山娃反问道父亲听了并不回答只是吃吃地笑山娃很精神越逛越起劲父亲却越逛越疲倦望着父亲呵欠连天的样子山娃也说困了累了回家吧小屋闷罐一般头顶上的三叶扇彻夜呜呜作响搅得满屋热气腾腾也搅得山娃心烦意乱父亲一上床就呼呼大睡山娃却辗转反侧睡不着山娃一次又一次摸索着爬起来一遍又一遍地用暖乎乎的冷水擦身往水泥地板上一勺一勺的洒水也不知过了多久山娃竟迷迷糊糊地睡着了迷迷糊糊地又闻到了闹钟刺耳的铃声和哐咣的关和
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Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.My storyboard for a sword fight scene with lightsabers
My storyboard for a sword fight scene with lightsabers
Heart Touching Romantic Love Shayari In English with Images
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
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All the images mentioned in 'See What You're Missing'
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In Focus_ The Evolution of Boudoir Photography in NYC.pdf
In Focus_ The Evolution of Boudoir Photography in NYC.pdf
My storyboard for a sword fight scene with lightsabers
My storyboard for a sword fight scene with lightsabers
Heart Touching Romantic Love Shayari In English with Images
Heart Touching Romantic Love Shayari In English with Images
Initial pitch
- 2. Introduction of the Target Audience • In this slide we will include out target audience profile stating their likes and dislikes, personality and why they our horror trailer will appeal to the target audiences need.
- 3. Sub Genre • This slide will include detail of the possession genre and how our narrative will challenge or follow conventions of the possession genre. This slide will reveal as to why we chose possession as a sub genre into horror to create our promotional package upon.
- 4. Film Idea • In this slide there will be an outline of our narrative. It will be what my group and I have come up with so far for our audience to talk discuss what they like and dislike and if any changes should be made.
- 5. Location • Images of the location we will use within the trailer for the audience to see.