Ig2 task 1 work sheet
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This document is a glossary produced by a student at Salford City College for their BTEC Extended Diploma in Games Design. It contains definitions for various terms related to sound design and production. For each term, the student provided a short definition from an online source along with any relevant details about how the term relates to their own production practice. The glossary covers areas such as sound design methodology, sound file formats, audio limitations, audio recording systems, and audio sampling.
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Ig2 task 1 work
The document is a glossary assignment for a games design course requiring the student to research terms related to sound design and production. It contains definitions for over 20 key terms with URLs for sourced definitions. For some terms, the student provides details on how the term relates to their own production practice, such as using sound libraries to store recorded sound files and using MIDI to create sounds.
Ig2 task1worksheet james_lodge_new
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for over 20 key terms, sourced from online references. For each term, the student provides a short definition from an online source, along with a description of how the term relates to their own production work for computer games. The glossary covers areas such as sound file formats, audio limitations, recording and playback systems, MIDI, sampling, and more. It serves to both define industry terminology and illustrate how those concepts are applied in the student's coursework.
Sound recording glossary
The document is a glossary of terms related to sound design and production for computer games created by Phillip Norris Wynne. It contains definitions for over 20 key terms sourced from online references and describes the relevance of each term to the author's own production practice. Some of the terms defined and summarized include Foley artistry, sound libraries, audio file formats like .wav and .mp3, lossy compression, audio limitations of hardware like sound processor units, and audio sampling concepts like bit depth and sample rate.
Jordan smith ig2 task 1 revisited
Jordan Smith has produced a glossary of terms related to sound design and production for computer games. The glossary contains definitions for terms such as Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations including sound processor units and random access memory, audio recording systems like analog and digital, MIDI, software sequencers, and audio sampling concepts like bit depth and sample rate. For each term, Jordan has provided a researched definition from an online source as well as his own comments on the relevance of the term to his production practice where possible.
Sound recording glossary
The document provides definitions for various audio and sound design terms. It includes a glossary with definitions for terms like foley artistry, sound libraries, audio file formats (like .wav and .mp3), audio limitations involving hardware like sound processor units and digital sound processors, audio recording systems like analog, digital, MIDI, and software tools for audio like software sequencers, plugins, and MIDI keyboard instruments. The student provided researched definitions from online sources and described how each term relates to their own sound production practice.
Ig2 task 1 work sheet (1)
Brandon McNamara produced a glossary of 15 terms related to sound design and production for computer games. For each term, he provided a short definition from an online source along with details about how the term relates to his own production practice. Some of the key terms he defined and related to his work included Foley artistry, which he will use to add most sounds to his game, sound libraries which will be used to create most of his sounds, and software sequencers and plug-ins which he uses to edit most of the sounds.
Ig2 task 1 work sheet damion vize
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for terms like Foley Artistry, Sound Libraries, file formats like .wav and .mp3, audio limitations like Sound Processor Unit and Stereo Audio, audio recording systems like Analog and Digital Audio Tape, and audio sampling concepts like Bit-depth and Sample Rate. For each term, it provides a short definition from an online source as well as how the term relates to the author's own production practice.
Sound Recording Glossary Improved Version
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for over 20 key terms, gathered from online research sources. For each term, the student provided a short definition from an online source, as well as their own description of how the term relates to their production practice or may be useful in the future. The glossary covers areas such as sound file formats, audio limitations, audio recording systems, audio sampling, and more.
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Ig2 task 1 work
The document is a glossary assignment for a games design course requiring the student to research terms related to sound design and production. It contains definitions for over 20 key terms with URLs for sourced definitions. For some terms, the student provides details on how the term relates to their own production practice, such as using sound libraries to store recorded sound files and using MIDI to create sounds.
Ig2 task1worksheet james_lodge_new
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for over 20 key terms, sourced from online references. For each term, the student provides a short definition from an online source, along with a description of how the term relates to their own production work for computer games. The glossary covers areas such as sound file formats, audio limitations, recording and playback systems, MIDI, sampling, and more. It serves to both define industry terminology and illustrate how those concepts are applied in the student's coursework.
Sound recording glossary
The document is a glossary of terms related to sound design and production for computer games created by Phillip Norris Wynne. It contains definitions for over 20 key terms sourced from online references and describes the relevance of each term to the author's own production practice. Some of the terms defined and summarized include Foley artistry, sound libraries, audio file formats like .wav and .mp3, lossy compression, audio limitations of hardware like sound processor units, and audio sampling concepts like bit depth and sample rate.
Jordan smith ig2 task 1 revisited
Jordan Smith has produced a glossary of terms related to sound design and production for computer games. The glossary contains definitions for terms such as Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations including sound processor units and random access memory, audio recording systems like analog and digital, MIDI, software sequencers, and audio sampling concepts like bit depth and sample rate. For each term, Jordan has provided a researched definition from an online source as well as his own comments on the relevance of the term to his production practice where possible.
Sound recording glossary
The document provides definitions for various audio and sound design terms. It includes a glossary with definitions for terms like foley artistry, sound libraries, audio file formats (like .wav and .mp3), audio limitations involving hardware like sound processor units and digital sound processors, audio recording systems like analog, digital, MIDI, and software tools for audio like software sequencers, plugins, and MIDI keyboard instruments. The student provided researched definitions from online sources and described how each term relates to their own sound production practice.
Ig2 task 1 work sheet (1)
Brandon McNamara produced a glossary of 15 terms related to sound design and production for computer games. For each term, he provided a short definition from an online source along with details about how the term relates to his own production practice. Some of the key terms he defined and related to his work included Foley artistry, which he will use to add most sounds to his game, sound libraries which will be used to create most of his sounds, and software sequencers and plug-ins which he uses to edit most of the sounds.
Ig2 task 1 work sheet damion vize
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for terms like Foley Artistry, Sound Libraries, file formats like .wav and .mp3, audio limitations like Sound Processor Unit and Stereo Audio, audio recording systems like Analog and Digital Audio Tape, and audio sampling concepts like Bit-depth and Sample Rate. For each term, it provides a short definition from an online source as well as how the term relates to the author's own production practice.
Sound Recording Glossary Improved Version
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for over 20 key terms, gathered from online research sources. For each term, the student provided a short definition from an online source, as well as their own description of how the term relates to their production practice or may be useful in the future. The glossary covers areas such as sound file formats, audio limitations, audio recording systems, audio sampling, and more.
Jordan smith ig2 task 1 revisited v2
Jordan Smith has produced a glossary of terms related to sound design and production for computer games. The glossary contains definitions for terms like Foley Artistry, Sound Libraries, audio file formats like .wav and .mp3, limitations like RAM and mono audio, recording systems such as CDs and MIDI, sampling constraints like bit depth and sample rate, and tools like plug-ins and MIDI keyboards. Jordan provides context for each term and how it relates to his own production work where possible.
Ig2 task 1 work sheet
Hayden Parkes produced a glossary of key terms related to sound design and production for computer games. He provided definitions from online research for terms like foley artistry, sound libraries, file formats like .wav and .aiff, compression types, audio hardware like sound cards and MIDI keyboards, and concepts like sampling rates and bit depths. For each term, he described how the concept relates to his own work producing game audio, such as using uncompressed formats, stereo recording, and software plugins and sequencers.
Sound recording glossary improved
This document provides definitions for key terms related to sound design and production for computer games. It includes a glossary with over 30 terms defined, each with a short definition and URL reference. The student also provides brief descriptions of how some of the terms relate to their own production practice, such as using MIDI software to make background music and noises, and using sequencers to make audio clearer and reduce spikes.
Adam Crittenden Sound Glossary
1. The document provides definitions for key terms related to sound design and production for computer games. It includes definitions for terms like foley artistry, sound libraries, audio file formats (wav, aiff, au, smp), lossy compression (mp3), sound processors (SPU, DSP), memory (RAM), mono/stereo/surround sound, direct audio techniques like pulse code modulation, and analogue recording systems.
2. For each term, it gives a short definition from an online source and describes how the term relates to the individual's own audio production practice, discussing experiences using tools like sound libraries, different file formats, compression types, and pan techniques.
3. The glossary
Sound recording glossary improved
This document provides definitions for key terms related to sound design and production for computer games. It includes a glossary with over 20 terms defined, each with a short definition and link to the source. The student also provides brief descriptions of how some of the terms relate to their own production practice, such as using MIDI software to make background music and noises, and sound libraries to learn software.
IG1 Task 1
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for over 20 terms researched by the student from online sources. For each term, the student provides a short definition found on the internet along with the URL source, and also describes how the term relates to their own production practice if applicable. The terms cover areas such as sound file formats, audio limitations, recording systems, and MIDI instruments.
Ig2 task 1 work sheet
The document is a glossary created by a student named Callum Deighton for a unit on sound design and production. It contains definitions for over 20 key terms related to sound design methodology, file formats, limitations, recording systems, and sampling. For each term, Callum provides a short definition from an online source as well as any relevant details about how the term relates to his own production practice.
Sound recording glossary preivious
The document is a glossary of terms related to sound design and production for computer games created by Phillip Norris Wynne. It contains definitions for over 20 key terms sourced from online references. The terms cover areas such as sound design methodology, file formats, limitations on audio hardware, recording systems, MIDI and software tools. For each term, Phillip provides the online definition and assesses how the term relates to his own production practice. The glossary demonstrates Phillip's research into fundamental concepts and technologies that inform sound design for games.
IG2 Task 1 Work Sheet
This document contains a glossary of terms related to sound design and production for computer games. It provides definitions for terms like foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations such as sound processor units and random access memory, mono/stereo/surround sound, audio recording systems like analog and digital audio tape, MIDI, software sequencers and plugins, and concepts in audio sampling like bit-depth and sample rate. For each term, the student provided an internet definition and described its relevance to their own production practice where possible.
Sound recording glossary
1) Nathan Mather produced a glossary of terms specific to sound design and production. He researched definitions from online sources and related each term to his own production practice.
2) The glossary included terms such as foley artistry, sound libraries, file formats like .wav and .mp3, hardware like sound cards and DSPs, and concepts like lossy compression and surround sound.
3) By defining these terms and relating them to his work, Nathan demonstrated his understanding of sound design methodology and terminology.
Sound recording glossary
This document provides a glossary of terms related to sound design and production for computer games. It contains definitions for over 20 key terms researched from online sources. For each term, the student also describes how the definition relates to their own production practice for a game sound project involving a cut sequence. The glossary covers areas such as sound design methodology, sound file formats, audio limitations, audio recording systems, audio sampling, and MIDI instruments.
Sound recording glossary - IMPROVED
The document provides definitions for various audio and sound design terms. It includes definitions for terms like Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations like RAM, and audio recording systems like analog, digital, Mini Disc, and compact disc. For each term, it provides a short definition from an online source as well as how the term relates to the author's own sound production practice.
Sound recording glossary by Liam Oven for Unit 73
The document provides definitions for various terms related to sound design and production. It includes a glossary with definitions for terms like Foley artistry, sound libraries, audio file formats like .wav and .aiff, audio limitations involving things like sound processor units and digital sound processors, audio recording systems involving analogue, digital mini disc and compact disc formats, MIDI, and software sequencers. For each term, the student provided a short definition from an online source as well as their own thoughts on how the term relates to their production practice.
Sound recording glossary
This document contains a glossary of terms related to sound design and production for computer games. It provides definitions for terms like foley artistry, sound libraries, uncompressed audio file formats like .wav and .aiff, compressed formats like .mp3, audio hardware like sound processors and digital sound processors, audio limitations like mono and stereo sound, audio recording systems like analog, digital, compact discs, digital audio tape, and MIDI. It also defines software sequencers and plug-ins. For each term, it gives a short definition and references the source URL. It sometimes provides additional details on how the term relates to the author's own production practice.
IG2 task 1 work sheet Daryl Bates
This document contains a glossary of terms related to sound design and production for computer games. It defines key terms such as Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations involving sound cards and RAM, audio recording systems involving analog, digital, and MIDI, and concepts of audio sampling like bit-depth and sample rate. For each term, the glossary provides a short definition from an external source as well as how the term relates to the author's own production practice.
Sound recording glossary
This document contains a glossary of terms related to sound design and production. It provides definitions for terms like Foley artistry, sound libraries, .wav files, MIDI, and more. For each term, it gives a short definition from an online source as well as a brief description of how the term relates to the author's own production practice. The goal is to research and gather definitions for specific sound design glossary terms.
Ig2 task 1 work sheet complete
This document provides definitions for key terms related to sound design and production. It includes a glossary with over 20 terms defined, each with a short definition and URL for reference. Examples of defined terms include Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations like sound cards, digital audio techniques like PCM, audio recording systems such as analog and digital, MIDI, software sequencers, and concepts of audio sampling like bit-depth and sample rate. For many terms, the document also provides a brief description of how the term relates to the author's own production practice.
Shaun warburton ig2 task 1 work sheet improved
The document is a glossary assignment for a games design course requiring the student to research terms related to sound design and production. It includes:
- Definitions of 15 terms related to sound design methodology, file formats, audio limitations, recording systems, and sampling, with each definition citing a source URL.
- For each term, a brief description from the student of how the term relates to their own production practice.
The glossary covers areas such as foley artistry, sound libraries, uncompressed and compressed file formats like WAV and MP3, limitations like sound cards and RAM, recording methods from analogue to MIDI, and concepts like bit depth and sample rate.
Ig2 task 1 work sheet
This document provides definitions and descriptions of terms related to sound design and production for computer games. It includes a glossary with over 15 terms defined, with URLs citing sources. Some terms defined include foley artistry, sound libraries, uncompressed and compressed audio file formats like .wav and .mp3, audio hardware like sound processors and RAM, mono vs stereo vs surround sound, analog vs digital recording systems, and MIDI. The student provides their own production experience for some terms, such as using mono audio and surround sound for specific effects, and .mp3 files to move songs.
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This assignment brief requires the student to:
1) Create a 3D animation by devising either an original character run cycle or collision-based object sequence using animation techniques from tutorials.
2) Develop ideas through research, mind-mapping, and storyboarding before producing the animation in LightWave.
3) Review and evaluate the finished animation against the original intentions and production process.
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Jordan smith ig2 task 1 revisited v2
Jordan Smith has produced a glossary of terms related to sound design and production for computer games. The glossary contains definitions for terms like Foley Artistry, Sound Libraries, audio file formats like .wav and .mp3, limitations like RAM and mono audio, recording systems such as CDs and MIDI, sampling constraints like bit depth and sample rate, and tools like plug-ins and MIDI keyboards. Jordan provides context for each term and how it relates to his own production work where possible.
Ig2 task 1 work sheet
Hayden Parkes produced a glossary of key terms related to sound design and production for computer games. He provided definitions from online research for terms like foley artistry, sound libraries, file formats like .wav and .aiff, compression types, audio hardware like sound cards and MIDI keyboards, and concepts like sampling rates and bit depths. For each term, he described how the concept relates to his own work producing game audio, such as using uncompressed formats, stereo recording, and software plugins and sequencers.
Sound recording glossary improved
This document provides definitions for key terms related to sound design and production for computer games. It includes a glossary with over 30 terms defined, each with a short definition and URL reference. The student also provides brief descriptions of how some of the terms relate to their own production practice, such as using MIDI software to make background music and noises, and using sequencers to make audio clearer and reduce spikes.
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1. The document provides definitions for key terms related to sound design and production for computer games. It includes definitions for terms like foley artistry, sound libraries, audio file formats (wav, aiff, au, smp), lossy compression (mp3), sound processors (SPU, DSP), memory (RAM), mono/stereo/surround sound, direct audio techniques like pulse code modulation, and analogue recording systems.
2. For each term, it gives a short definition from an online source and describes how the term relates to the individual's own audio production practice, discussing experiences using tools like sound libraries, different file formats, compression types, and pan techniques.
3. The glossary
Sound recording glossary improved
This document provides definitions for key terms related to sound design and production for computer games. It includes a glossary with over 20 terms defined, each with a short definition and link to the source. The student also provides brief descriptions of how some of the terms relate to their own production practice, such as using MIDI software to make background music and noises, and sound libraries to learn software.
IG1 Task 1
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for over 20 terms researched by the student from online sources. For each term, the student provides a short definition found on the internet along with the URL source, and also describes how the term relates to their own production practice if applicable. The terms cover areas such as sound file formats, audio limitations, recording systems, and MIDI instruments.
Ig2 task 1 work sheet
The document is a glossary created by a student named Callum Deighton for a unit on sound design and production. It contains definitions for over 20 key terms related to sound design methodology, file formats, limitations, recording systems, and sampling. For each term, Callum provides a short definition from an online source as well as any relevant details about how the term relates to his own production practice.
Sound recording glossary preivious
The document is a glossary of terms related to sound design and production for computer games created by Phillip Norris Wynne. It contains definitions for over 20 key terms sourced from online references. The terms cover areas such as sound design methodology, file formats, limitations on audio hardware, recording systems, MIDI and software tools. For each term, Phillip provides the online definition and assesses how the term relates to his own production practice. The glossary demonstrates Phillip's research into fundamental concepts and technologies that inform sound design for games.
IG2 Task 1 Work Sheet
This document contains a glossary of terms related to sound design and production for computer games. It provides definitions for terms like foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations such as sound processor units and random access memory, mono/stereo/surround sound, audio recording systems like analog and digital audio tape, MIDI, software sequencers and plugins, and concepts in audio sampling like bit-depth and sample rate. For each term, the student provided an internet definition and described its relevance to their own production practice where possible.
Sound recording glossary
1) Nathan Mather produced a glossary of terms specific to sound design and production. He researched definitions from online sources and related each term to his own production practice.
2) The glossary included terms such as foley artistry, sound libraries, file formats like .wav and .mp3, hardware like sound cards and DSPs, and concepts like lossy compression and surround sound.
3) By defining these terms and relating them to his work, Nathan demonstrated his understanding of sound design methodology and terminology.
Sound recording glossary
This document provides a glossary of terms related to sound design and production for computer games. It contains definitions for over 20 key terms researched from online sources. For each term, the student also describes how the definition relates to their own production practice for a game sound project involving a cut sequence. The glossary covers areas such as sound design methodology, sound file formats, audio limitations, audio recording systems, audio sampling, and MIDI instruments.
Sound recording glossary - IMPROVED
The document provides definitions for various audio and sound design terms. It includes definitions for terms like Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations like RAM, and audio recording systems like analog, digital, Mini Disc, and compact disc. For each term, it provides a short definition from an online source as well as how the term relates to the author's own sound production practice.
Sound recording glossary by Liam Oven for Unit 73
The document provides definitions for various terms related to sound design and production. It includes a glossary with definitions for terms like Foley artistry, sound libraries, audio file formats like .wav and .aiff, audio limitations involving things like sound processor units and digital sound processors, audio recording systems involving analogue, digital mini disc and compact disc formats, MIDI, and software sequencers. For each term, the student provided a short definition from an online source as well as their own thoughts on how the term relates to their production practice.
Sound recording glossary
This document contains a glossary of terms related to sound design and production for computer games. It provides definitions for terms like foley artistry, sound libraries, uncompressed audio file formats like .wav and .aiff, compressed formats like .mp3, audio hardware like sound processors and digital sound processors, audio limitations like mono and stereo sound, audio recording systems like analog, digital, compact discs, digital audio tape, and MIDI. It also defines software sequencers and plug-ins. For each term, it gives a short definition and references the source URL. It sometimes provides additional details on how the term relates to the author's own production practice.
IG2 task 1 work sheet Daryl Bates
This document contains a glossary of terms related to sound design and production for computer games. It defines key terms such as Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations involving sound cards and RAM, audio recording systems involving analog, digital, and MIDI, and concepts of audio sampling like bit-depth and sample rate. For each term, the glossary provides a short definition from an external source as well as how the term relates to the author's own production practice.
Sound recording glossary
This document contains a glossary of terms related to sound design and production. It provides definitions for terms like Foley artistry, sound libraries, .wav files, MIDI, and more. For each term, it gives a short definition from an online source as well as a brief description of how the term relates to the author's own production practice. The goal is to research and gather definitions for specific sound design glossary terms.
Ig2 task 1 work sheet complete
This document provides definitions for key terms related to sound design and production. It includes a glossary with over 20 terms defined, each with a short definition and URL for reference. Examples of defined terms include Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations like sound cards, digital audio techniques like PCM, audio recording systems such as analog and digital, MIDI, software sequencers, and concepts of audio sampling like bit-depth and sample rate. For many terms, the document also provides a brief description of how the term relates to the author's own production practice.
Shaun warburton ig2 task 1 work sheet improved
The document is a glossary assignment for a games design course requiring the student to research terms related to sound design and production. It includes:
- Definitions of 15 terms related to sound design methodology, file formats, audio limitations, recording systems, and sampling, with each definition citing a source URL.
- For each term, a brief description from the student of how the term relates to their own production practice.
The glossary covers areas such as foley artistry, sound libraries, uncompressed and compressed file formats like WAV and MP3, limitations like sound cards and RAM, recording methods from analogue to MIDI, and concepts like bit depth and sample rate.
Ig2 task 1 work sheet
This document provides definitions and descriptions of terms related to sound design and production for computer games. It includes a glossary with over 15 terms defined, with URLs citing sources. Some terms defined include foley artistry, sound libraries, uncompressed and compressed audio file formats like .wav and .mp3, audio hardware like sound processors and RAM, mono vs stereo vs surround sound, analog vs digital recording systems, and MIDI. The student provides their own production experience for some terms, such as using mono audio and surround sound for specific effects, and .mp3 files to move songs.
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3) Review and evaluate the finished animation against the original intentions and production process.
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Microsoft’s salgsproduktivitetsløsning hjælper salgsteams til at yde deres bedste, så de kan engagere kunder og teams på en meningsfyldt måde, styrke relationerne og levere fantastiske oplevelser. Oplev hvordan Microsoft Dynamics CRM udnytter Office 365 services som Power BI, Yammer, Skype og Social Engagement. Indlægget er på engelsk.
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The document provides definitions for various audio and sound design terms. It includes a glossary with over 20 terms defined, along with the relevance of each term to the author's own production practice. Some of the key terms defined include foley artistry, sound libraries, audio file formats like .wav and .aiff, lossy compression, digital sound processors, mono vs stereo audio, MIDI, software sequencers, and MIDI keyboard instruments. For each term, the author provides a short internet definition and describes how the concept relates to their own work in games design sound production.
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Ig2 task 1 work sheet
The document is a glossary of terms related to sound design and production for computer games. It contains definitions for terms like Foley artistry, sound libraries, uncompressed audio, .wav files, lossy compression, mono audio, stereo audio, surround sound, MIDI, software sequencers, plugins, sampling bit-depth and sample rate. For each term, it provides a short definition from an online source as well as how the term relates to the author's own production practice.
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Ig2 task 1 work sheet
The document is a glossary assignment for a BTEC Extended Diploma in Games Design course. It contains definitions for various terms related to sound design and production. The student was asked to research definitions and provide details on how each term relates to their own production practice. The glossary covers terms such as foley artistry, sound libraries, audio file formats, limitations of audio hardware, recording and sampling techniques, and software used.
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