Ig1 task 2 analysis work sheet borderlands 2
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The document summarizes a cutscene from the video game Borderlands 2 that introduces the character Tiny Tina. It provides 3 key details about the cutscene: 1) The setting shows Tiny Tina singing to herself in her cave-like home before suddenly blowing up a friend tied to a chair with dynamite. There is no background music to make the scene more calm before the shocking explosion. 2) The mood is meant to be funny, comedic, and shocking, showing off the character's explosive personality through her singing and the explosion. No background music was needed to achieve this effect. 3) The narrative has the character singing about a failed plan by bandits before the explosion. The narrative
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Ig1 task 2 analysis work sheet 5
The document provides analysis of sounds used in the game Deadpool. It discusses the production techniques used to establish setting, mood, game genre, and narrative through sound. For setting, field recorded rain and a recording beep were used to make the game feel like a comic book. For mood, minor music and gunshots/explosions set a tone of funny danger. For game genre, ambient sounds revealed a comedic action style. For narrative, voice actors with different styles advanced the silly humor plot. Overall, the document examines how sound design techniques were applied to convey key elements through non-diegetic audio.
Sonic genrations anaylysis 171213odt
The document analyzes the soundtrack of the opening cutscene of the video game Sonic Generations. It describes the setting, mood, and narrative conveyed by the soundtrack at different time intervals. For setting, it describes ominous forces and a ticking clock implying time travel. The mood shifts from cheerful to mysterious to celebratory to shocked. Traditional instruments, field recordings, and virtual instruments were likely used. The narrative involves the protagonist's birthday celebration interrupted by mysterious forces capturing his companions. He must now embark on an adventure to rescue them, with the genre involving time travel and adventure elements.
Cut Sequence Analysis 1
The document analyzes the soundtrack of the game Call of Duty: Ghosts. It describes how the music establishes a sense of accomplishment after completing a beach mission, but then takes a sinister turn when the main character is dragged away by the antagonist. It states that different sounds were likely merged to create the calm initial music, which then gets louder and lower in pitch as the mood shifts. The changing pitch and removal of calm sounds creates a darker atmosphere to match the narrative as it transitions from a happier ending to a more sinister development.
The last of us sound desighn game 4
The document provides an analysis of sound elements from the video game The Last of Us.
It summarizes that the setting sounds establish an abandoned arcade with quiet ambient noises until the character begins playing the game in her mind, accompanied by a loud noise. The mood starts quiet and lightens as the character plays, conveying the happy emotion between friends.
The game genre of horror and adventure is identified, with fighting sounds indicating this. The narrative uses sound well to show the happy environment and fun the characters are having together.
Sonic 06
This document provides an analysis of sound elements in the opening cutscene of the video game Sonic 06. It describes the different sounds heard at different times in the cutscene, including alarms, running, explosions, banging metal, and birdsong. It analyzes how the sounds help set the mood and narrative, changing from a lively and panicked mood to a peaceful one. The document suggests potential production techniques for some of the sounds, such as using recorded alarm bells and metal banging for the alarms and explosions. Overall, it examines how sound design creates atmosphere and tells the story in this game sequence.
Ig1 task 2 analysis work sheet skyrim
The document summarizes the use of sound in the video game The Elder Scrolls V: Skyrim. It analyzes the setting, mood, game genre, and narrative of specific scenes and examples. For each, it clearly states what production techniques were likely used to create the soundtrack elements. This includes using a sound booth to record breathing, building music with trumpets to set a dramatic mood, realistic sound effects to portray weapons and fire, and a studio with good microphones to record loud, distant vocals for the battle music.
F3 ar
The document provides an analysis of sound elements in the game F.3.A.R. It describes specific time periods in a cut scene and the sounds heard, such as rockets in the distance and a falling plane. It suggests production techniques used to create the sounds, such as recording boiling water for rocket thrusters and increasing the volume of a plane recording. The mood created by the sounds and music is described as sinister, lonely, and mystical. The genre is identified as mystery based on distant sounds. The narrative of the cut scene involves a character in a crashing pod speaking to his dead brother.
Nathan mather dead space 3 sound design in computer games analysis work sheet
The document provides analysis of a sound sequence from the video game Dead Space 3. It summarizes the setting, mood, genre, and narrative established by the sounds. For the setting, strong winds and crunching snow sounds create the impression of a barren, snowy outdoor area that later changes to indoor city sounds. The mood of confusion is created by mysterious background music from a studio orchestra combined with field recordings and foley artistry in the sound effects. The genre is described as a horror/action adventure game based on the intensity of the orchestra music and narrative cues from the characters' voices. Regarding narrative, the emotions in the characters' voices change from confused to urgent to panicked and proud and then angry, creating
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Ig1 task 2 analysis work sheet 5
The document provides analysis of sounds used in the game Deadpool. It discusses the production techniques used to establish setting, mood, game genre, and narrative through sound. For setting, field recorded rain and a recording beep were used to make the game feel like a comic book. For mood, minor music and gunshots/explosions set a tone of funny danger. For game genre, ambient sounds revealed a comedic action style. For narrative, voice actors with different styles advanced the silly humor plot. Overall, the document examines how sound design techniques were applied to convey key elements through non-diegetic audio.
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The document analyzes the soundtrack of the opening cutscene of the video game Sonic Generations. It describes the setting, mood, and narrative conveyed by the soundtrack at different time intervals. For setting, it describes ominous forces and a ticking clock implying time travel. The mood shifts from cheerful to mysterious to celebratory to shocked. Traditional instruments, field recordings, and virtual instruments were likely used. The narrative involves the protagonist's birthday celebration interrupted by mysterious forces capturing his companions. He must now embark on an adventure to rescue them, with the genre involving time travel and adventure elements.
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The document analyzes the soundtrack of the game Call of Duty: Ghosts. It describes how the music establishes a sense of accomplishment after completing a beach mission, but then takes a sinister turn when the main character is dragged away by the antagonist. It states that different sounds were likely merged to create the calm initial music, which then gets louder and lower in pitch as the mood shifts. The changing pitch and removal of calm sounds creates a darker atmosphere to match the narrative as it transitions from a happier ending to a more sinister development.
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The document provides an analysis of sound elements from the video game The Last of Us.
It summarizes that the setting sounds establish an abandoned arcade with quiet ambient noises until the character begins playing the game in her mind, accompanied by a loud noise. The mood starts quiet and lightens as the character plays, conveying the happy emotion between friends.
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This document provides an analysis of sound elements in the opening cutscene of the video game Sonic 06. It describes the different sounds heard at different times in the cutscene, including alarms, running, explosions, banging metal, and birdsong. It analyzes how the sounds help set the mood and narrative, changing from a lively and panicked mood to a peaceful one. The document suggests potential production techniques for some of the sounds, such as using recorded alarm bells and metal banging for the alarms and explosions. Overall, it examines how sound design creates atmosphere and tells the story in this game sequence.
Ig1 task 2 analysis work sheet skyrim
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Nathan mather dead space 3 sound design in computer games analysis work sheet
The document provides analysis of a sound sequence from the video game Dead Space 3. It summarizes the setting, mood, genre, and narrative established by the sounds. For the setting, strong winds and crunching snow sounds create the impression of a barren, snowy outdoor area that later changes to indoor city sounds. The mood of confusion is created by mysterious background music from a studio orchestra combined with field recordings and foley artistry in the sound effects. The genre is described as a horror/action adventure game based on the intensity of the orchestra music and narrative cues from the characters' voices. Regarding narrative, the emotions in the characters' voices change from confused to urgent to panicked and proud and then angry, creating
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The document analyzes the soundtrack of the video game Dead Space 3 from the time period of 2:45 to 7:12. It describes the setting as a windy, snowy area with futuristic technology. Field recordings of wind and snow were likely used, along with VST effects for mechanical sounds. An eerie ostinato of a string quartet was used from 2:45 to 5:16 to make the player feel uneasy. The game genre seems to be horror based on the worried dialogue of characters, creating suspense. Voice actors would have recorded dialogue in a controlled booth, as the cut scene contains no narration.
Darksiders Analysis
The document provides an analysis of the soundtrack for a video game called Darksiders. It describes different elements of the soundtrack between time stamps, including a looming symphony playing as ambient music during a character's dialogue, the sound of burning flames muffling the dialogue briefly, and the sound of rippling water and children's laughter changing the mood. It identifies production techniques used like VST instruments and effects, studio recordings, traditional instruments, and audio field recordings. Based on the dialogue, the game seems to be a fantasy role-playing game where the player takes on the role of one of four characters achieving a long-ago goal, and the initial dialogue discusses the origin and power of the protagonist.
Ig1 task 2 analysis work sheet portal
The document summarizes sound elements used in the video game Portal 2. It analyzes how sounds establish the setting, mood, genre, and narrative. For the setting, sounds portray a creepy, eerie scene using VST and VSTi plugins to create background ambience. Mood is more mysterious, with an impending sensation to continue, achieved through field recordings or VST effects. Genre as a first-person shooter is conveyed through VST sounds of the portal gun firing. Narrative is effectively created though minimal dialogue - only robots talk - with character recordings done in a studio to minimize background.
Annotation 1
Jamie Shepherd created sounds for an IG3 task by right-clicking on sounds in the program and selecting create sound, which opened a screen. She then loaded existing sounds into the program and renamed them for easier identification. She completed this process for multiple sounds.
Ig1 task 2 analysis work sheet sonic generations finnished
The soundtrack for Sonic Generations was recorded in a controlled studio to create an upbeat and cartoony sound for the happy mood. As the characters start to panic, the music changes with a heavy drum and brass section that was likely recorded separately in two studios and then overlaid to progressively increase in volume and speed. The action adventure feel comes from the panic towards the end but the game is also a children's title due to the non-violent dialogue. The main character and supporting voices were recorded individually in a controlled booth.
The evil within 2
This document provides analysis of sound elements from the video game The Evil Within 8:18 to 9:07. It analyzes the setting, mood, game genre, and narrative based on the sounds used. The setting establishes a quiet, lonely atmosphere through singing and guitar music with no character movement. The mood is dull and quiet conveyed through the singer's voice and repetitive guitar playing. The game genre is identified as horror based on the scary singing and low, horror-style guitar music. While there is no narrative evident from the cutscene itself, the guitar sounds provide good music for the cutscenes.
Annotation 1
The document describes loading sounds into a game by right clicking on sounds in the program, selecting create sound, which opens a screen. Then loading game sounds and renaming them for easier identification when differentiating between sounds. Finally, repeating the process for additional sounds.
Ig1 task 2 analysis work sheet 1 gow 3
The document summarizes audio elements in a cutscene from the video game Gears of War 3:
1) The setting is a post-apocalyptic world infested by aliens, with a dark and lonely mood conveyed through the audio.
2) The game genre is a shooter with an episodic story and narrative of loss, shown through confused characters hearing an approaching truck.
3) Specific production techniques are identified like raising dialogue volume above music to convey a character breaking emotionally, and music cueing to fit crushing sounds and help grab the viewer's emotions.
IG1 Analysis Work Sheet 4
This summary provides high-level information about a Warcraft III cut scene soundtrack in 3 sentences:
The cut scene establishes a medieval fantasy setting through grand celebratory music at the start, then shifts to a dramatic and dark mood as the music suggests a king has been slain by his son who vows to destroy the kingdom and build a new order. The simple narrative involves a king greeting his son who attacks and kills him to take power. Production techniques like a professional music team and edited voice acting were likely used to generate the soundtrack elements.
Batman arkam city sond desighn 1
The document provides an analysis of the soundtrack from the video game Batman: Arkham City. It describes several key elements of the soundtrack including the setting, mood, game genre, and narrative. For each element, it attempts to identify specific soundtrack techniques used such as recorded dialogue, foley sounds, guitars, and repetitive motifs. The analysis focuses on describing the functions and effects of the different sounds within the game.
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The soundtrack in Fallout 3 uses computer generated orchestra instruments like trumpets and violins to set varying settings in a cut scene slideshow, making it sound professional. The uplifting mood of completion and happiness is portrayed through the soundtrack. The RPG and adventure genre-inspired soundtrack relates well to the game. The deep narrative voice is digitally manipulated to sound clear and dominant, and the soundtrack supports the narrative well, rising in tone when the voice expresses the player's success.
Ig1 task 2 analysis work sheet 2
The document provides analysis of sounds used in the game Deadspace 3 between timestamps 3:45 and 9:22. In the first location, heavy wind blowing and snow crunching sounds establish an open, high-wind mountain setting. In the second location, sounds of ships and advertising establish a busy futuristic city. Most environmental sounds were likely field recorded and edited for placement in the game. String instruments and an orchestra were used to create a dark, creepy, and intense musical mood. Modified engine noises and gunshots give the game a sci-fi feel and were likely field recorded and edited. Character voices with military terminology and fear/worry imply a huge hopeless battle and were recorded in a sound booth then edited for clarity
Bayonetta 2
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The document provides an analysis of the soundtrack from the video game The Legend of Zelda: The Wind Waker. It describes the scene as Link saying goodbye to his family and leaving his small home island to embark on an adventure. The music is meant to convey sadness at Link's departure as well as a sense of the vast world that awaits exploration. Traditional instruments are used to create a feel of realism and match the game's narrative of saying goodbye while heading towards adventure.
Ig1 task 2 analysis work sheet
The document summarizes sound elements from the video game GTA 5 that establish setting, mood, game genre, and narrative. For the setting of a coastal cliff area, sounds like seagulls, cars in the distance, and wind were likely recorded live using field recording software then cleaned up digitally. The calm mood is set with peaceful background music that was taken from an existing song and added to the scene using editing software. Dialogue between characters indicates the game genre incorporates elements of drama, role-playing games, action, and free roaming. Finally, the narrative involved a conversation between protagonists and a hostage they threw in the sea, with all audio recorded of actors in a studio.
Ig1 task 2 analysis work sheet 5
This document provides details about the game Crack Down 2, including its setting, mood, genre, and narrative. The setting is a futuristic world experiencing constant chaos from rampaging gangs and mutants. The mood is fast-paced and action-packed, often humorous and tense. The genre is action. The narrative involves a voice guiding the player's character to restore peace and is likely created from prerecorded and edited voice clips.
Dead island 2
The document analyzes the soundtrack of the Dead Island 2 trailer. It describes how the background music at the beginning establishes a non-horror tone but then chaos ensues as glass breaks and shots are fired. Various sounds like screaming and car crashes were likely edited with audio production software. Towards the end, shotgun shots and screams suggest an action shooter genre. The narrative is not clear until the end where two men are arguing.
Ig1 task 2 analysis work sheet bioshock infinite
The document discusses the use of sound and music in establishing the setting, mood, genre, and narrative of the game Bioshock Infinite based on an example scene. For the setting, the music was edited throughout the trailer to be drowned out by sound effects and dialogue. To convey mood, the exciting music established the dramatic yet exciting tone of the scene. For genre, gunshot and explosion sounds identified it as an action RPG by showing combat and traveling. Finally, the loud, fast-paced edited music and environmental sounds helped establish the narrative by suggesting a larger revolution or war was happening.
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The document analyzes the soundtrack of the video game Dead Space 3 from the time period of 2:45 to 7:12. It describes the setting as a windy, snowy area with futuristic technology. Field recordings of wind and snow were likely used, along with VST effects for mechanical sounds. An eerie ostinato of a string quartet was used from 2:45 to 5:16 to make the player feel uneasy. The game genre seems to be horror based on the worried dialogue of characters, creating suspense. Voice actors would have recorded dialogue in a controlled booth, as the cut scene contains no narration.
Darksiders Analysis
The document provides an analysis of the soundtrack for a video game called Darksiders. It describes different elements of the soundtrack between time stamps, including a looming symphony playing as ambient music during a character's dialogue, the sound of burning flames muffling the dialogue briefly, and the sound of rippling water and children's laughter changing the mood. It identifies production techniques used like VST instruments and effects, studio recordings, traditional instruments, and audio field recordings. Based on the dialogue, the game seems to be a fantasy role-playing game where the player takes on the role of one of four characters achieving a long-ago goal, and the initial dialogue discusses the origin and power of the protagonist.
Ig1 task 2 analysis work sheet portal
The document summarizes sound elements used in the video game Portal 2. It analyzes how sounds establish the setting, mood, genre, and narrative. For the setting, sounds portray a creepy, eerie scene using VST and VSTi plugins to create background ambience. Mood is more mysterious, with an impending sensation to continue, achieved through field recordings or VST effects. Genre as a first-person shooter is conveyed through VST sounds of the portal gun firing. Narrative is effectively created though minimal dialogue - only robots talk - with character recordings done in a studio to minimize background.
Annotation 1
Jamie Shepherd created sounds for an IG3 task by right-clicking on sounds in the program and selecting create sound, which opened a screen. She then loaded existing sounds into the program and renamed them for easier identification. She completed this process for multiple sounds.
Ig1 task 2 analysis work sheet sonic generations finnished
The soundtrack for Sonic Generations was recorded in a controlled studio to create an upbeat and cartoony sound for the happy mood. As the characters start to panic, the music changes with a heavy drum and brass section that was likely recorded separately in two studios and then overlaid to progressively increase in volume and speed. The action adventure feel comes from the panic towards the end but the game is also a children's title due to the non-violent dialogue. The main character and supporting voices were recorded individually in a controlled booth.
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This document provides analysis of sound elements from the video game The Evil Within 8:18 to 9:07. It analyzes the setting, mood, game genre, and narrative based on the sounds used. The setting establishes a quiet, lonely atmosphere through singing and guitar music with no character movement. The mood is dull and quiet conveyed through the singer's voice and repetitive guitar playing. The game genre is identified as horror based on the scary singing and low, horror-style guitar music. While there is no narrative evident from the cutscene itself, the guitar sounds provide good music for the cutscenes.
Annotation 1
The document describes loading sounds into a game by right clicking on sounds in the program, selecting create sound, which opens a screen. Then loading game sounds and renaming them for easier identification when differentiating between sounds. Finally, repeating the process for additional sounds.
Ig1 task 2 analysis work sheet 1 gow 3
The document summarizes audio elements in a cutscene from the video game Gears of War 3:
1) The setting is a post-apocalyptic world infested by aliens, with a dark and lonely mood conveyed through the audio.
2) The game genre is a shooter with an episodic story and narrative of loss, shown through confused characters hearing an approaching truck.
3) Specific production techniques are identified like raising dialogue volume above music to convey a character breaking emotionally, and music cueing to fit crushing sounds and help grab the viewer's emotions.
IG1 Analysis Work Sheet 4
This summary provides high-level information about a Warcraft III cut scene soundtrack in 3 sentences:
The cut scene establishes a medieval fantasy setting through grand celebratory music at the start, then shifts to a dramatic and dark mood as the music suggests a king has been slain by his son who vows to destroy the kingdom and build a new order. The simple narrative involves a king greeting his son who attacks and kills him to take power. Production techniques like a professional music team and edited voice acting were likely used to generate the soundtrack elements.
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The document provides an analysis of the soundtrack from the video game Batman: Arkham City. It describes several key elements of the soundtrack including the setting, mood, game genre, and narrative. For each element, it attempts to identify specific soundtrack techniques used such as recorded dialogue, foley sounds, guitars, and repetitive motifs. The analysis focuses on describing the functions and effects of the different sounds within the game.
Fallout 3
The soundtrack in Fallout 3 uses computer generated orchestra instruments like trumpets and violins to set varying settings in a cut scene slideshow, making it sound professional. The uplifting mood of completion and happiness is portrayed through the soundtrack. The RPG and adventure genre-inspired soundtrack relates well to the game. The deep narrative voice is digitally manipulated to sound clear and dominant, and the soundtrack supports the narrative well, rising in tone when the voice expresses the player's success.
Ig1 task 2 analysis work sheet 2
The document provides analysis of sounds used in the game Deadspace 3 between timestamps 3:45 and 9:22. In the first location, heavy wind blowing and snow crunching sounds establish an open, high-wind mountain setting. In the second location, sounds of ships and advertising establish a busy futuristic city. Most environmental sounds were likely field recorded and edited for placement in the game. String instruments and an orchestra were used to create a dark, creepy, and intense musical mood. Modified engine noises and gunshots give the game a sci-fi feel and were likely field recorded and edited. Character voices with military terminology and fear/worry imply a huge hopeless battle and were recorded in a sound booth then edited for clarity
Bayonetta 2
Bayonetta 2 is a 2014 hack-and-slash sequel to the acclaimed original Bayonetta game. It follows Bayonetta, a fierce and fearless woman who uses the powers of hell to defeat heavenly forces. While very similar mechanically to the first game, Bayonetta 2 improved on the original's narrative, pacing, and emotional beats. It also enhanced what fans loved about the franchise, like its irreverent personality and fast-paced action. Though not without some flaws, Bayonetta 2 remains one of the most outstanding games of the last five years for its faithful continuation of the series.
Wind waker
The document provides an analysis of the soundtrack from the video game The Legend of Zelda: The Wind Waker. It describes the scene as Link saying goodbye to his family and leaving his small home island to embark on an adventure. The music is meant to convey sadness at Link's departure as well as a sense of the vast world that awaits exploration. Traditional instruments are used to create a feel of realism and match the game's narrative of saying goodbye while heading towards adventure.
Ig1 task 2 analysis work sheet
The document summarizes sound elements from the video game GTA 5 that establish setting, mood, game genre, and narrative. For the setting of a coastal cliff area, sounds like seagulls, cars in the distance, and wind were likely recorded live using field recording software then cleaned up digitally. The calm mood is set with peaceful background music that was taken from an existing song and added to the scene using editing software. Dialogue between characters indicates the game genre incorporates elements of drama, role-playing games, action, and free roaming. Finally, the narrative involved a conversation between protagonists and a hostage they threw in the sea, with all audio recorded of actors in a studio.
Ig1 task 2 analysis work sheet 5
This document provides details about the game Crack Down 2, including its setting, mood, genre, and narrative. The setting is a futuristic world experiencing constant chaos from rampaging gangs and mutants. The mood is fast-paced and action-packed, often humorous and tense. The genre is action. The narrative involves a voice guiding the player's character to restore peace and is likely created from prerecorded and edited voice clips.
Dead island 2
The document analyzes the soundtrack of the Dead Island 2 trailer. It describes how the background music at the beginning establishes a non-horror tone but then chaos ensues as glass breaks and shots are fired. Various sounds like screaming and car crashes were likely edited with audio production software. Towards the end, shotgun shots and screams suggest an action shooter genre. The narrative is not clear until the end where two men are arguing.
Ig1 task 2 analysis work sheet bioshock infinite
The document discusses the use of sound and music in establishing the setting, mood, genre, and narrative of the game Bioshock Infinite based on an example scene. For the setting, the music was edited throughout the trailer to be drowned out by sound effects and dialogue. To convey mood, the exciting music established the dramatic yet exciting tone of the scene. For genre, gunshot and explosion sounds identified it as an action RPG by showing combat and traveling. Finally, the loud, fast-paced edited music and environmental sounds helped establish the narrative by suggesting a larger revolution or war was happening.
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Ig1 task 2 analysis work sheet sonic generations finnished
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Dead island analysis
The soundtrack uses various production techniques to help establish the setting, mood, and narrative of the game. Field recordings of insects were used to indicate the character was initially outside, while studio recordings of dialogue and sound effects show the character moving between different aggressive locations like a club and bathroom. Foley artistry and additional studio recordings were likely used to create impact sounds like thuds. The music and a human growl/groan provide clues about the zombie/cannibalism genre. All dialogue was probably studio recorded and later edited to introduce the main characters.
Unit 73 Task 2
The document provides analysis of sound design in video game cutscenes from several popular games including World of Warcraft, Gears of War 3, Borderlands, League of Legends, and Heroes of the Storm. Production techniques used to create specific soundtrack elements are identified, such as foley artistry, field recordings, and audio editing software. Mood, setting, genre, and narrative are described for each cutscene example through analysis of soundtrack, sound effects, and visuals.
last of usn ghigfyhebf the king liam by jguhg
The document provides an analysis of sound design techniques used in the video game "The Last of Us". It summarizes sounds from an abandoned power plant scene that establish mood and setting, including Foley effects of opening a gate and squishy footsteps. It then analyzes how the music and tone shift to reflect dangers and a reunion between characters. Finally, it briefly describes the post-apocalyptic narrative context of the game and how a variety of sound design techniques were used to create its emotional soundtrack.
Ig1 task 2 analysis work sheet DmC3
The document summarizes key elements of the soundtrack from the video game Devil May Cry 3. It describes the setting of various sound effects used, such as phone ringing and footsteps. It notes that as the protagonist Dante breaks free, exciting music starts to signify the moment. Since it is an action-packed hack and slash game, the cutscene features a fast-paced action soundtrack during a fight scene. The cutscene also features voice acting of Dante, who is portrayed as a cocky character. The document speculates that some sounds were taken from sound libraries while the music and dialogue were likely recorded live in a studio.
Sound design in computer games analysis work sheet - Borderlands 2
This document provides an analysis of the soundtrack from the video game Borderlands 2. It examines the sound techniques used to establish the setting, mood, and narrative through the soundtrack. Specific elements like wind sounds were likely created with VST plugins or field recordings modified in software. Parts of the fantasy music section used traditional instruments, while other parts used MIDI and VST instruments. Noise effects like metal and weapons were probably studio recordings or Foley artistry. The narrative is told through dialogue between the characters that was likely recorded in a studio with voice actors.
The evil within 2
This document provides analysis of sound elements from the video game The Evil Within 8:18 to 9:07. It analyzes the setting, mood, game genre, and narrative based on the sounds used. The setting establishes a quiet, isolated singing with no movement. The mood is dull with no characters present, conveyed through the singing voice and repetitive guitar. The game genre is identified as horror based on the scary singing and ominous music. There is no narrative in the cutscene apart from a man singing. Production techniques like guitar playing were likely used to create the soundtrack elements.
Colin dockerty sound design in computer games analysis work sheet deadpool
1) The music starts slow then transitions to fast rock music when Deadpool interrupts to speak, setting the calm and aggressive moods.
2) Production techniques like layering slow and fast music were used to establish different moods for exposition and action scenes.
3) The game genre is an action-comedy due to the mix of slow intro, funny commentary, and fast-paced rock music during fighting sequences.
Colin dockerty sound design in computer games analysis work sheet deadpool
1) The music starts slow then transitions to fast rock music when Deadpool interrupts to speak, setting the calm and aggressive moods.
2) Production techniques like layering slow and fast music were used to establish different moods and interruptions created comedy.
3) The game genre is an action-comedy due to the slow start interrupted by funny commentary before transitioning to fast-paced action backed by rock music.
Ig1 task 2 analysis work sheet deadpool
This document provides analysis of sounds used in a video game trailer.
The setting is described as inside the character Deadpool's apartment, where background noise like rain would have been recorded. Mood is described as comedy/adventure, and virtual studio technology effects were likely used to create ambient noise. Game genre is described as comedy/adventure, and virtual instruments were probably used to make screams in the background. Narrative techniques included using different voice actors to portray voices in the character's head. Dialogue was likely recorded in a studio to minimize noise.
Brienna hick kingdom hearts ii cutscene
The document provides an analysis of the sounds used in the opening cutscene of the video game Kingdom Hearts II. It describes four key elements:
1) The setting by the beach is established through wind and wave sounds that were likely field recordings but could also have been created using a soundboard or Foley artistry.
2) The calm yet tense mood is created partly through the lack of background music and the mysterious dialogue between characters that was recorded in a studio.
3) The genre of the game is suggested to be a puzzle/action-adventure or survival horror based on the dialogue and empty, windy atmosphere.
4) The narrative is unclear and mysterious due to the limited sounds
Ig1 task 2 analysis work sheet spiderman
The document summarizes sound elements from a scene in the Spiderman 3 movie soundtrack. It analyzes the setting, mood, game genre, and narrative based on the sounds. For each element, it clearly states what production techniques were likely used to create specific soundtrack parts, such as using VST instruments to make helicopter and breaking glass sounds for the setting, recording voices in a studio to make an evil impression for the mood, and using VSTs and recording in a sound studio to cut out noise for the music and voices.
The last of us
This document analyzes sound elements from the game The Last of Us. It describes sounds used to establish mood and setting in an intense scene where the main character encounters unfriendly survivors in an abandoned power plant. These include Foley sounds of metal grinding and footsteps added in post-production. The mood shifts from intense to lighter as the character reunites with his long-lost brother. Musical scores, voice acting, environmental sounds, and Foley effects are used to create sounds for the action-adventure, survival-horror genre and support the game's powerful narrative.
Ig1 task 2 analysis work sheet 5
The document provides analysis of sounds used in the game Deadpool that establish setting, mood, game genre, and narrative. For setting, the sounds of heavy rain and an answering machine beep were likely field recorded and added straight into the game. To set mood, gunshots and explosions recorded in the field or on a computer establish a tone of danger, mystery, and humor suited for younger audiences. The edited, cartoony sounds and different voice actors imply a comedy action game genre. Narrative is the primary source of humor, advanced through jokes between Deadpool's head voices, and is the main way to understand the story as character development is emphasized.
Fallout4soundanalyse 150419174503-conversion-gate01
The document summarizes the sounds used in the Fallout 4 game soundtrack and the production techniques used to create them. It analyzes the mood, genre, and narrative elements established by specific soundtrack pieces. Field recordings and traditional instruments were likely used to create realistic environmental sounds and convey emotion. A narrator's voice was potentially recorded in a studio setting and combined with background music to clearly communicate the story.
Ig1 task 2 analysis worksheet assassin's creed ii
The document provides an analysis of sound elements in a scene from the video game Assassin's Creed II. Specifically, it examines the sounds used between 16:21 and 17:34 that establish the nighttime setting of a dark place. Dialogue and background music with a violin are used to set a calm but intense mood. The gameplay genre of an action-adventure stealth game is conveyed through grunts and heavy breathing during climbing. Narrative elements like scripted dialogue, story, and musical background are enhanced with sound effects of rocks during roof climbing.
Ratchet and clank 2 going commondo
The soundtrack of Ratchet & Clank 2: Going Commando establishes a menacing setting using music, but then changes the tone to be more comedic as the game is meant for children. Specific sounds were likely produced artificially or with a Foley artist in a studio to create the science fiction weaponry and space ship sounds. During an in-game employee announcement, the recording of the boss speaking was produced by a voice actor in a recording studio and then altered digitally.
Ratchetandclank2goingcommondoneedsediting liam the king
The document summarizes sounds used in the game Ratchet & Clank 2: Going Commando. It describes how the music is used to initially set a menacing setting but then changes tone to reflect the comedic nature of the game. Specific soundtrack elements like the boss's announcement were likely produced using voice actors in a studio and then altered digitally. The game genre relies heavily on sci-fi sound effects created artificially or with Foley artists to establish the narrative of Ratchet winning a race.
Jake sound design in computer games analysis work sheet saw 2
The document summarizes sounds used in the video game Saw 2 – Flesh&Blood. It analyzes 4 examples of sounds:
1) The setting introduces crackling TV and talking sounds, which would have been recorded voice overs and Foley artistry.
2) Mood conveys fear and struggling through screaming and movement sounds, which would be voice overs and studio recorded without background noise.
3) Genre is identified as horror/adventure based on pain and atmosphere sounds created by pure silence.
4) Narrative features a voice on TV, moving metal objects, and bad signal sounds created through Foley artistry and voice overs.
The last of us sound desighn game 4
The document provides an analysis of sound elements from the video game The Last of Us.
It summarizes that the setting sounds establish an abandoned arcade with quiet ambient noises until the character begins playing the game in her mind, accompanied by a loud noise. The mood starts quiet and lightens as the character plays, conveying the happy emotion between the two friends.
The game genre of horror and adventure is identified, with fighting sounds indicating this. The narrative uses sound well to show the happy environment and fun the two girls are having together.
Star wars the old republic
This document describes the soundtrack for a scene in the game Star Wars: The Old Republic. It analyzes the setting, mood, and production techniques used for different elements of the soundtrack. The setting is described as the Jedi temple on Coruscant with futuristic music to match the Star Wars environment. The mood shifts from calm to fear to confusion as the scene progresses from soldiers gathering to a battle between Jedi and Sith. Specific soundtrack elements like background music and music during lightsaber clashes are analyzed. The narrative voiceover of the Sith lord is described as being an originally recorded human voice that was digitally altered.
Similar to Ig1 task 2 analysis work sheet borderlands 2 (20)
Sound design in computer games analysis work sheet - Borderlands 2
Sound design in computer games analysis work sheet - Borderlands 2
Colin dockerty sound design in computer games analysis work sheet deadpool
Colin dockerty sound design in computer games analysis work sheet deadpool
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Colin dockerty sound design in computer games analysis work sheet deadpool
Fallout4soundanalyse 150419174503-conversion-gate01
Fallout4soundanalyse 150419174503-conversion-gate01
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Games y1 ap3 2015
The document outlines an assignment brief for a Level 3 Diploma in Creative Media Production requiring students to create a comic or graphic novel. Students will research storytelling techniques, write and illustrate a short comic based on their own life, and develop a storyboard. They will learn about narration, dialogue, character development and building tension to create an engaging story for games. The final submission will be a fully colored A2 storyboard, along with research and draft materials, which students will present and evaluate in a group critique.
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Liam Oven submitted work for assessment of the UNIT 74: COMPUTER GAME STORY DEVELOPMENT assignment. The submission included research cited on his blog for the seven tasks of the unit, covering story writing techniques, developing a story, visual ideas, storyboards, and presenting and evaluating his work. Liam signed a declaration confirming the work was his own and included references to any sources used.
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This document is a learner assessment submission and declaration form for student Liam Oven. It details the assignments and tasks submitted for the units 3D Modelling and Sidekick on June 19, 2015. Liam Oven declares that the work submitted is his own and that he has referenced any sources used. The form provides the assignment references, titles of evidence submitted, and links to a blog where the evidence can be found for each task.
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The document provides analysis of sound elements from the video game DeadSpace 3. It summarizes:
1) Various sound effects are used to establish the setting including wind, space ambience, and radio static suggesting danger. Field recordings were likely used to create the wind and static sounds.
2) The mood is described as cold with icy tension between characters conveyed through music and sound effects that elicit fear, anger, and sadness. Musical instruments were probably used to create the background music.
3) The game genre is described as intense, fictional fantasy and adventure with mission-based and sci-fi elements. Foley artistry was mostly used for sound effects to grab attention through constant action.
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This document is a learner assessment submission and declaration form. It provides information about the learner, assessor, program of study, assignment details, and tasks submitted as evidence. The learner, Liam Oven, declares that the work submitted for the "Computer Game Audio Cut Sequence Production" assignment on their "Extended Diploma in Creative Media Production – Games Design" course is their own work.
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Print screens and anotations
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Print screens and anotations
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2) Another audio sequence uses edited sounds to imagine a pond scene with wildlife noises replaced by the loud sounds of fireworks.
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personal statement
Liam Oven has skills in Photoshop and Illustrator for image editing, Game Maker for game creation and coding, and Unity for game creation. His dream job is to create animations for games and TV shows, and to create an original game from scratch.
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Ig1 task 2 analysis work sheet borderlands 2
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