I chose this image idea as my final digi
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The artist chose an image for their album digi-pack covers that features a model with her back turned to represent turning back time, as referenced in the album and music video title. The flowing hair and closed eyes of the relaxed model aim to convey a sense of freedom and relaxation, reflecting the vibe of drum and bass music. Grass is featured throughout the album art and music video to continue the time-traveling theme and match the video's greenery-filled setting.
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Question 2
The document discusses how the author created an artist brand identity for their music inspired by Beyoncé. They incorporated similar stylistic elements across a music video, digital album cover, and website to connect the pieces, including themes of time, similar color schemes, locations, costumes, makeup and hair styles, and consistent fonts. The author analyzes how Beyoncé uses these cohesive elements to build her own strong brand identity and the author aimed to do the same across their three pieces to clearly represent the artist.
Evaluation Tasks - Question 1 - Ben Crisp
This document discusses the conventions used in the media product's music video, digipak, and magazine advertisement for a solo pop artist. The music video establishes the time through beer cans and bottles. It introduces the artist smiling and well-dressed to appeal to audiences. Shots frame and focus on the artist to sell their image. Dancing and lip syncing match the music. The digipak and ad keep a consistent black and white, ghostly theme to clearly link the products and sell the artist. Overall, the media product uses conventions of framing, performance, and branding to effectively promote the solo pop artist.
Costumes
The document discusses new costumes created for characters in a music video being filmed in different locations. It explains that wearing different costumes in each location makes the story more realistic and interesting for viewers compared to wearing the same costume everywhere. It then provides details on the costumes for Charley, who wears 3 outfits, and Beckie, the new character, whose outfit is meant to show equality with Charley and emphasize the French flag. Both characters wore natural makeup to make their eyes stand out, which research suggested makes artists look more like pop stars.
Blackpool And Heaton Park
The document discusses potential locations in Blackpool and Heaton Park for filming a music video. It provides photos taken by the author during visits to both locations. For Blackpool, it suggests filming waves on the shore or having characters walk along the pier and beach. For Heaton Park, it proposes using the unique buildings to make the video stand out and filming in the temple or archway to depict flashbacks or a character running away.
Chosen track
The document discusses three potential song choices for a music video:
1) "Electric Love" by BORNS, which varies in tempo and genre, allowing for varied editing and suitable locations.
2) "Isombard" by Declan McKenna, which also varies in tempo and genre, making it interesting to edit and easy to find fitting locations.
3) A cover of "Something Just Like This" by Coldplay, which is well-known but the cover is unique. The acoustic style fits the planned calm locations.
Overall, "Something Just Like This" was chosen because it offers the most variety for locations and video style out of the options.
My music video presentation
The document proposes three music video ideas for the new single "Snap" by artist A-Dizzle. The chosen idea involves filming a live performance in front of screaming fans with flashing lights and backing dancers to create an exciting atmosphere. It then outlines the requirements, costs, and target audience for the music video. The target audience is ages 15-35 who enjoy upbeat music and current fashion trends. The total estimated cost of the project is £3,071.40.
Question 1
This document discusses how the creator's media product challenges conventions of real rock music products. Due to changes during production, the genre changed from pop-punk/rock to alternative rock. To show continuity between the music video and digipak, the creator incorporated natural autumn themes and images from the video. While the digipak follows conventions like using dark colors, it challenges conventions by featuring the singer's face instead of album art. The creator also wanted to portray emotions like hurt through the images and colors chosen.
Ellie goulding presentation
This summary provides an analysis of Ellie Goulding's music video for her song "Guns and Horses" in 3 sentences:
The music video centers around the lyrics of the song, which have hidden meanings that allow different interpretations, and features Goulding wearing casual clothing to seem relatable as she explores a magical forest setting filled with smoke, dancers, and horses meant to evoke an "Alice in Wonderland" feel. The camera work is mostly mid and long shots to keep the video simple and focus on the scenes and dancers, with some close-ups of Goulding later to show her emotions when singing.
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Question 2
The document discusses how the author created an artist brand identity for their music inspired by Beyoncé. They incorporated similar stylistic elements across a music video, digital album cover, and website to connect the pieces, including themes of time, similar color schemes, locations, costumes, makeup and hair styles, and consistent fonts. The author analyzes how Beyoncé uses these cohesive elements to build her own strong brand identity and the author aimed to do the same across their three pieces to clearly represent the artist.
Evaluation Tasks - Question 1 - Ben Crisp
This document discusses the conventions used in the media product's music video, digipak, and magazine advertisement for a solo pop artist. The music video establishes the time through beer cans and bottles. It introduces the artist smiling and well-dressed to appeal to audiences. Shots frame and focus on the artist to sell their image. Dancing and lip syncing match the music. The digipak and ad keep a consistent black and white, ghostly theme to clearly link the products and sell the artist. Overall, the media product uses conventions of framing, performance, and branding to effectively promote the solo pop artist.
Costumes
The document discusses new costumes created for characters in a music video being filmed in different locations. It explains that wearing different costumes in each location makes the story more realistic and interesting for viewers compared to wearing the same costume everywhere. It then provides details on the costumes for Charley, who wears 3 outfits, and Beckie, the new character, whose outfit is meant to show equality with Charley and emphasize the French flag. Both characters wore natural makeup to make their eyes stand out, which research suggested makes artists look more like pop stars.
Blackpool And Heaton Park
The document discusses potential locations in Blackpool and Heaton Park for filming a music video. It provides photos taken by the author during visits to both locations. For Blackpool, it suggests filming waves on the shore or having characters walk along the pier and beach. For Heaton Park, it proposes using the unique buildings to make the video stand out and filming in the temple or archway to depict flashbacks or a character running away.
Chosen track
The document discusses three potential song choices for a music video:
1) "Electric Love" by BORNS, which varies in tempo and genre, allowing for varied editing and suitable locations.
2) "Isombard" by Declan McKenna, which also varies in tempo and genre, making it interesting to edit and easy to find fitting locations.
3) A cover of "Something Just Like This" by Coldplay, which is well-known but the cover is unique. The acoustic style fits the planned calm locations.
Overall, "Something Just Like This" was chosen because it offers the most variety for locations and video style out of the options.
My music video presentation
The document proposes three music video ideas for the new single "Snap" by artist A-Dizzle. The chosen idea involves filming a live performance in front of screaming fans with flashing lights and backing dancers to create an exciting atmosphere. It then outlines the requirements, costs, and target audience for the music video. The target audience is ages 15-35 who enjoy upbeat music and current fashion trends. The total estimated cost of the project is £3,071.40.
Question 1
This document discusses how the creator's media product challenges conventions of real rock music products. Due to changes during production, the genre changed from pop-punk/rock to alternative rock. To show continuity between the music video and digipak, the creator incorporated natural autumn themes and images from the video. While the digipak follows conventions like using dark colors, it challenges conventions by featuring the singer's face instead of album art. The creator also wanted to portray emotions like hurt through the images and colors chosen.
Ellie goulding presentation
This summary provides an analysis of Ellie Goulding's music video for her song "Guns and Horses" in 3 sentences:
The music video centers around the lyrics of the song, which have hidden meanings that allow different interpretations, and features Goulding wearing casual clothing to seem relatable as she explores a magical forest setting filled with smoke, dancers, and horses meant to evoke an "Alice in Wonderland" feel. The camera work is mostly mid and long shots to keep the video simple and focus on the scenes and dancers, with some close-ups of Goulding later to show her emotions when singing.
Planning cd & poster
The document discusses the design choices for the cover of a CD and poster for an album. Key elements include using imagery from the artist's music video to create recognition. The front cover will feature the artist's name prominently. The back cover will show the forest setting without the artist. The CD cover and poster interior will continue the forest theme symbolically with poison ivy to represent the artist's emotions. Font and positioning choices are meant to highlight the artist and song title effectively.
Charlie simpson – young pilgrim
The album cover features a simple layout with a central image of the artist in a natural field setting, playing a guitar. This relates to the folk/rock genre and ties into the natural locations and guitar playing featured in the artist's music videos. The camera uses a long shot to clearly show the natural location, guitar prop, and casual costume, linking these visual elements to the genre and theme of the artist's songs. Natural green and blue colors dominate the cover, as is common for this genre, with darker tones at the bottom graduating to lighter tones at the top. The fonts used for the artist and album names are a serif and sans-serif respectively, keeping with the simple style appropriate for this genre.
Original music video review
The music video for "Down by the River" by Milky Chance features both performance and narrative elements. Throughout, the artists are seen singing in a forest while various painted and isolated scenes unfold. The forest setting reinforces themes of loneliness and isolation from the lyrics. Other locations like a pathway, abandoned railway, and campfire further illustrate these themes. The costumes of the artists and children are simple, and lighting remains overcast, conveying a somber tone that matches the lyrics. Props like a teddy bear, monkey, and bicycle enhance the visuals and childlike aspects of the video without significant symbolic meaning.
How effective is the combination of your main products and ancillary texts?
The document discusses how the creator linked their music video with ancillary materials like a poster and digital packaging. Specifically:
- Images and scenes from the music video were also used on the poster and digital packaging to clearly connect all of the elements.
- A consistent color scheme of black, white, and pastels was used throughout to represent the dark and light themes explored in the music video.
- Transitions, lighting, and editing techniques like fades and shadows were similarly employed to maintain visual cohesion across all pieces.
- Locations, silhouettes, and other elements from the music video were replicated on ancillary materials to strengthen recognition and the overall artistic vision.
Digi-pak Evaluation
The document discusses the design choices for a CD cover for an album called "Ambition" by the artist "Adam Wiles". Black and white was used for the background to represent the past and relate to the music video's narrative about a boy growing up in boxing. Red text on the front represents strong emotions tied to the music. Boxing gloves are featured to connect all three related projects - the CD cover, music video, and poster. The designs were meant to relate to target audiences aged 16-21 and fit with the boxing and energetic theme rather than bright pop colors.
Evaluation q 2
The document discusses how a music artist and their team effectively combined a music video with ancillary promotional materials like CD covers and magazine ads. They maintained consistency in typography, costumes, colors, and inclusion of balloons to create a cohesive brand identity across materials. Typography, costumes, and limited colors like black, white, and red were used to represent the artist in a way conventional to the soul/jazz genre. Balloons were a key prop and symbol in both the video and ancillary materials to link the pieces together.
Digipak planning
This document discusses potential images and designs for a CD cover and digipak for an album by Wilkinson called "smoke and lazers". It proposes using a familiar image of Hannah wearing a burgundy hat from the music video for the song "Afterglow". Another image proposed is a photo taken at a dance festival showing laser lights and smoke with people dancing, representing the title and theme of the album. A drawing shows Hannah ill from drinking alcohol, intended to contrast with the festival photo and reinforce themes from the "Afterglow" music video. Text listing the songs would appear next to a drawing of Hannah's back on the rear of the digipak.
Question three
1. The document summarizes feedback from an audience on the creator's music video. Phoebe and others felt the use of black and white versus color successfully conveyed the intended emotions.
2. While some like the storyline, Phoebe found it confusing. The creator notes introducing the story earlier may have helped.
3. Multiple people felt more shot variety was needed since many shots were long shots, and close-ups could have better shown the story and characters.
4. Suggestions were also made to change some shot durations and angles, use better transitions, and remove distracting elements in shots.
Intertextuality
Intertextuality refers to how media products relate to and reference each other to create meaning. There are 7 types of intertextuality in media: bricolage, calque, homage, hybridity, parody, pastiche, and translation. Bricolage combines existing materials to create something new. Calque translates text from one language to another. Homage pays tribute to another artist. Hybridity mixes different media types. Parody imitates work to comment on or trivialize it. Pastiche imitates work respectfully without mocking it. Translation changes a work's message across media.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts (album covers, advertisements, etc). For both, a simple white typography was used to relate to the jazz/soul genre. Natural lighting and positioning the actress in the center were employed to represent the genre authentically. Black and white was largely used throughout to reflect mood, with hints of color on covers to connect to an uplifting final scene in the video. Conventions from real jazz/soul artists were considered to achieve the closest representation of the genre across all elements.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts designed to resemble jazz/soul genre conventions of the 1960s. For both, a simple white typography was used against backgrounds to look eye-catching but not complicated. Natural lighting and outfits were employed to seem realistic. Black and white was dominant with hints of color on album covers relating to an uplifting color scene at the video's end. Conventions from artists like John Coltrane informed the designs' old-fashioned aesthetic.
Treatment
The document proposes a concept for Ellie Goulding's music video for her song "Your Song". It suggests illustrating the love song's lyrics metaphorically by surrounding Ellie with candles to portray feelings of love. It outlines using different locations and camera shots to follow Ellie through her life as she daydreams about her love, without fully revealing who she is describing. Lighting, including candles and a changing-color bridge, would help portray emotions. The video aims to strip things down with simplistic shots and movement to complement the emotional lyrics rather than incorporating dance.
My top ten music videos
The document discusses and analyzes 10 music videos based on their use of visual techniques, themes, and messages. It highlights Christina Aguilera's "Beautiful" for using its dark color palette and close-ups to convey a message of acceptance, and Black Eyed Peas' "Where is the Love" for using a question mark motif and highlighting the importance of love through its video. Overall, the document examines how the selected music videos effectively pair their visual elements with the themes and lyrics of their songs.
Conventions Jazz/Folk/Acoustic
This document discusses conventions for music videos in jazz, folk, and acoustic genres. It provides examples of conventions for each genre, such as using bright lights and sophisticated costumes in jazz videos, slow pacing and black and white editing in acoustic videos, and heavy shadows and close-ups in folk videos. The document analyzes examples like "Fireflies" by Owl City and "Little Lion Man" by Mumford and Sons. It concludes that researching the conventions will help in creating a music video that includes aspects of each genre while also being unique.
Question 2 media studies- Evaluation
The document discusses the creator's process for developing interlinking media products to promote an indie rock band called Autumns Abandoned. Key elements like color, shots of lips, and individual band member colors were carried through the music video, digital packaging (digipak), and website. Flirtatious eye contact shots from the music video were also featured on the digipak cover. The goal was to create a recognizable style and build recognition of the band across all products. Social media was also utilized to further promote the band's content.
ANALIZING Ebony and ivory song
This song was recorded in 1981 by Paul McCartney and Stevie Wonder. Titled "Ebony and Ivory", the song uses the black and white keys of a piano as a metaphor for racial integration and harmony. McCartney was inspired by a comment about how black and white notes are needed to make harmony. The song's lyrics promote the message that underneath our differences, all people are essentially the same. It calls for living and giving to each other in perfect harmony, side by side.
creating digipak
The document discusses the process of designing a digipak for an album. It describes choosing a black and white color scheme to fit the folk rock genre. An image of an actor at a train station was used for the front cover to reflect the song lyrics. Draft designs included a map image on the back cover to represent travel and journeying. Various editing tools were used to refine the designs. Draft spine designs included the necessary text information in a light gray color. Multiple design options are presented for feedback to select the final versions.
creating digipak
The document discusses the process of designing a digipak for an album. It describes choosing a black and white color scheme to reflect the folk rock genre. An image of an actor at a train station was selected for the front cover to represent the song lyrics. Draft designs included a map image on the back cover to symbolize travel. Feedback will be gathered through surveys to help determine the best designs for the front, back, and spine. The finished digipak layout incorporated these elements along with track listings, credits, and barcodes.
Analysis of digipak’s
The document analyzes and summarizes several music album digipaks. It begins by explaining what a digipak is and then examines specific digipaks in detail. For the Hed Kandi "Serve Chilled: Electronic Summer" digipak, it analyzes the colors, images, and text used and how they convey that the music is dance genre. It also summarizes the Ella Eyre "Feline" and "Comeback" digipaks and how the visual elements portray Ella Eyre as powerful. The Calvin Harris digipaks are summarized as using hints and visuals to indicate the dance music genre. In conclusion, analyzing these digipaks provided lessons for effectively designing a digipak to represent a
Evaluation Question
This document analyzes a student's media product of a music video and accompanying digipak for their music. The student aimed to represent the rock music genre through conventions like the artist looking cool in sunglasses and leather jacket. Natural lighting was used in the video against genre conventions to match the sad song. The digipak and magazine advertisement incorporate elements from the video like the sunglasses and coat to represent the artist's persona and engage fans. Realistic features like track listings and pre-order information were also included.
Eq 1
This document analyzes a student's media product of a music video and accompanying digipak for their music album. The student aimed to develop conventions of rock music genres in their work. In the music video, they included elements like sunglasses, leather jacket, and guitar to portray looking "cool." They also chose natural lighting to match the sad tone of their song. In the digipak and advertisements, they incorporated bold fonts, images from the video, and codes/messages to fans to develop a realistic rock album packaging and marketing. The goal was to thoughtfully represent the genre through visuals and design choices.
Digipak analysis for five video's
This digipak features an eye-catching central image of a spotlight on a square, which is a trademark symbol for the band. While it does not include photos of the band members, the unique font used for the band name makes it clear who the artist is. Information on the back includes social media links, the record label, and a list of the songs on the CD.
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Planning cd & poster
The document discusses the design choices for the cover of a CD and poster for an album. Key elements include using imagery from the artist's music video to create recognition. The front cover will feature the artist's name prominently. The back cover will show the forest setting without the artist. The CD cover and poster interior will continue the forest theme symbolically with poison ivy to represent the artist's emotions. Font and positioning choices are meant to highlight the artist and song title effectively.
Charlie simpson – young pilgrim
The album cover features a simple layout with a central image of the artist in a natural field setting, playing a guitar. This relates to the folk/rock genre and ties into the natural locations and guitar playing featured in the artist's music videos. The camera uses a long shot to clearly show the natural location, guitar prop, and casual costume, linking these visual elements to the genre and theme of the artist's songs. Natural green and blue colors dominate the cover, as is common for this genre, with darker tones at the bottom graduating to lighter tones at the top. The fonts used for the artist and album names are a serif and sans-serif respectively, keeping with the simple style appropriate for this genre.
Original music video review
The music video for "Down by the River" by Milky Chance features both performance and narrative elements. Throughout, the artists are seen singing in a forest while various painted and isolated scenes unfold. The forest setting reinforces themes of loneliness and isolation from the lyrics. Other locations like a pathway, abandoned railway, and campfire further illustrate these themes. The costumes of the artists and children are simple, and lighting remains overcast, conveying a somber tone that matches the lyrics. Props like a teddy bear, monkey, and bicycle enhance the visuals and childlike aspects of the video without significant symbolic meaning.
How effective is the combination of your main products and ancillary texts?
The document discusses how the creator linked their music video with ancillary materials like a poster and digital packaging. Specifically:
- Images and scenes from the music video were also used on the poster and digital packaging to clearly connect all of the elements.
- A consistent color scheme of black, white, and pastels was used throughout to represent the dark and light themes explored in the music video.
- Transitions, lighting, and editing techniques like fades and shadows were similarly employed to maintain visual cohesion across all pieces.
- Locations, silhouettes, and other elements from the music video were replicated on ancillary materials to strengthen recognition and the overall artistic vision.
Digi-pak Evaluation
The document discusses the design choices for a CD cover for an album called "Ambition" by the artist "Adam Wiles". Black and white was used for the background to represent the past and relate to the music video's narrative about a boy growing up in boxing. Red text on the front represents strong emotions tied to the music. Boxing gloves are featured to connect all three related projects - the CD cover, music video, and poster. The designs were meant to relate to target audiences aged 16-21 and fit with the boxing and energetic theme rather than bright pop colors.
Evaluation q 2
The document discusses how a music artist and their team effectively combined a music video with ancillary promotional materials like CD covers and magazine ads. They maintained consistency in typography, costumes, colors, and inclusion of balloons to create a cohesive brand identity across materials. Typography, costumes, and limited colors like black, white, and red were used to represent the artist in a way conventional to the soul/jazz genre. Balloons were a key prop and symbol in both the video and ancillary materials to link the pieces together.
Digipak planning
This document discusses potential images and designs for a CD cover and digipak for an album by Wilkinson called "smoke and lazers". It proposes using a familiar image of Hannah wearing a burgundy hat from the music video for the song "Afterglow". Another image proposed is a photo taken at a dance festival showing laser lights and smoke with people dancing, representing the title and theme of the album. A drawing shows Hannah ill from drinking alcohol, intended to contrast with the festival photo and reinforce themes from the "Afterglow" music video. Text listing the songs would appear next to a drawing of Hannah's back on the rear of the digipak.
Question three
1. The document summarizes feedback from an audience on the creator's music video. Phoebe and others felt the use of black and white versus color successfully conveyed the intended emotions.
2. While some like the storyline, Phoebe found it confusing. The creator notes introducing the story earlier may have helped.
3. Multiple people felt more shot variety was needed since many shots were long shots, and close-ups could have better shown the story and characters.
4. Suggestions were also made to change some shot durations and angles, use better transitions, and remove distracting elements in shots.
Intertextuality
Intertextuality refers to how media products relate to and reference each other to create meaning. There are 7 types of intertextuality in media: bricolage, calque, homage, hybridity, parody, pastiche, and translation. Bricolage combines existing materials to create something new. Calque translates text from one language to another. Homage pays tribute to another artist. Hybridity mixes different media types. Parody imitates work to comment on or trivialize it. Pastiche imitates work respectfully without mocking it. Translation changes a work's message across media.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts (album covers, advertisements, etc). For both, a simple white typography was used to relate to the jazz/soul genre. Natural lighting and positioning the actress in the center were employed to represent the genre authentically. Black and white was largely used throughout to reflect mood, with hints of color on covers to connect to an uplifting final scene in the video. Conventions from real jazz/soul artists were considered to achieve the closest representation of the genre across all elements.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts designed to resemble jazz/soul genre conventions of the 1960s. For both, a simple white typography was used against backgrounds to look eye-catching but not complicated. Natural lighting and outfits were employed to seem realistic. Black and white was dominant with hints of color on album covers relating to an uplifting color scene at the video's end. Conventions from artists like John Coltrane informed the designs' old-fashioned aesthetic.
Treatment
The document proposes a concept for Ellie Goulding's music video for her song "Your Song". It suggests illustrating the love song's lyrics metaphorically by surrounding Ellie with candles to portray feelings of love. It outlines using different locations and camera shots to follow Ellie through her life as she daydreams about her love, without fully revealing who she is describing. Lighting, including candles and a changing-color bridge, would help portray emotions. The video aims to strip things down with simplistic shots and movement to complement the emotional lyrics rather than incorporating dance.
My top ten music videos
The document discusses and analyzes 10 music videos based on their use of visual techniques, themes, and messages. It highlights Christina Aguilera's "Beautiful" for using its dark color palette and close-ups to convey a message of acceptance, and Black Eyed Peas' "Where is the Love" for using a question mark motif and highlighting the importance of love through its video. Overall, the document examines how the selected music videos effectively pair their visual elements with the themes and lyrics of their songs.
Conventions Jazz/Folk/Acoustic
This document discusses conventions for music videos in jazz, folk, and acoustic genres. It provides examples of conventions for each genre, such as using bright lights and sophisticated costumes in jazz videos, slow pacing and black and white editing in acoustic videos, and heavy shadows and close-ups in folk videos. The document analyzes examples like "Fireflies" by Owl City and "Little Lion Man" by Mumford and Sons. It concludes that researching the conventions will help in creating a music video that includes aspects of each genre while also being unique.
Question 2 media studies- Evaluation
The document discusses the creator's process for developing interlinking media products to promote an indie rock band called Autumns Abandoned. Key elements like color, shots of lips, and individual band member colors were carried through the music video, digital packaging (digipak), and website. Flirtatious eye contact shots from the music video were also featured on the digipak cover. The goal was to create a recognizable style and build recognition of the band across all products. Social media was also utilized to further promote the band's content.
ANALIZING Ebony and ivory song
This song was recorded in 1981 by Paul McCartney and Stevie Wonder. Titled "Ebony and Ivory", the song uses the black and white keys of a piano as a metaphor for racial integration and harmony. McCartney was inspired by a comment about how black and white notes are needed to make harmony. The song's lyrics promote the message that underneath our differences, all people are essentially the same. It calls for living and giving to each other in perfect harmony, side by side.
creating digipak
The document discusses the process of designing a digipak for an album. It describes choosing a black and white color scheme to fit the folk rock genre. An image of an actor at a train station was used for the front cover to reflect the song lyrics. Draft designs included a map image on the back cover to represent travel and journeying. Various editing tools were used to refine the designs. Draft spine designs included the necessary text information in a light gray color. Multiple design options are presented for feedback to select the final versions.
creating digipak
The document discusses the process of designing a digipak for an album. It describes choosing a black and white color scheme to reflect the folk rock genre. An image of an actor at a train station was selected for the front cover to represent the song lyrics. Draft designs included a map image on the back cover to symbolize travel. Feedback will be gathered through surveys to help determine the best designs for the front, back, and spine. The finished digipak layout incorporated these elements along with track listings, credits, and barcodes.
What's hot (18)
How effective is the combination of your main products and ancillary texts?
How effective is the combination of your main products and ancillary texts?
Similar to I chose this image idea as my final digi
Analysis of digipak’s
The document analyzes and summarizes several music album digipaks. It begins by explaining what a digipak is and then examines specific digipaks in detail. For the Hed Kandi "Serve Chilled: Electronic Summer" digipak, it analyzes the colors, images, and text used and how they convey that the music is dance genre. It also summarizes the Ella Eyre "Feline" and "Comeback" digipaks and how the visual elements portray Ella Eyre as powerful. The Calvin Harris digipaks are summarized as using hints and visuals to indicate the dance music genre. In conclusion, analyzing these digipaks provided lessons for effectively designing a digipak to represent a
Evaluation Question
This document analyzes a student's media product of a music video and accompanying digipak for their music. The student aimed to represent the rock music genre through conventions like the artist looking cool in sunglasses and leather jacket. Natural lighting was used in the video against genre conventions to match the sad song. The digipak and magazine advertisement incorporate elements from the video like the sunglasses and coat to represent the artist's persona and engage fans. Realistic features like track listings and pre-order information were also included.
Eq 1
This document analyzes a student's media product of a music video and accompanying digipak for their music album. The student aimed to develop conventions of rock music genres in their work. In the music video, they included elements like sunglasses, leather jacket, and guitar to portray looking "cool." They also chose natural lighting to match the sad tone of their song. In the digipak and advertisements, they incorporated bold fonts, images from the video, and codes/messages to fans to develop a realistic rock album packaging and marketing. The goal was to thoughtfully represent the genre through visuals and design choices.
Digipak analysis for five video's
This digipak features an eye-catching central image of a spotlight on a square, which is a trademark symbol for the band. While it does not include photos of the band members, the unique font used for the band name makes it clear who the artist is. Information on the back includes social media links, the record label, and a list of the songs on the CD.
Eq 1
The document discusses a music video and digipak the author created for their media production. In the music video, the author aimed to portray the importance of looking cool, as seen in videos by bands like Oasis, The Clash, and Kanye West. Key elements included sunglasses, a coat, hat, and guitar. The lighting was kept natural to match the sad tone of the song about boredom. The digipak features the sunglasses and hat on the front to represent the protagonist's happiness while performing, with a black background symbolizing the sadness around them. Track listing and band name are included as expected conventions on the back cover.
Evaluation - Combination of 3 products
This document discusses the links between a music video, artist website, and digipak created for the artist Ingrid Michaelson. There are several common themes and elements that tie the three products together, including:
1) A hand logo/symbol that appears on all products and acts as a temporary brand.
2) Shared color schemes of pale purples and reds used consistently throughout.
3) Recurring images of the artist Chloe that make her recognizable across all pieces.
4) Incorporation of behind-the-scenes photos and footage to provide continuity.
5) Inclusion of a piano, important to the artist's style and genre of indie pop.
Eq 1
This document analyzes and summarizes the key elements of a music video and accompanying digipak that were created for a class project. The music video draws on conventions of rock music videos by featuring the main artist in sunglasses, a hat, and leather jacket looking cool. It also includes guitar footage. The digipak features these same visual elements and uses color and design choices to metaphorically represent the bored and depressed themes of the song. Pictures inside the digipak are meant to be collectible for fans and connect to elements from the music video.
Media Question 2
This document discusses the creation of three promotional products - a music video, album advertisement, and digipack - for a new artist with the goal of continuity across the products.
The digipack incorporates similar imagery of red lips from the music video and album cover. Darker, "indie" imagery of the artist is used on the back and inside with lyrics.
The advertisement depicts the artist in a prom dress with an expressionless face, connoting feelings of being lost.
The music video uses contrasting lighting and body language to portray different characters - one openly singing and the other stiff with a pained expression. Props like a knife and tiara represent different themes. Shot changes vary
All 3 products
The document discusses the music video, poster, and digipak created for a song. For each piece:
The music video was filmed outside in forests and fields to match the natural green theme. Shots were chosen to enhance the song lyrics.
The poster places the singer in front of a tree, similar to video shots to provide continuity.
Images for the digipak cover and inside link to video shots for consistency, and a creepy symmetrical inside image was used to subvert expectations. Green and natural themes are used throughout to link the pieces.
All 3 products
The document discusses the music video, poster, and digipak created for a song. For each piece:
The music video was filmed outside in forests and fields to match the natural green theme. Shots were chosen to enhance the song lyrics.
The poster places the singer in front of a tree, similar to video shots to provide continuity.
Images for the digipak cover and inside link to video shots for consistency, while inverting conventions for a creepier feel overall matching the green, natural theme across pieces.
All 3 products
The document discusses the music video, poster, and digipak created for a song. For each piece:
The music video was filmed outside in forests and fields to match the natural green theme. Shots were chosen to enhance the song lyrics.
The poster places the singer in front of a tree, similar to video shots to provide continuity.
Images for the digipak cover and inside link to video shots for consistency, while inverting conventions for a creepier feel overall matching the green, natural theme across pieces.
1.
The document discusses how the media product challenges conventions of the reggae music genre. It was created as a one-shot music video inspired by "Hideaway" and used three locations - beach, forest, and town. Costumes were normal clothing to fit in with the public. Props like a longboard and ball added activity. Though referencing reggae, stereotypes like Rasta colors were excluded to focus on the one-shot technique. Shooting in slow motion and editing was challenging but the brightening effect improved the happy feel.
Digipack analysis
This digipak features an eye-catching central image of a spotlight on a square, which is a trademark symbol for the band. While it does not include photos of the band members, the font used for the band name is unique and iconic. Additional information on the back includes social media links, the record label, and a list of the songs on the CD.
Evaluation digi pack
The document discusses the creation of a digi pack for a music album. The author created a digi pack that focuses on the theme of the main song "Time" through the use of clocks and images that represent time passing. Colors like red, black, and white were used to represent the emotional theme of the love song. Bright colors and images of the artist were also included to attract audiences and promote the album according to typical digi pack conventions. The digi pack design was meant to represent the theme of the song and create an eye-catching product to help sell the album.
Digipicccs
The document discusses selecting images for a band's album packaging. It describes 6 images that will be used for the front cover, inside pages, behind the CD, and back cover. Key details include:
- The front cover image features a balloon with the band's song name showing their motif and allowing more people to see it.
- Inside images continue the balloon/costume theme and include guitars to indicate the acoustic/indie genre.
- The image behind the CD keeps the balloon/words theme but uses a happier image to show the band is also fun.
- Additional inside images again feature guitars and take inspiration from other indie bands' bright photography.
- A close-up portrait
Digipak
This digipak design is for an unsigned artist named Carly Jones. The front cover features Carly's photo with the album title "Reason to Smile", which is also the title of one of her songs and the music video produced for her. The back contains the track list in black and white. Inside spreads contain additional photos of Carly to connect the viewer to the artist and music throughout opening the digipak. Colors and design elements were chosen to tie the front and back covers together cohesively.
Digipack analysis
The document discusses the design choices for a digipack album cover. Key points include:
- The front cover features an image of the artist to draw attention to them and indicate the music genre.
- The back cover also features the artist with lighting that maintains a sense of mystery.
- The inside covers feature glossy pink lips to represent the song's theme of "Dirty Talk" in a cheeky yet subtle way.
- Elements like fonts and locations are kept consistent throughout the digipack to create familiarity and link the components together for the audience.
Digipak and ad planning
This document discusses plans for designing a digipak and advertisement for an indie artist's first physical album release. It considers inspiration from other indie album designs, including focusing on photography rather than images of the artist. Photos planned for the digipak cover and inside relate to the narrative in the artist's music video. The digipak will include a CD, DVD documentary, and booklet with lyrics and band messages. Advertisements for indie albums typically feature the album cover, name, and release date.
Digipack
This document summarizes the design choices for a mock CD package. It discusses using overlapping photos on the front and back covers to link the images and theme. Audience research showed the most popular band name was "Sub Zero" and song title was "Youth". The booklet will include song lyrics. The CD and CD holder background will feature the same camouflage image so the CD blends in. The spine uses a cutout from the holder image for visual interest when the case is closed.
Evaluation question 2 finished
The document analyzes the cover design of Katy Perry's "Teenage Dream" album and The Script's album in terms of genre conventions. For Katy Perry's pop album, the bright colors, cloud imagery relating to the album title of "Teenage Dream", and candy-shaped letters replacing O's in song titles conform to pop conventions. The Script's album has a darker color scheme fitting for rock but also includes a golden glow, balancing the dark and light sides of being a pop/rock band. Typeface, imagery, and editing choices are discussed as contributing to the "house style" of each album.
Similar to I chose this image idea as my final digi (20)
More from gavin lockbird
Bondax camera
The music video uses medium shots to show intimacy between a girl and the boy she is cheating on her boyfriend with. Long shots create a sense of freedom for the characters. The editing is fast-paced to match the upbeat song, using short clips and cross-cutting between characters. As is typical for the drum and bass genre, the video features fast editing and characters adventuring through mazes of trees. The audience experiences suspense following the cheating couple's storyline and wondering if they will get caught.
Rough Storyboard
This document appears to be a shot list or storyboard for a film or video project. It consists of numbered scenes describing different camera shots and angles, including points of view (POV), close-ups of hands moving leaves, wide shots of characters discovering something, overhead and close-up shots of friends dancing and running around during a long panning shot, and close-up shots of a distressed character appearing to lose their mind and panic. The document provides direction on the visual components and sequencing of shots for the project but does not provide any context for the story or characters.
Advertisement draft x
This draft document provides three sketches for a music video album cover. The first draft shows a scene from the music video that could be used as the album cover, as some artists have done. The second draft features a model lying down with floating hair to convey a magical, peaceful time-traveling vibe, representing the duo SARGA as soulful and free. This aligns with the album's themes of time and space. The third draft is left unspecified.
Artist representation
This document provides information about an English electronic music duo. The duo met while studying at university where they shared a passion for electronic music. Both members are 23-24 years old, white British males who value equality, human rights, and care about others. Their music aims to spread inclusive, political and environmental messages to actively engage audiences.
Digipack drafts
The document discusses three draft designs for an album cover and inlay. The first draft features a photograph of a girl with her eyes closed, relating to flashbacks in a music video. The second draft depicts two girls with flares, referencing a scene in the video. The third draft shows a character turned around to emphasize the album title of "Turn Back Time". All drafts are meant to have relaxed, non-vibrant colors and connect visually to the songs and music video.
Shooting sched redo
The document outlines a film production schedule for October, listing various dates and times for reshoots at Cannon Hill and a friend's house, as well as ongoing shooting in Cannon Hill throughout the month from the 1st to the 31st, including final touch ups during the last week.
Sub focus tidal wave writing
This music video features an artist performing as a character to relate personally to the audience. The fast editing matches the pace of the drum and bass music at the beginning. Typical of the genre, the video includes bright, happy colors and fast editing within summery settings. The lyrics about tidal waves connect to images of the singer on a beach, allowing the audience to relate the feelings in the song to their own personal experiences.
Sigma writing
The video uses long shots to show the characters freely enjoying activities like jumping in a lake and dancing. Point of view shots from a car show what the characters see. Slow motion is used for significant moments between the girls. The video fits drum and bass genres by including scenes of people having fun in the summer. The audience can escape their daily lives by indulging in the happiness shown, wanting to be part of the characters' fun lives. The video uses random summer scenes that don't match the lyrics.
Rudimental waiting all night writing
The music video uses camera shots of the characters' facial expressions to show the seriousness of the accident and loyalty of his friends. The editing has a linear, continuous style that matches the pace of the song, speeding up as the character gains strength recovering in the hospital. While drum and bass music videos typically have fast, upbeat editing from the start, this one gradually increases in pace like the character's recovery. The fans can relate to the artist's personal experiences portrayed in the video and lyrics about recovering from an accident with friends' support.
Flight facilities crave you writing
The video analyzes the music video for "Flight Facilities Crave You" through close examination of its visual and editing techniques. Close-ups and medium shots are used to follow the movements of the main boy and girl characters separately as their stories intersect through editing. While the pace of editing is slow, it jumps between the two characters to imply their connection despite being apart. The upbeat electronic style of the song fits the genre while telling a personally relatable story through bright colors and imagery of longing for another's attention.
Dear eve
Libby has created a shooting schedule for Eve, Poppy, Aaron and Lily to film her music video. She hopes the times still work for everyone. Libby requests they wear normal teenage clothes, except Aaron who should wear all black for a depressed character scene. She thanks them for their help and commitment. An attached shooting schedule details various dates and times in Cannon Hill between 1-4pm from the 5th to the 25th for filming.
Advertisement draft
This document appears to be multiple drafts of a song titled "Turn Back Time" written on March 14, 2015. The document contains 3 drafts labeled with the songwriters' initials and date but no other text.
Digipack drafts
The document discusses three draft designs for the cover of an album called "Turn Back Time". The first draft features a photograph of a girl with her eyes closed, relating to the themes of flashbacks and past/present in the songs. The second draft uses an image from the music video featuring two girls with flares. The third draft features a character turned around to emphasize the album title of turning back time.
Digipack drafts
The document describes three drafts for an album cover design. The first draft features a photograph of a girl with her eyes closed, which relates to flashbacks in the music video and the past/present tense themes of the album's songs. The second draft uses a digipack format with an image of two girls holding flares on the front and smoke on the back, connecting the images. The third draft features a character turned around, emphasizing the album's theme of turning back time.
Shooting sched
This document appears to be a schedule for shooting activities in Cannon Hill over the month. It lists dates from the 5th to the 31st with various time blocks for shooting in Cannon Hill, including more shooting on the 7th, shooting touch ups from the 24th to the 25th, and a final shooting touch up on the 31st.
Artist representation
An English electronic music duo consisting of two white British males aged 23 and 24. They share values of equality, human rights, and environmentalism. Their music aims to heal and benefit others rather than seek attention. They appeal to an active audience that engages with their socially-conscious messages.
Location scouts newest work
Crowds and performances at a music festival could provide authentic footage showing the typical atmosphere of a drum and bass music video, even with low quality handheld footage. However, the environment may be too busy with no control over lighting.
Cannon Hill park could offer a spacious area for dancing and walking around to depict the usual happy, social drum and bass genre setting, but the public may interfere. The weather would need to be sunny.
Filming friends having fun at a house could capture the reality of people hanging out and provide actors with a comfortable environment. But it could make friends act awkwardly being filmed in their home.
Results survey monkey drum and bass
The document appears to be survey results from Libby Coates at Survey Monkey. It likely contains data and analysis from a survey that was conducted on Survey Monkey and compiled by Libby Coates. The short title does not provide much context about the topic or scope of the survey results.
More from gavin lockbird (20)
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一比一原版(uvic毕业证书)加拿大维多利亚大学毕业证如何办理
原版一模一样【微信：741003700 】【(uvic毕业证书)加拿大维多利亚大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(uvic毕业证书)加拿大维多利亚大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(uvic毕业证书)加拿大维多利亚大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(uvic毕业证书)加拿大维多利亚大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(uvic毕业证书)加拿大维多利亚大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
一比一原版（Carleton毕业证）加拿大卡尔顿大学毕业证如何办理
原件一模一样【微信：WP101A】【（Carleton毕业证）加拿大卡尔顿大学毕业证学位证成绩单】【微信：WP101A】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：WP101A】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：WP101A】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：WP101A】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理（Carleton毕业证）加拿大卡尔顿大学毕业证学位证【微信：WP101A 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理（Carleton毕业证）加拿大卡尔顿大学毕业证学位证【微信：WP101A 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理（Carleton毕业证）加拿大卡尔顿大学毕业证学位证【微信：WP101A 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理（Carleton毕业证）加拿大卡尔顿大学毕业证学位证【微信：WP101A 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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一比一原版格罗宁根大学毕业证(RUG毕业证书)学历如何办理
原版办【微信号:95270640】【格罗宁根大学毕业证(RUG毕业证书)】【微信号:95270640】《成绩单、外壳、雅思、offer、真实留信官方学历认证（永久存档/真实可查）》采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路）我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信号95270640】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信号95270640】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
一比一原版(adelaide毕业证书)阿德莱德大学毕业证如何办理
原版一模一样【微信：741003700 】【(adelaide毕业证书)阿德莱德大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(adelaide毕业证书)阿德莱德大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(adelaide毕业证书)阿德莱德大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(adelaide毕业证书)阿德莱德大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(adelaide毕业证书)阿德莱德大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
一比一原版（Vancouver毕业证）加拿大温哥华岛大学毕业证如何办理
原件一模一样【微信：WP101A】【（Vancouver毕业证）加拿大温哥华岛大学毕业证学位证成绩单】【微信：WP101A】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：WP101A】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：WP101A】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：WP101A】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理（Vancouver毕业证）加拿大温哥华岛大学毕业证学位证【微信：WP101A 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理（Vancouver毕业证）加拿大温哥华岛大学毕业证学位证【微信：WP101A 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理（Vancouver毕业证）加拿大温哥华岛大学毕业证学位证【微信：WP101A 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理（Vancouver毕业证）加拿大温哥华岛大学毕业证学位证【微信：WP101A 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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I chose this image idea as my final digi
- 1. I chose this image idea as my final Digi-Pack front and back cover because I wanted to relate the digi-pack to the whole album and the song for my music video 'Turn Back Time'. The Digi-Pack relates to the album and song because firstly the album is called 'Turn Back Time' so I featured the model turned around to represent the album and song in picture form. This digi-pack is conventional to the drum and bass genre as it represents freedom, this is represented through the models hair which looks flowy and flairy and her eyes are closed so it looks as though she is relaxed and happy which is the vibe I want to give my audience, Although you may think drum and bass is loud and up beat, a lot of drum and bass songs are quite relaxing as their videos represent escapism and freedom. I chose this as the inlay as it is the same piece of grass the back cover and front cover are and it represents yet another time travelling vibe as the girl is no longer lying there. Grass is featured pretty much throughout my video as the characters are running around a lot of greenery.