Sigma writing
•Download as DOCX, PDF•
0 likes•157 views
The video uses long shots to show the characters freely enjoying activities like jumping in a lake and dancing. Point of view shots from a car show what the characters see. Slow motion is used for significant moments between the girls. The video fits drum and bass genres by including scenes of people having fun in the summer. The audience can escape their daily lives by indulging in the happiness shown, wanting to be part of the characters' fun lives. The video uses random summer scenes that don't match the lyrics.
Report
Share
Report
Share
Recommended
GENERIC CONVENTIONS
Generic Conventions in music videos include:
1) How the main artist dresses reflects the mood of the song, such as Mumford and Sons dressing in indie style.
2) The genre of the song is often reflected in the video, such as a relaxing rural setting for a Mumford and Sons song.
3) The main singer mimes the lyrics throughout most videos to portray the story and emotions of the song.
analysis
This music video for the song "Remember Me" by UMI depicts romantic couples to represent the artist's feelings of reminiscing about past relationships. It has a vintage, nostalgic aesthetic created through editing to match the theme. The video for "OG Luv Kush Pt. 2" by Kaiit centers around the artist and their friends in a park, using angles and shots to maintain visual interest despite being a single continuous take. The video for "Dark Red" by Steve Lacy shows a divide between the artist and his girlfriend through their placement at a gas station, then takes a dark turn portraying their relationship ending in an alternate storyline that matches the song's message.
Music Video Analysis
The music video tells the story of two childhood friends spending a normal day together playing and going to each other's houses. It also shows them growing up instantly and being judged as adults for not having serious careers. The simple narrative reflects the linear way children can live in the present without worrying about the future or past. The editing is slow during verses and fast during the chorus, reflecting the simple lives of children.
James TW presentation
The document provides an analysis of the music video for the song "When You Love Someone" by James TW. It notes that the video uses time cuts between older and younger versions of the artist to indicate he is looking back on his past. Low lighting is used to depict a mood of loss and sadness during a childhood trauma. The composition of shots defies normal rules by making them feel badly composed, emphasizing a sense of a broken family. Shots of the artist are included to create identity and construct an intertextual reference where the artist reflects on his childhood. Elements that could be used in other music videos are not following normal composition rules to create an unorthodox feel, and using intertextual references to add narrative
conventions
Music videos use various camera techniques, editing styles, mise-en-scene, and conventions to represent the song and artist. Common camera techniques include long shots, close-ups, and mid shots to emphasize the artist, location, and emotions. Close-ups also reflect the lyrics through the artist's mouth movements. Mise-en-scene arranges performers and props to highlight representation, such as isolation or depression. Jump cuts and transitions like fades are prominent editing techniques used to transition between scenes quickly or create different effects. The style of the music video should align with the music to create a cohesive package that reflects the tone, such as bright colors for upbeat songs or darker tones for sadder songs.
Sticks and stones
Jamie T filmed the music video for his song "Sticks and Stones" in the suburban London neighborhood of Wimbledon where he grew up. The video features shots of Jamie's house with friends and band members, as well as train shots in the area. Jamie used these familiar locations to show viewers where he was from and tell the story of reconnecting with old friends from his teenage years. The casual clothing worn throughout fits both the tone of the song and its references to "chequered seasoned wallabies buttoned shirts and whiskey." A variety of shots including long shots, mid shots, and close-ups help set the scene and convey facial expressions.
Honey sweet – blossoms
This document provides an analysis of the music video for the song "Honey Sweet" by The Smiths. It summarizes various technical and stylistic aspects of the video, including:
1) The video has an 1980s style reflected by costumes, props, and its October 1987 setting referenced in Back to the Future.
2) Various camera techniques are used, like tracking shots, slow motion, and long shots. Close-ups are also used to focus on the band members.
3) There are references to other 1980s films like The Breakfast Club in the lead singer's costume, but lyrics are not strongly connected to visuals.
4) Shots change rhythmically with the
Analysis of music videos
The document analyzes and compares three music videos in terms of their visual elements and how they relate to the songs. It notes that the Miley Cyrus video uses various camera angles and close-ups to convey emotions during her performance of "Wrecking Ball." For the song "Sonnentanz," the Klangkarussell video features costumes and imagery that reflect the warm, sunny feeling of the song and target a female audience. Finally, the Ellie Goulding video for "Burn" uses silhouettes at the start, increases movement as the song speeds up, and keeps the focus on the artist to appeal to her core younger female fans.
Recommended
GENERIC CONVENTIONS
Generic Conventions in music videos include:
1) How the main artist dresses reflects the mood of the song, such as Mumford and Sons dressing in indie style.
2) The genre of the song is often reflected in the video, such as a relaxing rural setting for a Mumford and Sons song.
3) The main singer mimes the lyrics throughout most videos to portray the story and emotions of the song.
analysis
This music video for the song "Remember Me" by UMI depicts romantic couples to represent the artist's feelings of reminiscing about past relationships. It has a vintage, nostalgic aesthetic created through editing to match the theme. The video for "OG Luv Kush Pt. 2" by Kaiit centers around the artist and their friends in a park, using angles and shots to maintain visual interest despite being a single continuous take. The video for "Dark Red" by Steve Lacy shows a divide between the artist and his girlfriend through their placement at a gas station, then takes a dark turn portraying their relationship ending in an alternate storyline that matches the song's message.
Music Video Analysis
The music video tells the story of two childhood friends spending a normal day together playing and going to each other's houses. It also shows them growing up instantly and being judged as adults for not having serious careers. The simple narrative reflects the linear way children can live in the present without worrying about the future or past. The editing is slow during verses and fast during the chorus, reflecting the simple lives of children.
James TW presentation
The document provides an analysis of the music video for the song "When You Love Someone" by James TW. It notes that the video uses time cuts between older and younger versions of the artist to indicate he is looking back on his past. Low lighting is used to depict a mood of loss and sadness during a childhood trauma. The composition of shots defies normal rules by making them feel badly composed, emphasizing a sense of a broken family. Shots of the artist are included to create identity and construct an intertextual reference where the artist reflects on his childhood. Elements that could be used in other music videos are not following normal composition rules to create an unorthodox feel, and using intertextual references to add narrative
conventions
Music videos use various camera techniques, editing styles, mise-en-scene, and conventions to represent the song and artist. Common camera techniques include long shots, close-ups, and mid shots to emphasize the artist, location, and emotions. Close-ups also reflect the lyrics through the artist's mouth movements. Mise-en-scene arranges performers and props to highlight representation, such as isolation or depression. Jump cuts and transitions like fades are prominent editing techniques used to transition between scenes quickly or create different effects. The style of the music video should align with the music to create a cohesive package that reflects the tone, such as bright colors for upbeat songs or darker tones for sadder songs.
Sticks and stones
Jamie T filmed the music video for his song "Sticks and Stones" in the suburban London neighborhood of Wimbledon where he grew up. The video features shots of Jamie's house with friends and band members, as well as train shots in the area. Jamie used these familiar locations to show viewers where he was from and tell the story of reconnecting with old friends from his teenage years. The casual clothing worn throughout fits both the tone of the song and its references to "chequered seasoned wallabies buttoned shirts and whiskey." A variety of shots including long shots, mid shots, and close-ups help set the scene and convey facial expressions.
Honey sweet – blossoms
This document provides an analysis of the music video for the song "Honey Sweet" by The Smiths. It summarizes various technical and stylistic aspects of the video, including:
1) The video has an 1980s style reflected by costumes, props, and its October 1987 setting referenced in Back to the Future.
2) Various camera techniques are used, like tracking shots, slow motion, and long shots. Close-ups are also used to focus on the band members.
3) There are references to other 1980s films like The Breakfast Club in the lead singer's costume, but lyrics are not strongly connected to visuals.
4) Shots change rhythmically with the
Analysis of music videos
The document analyzes and compares three music videos in terms of their visual elements and how they relate to the songs. It notes that the Miley Cyrus video uses various camera angles and close-ups to convey emotions during her performance of "Wrecking Ball." For the song "Sonnentanz," the Klangkarussell video features costumes and imagery that reflect the warm, sunny feeling of the song and target a female audience. Finally, the Ellie Goulding video for "Burn" uses silhouettes at the start, increases movement as the song speeds up, and keeps the focus on the artist to appeal to her core younger female fans.
Ronald Barthes
This short document promotes creating presentations using Haiku Deck on SlideShare. It encourages the reader to get started making their own Haiku Deck presentation by simply clicking the "GET STARTED" prompt. In just one sentence, it pitches presentation creation using Haiku Deck on SlideShare's platform.
Sub focus tidal wave writing
This music video features an artist performing as a character to relate personally to the audience. The fast editing matches the pace of the drum and bass music at the beginning. Typical of the genre, the video includes bright, happy colors and fast editing within summery settings. The lyrics about tidal waves connect to images of the singer on a beach, allowing the audience to relate the feelings in the song to their own personal experiences.
Bondax camera
The music video uses medium shots to show intimacy between a girl and the boy she is cheating on her boyfriend with. Long shots create a sense of freedom for the characters. The editing is fast-paced to match the upbeat song, using short clips and cross-cutting between characters. As is typical for the drum and bass genre, the video features fast editing and characters adventuring through mazes of trees. The audience experiences suspense following the cheating couple's storyline and wondering if they will get caught.
Sub focus advertisement
Sub Focus is a drum and bass artist known for his stage name and use of a torus shape in his album artwork and live performances. The advertisement poster features Sub Focus in the center of a torus, representing how the shape has been integral to his career and albums. As he is touring to promote his album "Torus", the poster signifies his journey through live shows using imagery fans will recognize from his prior work. The bright colors surrounding Sub Focus are meant to portray him as important within the drum and bass genre, which this poster targets through its affiliation with the record label Ram Records, a leader in drum and bass music.
Flight facilities advertisement
Flight Facilities is an Australian electronic music duo consisting of Hugo and Jimmy. Their album tour poster features an airplane, connecting to their name and referencing travel, while their album "Down To Earth" suggests personal, down-to-earth songs. The poster uses earthy and light blue colors that relate to the album name and connote happiness and summer.
Sigma advertisement
Sigma is a drum and bass duo consisting of Cameron Edwards and Joe Lenzi. The advertisement poster features two girls running into waves on a beach, promoting their summery single. It signifies the duo's genre of drum and bass through the techno font and upbeat, summer-themed image. Their music is signed to drum and bass record labels and aims to appeal to young adults interested in the happy, dance-oriented genre.
Sigma cd
The document analyzes the CD cover for the Sigma song "nobody to love", which is a single rather than part of an album. Sigma is a drum and bass duo consisting of Cameron Edwards and Joe Lenzi. The cover features two girls running into waves on a beach, suggesting the song has a summery and happy theme. The dominant colors of blue and white connote liveliness and summer, fitting for the drum and bass genre which the record labels and techno font on the cover also signify.
Rudimental waiting all night writing
The music video uses camera shots of the characters' facial expressions to show the seriousness of the accident and loyalty of his friends. The editing has a linear, continuous style that matches the pace of the song, speeding up as the character gains strength recovering in the hospital. While drum and bass music videos typically have fast, upbeat editing from the start, this one gradually increases in pace like the character's recovery. The fans can relate to the artist's personal experiences portrayed in the video and lyrics about recovering from an accident with friends' support.
Flight facilities crave you writing
The video analyzes the music video for "Flight Facilities Crave You" through close examination of its visual and editing techniques. Close-ups and medium shots are used to follow the movements of the main boy and girl characters separately as their stories intersect through editing. While the pace of editing is slow, it jumps between the two characters to imply their connection despite being apart. The upbeat electronic style of the song fits the genre while telling a personally relatable story through bright colors and imagery of longing for another's attention.
Media
This document discusses the use of camera techniques, editing pace and rhythm, genre ingredients, audience, and how the music video type relates to the song lyrics across 5 different music videos. It provides details on the camerawork, editing, genres, audiences and whether the videos match the lyrics for the songs "Crave You" by Flight Facilities, "Waiting All Night" by Rudimental, "Nobody to Love" by Sigma, "Tidal Wave" by Sub Focus and "Giving It All" by Bondax.
Flight facilities cd
The CD cover features an airplane to connect with the electronic music duo Flight Facilities. The album is titled "Down To Earth" to signify personal, down-to-earth songs. Earthy colors and light blues represent the album title and connote happiness. The cover aims to appeal to young people who enjoy upbeat, happy electronic music similar to drum and bass.
Sub focus torus cd
The CD cover features artist Sub Focus, known for his stage name. The dominant image is a torus shape, which has been featured prominently in his live shows and promotions. The album title, "Torus", references his journey through live shows. Earthy colors suggest chill, down-to-earth music. He is signed to Ram Records, a leading drum and bass label, so fans of that genre will likely listen to his music. The cover targets drum and bass fans familiar with Sub Focus' torus image to promote his original, one-of-a-kind style.
Bondax cd
Bondax is an electronic music duo from England. Their music has elements of drum and bass, which is also a technical genre. The font on their album "Gold" suggests simple yet chilled out music. There are gold and blue/green colors and swirling gold paint on the cover, conveying a down to earth feeling for their music. As the album is titled "Gold", it signifies the artists' pride and view of their music as being of high quality. Being signed to Rentless Records also indicates their success as the label is owned by a major music company. The cover style reflects their genre of electronic music made using technical instruments rather than singing.
Album advertisement rudimental
The band Rudimental consists of four members: Piers Agget, Amir Amor, Kesi Dryden and DJ Locksmith. They are a drum and bass band signed to Asylum Records and Black Butter. Their album "Home" features urban photography on the cover that represents their drum and bass music and targets young fans of that genre.
Bondax advertisement
Bondax are an English electronic music duo consisting of Adam Kaye and George Townsend. Their music has technical elements similar to drum and bass. The album cover features simple capital letters in pink and blue clouds, representing a peaceful and down-to-earth feeling, suggesting their music is chill to listen to. The title "Gold" signifies the artists' pride and view of their music as great. Bondax are signed to the successful label Rentless Records, part of the major corporation Sony Music Entertainment. Their covers typically do not feature the artists but represent the technical nature of electronically produced music. The target audience is young people seeking interesting, unique music, as suggested by the colorful swirls on the poster.
Audience feedback presentation
The audience feedback showed that the music video fit the genre well through its use of dark lighting and band style, making the genre easy to identify. The narrative also fit the music and was easily portrayed. However, some audience members found the music video hard to understand. The whole package worked cohesively through featuring the main character throughout. The genre was well represented by the video's structure and content. Some feedback noted that without listening closely to the lyrics, the narrative was not fully understandable. The poster and packaging were also not very eye-catching.
Rough Storyboard
This document appears to be a shot list or storyboard for a film or video project. It consists of numbered scenes describing different camera shots and angles, including points of view (POV), close-ups of hands moving leaves, wide shots of characters discovering something, overhead and close-up shots of friends dancing and running around during a long panning shot, and close-up shots of a distressed character appearing to lose their mind and panic. The document provides direction on the visual components and sequencing of shots for the project but does not provide any context for the story or characters.
Libby media 5x videos anaylsis
This document discusses the use of camera techniques, editing pace and rhythm, genre ingredients, intended audience, and how the video and lyrics match for 5 different music videos:
1. "Crave You" by Flight Facilities uses close-ups and tracking shots of the main characters to connote a link between them. The pace is slow and jumps between the characters.
2. "Waiting All Night" by Rudimental uses handheld footage and long shots of a group. The editing matches the increasing pace of the song from slow to fast.
3. "Nobody to Love" by Sigma uses long shots of summer scenes and slow motion. It has a disjunctive style and the video does
Codes and conventions of a music video 2
This document discusses various codes and conventions used in music videos. It covers different styles of music videos including narrative, performance, and mixtures of the two. It also discusses important technical elements like camera work, editing, sound, and mise-en-scene. Examples are provided to illustrate different techniques like the use of camera angles to portray emotions or lighting and setting to match the mood of a song's lyrics. Elements like costumes and props are also explained as ways to convey a music video's genre through visual cues.
More Related Content
Viewers also liked
Ronald Barthes
This short document promotes creating presentations using Haiku Deck on SlideShare. It encourages the reader to get started making their own Haiku Deck presentation by simply clicking the "GET STARTED" prompt. In just one sentence, it pitches presentation creation using Haiku Deck on SlideShare's platform.
Sub focus tidal wave writing
This music video features an artist performing as a character to relate personally to the audience. The fast editing matches the pace of the drum and bass music at the beginning. Typical of the genre, the video includes bright, happy colors and fast editing within summery settings. The lyrics about tidal waves connect to images of the singer on a beach, allowing the audience to relate the feelings in the song to their own personal experiences.
Bondax camera
The music video uses medium shots to show intimacy between a girl and the boy she is cheating on her boyfriend with. Long shots create a sense of freedom for the characters. The editing is fast-paced to match the upbeat song, using short clips and cross-cutting between characters. As is typical for the drum and bass genre, the video features fast editing and characters adventuring through mazes of trees. The audience experiences suspense following the cheating couple's storyline and wondering if they will get caught.
Sub focus advertisement
Sub Focus is a drum and bass artist known for his stage name and use of a torus shape in his album artwork and live performances. The advertisement poster features Sub Focus in the center of a torus, representing how the shape has been integral to his career and albums. As he is touring to promote his album "Torus", the poster signifies his journey through live shows using imagery fans will recognize from his prior work. The bright colors surrounding Sub Focus are meant to portray him as important within the drum and bass genre, which this poster targets through its affiliation with the record label Ram Records, a leader in drum and bass music.
Flight facilities advertisement
Flight Facilities is an Australian electronic music duo consisting of Hugo and Jimmy. Their album tour poster features an airplane, connecting to their name and referencing travel, while their album "Down To Earth" suggests personal, down-to-earth songs. The poster uses earthy and light blue colors that relate to the album name and connote happiness and summer.
Sigma advertisement
Sigma is a drum and bass duo consisting of Cameron Edwards and Joe Lenzi. The advertisement poster features two girls running into waves on a beach, promoting their summery single. It signifies the duo's genre of drum and bass through the techno font and upbeat, summer-themed image. Their music is signed to drum and bass record labels and aims to appeal to young adults interested in the happy, dance-oriented genre.
Sigma cd
The document analyzes the CD cover for the Sigma song "nobody to love", which is a single rather than part of an album. Sigma is a drum and bass duo consisting of Cameron Edwards and Joe Lenzi. The cover features two girls running into waves on a beach, suggesting the song has a summery and happy theme. The dominant colors of blue and white connote liveliness and summer, fitting for the drum and bass genre which the record labels and techno font on the cover also signify.
Rudimental waiting all night writing
The music video uses camera shots of the characters' facial expressions to show the seriousness of the accident and loyalty of his friends. The editing has a linear, continuous style that matches the pace of the song, speeding up as the character gains strength recovering in the hospital. While drum and bass music videos typically have fast, upbeat editing from the start, this one gradually increases in pace like the character's recovery. The fans can relate to the artist's personal experiences portrayed in the video and lyrics about recovering from an accident with friends' support.
Flight facilities crave you writing
The video analyzes the music video for "Flight Facilities Crave You" through close examination of its visual and editing techniques. Close-ups and medium shots are used to follow the movements of the main boy and girl characters separately as their stories intersect through editing. While the pace of editing is slow, it jumps between the two characters to imply their connection despite being apart. The upbeat electronic style of the song fits the genre while telling a personally relatable story through bright colors and imagery of longing for another's attention.
Media
This document discusses the use of camera techniques, editing pace and rhythm, genre ingredients, audience, and how the music video type relates to the song lyrics across 5 different music videos. It provides details on the camerawork, editing, genres, audiences and whether the videos match the lyrics for the songs "Crave You" by Flight Facilities, "Waiting All Night" by Rudimental, "Nobody to Love" by Sigma, "Tidal Wave" by Sub Focus and "Giving It All" by Bondax.
Flight facilities cd
The CD cover features an airplane to connect with the electronic music duo Flight Facilities. The album is titled "Down To Earth" to signify personal, down-to-earth songs. Earthy colors and light blues represent the album title and connote happiness. The cover aims to appeal to young people who enjoy upbeat, happy electronic music similar to drum and bass.
Sub focus torus cd
The CD cover features artist Sub Focus, known for his stage name. The dominant image is a torus shape, which has been featured prominently in his live shows and promotions. The album title, "Torus", references his journey through live shows. Earthy colors suggest chill, down-to-earth music. He is signed to Ram Records, a leading drum and bass label, so fans of that genre will likely listen to his music. The cover targets drum and bass fans familiar with Sub Focus' torus image to promote his original, one-of-a-kind style.
Bondax cd
Bondax is an electronic music duo from England. Their music has elements of drum and bass, which is also a technical genre. The font on their album "Gold" suggests simple yet chilled out music. There are gold and blue/green colors and swirling gold paint on the cover, conveying a down to earth feeling for their music. As the album is titled "Gold", it signifies the artists' pride and view of their music as being of high quality. Being signed to Rentless Records also indicates their success as the label is owned by a major music company. The cover style reflects their genre of electronic music made using technical instruments rather than singing.
Album advertisement rudimental
The band Rudimental consists of four members: Piers Agget, Amir Amor, Kesi Dryden and DJ Locksmith. They are a drum and bass band signed to Asylum Records and Black Butter. Their album "Home" features urban photography on the cover that represents their drum and bass music and targets young fans of that genre.
Bondax advertisement
Bondax are an English electronic music duo consisting of Adam Kaye and George Townsend. Their music has technical elements similar to drum and bass. The album cover features simple capital letters in pink and blue clouds, representing a peaceful and down-to-earth feeling, suggesting their music is chill to listen to. The title "Gold" signifies the artists' pride and view of their music as great. Bondax are signed to the successful label Rentless Records, part of the major corporation Sony Music Entertainment. Their covers typically do not feature the artists but represent the technical nature of electronically produced music. The target audience is young people seeking interesting, unique music, as suggested by the colorful swirls on the poster.
Audience feedback presentation
The audience feedback showed that the music video fit the genre well through its use of dark lighting and band style, making the genre easy to identify. The narrative also fit the music and was easily portrayed. However, some audience members found the music video hard to understand. The whole package worked cohesively through featuring the main character throughout. The genre was well represented by the video's structure and content. Some feedback noted that without listening closely to the lyrics, the narrative was not fully understandable. The poster and packaging were also not very eye-catching.
Rough Storyboard
This document appears to be a shot list or storyboard for a film or video project. It consists of numbered scenes describing different camera shots and angles, including points of view (POV), close-ups of hands moving leaves, wide shots of characters discovering something, overhead and close-up shots of friends dancing and running around during a long panning shot, and close-up shots of a distressed character appearing to lose their mind and panic. The document provides direction on the visual components and sequencing of shots for the project but does not provide any context for the story or characters.
Viewers also liked (20)
Similar to Sigma writing
Libby media 5x videos anaylsis
This document discusses the use of camera techniques, editing pace and rhythm, genre ingredients, intended audience, and how the video and lyrics match for 5 different music videos:
1. "Crave You" by Flight Facilities uses close-ups and tracking shots of the main characters to connote a link between them. The pace is slow and jumps between the characters.
2. "Waiting All Night" by Rudimental uses handheld footage and long shots of a group. The editing matches the increasing pace of the song from slow to fast.
3. "Nobody to Love" by Sigma uses long shots of summer scenes and slow motion. It has a disjunctive style and the video does
Codes and conventions of a music video 2
This document discusses various codes and conventions used in music videos. It covers different styles of music videos including narrative, performance, and mixtures of the two. It also discusses important technical elements like camera work, editing, sound, and mise-en-scene. Examples are provided to illustrate different techniques like the use of camera angles to portray emotions or lighting and setting to match the mood of a song's lyrics. Elements like costumes and props are also explained as ways to convey a music video's genre through visual cues.
Miley cyrus when i look at you analysis
Miley Cyrus wears different outfits from her film The Last Song in the music video for her song "When I Look at You". The video features various settings like the beach to create a romantic feel. It uses techniques like close-up shots of Miley and her piano to highlight characters and props that are important to the story and film. The pacing and style of the video is meant to match the soft, romantic pop song and keep the audience engaged with Miley's performance and narrative elements from the film.
media presentation
This music video is both a performance and narrative video. It follows One Direction spending the day on a beach, where they meet and spend time with girls. The video uses various shots like close-ups, long shots, and tracking shots to advance both the story and the band's performance of the song. It takes place in a typical pop music video setting of a sunny beach. Costumes and vehicles create a summery vibe, while lighting shifts from natural daylight to softer tones as the day ends.
Genre research
This document summarizes research done on various indie/alternative artists including Cosmo Pyke, Triathalon, and Inner Wave. For each artist, it analyzes 1-3 of their music videos in terms of narrative, locations, shots, lighting, costumes, and overall feel. Key elements like bright colors, casual clothing, and warm lighting are highlighted. The document concludes the common "star image" of these artists is indie, relaxed yet stylized, unique, and stands out.
Genre research
This document summarizes research done on several indie/alternative artists - Cosmo Pyke, Triathalon, and Inner Wave. For each artist, it briefly describes their music style and provides summaries of 1-2 of their music videos. The summaries note whether the videos include performances, lip syncing, narratives, locations, camerawork, editing styles, and costumes/aesthetics. Overall traits noted among the artists are their indie, relaxed yet stylized and unique musical styles.
Genre research
This document summarizes research done on several indie/alternative artists - Cosmo Pyke, Triathalon, and Inner Wave. For each artist, it briefly describes their music style and provides summaries of 1-2 of their music videos. The summaries note whether the videos include performances, lip syncing, narratives, locations, camerawork, editing styles, and costumes/aesthetics. Overall traits noted among the artists are their indie, relaxed yet stylized and unique musical styles and visual presentations.
A2 Media Task 2 – Conventions Of A Music Video
The document analyzes the conventions used in several music videos including Rizzle Kicks, Ed Sheeran, Olly Murs, and Wretch 32. It discusses the mise-en-scene, editing, and camera work in the videos. Natural lighting is used in many of the videos to give a casual feel. The settings, costumes, and props relate to the lyrics of the songs. The editing cuts between shots are timed to the rhythm of the music to engage the audience. A variety of shot types like mid shots and close ups are used to show expressions and focus on certain elements.
Conventions of music video
The document discusses the purpose and conventions of music videos. Music videos are used as marketing tools to promote artists and sell music. There are generally three types of music videos: performance, narrative, and a mixture of both. Common conventions include the use of camera shots, movements, lighting, mise-en-scene, and editing to match the mood, genre, and pace of the song. Conventions vary by genre, with genres like hip hop using flashy displays and rock employing moody, low-key lighting. The production of music videos has evolved over time to allow for cheaper, independently-produced videos.
Task 5
The first video analyzes a music video by Mac Miller that uses various camera lenses, montage editing, and locations that fit the artist's style. The editing matches the fast tempo of the song with techniques like jump cuts.
The second video is a music video by Justin Timberlake that uses a blue screen effect and credits at the beginning to look more professional. It has long takes edited to look like shorter shots and uses in/out motions and zooms.
The third analyzed video is of The Pretty Reckless song "Zombie." It uses a female actress to portray the song's narrative and effective camerawork with focused and unfocused shots. Editing is used minimally but effectively, like
Task 5
The first video analyzes a music video by Mac Miller that uses various camera lenses, montage editing, and locations that fit the artist's style. The editing matches the fast tempo of the song with techniques like jump cuts.
The second video is a music video by Justin Timberlake that uses a blue screen effect and credits at the beginning to look more professional. It has long takes edited to look like shorter shots and uses in/out motions and zooms.
The third analyzed video is of The Pretty Reckless song "Zombie." It uses a female actress to portray the song's narrative and effective camerawork with focused and unfocused shots. It has a strong narrative and editing that enhances the
Lola’s theme
The video is set at a fairground and features various people enjoying the rides and activities. It focuses on a young couple playing arcade games where the girl wins and the boy shows interest in her. Their intimacy is shown through a close-up shot of them sharing a kiss. The video opens and closes with a young girl holding a sign to introduce and conclude the video. Though the lyrics do not relate to the visuals, the upbeat music and pacing of the video reflect the enjoyment of the fairground setting and couple's attraction.
Original music video review
The document provides a detailed review and analysis of the music video for "Nobody To Love" by Sigma. It examines the different settings featured in the video, including sandy/dirt roads, mountains, beaches, cars, an abandoned building, country roads, and a lake. For each setting, it analyzes how the setting relates to the song and enhances the viewing experience for the target audience of 16-21 year olds. It also discusses the various costumes worn by the main characters and other individuals featured in the video. The costumes are shown to match the environments and locations depicted.
Music video analysis (2)
This document discusses the conventions of pop/indie music videos. It summarizes that these videos typically mix performance and narrative elements, feature artists in casual clothing under low-key or stage lighting, and use panning shots as well as close-ups and long shots of the artist/band. The document then analyzes how the music video for "The Man Who Can't Be Moved" meets many of these conventions through its combination of performance and narrative segments, casual clothing of the band, and switching between locations and shots.
Music video analysis
The document analyzes and provides feedback on several music videos. It discusses the effective use of close-ups, matching edits to the beat of the music, setting mood through lighting and camera angles, portraying settings and atmosphere through low angle shots and cutaways, and engaging audiences through contrasts and interpreting meaning from visuals. Overall, the document examines how various technical and directorial choices can effectively match the genre, story, and tone of different songs.
TREATMENT SHEET
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes will alternate between the singer with her partner on a beach during nice weather, and alone during dull or stormy weather. The video will include dancing, lip syncing, and split screens to fit the song's style while telling the story of an uncertain relationship through changes in weather and the singer's company or solitude.
TREATMENT SHEET
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes with both the singer and partner will have nice weather, while solo scenes will feature dull or stormy weather. The video will be shot on a beach and include performances, dancing, and split screens to tell the story and fit audience expectations for the artist.
Music video treatment sheet
The document provides a treatment sheet for a music video for the song "This Lonely Morning" by Best Coast. The concept is to use different weather conditions to represent the singer's moods - happiness when with her partner versus loneliness when alone. Scenes will alternate between the singer with her partner on a beach during nice weather, and alone during dull/hostile weather. The video will include dancing, split screens, and an ambiguous ending open to interpretation. Shooting will take place at Seaton Carew beach to match the artist's aesthetic and allow the planned shots and weather metaphors.
Evaluation Question 1
This document discusses how a student's media project, a music video for the song "riptide" by Emma Stevens, uses and develops conventions of real music videos in the pop/country genre. Specifically, it includes:
- A narrative that matches the song's theme of love/relationships
- Casual clothing and lack of formal dress, as is typical in pop/country videos
- Frequent jumps cuts that are on beat to keep the video fast-paced and match the upbeat song
- Focus on the artist and locations through long shots, close-ups, and mid shots
Music video analysis
1. The music video analyzes Jeremy Loops' song "Down South" using 5 aspects: thought beats, narrative and performance, star image, ways to promote the song, and technical aspects.
2. It synchronizes the visuals with the music to create a summer vibe and connect the audience to Jeremy Loops' personality. Scenes of nature and horses accompany slower parts of the song.
3. The video uses narrative and performance shots to illustrate Jeremy Loops leaving his friends and family "Down South" to travel, emphasizing the song's lyrics and creating an atmosphere of love and warmth. Close-ups establish Jeremy Loops as the star.
Similar to Sigma writing (20)
More from gavin lockbird
I chose this image idea as my final digi
The artist chose an image for their album digi-pack covers that features a model with her back turned to represent turning back time, as referenced in the album and music video title. The flowing hair and closed eyes of the relaxed model aim to convey a sense of freedom and relaxation, reflecting the vibe of drum and bass music. Grass is featured throughout the album art and music video to continue the time-traveling theme and match the video's greenery-filled setting.
Advertisement draft x
This draft document provides three sketches for a music video album cover. The first draft shows a scene from the music video that could be used as the album cover, as some artists have done. The second draft features a model lying down with floating hair to convey a magical, peaceful time-traveling vibe, representing the duo SARGA as soulful and free. This aligns with the album's themes of time and space. The third draft is left unspecified.
Artist representation
This document provides information about an English electronic music duo. The duo met while studying at university where they shared a passion for electronic music. Both members are 23-24 years old, white British males who value equality, human rights, and care about others. Their music aims to spread inclusive, political and environmental messages to actively engage audiences.
Digipack drafts
The document discusses three draft designs for an album cover and inlay. The first draft features a photograph of a girl with her eyes closed, relating to flashbacks in a music video. The second draft depicts two girls with flares, referencing a scene in the video. The third draft shows a character turned around to emphasize the album title of "Turn Back Time". All drafts are meant to have relaxed, non-vibrant colors and connect visually to the songs and music video.
Shooting sched redo
The document outlines a film production schedule for October, listing various dates and times for reshoots at Cannon Hill and a friend's house, as well as ongoing shooting in Cannon Hill throughout the month from the 1st to the 31st, including final touch ups during the last week.
Dear eve
Libby has created a shooting schedule for Eve, Poppy, Aaron and Lily to film her music video. She hopes the times still work for everyone. Libby requests they wear normal teenage clothes, except Aaron who should wear all black for a depressed character scene. She thanks them for their help and commitment. An attached shooting schedule details various dates and times in Cannon Hill between 1-4pm from the 5th to the 25th for filming.
Advertisement draft
This document appears to be multiple drafts of a song titled "Turn Back Time" written on March 14, 2015. The document contains 3 drafts labeled with the songwriters' initials and date but no other text.
Digipack drafts
The document discusses three draft designs for the cover of an album called "Turn Back Time". The first draft features a photograph of a girl with her eyes closed, relating to the themes of flashbacks and past/present in the songs. The second draft uses an image from the music video featuring two girls with flares. The third draft features a character turned around to emphasize the album title of turning back time.
Digipack drafts
The document describes three drafts for an album cover design. The first draft features a photograph of a girl with her eyes closed, which relates to flashbacks in the music video and the past/present tense themes of the album's songs. The second draft uses a digipack format with an image of two girls holding flares on the front and smoke on the back, connecting the images. The third draft features a character turned around, emphasizing the album's theme of turning back time.
Shooting sched
This document appears to be a schedule for shooting activities in Cannon Hill over the month. It lists dates from the 5th to the 31st with various time blocks for shooting in Cannon Hill, including more shooting on the 7th, shooting touch ups from the 24th to the 25th, and a final shooting touch up on the 31st.
Artist representation
An English electronic music duo consisting of two white British males aged 23 and 24. They share values of equality, human rights, and environmentalism. Their music aims to heal and benefit others rather than seek attention. They appeal to an active audience that engages with their socially-conscious messages.
Location scouts newest work
Crowds and performances at a music festival could provide authentic footage showing the typical atmosphere of a drum and bass music video, even with low quality handheld footage. However, the environment may be too busy with no control over lighting.
Cannon Hill park could offer a spacious area for dancing and walking around to depict the usual happy, social drum and bass genre setting, but the public may interfere. The weather would need to be sunny.
Filming friends having fun at a house could capture the reality of people hanging out and provide actors with a comfortable environment. But it could make friends act awkwardly being filmed in their home.
Results survey monkey drum and bass
The document appears to be survey results from Libby Coates at Survey Monkey. It likely contains data and analysis from a survey that was conducted on Survey Monkey and compiled by Libby Coates. The short title does not provide much context about the topic or scope of the survey results.
More from gavin lockbird (14)
Recently uploaded
Facebook Fan Page Profits to boost your profits today!
Discover how to turn your Facebook Fan Page into a powerful tool for generating profits! Whether you're an entrepreneur, marketer, or small business owner, learn proven strategies to engage your audience, increase followers, and monetize your fan page effectively. From content creation and engagement tactics to advertising and conversion optimization, unlock the secrets to maximizing your business's success on Facebook. Start leveraging your fan page to boost your profits today!
一比一原版（CSULB毕业证）加州州立大学长滩分校毕业证如何办理
原件一模一样【微信：176555708】【加州州立大学长滩分校毕业证（CSULB学位证）成绩单】【微信：176555708】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：176555708】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理加州州立大学长滩分校毕业证（CSULB学位证）学位证【微信：176555708 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理加州州立大学长滩分校毕业证（CSULB学位证）学位证【微信：176555708 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理加州州立大学长滩分校毕业证（CSULB学位证）学位证【微信：176555708 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理加州州立大学长滩分校毕业证（CSULB学位证）学位证【微信：176555708 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
Call Girls Hyderabad🔥7023059433🔥Vip Profile Escorts in Hyderabad Available 24/7
Call Girls Hyderabad🔥7023059433🔥Vip Profile Escorts in Hyderabad Available 24/7
169+ Call Girls In Chandigarh | 8824825030 | Reliability Escort Service Near You
169+ Call Girls In Chandigarh | 8824825030 | Reliability Escort Service Near You
Creating Immersive Language Learning Environments for Young Learners
ABSTRACT: Creating immersive language learning environments for young learners in English as a Foreign
Language (EFL) contexts has been a topic of considerable interest and debate among educators. Despite
numerous constraints such as time, curriculum, and stakeholder expectations, it is feasible to develop effective
immersive environments. This paper explores the concept of immersion language learning, tracing its historical
development and highlighting its benefits, particularly for young learners. It discusses the distinctions between
total, partial, and dual-immersion programs, emphasizing the critical role of using the target language as the
medium of instruction. Furthermore, it examines the cognitive and academic advantages documented in seminal
immersion programs like Saint-Lambert and Coral Way. By synthesizing research and offering practical
strategies for EFL settings, this paper underscores the importance of teacher commitment, the selection of
appropriate materials, and the adoption of Content and Language Integrated Learning (CLIL) principles.
Ultimately, the findings affirm that immersive environments significantly enhance language proficiency,
cognitive flexibility, and academic achievement, advocating for their broader implementation in EFL
classrooms.
KEYWORDS : CLIL, EFL, immersion, young learners
一比一原版(lu毕业证书)拉夫堡大学毕业证如何办理
原版一模一样【微信：741003700 】【(lu毕业证书)拉夫堡大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(lu毕业证书)拉夫堡大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(lu毕业证书)拉夫堡大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(lu毕业证书)拉夫堡大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(lu毕业证书)拉夫堡大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
一比一原版(cwu学位证书)美国中央华盛顿大学毕业证如何办理
原版一模一样【微信：741003700 】【(cwu学位证书)美国中央华盛顿大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(cwu学位证书)美国中央华盛顿大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(cwu学位证书)美国中央华盛顿大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(cwu学位证书)美国中央华盛顿大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(cwu学位证书)美国中央华盛顿大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
一比一原版（UCSD毕业证）加利福尼亚大学圣迭戈分校毕业证如何办理
原件一模一样【微信：176555708】【加利福尼亚大学圣迭戈分校毕业证（UCSD学位证）成绩单】【微信：176555708】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：176555708】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理加利福尼亚大学圣迭戈分校毕业证（UCSD学位证）学位证【微信：176555708 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理加利福尼亚大学圣迭戈分校毕业证（UCSD学位证）学位证【微信：176555708 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理加利福尼亚大学圣迭戈分校毕业证（UCSD学位证）学位证【微信：176555708 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理加利福尼亚大学圣迭戈分校毕业证（UCSD学位证）学位证【微信：176555708 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
Ahmedabad Call Girls 🔥 9352988975 ❤️ Book High Class Models In Ahmedabad
Ahmedabad Call Girls 🔥 9352988975 ❤️ Book High Class Models In Ahmedabad
9861615390 Satta Dpboss Sattamatka matka
9861615390 Satta Dpboss Sattamatka matkasattamatka dpboss matka satta Matka , Kalyan, Sattamatka, boss, dpboss, satta
9861615390 Satta Matka | Satta Matka Results | Kalyan Matka Tips | Free Matka Results | SattaMatka | Satta Matka Tips | Satta Matka Guessing | Satta Matka Number | Satta Matka 143 | Online All Satta Matka Result | Satta Matka Guessing | Satta Matka Chart | Satta Matka King | Satta Matka Trick | Satta Matka Tips | Satta Matka Number | Satta Matka Software | Matka Chart | Matka Result | Satta Matka Guessing | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips | Satta Matka | Matka Tips | Satta King | Satta Game | Satta Result | Matka Result | Satta Matka Result | Satta Matka | Kalyan Matka | Kalyan Matka Tips | Matka Result | Satta Matka Result | Satta Matka Tips Using Playlists to Increase YouTube Watch Time
Discover how to use playlists to keep viewers engaged and increase your watch time.
https://www.sociocosmos.com/product-category/youtube/youtube-comments/
On Storytelling & Magic Realism in Rushdie’s Midnight’s Children, Shame, and ...
ABSTRACT: Salman Rushdie’s novels are humorous books about serious times. His cosmopolitanism and
hybrid identity allowed him access to multiple cultures, religions, languages, dialects, and various modes of
writing. His style is often classified as magic realism, blending the imaginary with the real. He draws
inspiration from both English literature and Indian classical sources. Throughout his works, there is a lineage of
‘bastards of history’, a carnival of shameful characters scrolling all along his works. Rushdie intertwines fiction
with reality, incorporating intertextual references to Western literature in his texts, and frequently employing
mythology to explore history. This paper focuses on Rushdie’s three novels: Midnight’s Children, Shame, and
Haroun and the Sea of Stories, analyzing his postmodern storytelling techniques that aim to explore human
vices and follies while offering socio-political criticism.
KEYWORDS : Magic Realism, Rushdie, Satire, Storytelling, Transfictional Identities
Call Girls Chandigarh ☎️ +91-7426014248 😍 Chandigarh Call Girl Beauty Girls C...
Call Girls Chandigarh ☎️ +91-7426014248 😍 Chandigarh Call Girl Beauty Girls Chandigarh Escorts
CYBER SECURITY ENHANCEMENT IN NIGERIA. A CASE STUDY OF SIX STATES IN THE NORT...
ABSTRACT: Security plays an important role in human life and endeavors. Securing information and
disseminating are critical challenges in the present day. This study aimed at identifying innovative technologies
that aid cybercrimes and can constitute threats to cybersecurity in North Central (Middle Belt) Nigeria covering
its six States and the FCT Abuja. A survey research design was adopted. The researchers employed the use of
Google form in administering the structured questionnaire. The instruments were faced validated by one expert
each from ICT and security. Cronbach Alpha reliability Coefficient was employed and achieved 0.83 level of
coefficient. The population of the study was 200, comprising 100 undergraduate students from computer science
and Computer/Robotics Education, 80 ICT instructors, technologists and lecturers in the University and
Technical Colleges in the Middle Belt Nigeria using innovative technologies for their daily jobs and 20 officers
of the crime agency such as: Independent Corrupt Practices Commission (ICPC) andEconomic and Financial
Crimes Commission (EFCC). Three research purposes and questions as well as the hypothesis guided the study
on Five (5) point Likert scale. Data collected were analyzed using mean and standard deviation for the three
research questions while three hypotheses were tested using t-test at 0.05 level of significance. Major findings
revealed that serious steps are needed to better secure the cybers against cybercrimes. Motivation, types, threats
and strategies for the prevention of cybercrimes were identified. The study recommends that government,
organizations and individuals should place emphasis on moral development, regular training of its employees,
regular update of software, use strong password, back up data and information, produce strong cybersecurity
policy, install antivirus soft and security surveillance (CCTV) in offices in order to safeguard its employees and
properties from being hacked and vandalized.
KEYWORDS: Cybersecurity, cybercrime, cyberattack, cybercriminal, computer virus, Virtual Private Networks
(VPN).
TACKLING ILLEGAL LOGGING: PROBLEMS AND CHALLENGES
ABSTRACT: Illegal logging poses significant environmental, economic, and social challenges worldwide. This
research explores the problems associated with illegal logging in the present and future, shedding light on the
multifaceted nature of this issue and the accompanying challenges faced by governments, organizations, and
communities. The study employs a comprehensive literature review to analyze the current state of illegal
logging, its causes, and its consequences. It examines the environmental impact of deforestation, including
biodiversity loss, habitat degradation, and climate change. The researchers identify the challenges faced in
combating illegal logging in the present and anticipate future obstacles. It considers illegal logging networks'
complex and elusive nature, the limited enforcement capacity, and the need for international cooperation and
coordination. The study also examines the adoption and effectiveness of policies, regulations, and technological
advancements in curbing illegal logging practices in Davao City.
Keywords -Problems and Challenges, Cultural Disruptions, Anticipate future problems.
Satta Matka Dpboss Kalyan Fix Game matka
Satta Matka Dpboss Kalyan Fix Game matka❾❸❹❽❺❾❼❾❾⓿Satta Matka Dpboss Guessing Matka Indian matka Kalyan result
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA-❾❸❹❽❺❾❼❾❾⓿The Influence of Green Tax Implementation and Social Responsibility Programs ...
ABSTRACT : The issue of climate change related to carbon emissions has become an alarming global
phenomenon. The manufacturing sector contributes significantly to global greenhouse gas emissions. Therefore,
efforts to mitigate climate change through the implementation of green taxes and Social Responsibility
Programsare important for manufacturing industry. This research aims to analyze the effect of implementing
green tax and Social Responsibility Programs on environmentally sustainable development in manufacturing
industry. A quantitative approach is used with the research object of manufacturing industry listed on the
Indonesia Stock Exchange in 2020-2022. Analyzed using Partial Least Square (PLS) method. The research
results show that the implementation of green tax has a significant effect on environmentally sustainable
development, while Social Responsibility Programsdo not have a significant effect. These findings indicate that
green tax policies are effective in encouraging companies to switch to more environmentally friendly business
practices, but Social Responsibility Programshave not been fully integrated with environmental sustainability
efforts. This research contributes to the literature related to fiscal policy instruments and corporate social
responsibility practices in supporting environmentally sound sustainable development in the manufacturing
sector.
KEYWORDS: Green tax; Social responsibility; Environmentally sustainable development; Manufacturing
industry
Pulse Vibes Media.......................
Welcome to our captivating YouTube channel, where the past comes alive with intriguing history, fascinating fun facts, and inspiring motivational content. Join us on a journey through time as we unravel the mysteries of the past, share delightful nuggets of knowledge, and ignite the spark of motivation within you. Get ready to explore the depths of history, uncover hidden gems of information, and embark on a quest for personal growth and inspiration. Subscribe now for a blend of education, entertainment, and empowerment that will leave you enlightened and uplifted after every video.
Call Girls In Hyderabad Book Me Monika:- 9352988975 | For Hot Moments Direct ...
Call Girls In Hyderabad Book Me Monika:- 9352988975 | For Hot Moments Direct Cash Payment Friendship
Recently uploaded (20)
Facebook Fan Page Profits to boost your profits today!
Facebook Fan Page Profits to boost your profits today!
Call Girls Hyderabad🔥7023059433🔥Vip Profile Escorts in Hyderabad Available 24/7
Call Girls Hyderabad🔥7023059433🔥Vip Profile Escorts in Hyderabad Available 24/7
169+ Call Girls In Chandigarh | 8824825030 | Reliability Escort Service Near You
169+ Call Girls In Chandigarh | 8824825030 | Reliability Escort Service Near You
Creating Immersive Language Learning Environments for Young Learners
Creating Immersive Language Learning Environments for Young Learners
Ahmedabad Call Girls 🔥 9352988975 ❤️ Book High Class Models In Ahmedabad
Ahmedabad Call Girls 🔥 9352988975 ❤️ Book High Class Models In Ahmedabad
On Storytelling & Magic Realism in Rushdie’s Midnight’s Children, Shame, and ...
On Storytelling & Magic Realism in Rushdie’s Midnight’s Children, Shame, and ...
Call Girls Chandigarh ☎️ +91-7426014248 😍 Chandigarh Call Girl Beauty Girls C...
Call Girls Chandigarh ☎️ +91-7426014248 😍 Chandigarh Call Girl Beauty Girls C...
CYBER SECURITY ENHANCEMENT IN NIGERIA. A CASE STUDY OF SIX STATES IN THE NORT...
CYBER SECURITY ENHANCEMENT IN NIGERIA. A CASE STUDY OF SIX STATES IN THE NORT...
The Influence of Green Tax Implementation and Social Responsibility Programs ...
The Influence of Green Tax Implementation and Social Responsibility Programs ...
Call Girls In Hyderabad Book Me Monika:- 9352988975 | For Hot Moments Direct ...
Call Girls In Hyderabad Book Me Monika:- 9352988975 | For Hot Moments Direct ...
Sigma writing
- 1. Sigma- Nobody to Love Use of camera- Lots of long shots are used to show the 2 main characters actions and journey throughoutthe video, it features them having fun and running around doing certain activities like jumping off into a lake and dancing around abandoned buildings. Long shots connote a senseof freedom that the characters have. Long shots of the scenery and weather conditions they are in are shown as this is a very summery song and the weather and scenery is a main feature in the video. Point of view shots are used from the inside of the car to show the audience what the characters see, so that they are in on their journey with them. Pace and Rhythm- The pace and rhythmof the song has slow motion editing of certain things the girls do together e.g. jumping into river, boob bashing, rolling down the sand dunes, etc this is because they are significantpoints in the video which connote that the girls are enjoying themselves and are feeling happy. Genre ingredients- This video fits with the typical genre elements of drum and bass music videos. As the video is a montage/ journey of summery scenes and people having fun together and laughing. There is no story in the video or messagebut the general vibes of the video is summer fun. Itis typical of a drumand bass genre to include this in their videos. Audience andText- The video allows the audience to escape fromtheir daily life by indulging in this beautiful video of happiness and fun. The relation between the audience and the video is that they are getting involved in the characters fun life and they are wanting to be apart of it. Type of videoand Lyrics- This music video is a disjunctivevideo, includes randomshots of summery scenes. The video and lyrics don’t match. This is odd as if they did link it could be because it attracts a active audience who unconsciously link this video to their personallife and social contexts