A presentation by SUI GENERIS GROUP
ATTY. ALDER K. DELLORO
MR. LUDOVICO K. DELLORO
ATTY. ANTON CARLO E. ESPINO
MS. AUREN GALANG
MR. CARLO MARTIN
MS. MARIA THERESA MIJARES
MR. ALBERT ONG
REP. WILLIAM IRWIN TIENG
A presentation by SUI GENERIS GROUP
ATTY. ALDER K. DELLORO
MR. LUDOVICO K. DELLORO
ATTY. ANTON CARLO E. ESPINO
MS. AUREN GALANG
MR. CARLO MARTIN
MS. MARIA THERESA MIJARES
MR. ALBERT ONG
REP. WILLIAM IRWIN TIENG
This presentation discusses the current condition of the music industry specifically of that in Canada. The presentation focuses on whether or not downloading music online has affected the music industry. The various methods of attaining music is looked at to examine its impact in Canada
Your Life Is A Transmedia Experience - vote for this panel at SXSWinteractive...socialcreature
The human brain is hard-wired for narrative construction. Today, “transmedia” is the latest marketing buzzword, but it’s not just how we consume entertainment narratives. With every status update, photo upload, location check-in, and “like,” it’s how we experience the narrative of our lives. We will dive into cutting-edge transmedia applications and approaches, and you’ll walk away with a unique, new perspective on how to create not just a captivating transmedia narrative, but a culture-defining experience.
Vote here: http://panelpicker.sxsw.com/ideas/view/7292
Presentation of Andreas Hörfurter and Gabriele Pätsch at eLearning Africa about an innovative pilot project of mobile learning for the environment in Kenya.
This presentation discusses the current condition of the music industry specifically of that in Canada. The presentation focuses on whether or not downloading music online has affected the music industry. The various methods of attaining music is looked at to examine its impact in Canada
Your Life Is A Transmedia Experience - vote for this panel at SXSWinteractive...socialcreature
The human brain is hard-wired for narrative construction. Today, “transmedia” is the latest marketing buzzword, but it’s not just how we consume entertainment narratives. With every status update, photo upload, location check-in, and “like,” it’s how we experience the narrative of our lives. We will dive into cutting-edge transmedia applications and approaches, and you’ll walk away with a unique, new perspective on how to create not just a captivating transmedia narrative, but a culture-defining experience.
Vote here: http://panelpicker.sxsw.com/ideas/view/7292
Presentation of Andreas Hörfurter and Gabriele Pätsch at eLearning Africa about an innovative pilot project of mobile learning for the environment in Kenya.
Presentación Hotel Auditorium Madrid 2014
869 habitaciones y centro de congresos con 59 salas de reunión y auditorio para más de 2.000 personas
869 rooms and convention centre with 59 meeting rooms and auditorium for more than 2,000 people
El Hotel Auditórium Madrid 4* se encuentra situado en la A-II, muy cerca del Aeropuerto de Barajas y de Ifema.
Hotel de negocios en Madrid perfecto para reuniones, conferencias, congresos, y eventos con 59 salas diáfanas. También dispone de recepción de congresos independiente.
Con Wi-Fi gratuito en todo el hotel, transporte grauito al aeropuerto, gimnasio, sauna y piscina gratuitos y parking con 1.000 plazas.
----------------
The Hotel Auditorium Madrid 4 * is located in the A-II, near Barajas Airport and IFEMA.
Business hotel in Madrid perfect for meetings, conferences, and events with 59 diaphanous rooms. It also has separate conference reception.
With Free Wi-Fi in the whole hotel, free transport to the airport, free gym, sauna and swimming pool and parking with 1,000 spaces.
Presentation at ICGem Conference in Jakarte, July 2012. Discussing the potential of mobile learning for gender education, especially for awareness raising and change of attitude at the community level.
Presentación oficial del Hotel Auditorium Madrid. Un hotel de congresos, especialista en organización de eventos y, además, hotel del Aeropuerto de Madrid barajas y hotel cerca de Ifema
Sony husic Entertainment and theEvolution of the Music Indu.docxwhitneyleman54422
Sony h/usic Entertainment and the
Evolution of the Music Industry
A. J. Strickland
The Ilniversitg of Alabama
Andrew Pharaoh
2015 Undergraduate,
The Universitg of Alabama
d d A t such a pivotal time for music, it's more
ffi imRortant than ever to develop a fertile,d \ creative environment that generates the
highest quality of artists and music, while seeking to
fully exploit the many opportunities that new digital
services and products provide in reaching audiences
around the world."r
The remarks of Sony Music Entertainment CEO
Doug Morris in 2011 illustrated an accurate under-
standing of the environment of music sales. Morris,
a globally influential executive and music innovator,
agreed to join Sony Music Entertainment as chief
executive officer effective July 1, 201l. In a time of
great change in the music marketplace, it was abso-
lutely necessary that Sony take active steps to remain
competitive. Morris took the job graciously, but he
placed himself into a business whose margins were
becoming thinner and thinner. With a declining
industry that had been made less lucrative by the
wide availability of substitutes, Morris was forced to
develop a strategy to contend with industry change
and unfavorable competitive forces in 2014.
F"$$ST#ffiV #ffi S#NY f'1U$$*
ffiNTKreT&!Iq P--$ffiNY
American Record Company, the company that would
laterbecome Sony Music Entertainment, was founded
in 1929 and then acquired by Columbia Broadcasting
Company in 1938. In March 1968, Sony, at that rime
Seth Kennedg
2014 Llndergraduate,
The Universitg of Alabama
a Japanese company, began a joint venture with the
American company CBS to form CBS/Sony Records
Inc. In September 1976, Sony introduced the optical
digital audio disc, now known as the compact disc
(CD). In 1983, CBS Inc., as an American company,
allowed introduction of the CD to American markets.
In January 1988, CBS Records Inc. was absorbed,
and in January 1991, the new company was renamed
Sony Music Entertainment Inc.
In August 2004, Sony BMG Music Entertain-
ment was established as a new joint venture with Ber-
telsmann AG. Later, in August 2008, Sony acquired
BMG's 50 percent stake in Sony Music Entertain-
ment and began operation once again as Sony Music
Entertainment, a wholly owned subsidiary of Sony
Corporation. In July 2012, Sony/AIV Music Publish-
ing, a joint venture between Sony and the Michael
Jackson Family Trust, along with a consortium of
other investment firms, bought the publishing arm of
the EMI Group, which solidified Sony's position as
the world's largest music publisher.
#VffiRV!HW ffiT THffi ML,}$$T
il N,EM M$TruV
Before the 1900s, music and entertainment media had
a strong emphasis on performance. If theater, magic,
or music was wanted in a certain venue, individuals
Copyright O 2014 by A. J. Strickland. All rights reserved.
who could perform the arl personally were found and
paid to do so. At the beginning of the 20th century,
music began to become ownership-driven. .
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
1. • Jack Sparrow
• Robin Hood
• Me? You?
U.S. Digital Millennium Copyright Act deems :
Copying of copyrighted music (with the exception of
making a copy for your own use) as illegal.
The U.S. Code protects copyright owners from the
unauthorized reproduction, adaptation or distribution
of sound recordings, as well as certain digital
performances to the public.
In more general terms, it is considered legal for you to
purchase a music CD and record (rip) it to MP3 files
for your own use only. Uploading these files via peer-
to-peer networks would constitute a breach of the law.
2. Recording Industry Association of America (RIAA)
Its members are the music labels that comprise the most vibrant
record industry in the world.
RIAA® members create, manufacture and/or distribute
approximately 85% of all legitimate recorded music produced
and sold in the United States.
Record Companies
Recording companies have sued 24 Oklahomans in federal
court. Eight cases have ended with a total of at least $34,450
paid to the recording companies.
Read more: http://newsok.com/music-file-pirating-
targeted/article/1445133#ixzz1O5Ymsy33
Music Artists (not all)
3. CD burning
Emailing Mp3 files
P2P
Frostwire/Limewire
Torrent sites
Piratebay.com
Video sites
YouTube.com
Hulu.com
Flv2Mp3.com
Can convert any URL with music
embedded into an mp3
4. 1. As a result of sound recording piracy, the U.S. economy loses 71,060
jobs.
2. Of this amount, 26,860 jobs would have been added in the sound
recording industry or in downstream retail industries, while 44,200 jobs
would have been added in other U.S. industries.
A. U.S. workers lose $2.7 billion in earnings annually
B. $1.1 billion would have been earned by workers in the sound recording industry
or in downstream retail industries
C. $1.6 billion would have been earned by workers in other U.S. industries.
D. As a consequence of piracy, U.S. federal, state and local governments lose a
minimum of $422 million in tax revenues annually.
A. $291 million represents lost personal income taxes
B. $131 million is lost corporate income and production taxes.
Stats provided by:
IPI Policy Report - Executive Summary # 188
http://www.ipi.org/IPI/IPIPublications.nsf/PublicationLookupExecutiveS
ummary/9631E78559D421458625733E0052D370
5. Jack black
http://www.youtube.com/watch?v=-LkWKvMCzqA
Kid Rock
http://www.youtube.com/watch?v=VpCADfZD-
eg&feature=fvsr
PSA
http://www.youtube.com/watch?v=cx8obpx4844
6. Exposing foreign countries culturally
different or banned music by their
governments
Islamists ban music in areas of Somalia
Canada bans old Dire Straights song “Money For
Nothing” Feb 1, 2011
Italy Mafia songs (songs of a life of crime) have been
illegal for years
http://www.freemuse.org/sw6571.asp
Creates wider fan bases due to exposure
Frees up funds for concert tickets, or
purchases of new artist’s music
7. Exposure without having a record label behind
you
Created a way to release their “B” side music
without label approval “leaked songs”
Artists make very little from sales from
mp3/iTunes sales
http://sdsmthum100.pbworks.com/w/page/40851
549/How-much-Artists-make-in-different-Formats
8. YOU TUBE OLD SCHOOL
Any one can record and Being “Discovered” was
upload a song, video, your only hope
home movie, etc. Artists stuck playing in
Has exposed many bars or venues as only
unknown artist and source of exposure
brought them to record Sending out demo tapes
deals. that may or may not
Can load a cover song ever get heard
and it links in to
original artist. Creating
more exposure to
original artists
9. • Began uploading
cover songs in
2007 (copyright
James
infringement?) Dupre’
• Was noticed
(because of
popularity on
YouTube) by Ellen
and featured
singing a Rob
Thomas song on
her show in Oct
2010
• Signed With
http://www.youtube.com/watch?v=M0xqu0N
Warner Brothers uwek&feature=channel_video_title
Feb 2011
10. Andy McKee
is considered one of the world’s
finest acoustic guitar soloists
His dedicated online community
has raised his YouTube video
views in excess of 78 million
plays
At one point he held the #1, #2
and #3 positions for Top-Rated
Videos of All Time on YouTube.
McKee’s online media success has impacted both album and ticket sales allowing
him to tour internationally with over 200 live shows a year.
http://www.youtube.com/watch?v=BfF4QLO-L_4
11. RIAA - RECORDING INDUSTRY OBERHOLZER AND STRUMPF
ASSOCIATION OF AMERICA FILE SHARING STUDY FOR
HARVARD BUSINESS SCHOOL
Protect Recording Claim there is a 0%
Companies (not artist) impact on music sales
Lobbied for “Higher 75% of artists see higher
Education Opportunity sales due to p2p
Act“http://sdsmthum100.pbworks.com/w/ Stance is, Piracy is a way
page/40852705/Higher-Education-act-
concerning-Copy-Right-law to build a fan base and
Claim since Napster in take the corporation out
1999, music sales in the of the music
U.S. have dropped 47
percent, from $14.6 billion http://www.unc.edu/~c
to $7.7 billion. igar/papers/FileSharing_
March2004.pdf
12. Compared to music buyers,
music sharers (pirates) are:
31% more likely to buy single tracks online.
33% more likely to buy music albums online.
100% more likely to pay for music subscription
services.
60% more likely to pay for music on mobile phone
According to Torrentfreak.com article on a study conducted concerning digital pirating
http://torrentfreak.com/pirates-are-the-music-industrys-most-valuable-customers-100122/
13. It is Illegal according to the
U.S. Digital Millennium Copyright Act
Un-Named source’s personal direct effect on the
music industry because of pirating music files
totals 33.00 for 1500 songs. But how much has he
contributed due to discovering new artists?
I have found many new artists due to copy right
laws being infringed on like James Dupre’s covers
on YouTube and pass that on as well as purchase
music due to new discoveries.
Conclusion:
It’s a choice, you have to decide who to believe for
statistics and know that it is illegal to Violate Digital
Piracy Laws.