Illegal downloading
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The document discusses the problems and opportunities that new media technology poses for record labels, artists, and consumers. It notes that illegal downloading reduces funding for record labels and makes it difficult for up-and-coming artists to secure contracts. However, it also allows artists to promote themselves online and gain recognition through illegal file sharing, potentially leading to contracts. The document asks about alternative solutions to restricting internet access to address illegal downloading and seeks information on current debates around digital piracy legislation.
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Illegal downloading
The document discusses illegal downloading and the legal issues surrounding it. It defines key terms like downloading, torrenting, and copyright. It outlines what makes downloading illegal, popular programs for legal and illegal downloading, pros and cons of illegal downloading, and two notable legal cases on the topic. The document aims to inform students on the debate around restricting downloads and how the issue affects them.
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The document provides information on copyright laws and discusses the 2001 court case between the Recording Industry Association of America (RIAA) and Napster. It summarizes Napster's arguments that it did not financially benefit from file sharing and that some artists allowed distribution of their music. However, the court found Napster liable for contributory and vicarious copyright infringement. Napster was forced to shut down and pay fines, though alternative file sharing software later emerged. The document also includes sample interview questions and responses on copyright issues from university students.
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This document discusses campaigns to raise awareness, copyright and intellectual property rights, illegal downloading and piracy. It notes that campaigns are used to educate people and raise awareness for causes like charities or public safety. Illegal downloading and piracy occur when copyrighted works like software, music or videos are copied and distributed without permission from the copyright holder. Several industries are affected by piracy, including music, films and pharmaceuticals. While viewing copyrighted works through legal means like theaters, TV or streaming services is allowed, downloading without paying for the content is considered illegal.
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This document discusses copyright law and illegal file sharing. It provides a history of copyright legislation from the Statute of Anne in 1710 to modern acts like the Copyright Act of 1976. Copyright protects original creative works and gives owners exclusive rights over reproduction and distribution. Common copyrighted materials include music, movies, books and images. While fair use allows limited use of copyrighted works, illegal file sharing by downloading or distributing copyrighted content without permission violates copyright law and carries penalties. The document aims to dispel common myths about illegal file sharing and provides legal alternatives for obtaining copyrighted entertainment content.
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Illegal downloading
The document discusses illegal downloading and the legal issues surrounding it. It defines key terms like downloading, torrenting, and copyright. It outlines what makes downloading illegal, popular programs for legal and illegal downloading, pros and cons of illegal downloading, and two notable legal cases on the topic. The document aims to inform students on the debate around restricting downloads and how the issue affects them.
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The document discusses key concepts of Web 2.0 including participatory media, collective intelligence, and examples of how these concepts are implemented. It defines Web 2.0 as focusing on participation, sharing, and collaboration compared to older websites. Examples provided include Wikipedia's collective intelligence, CNN iReport's citizen journalism, and a Chemical Brothers music video mashup created by fans on Google Earth. The conclusion discusses differentiating content to engage participants and acknowledging contributions as important aspects of Web 2.0 and collective intelligence.
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The document provides information on copyright laws and discusses the 2001 court case between the Recording Industry Association of America (RIAA) and Napster. It summarizes Napster's arguments that it did not financially benefit from file sharing and that some artists allowed distribution of their music. However, the court found Napster liable for contributory and vicarious copyright infringement. Napster was forced to shut down and pay fines, though alternative file sharing software later emerged. The document also includes sample interview questions and responses on copyright issues from university students.
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This document discusses campaigns to raise awareness, copyright and intellectual property rights, illegal downloading and piracy. It notes that campaigns are used to educate people and raise awareness for causes like charities or public safety. Illegal downloading and piracy occur when copyrighted works like software, music or videos are copied and distributed without permission from the copyright holder. Several industries are affected by piracy, including music, films and pharmaceuticals. While viewing copyrighted works through legal means like theaters, TV or streaming services is allowed, downloading without paying for the content is considered illegal.
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A presentation by SUI GENERIS GROUP
ATTY. ALDER K. DELLORO
MR. LUDOVICO K. DELLORO
ATTY. ANTON CARLO E. ESPINO
MS. AUREN GALANG
MR. CARLO MARTIN
MS. MARIA THERESA MIJARES
MR. ALBERT ONG
REP. WILLIAM IRWIN TIENG
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This document discusses the problems and opportunities that new media technology poses for record labels, artists, and consumers in terms of illegal downloading and copyright issues. It notes that record labels are losing money due to illegal downloading, but artists now have wider consumer bases and can more easily release and promote their music. The document asks for alternative solutions to restricting internet access to address illegal downloading and provides examples such as making music and live shows cheaper or offering free music with purchases.
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The document discusses the problems and opportunities that new media technology poses for record labels, artists, and consumers.
For record labels, it poses the risk of losing their business as people illegally download music. For artists, they may not make money from their work if it is illegally downloaded. For consumers, illegally downloading music is against the law and they could lose internet access.
However, new media also provides opportunities. It allows unknown artists to gain exposure and a larger fanbase through platforms like YouTube. Artists can make money through concerts rather than relying on royalties. And consumers can discover new music for free and use that to support artists at concerts.
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MUSIC PIRACY AND THE INTERNET
A presentation by SUI GENERIS GROUP
ATTY. ALDER K. DELLORO
MR. LUDOVICO K. DELLORO
ATTY. ANTON CARLO E. ESPINO
MS. AUREN GALANG
MR. CARLO MARTIN
MS. MARIA THERESA MIJARES
MR. ALBERT ONG
REP. WILLIAM IRWIN TIENG
Hobbs and valenza 4.6.11
The document discusses copyright law, fair use, and remix culture. It explains that copyright law aims to promote creativity and innovation, while also protecting creators' rights over their works. However, fair use allows limited use of copyrighted works without permission under certain circumstances, such as for teaching. The document also discusses licensing schemes like Creative Commons that give some permission to use and modify works. Codes of best practice help build confidence in applying fair use. Copyright law adapts to changes in technology and society over time.
copyright Infringement
If you create something an idea, invention, a work or research, you have the right as to how it should be used by others.
File000160
Model Liskula Cohen is suing Google over a defamatory blog post that called her the "#1 skanky superstar". She filed the lawsuit to determine the identity of the anonymous blogger. Another woman, Nyree Howlett, sued multiple people for uploading her private photos to Facebook and dating websites without permission. The documents discuss investigating defamation over websites and blog posts, including searching blog content, checking the blog URL and owner information, reviewing comments, and using tools like Archive.org to trace the source.
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The document discusses the evolution of intermediary liability law over three waves from the 1990s to the present. Current law is experiencing an identity crisis with conflicting rules and minimal practical guidance. The first wave established broad immunity under the US Communications Decency Act but a notice-and-takedown regime in the EU. The second wave sought nuance through national case law and rights-based discussions. The third wave saw a collapse into fragmented, fact-specific analyses in different legal areas like copyright and defamation. Back-to-basics approaches aim to clarify definitions and notice obligations through horizontal frameworks. Key issues involve balancing regulation, governance, and intermediaries' neutral roles.
Fcons
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The document discusses the regulatory structure of the Internet Watch Foundation (IWF) and whether it can be considered a public authority according to human rights law. It analyzes the IWF's remit to block unlawful internet content and examines whether the restrictions on freedom of expression are prescribed by law and necessary in a democratic society. While the IWF aims to balance freedom of expression and child protection, the document argues it lacks adequate human rights safeguards and oversight in its governance structure.
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Hum100
The document discusses copyright laws regarding music piracy. It is illegal to copy and distribute copyrighted music without permission, but legal to make copies for personal use. While music labels argue piracy hurts sales, some studies have found pirates are more likely to purchase music and attend concerts, exposing more people to new artists. Overall, there are reasonable arguments on both sides of the piracy debate.
From piracy to “The Producers?
the music industry has many problems, and , some would say, enemies. THis talk looks at some of these and summarises the outcomes to date of the "war on piracy". It also however foresees a newer threat - the algorithmic curation and , perhaps, creation, of popular music. Do we need new music and human musicians any more?
Prezi
This document discusses copyright and issues around copying or distributing copyrighted material from the internet. It addresses questions around what can legally be copied, defines copyright and related terms like orphan works and public domain works. It emphasizes thinking before downloading to ensure something can be legally copied and where to get permission, providing examples like the US Copyright Office website. The document aims to educate on knowing the difference between what is freely available and what requires permission to copy or distribute.
Hum100
The document discusses copyright laws regarding music piracy. It is illegal to copy and distribute copyrighted music without permission, but legal to make copies for personal use. While music industry groups claim piracy has reduced music sales, some studies have found pirates may actually help promote artists and increase sales. The effects of online music sharing on the industry remain unclear and debated.
Michael Demont DMCA Research Paper
The Digital Millennium Copyright Act (DMCA) needs reform because its broad scope has led to misuse and illegal suppression of legitimate activities. The DMCA prohibits circumventing digital rights management (DRM) protections, making it illegal for consumers to make personal backups or copies of media they purchase like DVDs or CDs. The DMCA has also been used to threaten academic researchers, like Professor Felton, who were studying DRM protections. The DMCA overly restricts uses of copyrighted material for education despite provisions for educational fair use. Overall, the DMCA is an outdated law given technological changes, and a more balanced copyright law is needed.
PDF: Live Free and Prosper: Metanomics Transcript October 8 2009
How should the Internet be governed? What is the role of policy and law in shaping on-line communities? Should we allow anonymity on-line or does that lead to cyber-bullying and griefers? Are there dangers if government avoids asserting control over on-line content and commerce?
Robert Bloomfield, Professor at Cornell University, welcomed Adam Thierer on Wednesday October 7th for a discussion of on-line freedom on Metanomics, a weekly virtual world broadcast.
To view the video visit: http://tinyurl.com/y8j4fmb
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This document contains excerpts from a textbook on public relations. It includes multiple definitions of public relations from experts in the field such as Edward Bernays, the Foundation for Public Relations Research and Education, and Denny Griswold. It also discusses key concepts in public relations including publics, stakeholders, and lifestyle segmentation of consumers. The document is copyrighted material from Prentice Hall in 2001.
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This document discusses the problems and opportunities that new media technology poses for record labels, artists, and consumers in terms of illegal downloading and copyright issues. It notes that record labels are losing money due to illegal downloading, but artists now have wider consumer bases and can more easily release and promote their music. The document asks for alternative solutions to restricting internet access to address illegal downloading and provides examples such as making music and live shows cheaper or offering free music with purchases.
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The document examines the crisis facing the entertainment industry due to changes in online media and piracy. It discusses how traditional business models for movies and music are failing as DVD/CD sales plummet. Various digital business models are presented, such as advertising, subscriptions, and direct sales to consumers. Case studies of attempts at new models like DIVX, iTunes, Netflix, and Pandora are provided. The document concludes that while the movie and music industries face crises, they require different solutions given that music piracy has caused more damage so far.
The Entertainment Industry In crisis
The document examines business models for the entertainment industry in response to challenges from internet piracy and digital distribution. It proposes a collective licensing model for music where fans pay a monthly fee for unlimited streaming and sharing, with fees distributed to artists based on popularity. For films, it suggests maximizing the theatrical experience, converting to digital projectors to cut costs, adding new digital distribution windows shortly after theaters, and focusing on high quality special features to attract fans to purchased copies. Both industries must accept lower profits than before the internet.
The Entertainment Industry In Crisis
The document examines the crisis facing the entertainment industry due to changes in online media and piracy. It discusses how traditional business models for movies and music are failing as DVD/CD sales plummet. Various digital business models are presented, such as advertising, subscriptions, and direct sales to consumers. Case studies of attempts at new models like DIVX, iTunes, Netflix, and Pandora are provided. The document concludes that while the movie and music industries face crises, they require different solutions given that music piracy has caused more damage so far.
Ten ways that technology-driven changes have impacted musicians
The document summarizes how technology-driven changes have impacted musicians over the past 20 years. It discusses 10 key changes, including:
1) A vast increase in the number of platforms for musicians to share and distribute their music. While this provides more options, it also fragments audiences.
2) Musicians have greatly improved access to the music marketplace through low-cost digital distribution platforms. However, competition is much higher.
3) There are now many more potential revenue streams for musicians, but individual payments are often very small.
Overall, the changes have both benefits and challenges for musicians. While control and access have increased for some, traditional revenue streams and label support have decreased for many. Music
Real Groovy
Real Groovy is a New Zealand music retail store facing challenges from decreasing CD sales as the market shifts to digital music downloads. While Real Groovy has a large variety of products that gives it a competitive advantage, its goods are more expensive than competitors. The document recommends Real Groovy create an online store to attract customers worldwide and attempt to offer the same variety of music digitally.
Great ideas in music distribution
Copyright law shapes the music industry by granting exclusive rights over musical compositions and sound recordings. This leads to many middlemen taking advantage of these rights, including record labels, publishers, PROs, and collecting societies. Innovation in music business models has involved devising models without licenses, negotiating direct licenses, using statutory licenses, modifying licensing, or facilitating the music economy without needing licenses. However, copyright law and existing industry players can limit innovative startups. New efficiencies are being created through streamlining licensing and payments as well as empowering direct artist-to-fan connections.
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- 2. What problems or opportunities does new media technology pose for: Record labels? Artists? Consumers/users? ProblemsOpportunities Not enough funding from people buying cd’s and hard copy’s Up and coming artists can’t secure contracts because of low budgets They can’t secure a contract because of low budgets from record lables They do not make any money which restricts their creativity Consumers who regularly download could have their internet slowed down and eventually cut off from them It can promote artists to the record companies. More and more artists start their career online. They can start their career online and become quite famous through buzz created from illegal file sharing. They have the opportunity to almost try before you buy which means they will broaden their horizon Proposes a opportunity for record label's to have music promoted by illegal sharing
- 3. Responses to the programme • Responses on BBC website to Panorama programme
- 4. Other than restricting internet access, what alternative solutions are there to try and respond to illegal downloading? Charge a smaller amount for streaming sites or to download music to encourage more people to move away from illegal downloading.
- 5. What can you find out about the current situation or debates surrounding the Digial Economy Act/piracy? • Recent news on the Digital Economy Act • Piracy articles