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8 June 2022
9:00 – 15:00
@SAJS_Official @ASSAf_Official
PROGRAMME
9:00 – 9:05 Welcome
9:05 – 10:35 How to find inspiration in a blank page – Chrissie Boughey
10:40 – 11:40 How to write a journal article – Leslie Swartz
11:45 – 12:30 How to write for a non-specialist audience – Emese Bordy
12:30 – 13:15 How to avoid plagiarism – Nadia Grobler
13:45 – 14:30 How to spot a predatory journal – Susan Veldsman
14:30 – 15:00 Q&A
How to write for a
scholarly journal
8 June 2022
9:00 – 15:00
Emese Bordy
Associate Professor
in Geology,
University of Cape
Town
SAJS Outstanding
Article Awardee
2021
Nadia Grobler
Online Publishing
Systems
Administrator:
SAJS
Chrissie Boughey
Emeritus Professor,
Centre for
Postgraduate
Studies, Rhodes
University
Associate Editor:
SAJS
Leslie Swartz
Professor of
Psychology,
Stellenbosch
University
Editor-in-Chief:
SAJS
Susan Veldsman
Director: Scholarly
Publishing, ASSAf
Co-Chair, IAP report
on Combatting
Predatory Journals
and Conferences
@SAJS_Official @ASSAf_Official
How to write for a
scholarly journal
Meet the presenters
8 June 2022
How to write for a
scholarly journal
@SAJS_Official @ASSAf_Official
#AcademicWriting
Chrissie Boughey
Emeritus Professor
Rhodes University
Writing: What the
research tells us
A lot of research on writing
• Focuses on the products of writing (i.e written
texts)
• It analyses texts
• It tells us what the products should look like
• So, it gives us descriptions of what, for example,
journal articles look like
The problem is . . .
• That this kind of research doesn’t tell us about how
to produce those perfect texts
• It doesn’t tell us how to address the actual writing
of a text
The other side of writing research
• Looks at writers as they write
• Identifies what writers do as they are writing
This kind of research on writing
• Began in the 1970s
• Has increasingly become more sophisticated in the
methods it uses
• Has looked at writers writing
• all sorts of different kinds of texts (academic text, fiction,
reports …)
• in a wide range of languages (including writers using non
alphabetic writing systems)
Over time
• It became possible to identify what ‘successful’
writers did and to compare what they did with
what ‘unsuccessful’ writers did
• This gave allowed us to identify successful writing
strategies
• The strategies were then developed into an
‘approach’ to teaching writing
So, what did the successful
writers do?
• They wrote for themselves first to find out what
they wanted to say
• They used informal writing strategies (freewriting,
journaling)
• They did not worry about the formalities of writing
(spelling, grammar, punctuation) at this stage
• They wrote in any language
• They used writing as a tool for learning
In academic writing
• Finding out what you want to say means identifying
your knowledge claims
• A knowledge claim is a statement about what you
believe to be true
• Importantly, a knowledge claim is always supported by
evidence
• So, finding out what you want to say also means
identifying the evidence
• In the early parts of an article, the evidence will come
from the literature
• In the latter parts it will come from the data
Over time
• They moved into writing for a prospective reader
(the reader of a journal, the examiner of a thesis…)
• As they wrote, they imagined the reactions of this
intended reader to what they were saying (‘If I say
this, they’ll say that, so I can’t say this’)
• Writing thus became a process of drafting and
redrafting a text in response to this imaginary
conversation
If they got stuck
• They moved back into the less formal ‘generative’
writing they had used to find out what they wanted
to say in the first place
Even at the drafting stage
• They did not pay a great deal of attention to the
form of the writing
Finally,
• When they thought they had satisfied or ‘silenced’
their reader they moved into editing their text
• Editing involved a process of polishing the text to
ensure it was technically perfect and stylistically
appropriate
The strategies used by successful
writers
• Allow us to identify three stages in a writing
process
A writing process
Generative Writing Drafting Editing
Focus on identifying ideas
‘Informal’ writing
No concern for reader
Moves into concern for
reader
Imaginary conversation
Drafting and redrafting
Focus on making
meanings stand up to
critique
Focus on form – on saying
things better at a
linguistic level
Focus on technical aspects
of writing
Importantly
• Movement between the three stages was not linear
• Writers began with generative writing
• Moved into drafting but
• If they got stuck went back to generative writing
Many writers
• Ignore the generative writing (i.e. using writing as a
tool to find out what they want to say)
• Move straight into writing for an audience
(drafting)
• Even worse, they combine writing for an audience
with editing
Some generative writing
strategies
• Freewriting
• Keeping a reading journal
Freewriting
• Identify a question to answer (‘What’s the
relationship of x to y?’ ‘What does xxx really
mean?)
• Set a time limit (3,5,7 minutes)
• Write without stopping for the entire time
• Don’t worry about spelling, grammar, punctuation
• Write in any language
• When the time is up, stop!
• Read what came out
A reading journal
• Typical strategies for reading include highlighting,
underlining and making notes
• These focus on identifying important points, on
understanding and remembering
• Academic writing requires us to make knowledge
claims (statements about what we believe are true) and
to support them with evidence
• This is particularly true of the literature review section
• How does highlighting, underlining or making notes
allow you to identify those knowledge claims?
A reading journal
• Open a folder on your computer or buy a notebook
• Write a complete reference for everything you read at
the top of a new file or new page
• Sit somewhere comfortable
• Read without taking notes, highlighting or underlining
• Focus on what the author is saying, what claims they
are making and what the evidence is for those claims
• When you have finished reading, write an entry in your
journal
Dear Diary . . .
• How does this text agree or disagree with other
texts I have read?
• How does it relate to my article/study?
• What’s interesting about it?
• What do I agree with/disagree with?
Drafting: your audience
• Other sessions in this workshop will help you to
know your audience better
• Ask questions like
• What do they know (so what don’t I need to tell them)?
• What don’t they know (so what do I need to tell them)?
• What objections can they make?
• How does this evidence support the claim I am making?
What’s missing?
• Your aim is to ‘silence’ your reader
Editing
• Sit alone in a closed room and read your text aloud
to yourself
• You will often hear mistakes you can’t see
Remember
• An article is about presenting new knowledge to
your audience
• What are your knowledge claims?
• How well supported are those claims with
evidence?
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ÿ
Writing
journey
1
How to write for a non-specialist audience
Emese M Bordy
8 June 2022
How to write for a
scholarly journal
@SAJS_Official @ASSAf_Official
#AcademicWriting
Writing
journey
2
Good writing is a
JOURNEY
n ot a d e s t i n a t i o n
Writing
journey
3
I am a geologist…
... and, so now I have more rock pictures than family pictures…
Writing
journey
4
My aim
Your ROADMAP
To write well for a non-specialist audience
Writing
journey
5
Topics
What?
Is good writing
Who?
Is the audience
Why?
Is it important
How?
Is it achieved
So what?
Is the implication

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