Horror movie posters
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The movie poster for A Nightmare on Elm Street uses red font for the title and white font above to draw attention and suggest danger and murder. It depicts the villain from behind a young unaware woman to indicate he has power over what will happen. The colors also resemble fire and sunset to represent things getting worse over time. The poster for Drag Me to Hell uses colors associated with danger and fire as the screaming woman is shown burning. Creepy hands reach for her sacred looking necklace while a haunted house with one lit side in the background may help the woman in trouble, according to the visual cues.
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Horror movie posters
The horror movie poster for A Nightmare on Elm Street uses red font for the title to suggest danger and blood, with white font above drawing attention and indicating a threatening villain. The colors of red, black, orange and yellow resemble fire and sunset, implying a worsening situation.
The poster for Drag Me to Hell features a screaming woman on fire, showing she needs help against creepy hands that are trying to take her sacred necklace. A haunted house in the background is both dark and emitting light, suggesting it may help or harm the troubled woman.
CANDYMAN FILM REVIEW BY ELISA DUBIGNON
Helen Lyle is a student who investigates urban myths for a school project. She ignores warnings and ventures into a dangerous neighborhood to research the Candyman legend. Her obsession with the project leads her to summon Candyman, putting herself in danger. Candyman is a killer who appears when summoned five times in a mirror and slaughters his victims. He takes an interest in Helen and tempts her with the promise of immortality if she dies. The film uses point of view shots and ominous choir music to create an eerie atmosphere and give the audience a sense of vulnerability.
Hunt for humor
The document provides examples and explanations of different types of verbal irony and humor devices, including situational irony, dramatic irony, sarcasm, hyperbole, understatement, malapropism, puns, and oxymorons. The examples range from poems, news articles, advertisements, comic strips, videos, and images. The document analyzes each example and whether or not it illustrates the given device effectively or humorously.
Nightmare on elm street
The document analyzes the opening scene of the horror film Nightmare on Elm Street. It classifies the genre as horror and slasher. The opening grabs attention and introduces characters to engage audiences. The primary target audience is males aged 15-25, though females may also be interested due to relating to the main character. Locations include the dreamscape of Freddy Krueger's boiler room and the main character Tina's bedroom. Cinematography uses light and shadows to emphasize danger and innocence.
Representational issues
The document discusses how the short film reinforces various stereotypes through the characters of Irene and Kharon. Irene, a young woman, follows Kharon without question and listens quietly, emphasizing stereotypes of female submission. Kharon makes Irene feel vulnerable through his actions, showcasing male dominance and leadership. Their roles portray binary gender oppositions. The film also highlights age stereotypes, with Irene as a confused youth following the immortal, experienced Kharon. Symbolism and props, like Irene's scarves and Kharon's dark clothing, further reinforce the stereotypical binary characterizations.
Analysing film poster excorsim done
The poster for the horror film The Last Exorcism uses various design elements to convey the film's genre and themes. The title is prominently displayed in all capital red letters to draw attention and communicate urgency. The main image features the character Nell in an unnatural pose, surrounded by shadows and cracks, suggesting she is being consumed by evil. Her white dress contrasts with the darkness and represents innocence. The tagline "Believe in him" creates suspicion and references religious themes. Overall, the poster intrigues audiences through its shocking imagery and involvement of popular film studios and creators to promote the horror film.
Film noir traits
Film noir traits typically include:
- Being shot in black and white, which brings mystery that suits the crime and drama genres.
- Featuring realistic depictions of violence, sex, and death that could plausibly happen.
- Centering around a femme fatale character, typically a female protagonist who is either a villain or in distress, and who commands attention with extravagant clothing.
TR Guest CV
TR Guest is a playwright, screenwriter, and journalist. They have written an original opera libretto commissioned by Pegasus Opera Company, a play that won the Rose Bruford Theatre Futures competition, and another commissioned play. For completed film projects, TR Guest has written a thriller about a kidnapped woman forced to impersonate others, a horror about a woman seeking therapy for her fears only to have them exploited, and a romantic comedy about a cynical private eye falling for her target. TR Guest is currently developing a London-based thriller and comedy, and also works as a journalist and copywriter producing content for various magazines, websites, and clients.
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Horror movie posters
The horror movie poster for A Nightmare on Elm Street uses red font for the title to suggest danger and blood, with white font above drawing attention and indicating a threatening villain. The colors of red, black, orange and yellow resemble fire and sunset, implying a worsening situation.
The poster for Drag Me to Hell features a screaming woman on fire, showing she needs help against creepy hands that are trying to take her sacred necklace. A haunted house in the background is both dark and emitting light, suggesting it may help or harm the troubled woman.
CANDYMAN FILM REVIEW BY ELISA DUBIGNON
Helen Lyle is a student who investigates urban myths for a school project. She ignores warnings and ventures into a dangerous neighborhood to research the Candyman legend. Her obsession with the project leads her to summon Candyman, putting herself in danger. Candyman is a killer who appears when summoned five times in a mirror and slaughters his victims. He takes an interest in Helen and tempts her with the promise of immortality if she dies. The film uses point of view shots and ominous choir music to create an eerie atmosphere and give the audience a sense of vulnerability.
Hunt for humor
The document provides examples and explanations of different types of verbal irony and humor devices, including situational irony, dramatic irony, sarcasm, hyperbole, understatement, malapropism, puns, and oxymorons. The examples range from poems, news articles, advertisements, comic strips, videos, and images. The document analyzes each example and whether or not it illustrates the given device effectively or humorously.
Nightmare on elm street
The document analyzes the opening scene of the horror film Nightmare on Elm Street. It classifies the genre as horror and slasher. The opening grabs attention and introduces characters to engage audiences. The primary target audience is males aged 15-25, though females may also be interested due to relating to the main character. Locations include the dreamscape of Freddy Krueger's boiler room and the main character Tina's bedroom. Cinematography uses light and shadows to emphasize danger and innocence.
Representational issues
The document discusses how the short film reinforces various stereotypes through the characters of Irene and Kharon. Irene, a young woman, follows Kharon without question and listens quietly, emphasizing stereotypes of female submission. Kharon makes Irene feel vulnerable through his actions, showcasing male dominance and leadership. Their roles portray binary gender oppositions. The film also highlights age stereotypes, with Irene as a confused youth following the immortal, experienced Kharon. Symbolism and props, like Irene's scarves and Kharon's dark clothing, further reinforce the stereotypical binary characterizations.
Analysing film poster excorsim done
The poster for the horror film The Last Exorcism uses various design elements to convey the film's genre and themes. The title is prominently displayed in all capital red letters to draw attention and communicate urgency. The main image features the character Nell in an unnatural pose, surrounded by shadows and cracks, suggesting she is being consumed by evil. Her white dress contrasts with the darkness and represents innocence. The tagline "Believe in him" creates suspicion and references religious themes. Overall, the poster intrigues audiences through its shocking imagery and involvement of popular film studios and creators to promote the horror film.
Film noir traits
Film noir traits typically include:
- Being shot in black and white, which brings mystery that suits the crime and drama genres.
- Featuring realistic depictions of violence, sex, and death that could plausibly happen.
- Centering around a femme fatale character, typically a female protagonist who is either a villain or in distress, and who commands attention with extravagant clothing.
TR Guest CV
TR Guest is a playwright, screenwriter, and journalist. They have written an original opera libretto commissioned by Pegasus Opera Company, a play that won the Rose Bruford Theatre Futures competition, and another commissioned play. For completed film projects, TR Guest has written a thriller about a kidnapped woman forced to impersonate others, a horror about a woman seeking therapy for her fears only to have them exploited, and a romantic comedy about a cynical private eye falling for her target. TR Guest is currently developing a London-based thriller and comedy, and also works as a journalist and copywriter producing content for various magazines, websites, and clients.
Horror 2
This document summarizes and provides video links to scenes from various horror movies. It examines how different films use techniques like editing, music, and camerawork to unsettle and frighten audiences. Examples discussed include the transforming grin of a man in A Field in England, a disturbing mother-son scene in Insidious 2, and unexpected attacks in Night of the Living Dead and The Conjuring. Analysis also covers classics like Psycho, Nosferatu, The Exorcist, and The Shining. The document concludes by comparing unsettling opening scenes and hallucinatory sequences in The Babadook and A Field in England respectively.
Media horror posters
The horror movie poster depicts a vulnerable woman on the floor surrounded by blood while an ominous figure looms in the background. The phrase "He knows where you sleep" hints that the character stalks and monitors people. Blades on the figure's hands and a battered mask make it clear they are evil. Red is used prominently to represent blood and death, and a blue-eyed clown stares menacingly at viewers with the challenge "What are you afraid of?" suggesting viewers test their courage by watching the film.
Comparison essay
The document compares the animated films Hunchback of Notre Dame and its sequel Hunchback of Notre Dame II. While both are set in the same location of Notre Dame, the sequel features weaker characters, storylines, animation quality, and soundtrack compared to the original beloved film. Specifically, the main character Quasimodo is less fearful and conflicted, the villains are less powerful, the animation lacks detail, and the soundtrack fails to use music to enhance emotions as effectively as the first movie. Overall, the analysis concludes that sequels do not always live up to the original work and it's best to leave a good movie as is rather than risk a subpar follow up.
Horror Presesntaion
This document summarizes and analyzes horror film scenes and techniques from 12 famous horror movies: A Field in England, Insidious 2, Night of the Living Dead, Psycho, Nosferatu, The Conjuring, The Exorcist, The Shining, The Babadook, and A Field in England again. It examines how each clip builds tension, shocks audiences, or depicts unsettling transformations through the use of lighting, editing, music, performances and other cinematic techniques. Highlighted scenes include a character screaming in a tent in A Field in England, a disturbing mother-son interaction in Insidious 2, and a priest's failed exorcism of a demonic child in The
Media real texts
The document analyzes typical codes and conventions found in horror trailers, including sinister soundtracks, isolated and eerie settings, quick cuts that build suspense, victims targeted by villains, supernatural elements, dark lighting, and the involvement of children to increase fear. It then summarizes two horror trailers, The Conjuring and The Woman in Black, noting how each adheres to these conventions through their settings, use of children, lighting, sound effects, and editing techniques to establish atmosphere and anticipate the horror to come.
Unit 10
This document provides an analysis of how the films Memento (2000) and Now You See Me (2013) use conventions of the crime genre in unique ways. Memento features an unconventional nonlinear narrative structure that mirrors the protagonist's memory loss. Now You See Me follows more typical crime film conventions through its introduction of characters and inclusion of a plot twist. Both films subvert expectations through their characterization and storytelling techniques.
Stitches
The document provides a summary of the teaser trailer and movie poster for the horror/comedy film "Stitches". The teaser trailer raises questions about who the killer clown is, who his teenage victims are, why he is after them, and when the story is set. Shots in the trailer contrast between action scenes of the clown killing and close-ups of characters' terrified expressions. The simplistic movie poster features the clown's face taking up most of the space, with stitches all over his face and a knife in the background. Dark colors, cobwebs, and the knife are used to convey scare and show people will be murdered. Red makeup is used to represent blood and a scary font conve
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Two idiots and a lady is a short film proposal that tells the story of two star crossed lovers, Jenny and George, and their friend Ben who tries to get between them, updating classic slapstick comedy sketches for a modern audience without dialogue. The film aims to entertain globally by bringing back physical comedy mishaps in a modern setting that everyone can enjoy.
horror genre - by Dan Offer
The document defines horror films as aiming to create tension, fear, and alarm by using audiences' darkest fears in an unsettling way. It provides the example of Nightmare on Elm Street, which terrifies viewers by having murders occur in dreams rather than reality, leaving no escape. Horror films traditionally use graphic violence and gore as well as dark settings to distress audiences. Common stereotypes include "bad boys" who overconfidently pursue the killer and blonde female characters who are less intelligent and often die after wandering off alone.
Draft script for idea 1 lurking movie
Eren is running from a monster in the dark streets of Ringwood Town Centre at night. He gets stuck in an alley with no escape from the approaching monster. Eren calls his friend Eddie to warn him about the monster and urges Eddie to call the authorities. As the monster's roar gets closer, Eren tells Eddie the monster is too close and that he doesn't think he can escape. Eren stops talking as the monster appears next to him and starts screaming.
L.A. Confidential
Regency Enterprises is a film and television production company founded in 1982 in Los Angeles. They distributed their films through Warner Brothers from 1991 to 1998, including films like L.A. Confidential. The document then provides examples of film noir titles distributed by both Regency Enterprises and Warner Brothers.
amelie reaction
The document provides a reaction and analysis of the film Amélie directed by Jean-Pierre Jeunet. It notes that the exaggerated colors and camera angles create a surreal world for Amélie. While set in Paris, the film focuses on Amélie's very private and introverted world. The use of color, especially red, is symbolic. It also analyzes themes around photography and capturing moments, as well as Amélie's desire to spread happiness despite outside events. Both of Amélie's parents show signs of obsessive-compulsive disorder in the film as well. Overall the saturated colors and shots aim to paint an intimate picture into Amélie's mind.
My flyer
Comedians perform on stage to make audiences laugh. The author's favorite comedian is Gabriel Iglesias, whose jokes make the author laugh uncontrollably. The author would pay a lot of money to see Gabriel Iglesias perform.
Hamlet
The document provides a summary of the plot of Shakespeare's play Hamlet. It outlines the major characters including Hamlet, Claudius, Gertrude, Polonius, Horatio, Ophelia, and Laertes. It then summarizes each scene, describing the interactions between characters and key events such as Hamlet meeting with the ghost of his father, his developing plans for revenge against Claudius, and his madness leading to the death of Polonius.
Deception
Shakespeare often used deception in his plays as a plot device, showing the harsh consequences of deceit whether intended for good or ill. In Hamlet, deception leads to multiple deaths, including Hamlet and Claudius. In Romeo and Juliet, deception results in the tragic double suicide of the lovers. In Macbeth, Macbeth's self-deception and belief in the witches leads to many deaths including his own. In Othello, Iago's deception causes Othello to kill Desdemona and later commit suicide. Shakespeare illustrates that deception, even with good intentions, often has tragic results.
Hamlet
In Act 3 Scene 1 of Hamlet, Rosencrantz and Guildenstern report to Claudius and Gertrude that they have been unable to determine the cause of Hamlet's strange behavior. Claudius and Polonius plan to spy on Hamlet during his confrontation with Ophelia. Hamlet speaks to Ophelia harshly, denying having loved her, which causes Claudius to decide to send Hamlet away to England in hopes it will help him.
Concepts for prints
The document discusses four poster concepts for a film about a young girl named Madeline. Concept one was selected, featuring an image of a tattered doll attached to puppet strings being controlled by two large hands at the top of the poster. This symbolizes how the protagonist is being controlled by forces from her past. The doll's dress is black at the top and white at the bottom to represent her inner struggle between darkness and light. Blood stains on the bottom hint at female genital mutilation, a theme in the film. The title and tagline will be displayed at the bottom.
Deception in the Works of William Shakespeare
This document discusses deception in the works of William Shakespeare. It analyzes how Shakespeare used deception as a plot device in several of his famous plays, including Hamlet, Romeo and Juliet, Macbeth, and Othello. In each play, characters deceive others for various reasons, but it ultimately leads to tragic consequences. For example, in Hamlet deception is used to confirm Claudius' guilt in killing Hamlet's father, but it results in multiple deaths. The document examines how Shakespeare illustrated through his plays that deception, even if well-intentioned, can have unforeseen and devastating outcomes.
Slide presentation
Three key points about the document:
1. The document discusses correlational research and survey research methods. It defines correlational research as studying relationships between two or more variables without influencing them. Survey research involves collecting data through questionnaires and interviews to answer hypotheses or questions about populations.
2. The basic steps of correlational research are outlined, including problem selection, sampling, instrumentation, design and procedures, data collection, and data analysis. Threats to internal validity like subject characteristics, location, instrumentation, and mortality are also discussed.
3. The document provides details on longitudinal and cross-sectional survey designs. The key types of longitudinal surveys - trend studies, cohort studies, and panel studies - are explained.
Personal Persona Project
The document describes the author's passion for filmmaking and how they discovered their true passion after taking a television production class in high school. They went on to study media communications at Full Sail University and hope to get a job at a news room after graduating in early 2016. Their ultimate goals are to become a renowned broadcast journalist, use their platform to tell real stories, and travel the world while cherishing every moment.
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Horror 2
This document summarizes and provides video links to scenes from various horror movies. It examines how different films use techniques like editing, music, and camerawork to unsettle and frighten audiences. Examples discussed include the transforming grin of a man in A Field in England, a disturbing mother-son scene in Insidious 2, and unexpected attacks in Night of the Living Dead and The Conjuring. Analysis also covers classics like Psycho, Nosferatu, The Exorcist, and The Shining. The document concludes by comparing unsettling opening scenes and hallucinatory sequences in The Babadook and A Field in England respectively.
Media horror posters
The horror movie poster depicts a vulnerable woman on the floor surrounded by blood while an ominous figure looms in the background. The phrase "He knows where you sleep" hints that the character stalks and monitors people. Blades on the figure's hands and a battered mask make it clear they are evil. Red is used prominently to represent blood and death, and a blue-eyed clown stares menacingly at viewers with the challenge "What are you afraid of?" suggesting viewers test their courage by watching the film.
Comparison essay
The document compares the animated films Hunchback of Notre Dame and its sequel Hunchback of Notre Dame II. While both are set in the same location of Notre Dame, the sequel features weaker characters, storylines, animation quality, and soundtrack compared to the original beloved film. Specifically, the main character Quasimodo is less fearful and conflicted, the villains are less powerful, the animation lacks detail, and the soundtrack fails to use music to enhance emotions as effectively as the first movie. Overall, the analysis concludes that sequels do not always live up to the original work and it's best to leave a good movie as is rather than risk a subpar follow up.
Horror Presesntaion
This document summarizes and analyzes horror film scenes and techniques from 12 famous horror movies: A Field in England, Insidious 2, Night of the Living Dead, Psycho, Nosferatu, The Conjuring, The Exorcist, The Shining, The Babadook, and A Field in England again. It examines how each clip builds tension, shocks audiences, or depicts unsettling transformations through the use of lighting, editing, music, performances and other cinematic techniques. Highlighted scenes include a character screaming in a tent in A Field in England, a disturbing mother-son interaction in Insidious 2, and a priest's failed exorcism of a demonic child in The
Media real texts
The document analyzes typical codes and conventions found in horror trailers, including sinister soundtracks, isolated and eerie settings, quick cuts that build suspense, victims targeted by villains, supernatural elements, dark lighting, and the involvement of children to increase fear. It then summarizes two horror trailers, The Conjuring and The Woman in Black, noting how each adheres to these conventions through their settings, use of children, lighting, sound effects, and editing techniques to establish atmosphere and anticipate the horror to come.
Unit 10
This document provides an analysis of how the films Memento (2000) and Now You See Me (2013) use conventions of the crime genre in unique ways. Memento features an unconventional nonlinear narrative structure that mirrors the protagonist's memory loss. Now You See Me follows more typical crime film conventions through its introduction of characters and inclusion of a plot twist. Both films subvert expectations through their characterization and storytelling techniques.
Stitches
The document provides a summary of the teaser trailer and movie poster for the horror/comedy film "Stitches". The teaser trailer raises questions about who the killer clown is, who his teenage victims are, why he is after them, and when the story is set. Shots in the trailer contrast between action scenes of the clown killing and close-ups of characters' terrified expressions. The simplistic movie poster features the clown's face taking up most of the space, with stitches all over his face and a knife in the background. Dark colors, cobwebs, and the knife are used to convey scare and show people will be murdered. Red makeup is used to represent blood and a scary font conve
Original Proposal
Two idiots and a lady is a short film proposal that tells the story of two star crossed lovers, Jenny and George, and their friend Ben who tries to get between them, updating classic slapstick comedy sketches for a modern audience without dialogue. The film aims to entertain globally by bringing back physical comedy mishaps in a modern setting that everyone can enjoy.
horror genre - by Dan Offer
The document defines horror films as aiming to create tension, fear, and alarm by using audiences' darkest fears in an unsettling way. It provides the example of Nightmare on Elm Street, which terrifies viewers by having murders occur in dreams rather than reality, leaving no escape. Horror films traditionally use graphic violence and gore as well as dark settings to distress audiences. Common stereotypes include "bad boys" who overconfidently pursue the killer and blonde female characters who are less intelligent and often die after wandering off alone.
Draft script for idea 1 lurking movie
Eren is running from a monster in the dark streets of Ringwood Town Centre at night. He gets stuck in an alley with no escape from the approaching monster. Eren calls his friend Eddie to warn him about the monster and urges Eddie to call the authorities. As the monster's roar gets closer, Eren tells Eddie the monster is too close and that he doesn't think he can escape. Eren stops talking as the monster appears next to him and starts screaming.
L.A. Confidential
Regency Enterprises is a film and television production company founded in 1982 in Los Angeles. They distributed their films through Warner Brothers from 1991 to 1998, including films like L.A. Confidential. The document then provides examples of film noir titles distributed by both Regency Enterprises and Warner Brothers.
amelie reaction
The document provides a reaction and analysis of the film Amélie directed by Jean-Pierre Jeunet. It notes that the exaggerated colors and camera angles create a surreal world for Amélie. While set in Paris, the film focuses on Amélie's very private and introverted world. The use of color, especially red, is symbolic. It also analyzes themes around photography and capturing moments, as well as Amélie's desire to spread happiness despite outside events. Both of Amélie's parents show signs of obsessive-compulsive disorder in the film as well. Overall the saturated colors and shots aim to paint an intimate picture into Amélie's mind.
My flyer
Comedians perform on stage to make audiences laugh. The author's favorite comedian is Gabriel Iglesias, whose jokes make the author laugh uncontrollably. The author would pay a lot of money to see Gabriel Iglesias perform.
Hamlet
The document provides a summary of the plot of Shakespeare's play Hamlet. It outlines the major characters including Hamlet, Claudius, Gertrude, Polonius, Horatio, Ophelia, and Laertes. It then summarizes each scene, describing the interactions between characters and key events such as Hamlet meeting with the ghost of his father, his developing plans for revenge against Claudius, and his madness leading to the death of Polonius.
Deception
Shakespeare often used deception in his plays as a plot device, showing the harsh consequences of deceit whether intended for good or ill. In Hamlet, deception leads to multiple deaths, including Hamlet and Claudius. In Romeo and Juliet, deception results in the tragic double suicide of the lovers. In Macbeth, Macbeth's self-deception and belief in the witches leads to many deaths including his own. In Othello, Iago's deception causes Othello to kill Desdemona and later commit suicide. Shakespeare illustrates that deception, even with good intentions, often has tragic results.
Hamlet
In Act 3 Scene 1 of Hamlet, Rosencrantz and Guildenstern report to Claudius and Gertrude that they have been unable to determine the cause of Hamlet's strange behavior. Claudius and Polonius plan to spy on Hamlet during his confrontation with Ophelia. Hamlet speaks to Ophelia harshly, denying having loved her, which causes Claudius to decide to send Hamlet away to England in hopes it will help him.
Concepts for prints
The document discusses four poster concepts for a film about a young girl named Madeline. Concept one was selected, featuring an image of a tattered doll attached to puppet strings being controlled by two large hands at the top of the poster. This symbolizes how the protagonist is being controlled by forces from her past. The doll's dress is black at the top and white at the bottom to represent her inner struggle between darkness and light. Blood stains on the bottom hint at female genital mutilation, a theme in the film. The title and tagline will be displayed at the bottom.
Deception in the Works of William Shakespeare
This document discusses deception in the works of William Shakespeare. It analyzes how Shakespeare used deception as a plot device in several of his famous plays, including Hamlet, Romeo and Juliet, Macbeth, and Othello. In each play, characters deceive others for various reasons, but it ultimately leads to tragic consequences. For example, in Hamlet deception is used to confirm Claudius' guilt in killing Hamlet's father, but it results in multiple deaths. The document examines how Shakespeare illustrated through his plays that deception, even if well-intentioned, can have unforeseen and devastating outcomes.
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Slide presentation
Three key points about the document:
1. The document discusses correlational research and survey research methods. It defines correlational research as studying relationships between two or more variables without influencing them. Survey research involves collecting data through questionnaires and interviews to answer hypotheses or questions about populations.
2. The basic steps of correlational research are outlined, including problem selection, sampling, instrumentation, design and procedures, data collection, and data analysis. Threats to internal validity like subject characteristics, location, instrumentation, and mortality are also discussed.
3. The document provides details on longitudinal and cross-sectional survey designs. The key types of longitudinal surveys - trend studies, cohort studies, and panel studies - are explained.
Personal Persona Project
The document describes the author's passion for filmmaking and how they discovered their true passion after taking a television production class in high school. They went on to study media communications at Full Sail University and hope to get a job at a news room after graduating in early 2016. Their ultimate goals are to become a renowned broadcast journalist, use their platform to tell real stories, and travel the world while cherishing every moment.
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Google Analytics
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Question: How does the construction and communication of narratives around extreme sports events shape audience experiences and perceptions of risk and performance?
Lens: Audience experience, risk, and performance
Subject: Extreme sports events like the X Games and adventure festivals
Method: Drawing on academic sources about narrative, spectacle, and the commercialization of risk in extreme sports. Also reflecting on my own experiences in adventure sports and how they relate to concepts of performance.
Connection: Sources discuss how extreme sports events use techniques like editing, music, and backstories to construct narratives that immerse audiences vicariously in athletes' experiences of risk and flow. My experiences provide a lens for
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Storyboarding research - Extreme Sports and Performance
Storyboarding research - Extreme Sports and Performance
Designing Systems: An Approach to Responsive Web Design (Portuguese)
Designing Systems: An Approach to Responsive Web Design (Portuguese)
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Horror movie poster analysis
This document analyzes and summarizes the key elements and intended themes conveyed by the posters for 5 horror movies - The Conjuring, Fright Night, The Nightmare, The Poltergeist, and Annabelle. Each poster is described as portraying a dark and frightening scene through its limited color palette and ominous imagery, meant to imply danger, death, and scare viewers into wanting to see the movie. Main visual elements like a trapped girl or sinister doll are highlighted as things that stand out to draw in audiences.
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The document analyzes and compares two horror movie posters - "Sinister" and "Nightmare on Elm Street." Both posters feature mysterious figures with hidden or obscured faces to pique viewer curiosity. While "Nightmare on Elm Street" has the killer as the main cover image, "Sinister" features a woman splattering blood on the wall to reveal the killer's image. Overall, the posters aim to create intrigue and mystery around the unidentified figures to entice viewers to learn more about the films.
Poster research slideshare
This document analyzes the codes and conventions used in horror movie posters for A Nightmare on Elm Street, Scream, and Annabelle. It discusses how each poster places the main character or antagonist prominently in the center to catch the viewer's attention. It also analyzes how lighting, color schemes, imagery and other design elements are used to create an unsettling mood and provide clues about the plot. Common horror conventions like disrupted equilibrium, threats of violence and death are portrayed through visual cues and text. Overall, the document shows how the posters employ standard techniques to advertise the films as scary and draw in audiences.
Poster analysis 1
This poster is for the 2007 Rob Zombie remake of the 1978 film Halloween. It depicts the silhouette of Michael Myers holding a knife and mask in the center of the poster against a red background. The colors used, including orange, black, white and red, represent Halloween and the themes of good vs. evil. The poster conveys that Michael Myers is the villain who will go on a murderous rampage, as indicated by the knife and his overall threatening silhouette. It also references common horror iconography and themes of death.
Poster analysis 1
This poster promotes the Rob Zombie remake of the horror classic Halloween. It depicts the silhouette of the villain Michael Myers holding a knife and his iconic mask in the center of the poster against a red background. The use of colors like orange, black, white and red are typical for the horror genre and represent themes of good vs. evil. The poster establishes Michael Myers as the dangerous and murderous antagonist through the long shot of his full body holding weapons while also hinting at death through the skull shape of his mask.
Horror Poster Analysis
This poster features many conventions of the horror genre including an isolated setting, dark color scheme, frightening imagery, and taglines that reference danger, death or fear. It establishes expectations that the film will include typical horror elements through references to other horror directors and genres like possession films. The use of a young female protagonist also fits a common theme aimed at making the film more chilling for adult audiences.
Horror posters
The document discusses horror movie poster conventions. It analyzes two posters - one for the movie "Would You Rather" and one for "The Ring Two." Key conventions highlighted include using dark color palettes, implying danger or violence through images and text, and depicting isolated or scary settings and characters to suggest threat or horror.
Horror film poster analysis
The poster uses colors like white and grey to suggest innocence and purity, but also uses red to imply death and evil. It shows a young girl dragging her hand on the wall and leaving behind a trail of blood in the shape of a sinister face, implying she has been possessed. From these visual clues, the summary infers that the film's subgenre is gore and possession, featuring graphic killings committed by the possessed girl.
Horror movie analysis
The document describes a horror movie poster with prominent use of the color red to suggest evil, blood, and death. In the poster, streams of blood appear to be hanging or draping over figures that could be a family or group of friends. The background wallpaper suggests the scene takes place inside a home, and there is also a drawing of what seems to be the evil character. At the top of the poster, small text mentions previous successful horror movies, likely to attract more viewers.
Poster analysis
This poster analyzes the movie poster for the film "Halloween" through its visual elements and conventions used. It conveys the slasher film genre through the silhouette of a masked figure and references the narrative by highlighting the word "He". The bold orange title against a black background utilizes typical horror color schemes and typography. Key details like the writer, director and actors are listed at the bottom following standard conventions. Overall, the poster effectively communicates the slasher film genre and narrative elements through visual symbols and established poster conventions.
The Woman in Black Trailer Analysis
The document summarizes key elements of the film trailer for "The Woman in Black". It describes the plot involving a lawyer who investigates a haunted town and encounters the spirit of a woman in black. It also analyzes aspects of the trailer like the use of sound to create atmosphere, camera shots that build tension, and credits/intertitles that promote and advertise the film.
Horror poster annabelle
The document analyzes and compares two horror movie posters - Annabelle and Oculus. Both posters use dark colors like black and red to set a scary, ominous tone and imply danger. They also leave some aspects of the films' plots mysterious to intrigue viewers. Common horror poster conventions discussed include using scary facial images and low-key lighting to create an unsettling atmosphere that draws in audiences. Analyzing these posters provided lessons on effective horror poster design, such as emphasizing striking imagery over text and hinting at a film's hidden story without revealing too much.
Horror movie poster analysis
This document analyzes several horror movie posters. Common techniques used in the posters include ominous religious figures, scratched or blurred images suggesting distress, and red colors symbolizing blood and violence. Taglines and references to other popular films intrigue audiences. Main visual elements like dolls or dripping blood form disturbing images to draw viewers in. Text styles and fonts continue the themes of fear, death, and capturing audience interest in the films' terrifying stories.
Panic Room
This poster summary describes the movie poster for "Panic Room". It depicts a woman lying on the floor horizontally, facing the camera with a figure emerging behind her in the doorway. The title of the film is at the bottom in red font and the actress's name at the top in white font. The poster aims to depict danger, anger, and a sense of entrapment through its visual elements and color scheme. It follows typical thriller film iconography through the use of an isolated victim, a masked stalker figure, and a sense of being hunted and trapped.
In what ways does your media product use, develop or challenge forms and conv...
The document discusses how the media product uses and develops conventions of horror movies and slasher films. It summarizes the key conventions used in areas like setting, title, sound, lighting, characters, and suspense. The production is set in a modern home at night and uses conventions like an isolated female character, dark clothing for the villain, and a masked killer. It builds tension through investigating strange noises and sights before a murder occurs. Overall, it aims to blend classic horror conventions with a modern setting and characters.
Sorority Row Poster Analysis - RESEARCH & PLANNING
The document analyzes the poster for the horror film "Sorority Row" and discusses various design elements and their symbolic meanings. Specifically, it notes that the dark background relates to the horror genre, the burning house represents the characters' lives burning away, and the positioning of light and dark implies a journey into hell. It also comments on how the cast is presented as close friends, the slashed title connotes blood, and the slogan effectively teases the secret storyline.
Analysing Horror Posters
This document analyzes horror film posters and their generic conventions. It discusses two specific posters - for the films "The Girl in the Photographs" and "The Purge: Election Year". Key conventions highlighted include using dark colors to represent darkness, having the bold title at the top to catch viewers' attention, and centering a large main image to show what the film is about. Specific symbolism of the colors and imagery in the two posters is also examined.
Horror movie poster analysis
The poster focuses on a doll with blood crying from its eyes, giving it human-like features and the implication that it may come to life. The title is written in red, connoting blood and violence. The tagline explains that this film is a prequel to "The Conjuring", enticing those who enjoyed that film. Released as a teaser poster to generate early interest and curiosity, it does not provide a specific release date.
Nicole stell horror posters analysis
This document analyzes and summarizes key elements of several horror movie posters. It discusses how the posters use techniques like mise-en-scene, prominent actors, taglines, and implied danger to attract audiences. Specific posters analyzed include Mirrors, A Nightmare on Elm Street, Sinister, The Last House on the Left, and The Exorcist. Common horror conventions used in the posters include dark color palettes, blurred or hidden faces, references to blood and violence, and ominous settings.
Poster Analysis - The Conjuring
The poster promotes the supernatural horror film "The Conjuring" through visual and textual elements. It features an isolated house in the background surrounded by dark, defoliated trees. Most notably, it shows a tree with a noose, suggesting death. The tagline references that the film is based on real case files of paranormal investigators Ed and Lorraine Warren. This use of "true" story intrigues audiences and gives context about the supernatural narrative. Through its ominous setting, dark colors, and lack of characters, the poster effectively attracts horror fans without revealing too much of the plot.
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Horror movie posters
- 2. Image represents who’s in charge Sunset colour similar to fire White writing to separate the red writing Red writing
- 3. The movie poster of the horror movie A Nightmare on Elm Street suggests already what horror genre it will be. ‘A nightmare on Elm street’ is in red font. This already suggests the idea of danger and murder. The colour of blood is red. The caption on top of the movie title is in white which says ‘He knows where you sleep.’ The idea that this is not in red but in white takes the attention away from the movie title. It stands out from going to white to red. So the audience are aware that the villain is capable of a lot. The colour used in this poster are red, black, orange, yellow. These colour almost represent fire although it seems it could also suggest sunset, The idea that as every day comes it becomes worse. The image used on the poster suggests who’s in charge. It shows the villain who also reminds the audience of a typical farmer with a cowboy hat but the face cannot be seen. A young woman is in front unware of who is behind. This shows in the movie who has power and what is likely to happen.
- 4. Haunted house Creepy hands Fire Light from the haunted house Necklace must be sacred
- 5. In this poster of the horror movie Drag me to Hell a lot of colours associated with danger are used. In the poster the woman is screaming as well as it showing she is burning in fire, which suggests she may be the innocent one in the movie and is in desperate need of help. As well as the colour suggesting danger , creepy hands are against the woman and shows the hand is trying to get the necklace she is wearing. This could suggest the necklace may be spiritually sacred. The image at the back of the woman is a dull, dark, haunted house. However there is light coming from one side of the house which suggests to the audience the haunted house may help the woman who is in trouble.