History of Modern Dance
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The document provides a history of modern dance, outlining its origins in expressionist dance in late 19th century Europe. It describes how pioneers like Isadora Duncan, Ruth St. Denis, and Ted Shawn developed new techniques focused on natural movement and expression over tradition. Modern dance grew in the early 20th century with the contributions of innovators such as Martha Graham, Doris Humphrey, Charles Weidman, Merce Cunningham, and Alvin Ailey. Their new styles and schools of modern dance gained recognition in the 1920s-1930s and had lasting influence on subsequent dance forms.
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Modern dance[1][2]
Modern dance developed in the early 20th century as a rebellion against rigid ballet forms, pioneered by dancers like Ruth St. Denis and Martha Graham who incorporated freer movements and emotional expression. Key characteristics included the use of contraction and release, an emphasis on inner meaning over technical skill, and stories drawn from life rather than fairy tales. Modern dance has since evolved into diverse contemporary styles that may integrate elements of ballet, jazz, tap, and hip hop while still valuing improvisation and individual expression.
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The document summarizes the contributions of six major early modern dancers - Loie Fuller, Isadora Duncan, Ruth St. Denis, Ted Shawn, Charles Weidman, and Martha Graham. It discusses how each dancer pioneered new techniques that pushed boundaries and helped establish modern dance as a serious art form in the early 20th century. Many of their famous works are still performed today.
Modern and contemporary dance
This document provides an overview of modern dance, describing its origins in rebellion against ballet in the early 20th century. It profiles several pioneering modern dancers and choreographers, including Isadora Duncan, Ruth St. Denis, Martha Graham, Doris Humphrey, Charles Weidman, Hayna Holm, Erick Hawkins, Merce Cunningham, Alvin Ailey, and the dance company Pilobolus. Many of these innovators developed new techniques that emphasized natural, freer movement in contrast to the rigid forms of ballet.
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This document outlines learning objectives and content for a course on the history and evolution of modern dance from modern to post-modern styles. It will cover prominent choreographers from the early 20th century like Isadora Duncan to more recent artists like Trisha Brown. Students will be assigned to one of three groups to create a timeline of modern choreographers from different eras and assess works from pioneers who developed new techniques that rebelled against traditional ballet.
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Ballet originated in Italy in the 1500s and has evolved over time with different styles and periods. Classical ballet is characterized by structured positions, steps, and telling stories through dance. Notable classical ballet choreographers included Marius Petipa and George Balanchine. Modern ballet developed in the early 1900s with looser, more natural movements exemplified by dancers like Isadora Duncan. Contemporary dance emerged in the late 1900s by combining classical ballet, jazz, and cultural influences, emphasizing emotion and facial expressions.
Modern dance powerpointt(1)
Modern dance originated in Europe in the early 20th century as a rejection of ballet and an attempt to create a new free form of dance. Two early pioneers were Isadora Duncan, known as the mother of modern dance, and Martha Graham, who helped define modern dance in opposition to ballet. In the 1930s Graham developed her technique of "contraction and release" which emphasized internal movement sources. After World War II, Merce Cunningham further revolutionized dance by removing any relationship between movement and music, using chance operations to determine choreography, and making each performance non-repeatable. His work reflected the multiplicity of modern life and expanded consciousness in the mid-20th century.
Ballet history
Ballet began in the French court in the 15th century and was further developed and codified during the reign of Louis XIV in the 17th century. Romantic ballet emerged in the early 1800s featuring supernatural themes and ballerinas as stars. Classical ballet flourished in the late 1800s, exemplified by the works of Marius Petipa and performances of the Mariinsky Ballet. The early 20th century was dominated by Diaghilev's Ballet Russes, focusing on total artistic collaboration, and George Balanchine's establishment of ballet in America.
History of ballet
Ballet originated in 15th century Italian royal courts as a dance interpretation of fencing, and was further developed in France under King Louis XIV, who founded the Royal Dance Academy in 1661. Key developments included the codification of ballet positions, the emergence of ballet as an independent art form through the emotional storytelling of Jean-Georges Noverre's "ballet d'action", and the creation of pointework which allowed ballerinas like Marie Taglioni to dance en pointe. Ballet flourished internationally in the 19th century, especially in Russia where Marius Petipa collaborated with composers on famous classical ballets like The Nutcracker and Swan Lake.
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Modern dance[1][2]
Modern dance developed in the early 20th century as a rebellion against rigid ballet forms, pioneered by dancers like Ruth St. Denis and Martha Graham who incorporated freer movements and emotional expression. Key characteristics included the use of contraction and release, an emphasis on inner meaning over technical skill, and stories drawn from life rather than fairy tales. Modern dance has since evolved into diverse contemporary styles that may integrate elements of ballet, jazz, tap, and hip hop while still valuing improvisation and individual expression.
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The document summarizes the contributions of six major early modern dancers - Loie Fuller, Isadora Duncan, Ruth St. Denis, Ted Shawn, Charles Weidman, and Martha Graham. It discusses how each dancer pioneered new techniques that pushed boundaries and helped establish modern dance as a serious art form in the early 20th century. Many of their famous works are still performed today.
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This document provides an overview of modern dance, describing its origins in rebellion against ballet in the early 20th century. It profiles several pioneering modern dancers and choreographers, including Isadora Duncan, Ruth St. Denis, Martha Graham, Doris Humphrey, Charles Weidman, Hayna Holm, Erick Hawkins, Merce Cunningham, Alvin Ailey, and the dance company Pilobolus. Many of these innovators developed new techniques that emphasized natural, freer movement in contrast to the rigid forms of ballet.
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This document outlines learning objectives and content for a course on the history and evolution of modern dance from modern to post-modern styles. It will cover prominent choreographers from the early 20th century like Isadora Duncan to more recent artists like Trisha Brown. Students will be assigned to one of three groups to create a timeline of modern choreographers from different eras and assess works from pioneers who developed new techniques that rebelled against traditional ballet.
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Ballet originated in Italy in the 1500s and has evolved over time with different styles and periods. Classical ballet is characterized by structured positions, steps, and telling stories through dance. Notable classical ballet choreographers included Marius Petipa and George Balanchine. Modern ballet developed in the early 1900s with looser, more natural movements exemplified by dancers like Isadora Duncan. Contemporary dance emerged in the late 1900s by combining classical ballet, jazz, and cultural influences, emphasizing emotion and facial expressions.
Modern dance powerpointt(1)
Modern dance originated in Europe in the early 20th century as a rejection of ballet and an attempt to create a new free form of dance. Two early pioneers were Isadora Duncan, known as the mother of modern dance, and Martha Graham, who helped define modern dance in opposition to ballet. In the 1930s Graham developed her technique of "contraction and release" which emphasized internal movement sources. After World War II, Merce Cunningham further revolutionized dance by removing any relationship between movement and music, using chance operations to determine choreography, and making each performance non-repeatable. His work reflected the multiplicity of modern life and expanded consciousness in the mid-20th century.
Ballet history
Ballet began in the French court in the 15th century and was further developed and codified during the reign of Louis XIV in the 17th century. Romantic ballet emerged in the early 1800s featuring supernatural themes and ballerinas as stars. Classical ballet flourished in the late 1800s, exemplified by the works of Marius Petipa and performances of the Mariinsky Ballet. The early 20th century was dominated by Diaghilev's Ballet Russes, focusing on total artistic collaboration, and George Balanchine's establishment of ballet in America.
History of ballet
Ballet originated in 15th century Italian royal courts as a dance interpretation of fencing, and was further developed in France under King Louis XIV, who founded the Royal Dance Academy in 1661. Key developments included the codification of ballet positions, the emergence of ballet as an independent art form through the emotional storytelling of Jean-Georges Noverre's "ballet d'action", and the creation of pointework which allowed ballerinas like Marie Taglioni to dance en pointe. Ballet flourished internationally in the 19th century, especially in Russia where Marius Petipa collaborated with composers on famous classical ballets like The Nutcracker and Swan Lake.
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Modern dance was born in the early 20th century as choreographers rebelled against ballet and vaudeville. Pioneers like Loie Fuller, Isadora Duncan, and Ruth St. Denis developed new techniques that rejected rigid ballet in favor of natural, expressive movement. Duncan in particular freed the body from restrictive ballet costumes. St. Denis and Ted Shawn then founded the influential Denishawn school. The first generation of modern dancers in the 1920s, including Martha Graham and Doris Humphrey, further developed new techniques and began establishing modern dance as a serious art form. By the mid-20th century, a second generation led by innovators like Merce Cunningham and Katherine Dunham continued pushing
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guyz, these are just pictures so pls. try to master ur explanation for our reporting this monday, we will just show pics then, we will be the one to explain it orally...(short & concise)
GRIZYL KLIER NERI
FEBEI MACABIT
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Modern dance was born in the early 20th century as choreographers rebelled against ballet and vaudeville. Pioneers like Loie Fuller, Isadora Duncan, and Ruth St. Denis developed new techniques that rejected rigid ballet in favor of natural, expressive movement. Duncan in particular freed the body from restrictive ballet costumes. St. Denis and Ted Shawn then founded the influential Denishawn school. The first generation of modern dancers in the 1920s, including Martha Graham and Doris Humphrey, further developed new techniques and began establishing modern dance as a serious art form. By the mid-20th century, a second generation led by innovators like Merce Cunningham and Katherine Dunham continued pushing
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A brief history of ballet
Ballet originated in 15th century Italian Renaissance courts, where dancing and music were featured in lavish events. It was introduced to the French court in the 16th century by Catherine de Medici. The first ballet was created in 1581. Ballet flourished in the 17th century under Louis XIV, who opened the first ballet school. In the 18th-19th centuries, ballet evolved further with the creation of pointe shoes and tutus, and the rise of prominent choreographers and ballet companies in France and Russia. Modern ballet has spread globally and incorporates both classical and contemporary styles.
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Contemporary dance developed in the early 20th century as a rejection of rigid ballet techniques. Pioneers like Isadora Duncan and Martha Graham emphasized natural body movement with greater fluidity than traditional styles. Contemporary dance is characterized by its versatility in being adapted to different music styles and combined with other forms. It seeks a natural body alignment that makes it accessible for beginners while allowing experienced dancers to expand movement boundaries. Contemporary dance comments on the human condition and society in open-to-interpretation, risk-taking ways using the body, time and space as creative tools.
philippinetheaterandperforminggroups-arts-170213142108-converted.pptx
This document summarizes several major Philippine theater and performing groups:
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- Trumpets, founded in the 1990s, produces family-friendly musicals with values-based themes. Their productions include adaptations of famous stories like The Lion, the Witch and the Wardrobe.
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Dance is a form of art that uses bodily movement, often accompanied by music. It can tell a story, set a mood, or express emotion. The most important elements of dance are the dancer, choreographer, design/pattern of movements, subject/message, and techniques/styles of movement. Dance takes different forms for different purposes, such as folk/ethnic dances, social/ballroom dances, and theatrical/spectacular dances intended for performance. The history of dance spans from prehistoric rituals to the development of ballet and modern social dances.
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Classical music (a brief explanation of Classical music)
This document provides an overview of classical music, including its major time periods and prominent composers. It discusses characteristics like works being notated in musical scores that determine rhythm, pitch, and coordination between parts. The instruments commonly used in classical music are described as being largely invented before the mid-19th century, including those found in an orchestra or concert band. Examples of classical music forms like concerto, symphony, sonata, and suite are also listed.
Classic music 1
Between 1750-1820, two great composers dominated the Classical music era: Wolfgang Amadeus Mozart and Ludwig van Beethoven. Both were child prodigies who played for European courts from a young age, with Mozart composing extensively in genres like symphonies and concertos from age 5. Beethoven later moved to Vienna to study under Mozart and was influenced by his work, though details of their relationship are uncertain. Both composers faced personal struggles later in life, with Mozart losing money and creating his final works like The Magic Flute and Requiem in his last year, while Beethoven began losing his hearing at age 26.
Classical music
The document provides an overview of classical music through different eras and composers. It discusses the Baroque era from 1600-1750 which laid the foundation for orchestral music and opera. The neo-classical era from 1750-1830 saw the introduction of common musical forms. Romanticism from 1830-1900 was characterized by intense emotional expression and the rise of nationalist styles. It then profiles several influential classical composers such as Bach, Mozart, Beethoven, and Tchaikovsky, highlighting some of their most famous works.
Modern dance philosophy
Isadora Duncan was an early pioneer of modern dance in the early 20th century. She believed dance should be a natural expression of the soul through movement, rejecting rigid ballet styles. Marija Magazinovic was influenced by Duncan's philosophies after taking her dance classes, and went on to establish modern dance in Serbia. She developed a philosophy that movement should express the harmony of the individual through pure, abstract forms inspired by Greek styles. Both Duncan and Magazinovic viewed dance as a means of liberating and empowering women through spontaneity and freedom of expression.
Modern dance 3 new
Modern dance developed from ballet and other traditions in the late 19th/early 20th century. Key early innovators included Isadora Duncan and Mary Wigman who rejected rigid ballet structure in favor of freer expression. The "Big Four" pioneers of American modern dance were Martha Graham, Doris Humphrey, Hanya Holm, and Charles Weidman, who further developed new techniques and styles in the 1930s-50s. Postmodern dance from the 1960s onward incorporated more creativity and technology, questioning traditional boundaries and sometimes combining dance with digital media. Bhangra dance evolved from folk traditions in Punjab, India and now often blends traditional and contemporary music styles.
Move! Evolution of Dance | Dance of Evolution
The document discusses the importance of bodily intelligence and dance. It argues that while IQ and EQ are commonly discussed, bodily intelligence known as BQ is often overlooked. Dance is presented as an important way to develop BQ and reclaim one's body, and has been a form of expression and communication since early humans. Quotes from thinkers emphasize dance as a means of ecstasy, aesthetics, and a "mother of all languages."
Ballet history and vocabulary
This document provides an overview of ballet history and vocabulary. It discusses how ballet originated in 15th century Italian court dance and was brought to France by Catherine de Medicis. Key developments included ballet performances moving from the palace to the theater under Louis XIII. Ballet came to America in 1837 and major figures like George Balanchine and Lincoln Kirstein founded the School of American Ballet and New York City Ballet. Balanchine is highlighted as creating over 400 works and influencing ballet in America. The document also outlines goals of understanding ballet steps, alignment rules, and Balanchine's impact. It provides a vocabulary list and discusses body placement rules and the five basic positions of ballet.
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Classical music (a brief explanation of Classical music)
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Twentieth century modern dance
Modern dance originated in the early 1900s in the United States as a rebellion against restrictive classical ballet. It uses loose, improvised movements to interpret emotions and tell stories through dance rather than rigid steps. Pioneers like Martha Graham, Ruth St. Denis, Isadora Duncan, and Loie Fuller helped establish modern dance by incorporating elements from other cultures and using gravity, lighting, and costumes to enhance performances. While initially controversial, modern dance became more widely accepted and influenced other styles, making it one of the most popular professional dance forms today.
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Modern dance developed from ballet and other styles in the late 19th/early 20th century. Key figures included Isadora Duncan, who incorporated Greek influences, and Mary Wigman who created the "New German Dance" style. The post-WWI era saw further experimentation as dancers rebelled against rigid structures. Martha Graham developed her influential technique in the 1920s-30s. The "Big Four" pioneers established the American Dance Festival. In the 1960s-70s, postmodern dance questioned norms and combined with technology. Bhangra also evolved from traditional Punjabi styles to incorporate hip hop beats and compete internationally.
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The document provides an overview of the history and techniques of contemporary dance, describing how pioneers like Martha Graham, Isadora Duncan, and Merce Cunningham rejected rigid conventions and explored new movements and expressions. It discusses key characteristics of contemporary dance like fluidity and improvisation, as well as the development of contemporary dance in the Philippines featuring companies like Ballet Philippines. The document also provides advice for getting started in contemporary dance through group classes or private lessons.
Modern Dance Presentation.pptx
Modern dance developed in the 20th century as a rebellion against rigid ballet. Pioneers like Isadora Duncan, Martha Graham, and Doris Humphrey developed new techniques that emphasized movement from the core and being barefoot. They sought to strip dance down to its essentials and move based on concepts rather than prettiness. Over generations, modern dance incorporated more styles and became more diverse and unrestricted.
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The document provides an overview of the history and development of modern dance. It began in the early 20th century as pioneers rejected the structural formality of ballet and sought more freedom of expression. Key figures mentioned include Isadora Duncan, Ruth St. Denis, Martha Graham, Merce Cunningham, and Twyla Tharp. The document also discusses how modern dance influenced ballet and how genres have continued blending over time.
Contemporary Dance
Netherlands Dance Theater is a contemporary dance company founded in 1959 in the Netherlands. It was established to break from the restraints of traditional Dutch ballet and explore new forms and ideas through movement experimentation. Contemporary dance developed in the early 20th century from ballet, modern dance, and post-modern dance. It focuses on alignment, breathing, emotion and opposing movements. Notable pioneers include Isadora Duncan, Doris Humphrey, and Martha Graham. Netherlands Dance Theater combines classical and American modern dance techniques in their performances. One of their works, "Whereabouts Unknown/Bella Figura" by Jiri Kylian, explores human existence through relationships and sensuality set with contrasting costumes and props. The
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Modern dance is a contemporary dance form that allows free self-expression through movement. It originated in the early 20th century pioneered by Isadora Duncan, Ruth St. Denis, and Ted Shawn. Modern dance is characterized by techniques like improvisation and choreography. It involves basic movements like walks, runs, jumps, leaps, and turns. Duncan's style centered the body as the impulse for motion. Denis and Shawn formed the touring company Denishawn, which trained influential dancers like Martha Graham.
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Modern dance originated in rejection of the strict techniques and positioning of ballet. Pioneers like Martha Graham and Isadora Duncan incorporated more free movement and personal expression inspired by their own feelings and nature. Graham used contraction and release to portray emotions, while Duncan drew from Greek sculptures. Merce Cunningham further separated dance from music, using chance procedures and focusing on the body's energy and change. Modern dance made the art form more relatable and took it seriously as a creative medium beyond just entertainment. It has led to greater freedom and variety in contemporary dance styles.
Dance isms
Classical ballet originated in Italy during the Renaissance and is characterized by structured positions and steps that tell a story through different styles of classical music. However, it also has negative aspects like promoting eating disorders and low pay for the large amount of work required. Modern dance emerged in the 20th century and centers on a dancer's own interpretations through emotions and improvisation rather than strict steps. Isadora Duncan is considered the "mother of modern dance" and pioneered a more natural and free style of dance, while Martha Graham illustrated visions through jarring movements of the body. Merce Cunningham further expanded dance through collaborations with John Cage using chance procedures and abandoned conventional elements. Alvin Ailey popularized modern dance and incorporated
contemporarydance-151114145851-lva1-app6891.pptx
Contemporary dance developed in the early 20th century as a reaction against rigid ballet techniques. Pioneers like Isadora Duncan and Martha Graham emphasized natural body movement with greater fluidity than traditional styles. Contemporary dance is characterized by its versatility in being adapted to different music styles and combined with other forms. It seeks a natural body alignment that makes it accessible for beginners while allowing experienced dancers to expand movement boundaries. Contemporary dance makes artistic statements about the human condition and society in bold or subtle ways through the primary tools of body, time, and space.
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Modern dance developed in the early 1900s as dancers rebelled against the strict formality of ballet. Pioneers like Isadora Duncan and Ruth St. Denis incorporated freer movements and expressions. Key elements of modern dance include the use of the whole body and facial expressions to convey emotions. The period after WWII saw the emergence of contemporary dance, which blended modern, jazz, and ballet techniques to create new styles. A pioneer of contemporary dance was Merce Cunningham, known for his chance-based techniques.
Dance ism
Dance has its origins in spiritual ceremonies from 6000 BC in India. During the Renaissance, dance became entertainment for aristocracy in Europe. Ballet originated in 15th century Italian courts and is characterized by symmetrical movement. Classical ballet involves dance telling stories through movement and music. Modern dance emerged in the early 20th century as a reaction against rigid ballet, focusing on personal expression. Jazz, hip hop, and other contemporary styles developed in the late 20th century blending techniques from ballet, modern, and vernacular dance forms.
Dance
This document provides an overview of different styles and types of modern dance. It discusses the origins of modern dance in the early 20th century as a new movement that emphasized personal expression in contrast to ballet. Some pioneers who developed unique styles are named, such as Isadora Duncan, Ruth St. Denis, and Martha Graham. The document then summarizes several specific modern dance styles and types, including tango, castle walk, mambo, hip hop, jazz, contemporary dance, and cha cha cha.
Modern and Contemporary dance
Modern dance is a genre that focuses on a dancer's own interpretations and movements derived from inner feelings, rejecting the limitations of ballet. It originated in late 19th century Europe as a protest against classical ballet and flourished in the US where ballet traditions were weaker. Contemporary dance combines elements of modern, jazz, lyrical and ballet styles, focusing on floor work, versatility and improvisation unlike the strict structure of ballet. Both dances provide physical and mental health benefits like stronger bones, better coordination and balance, as well as increased confidence and well-being.
BalanchineGeorge Balanchine is an important figure in the histor.docx
Balanchine
George Balanchine is an important figure in the history of ballet as he was a major exponent of ballet in the US. He established the first school of American ballet in NYC with Lincoln Kirstein in 1934. Balanchine’s style has been called Neoclassical and the success of his NYC Ballet has spawned many regional companies in the US, including Miami City Ballet, keeping his repertory alive. Balanchine brought a new aesthetic to ballet, stripping away its sentimentality and bringing attention to the movement rather than the spectacle. He brought quick footwork, precision and musicality to classical ballet technique. He collaborated extensively with the composer Stravinsky. His work with the Ballet Russe in the early 20th century exposed Balanchine to the most prominent musical composers and visual artists of the period (i.e. Picasso, Matisse, etc.) which influenced his experimentation with abstraction in the form.
Ballet continues to evolve today. Traditional classical ballets such as Sleeping Beauty and Swan Lake are still performed today with the addition of more contemporary interpretations of the form. Some examples of contemporary ballet:
Modern Dance
Modern dance began as a departure from the restrictions of ballet and a desire to express a wider palette of the human experience. It emphasized the expression of emotion, the exploration of dynamics in the body and presented narratives in a more abstract manner. Some modern dance pioneers eventually developed their own codification and/or process for working. The postmodern dancers rejected codification of any kind as well as known methods for composition. They valued personal movement, innovative forms of performance and preferred abstraction over story telling.
Pioneers of Modern Dance
Isadora Duncan 1877-1927, believed movement should be drawn from nature and was inspired by Ancient Greece, wearing long toga-like robes in her performances. The Duncan technique was comprised of movements such as hopping, swinging, running, skipping and leaping; her desire was to free the body from the confines of ballet.
Ruth St Denis 1878-1968, was inspired by the dances of Asia, in addition to other culturally based forms. She is well known for her grand spectacles, creating a formal school/company. Her husband Ted Shawn was also a pioneer in modern dance who created an all male dance company in addition to performing with Ruth. Martha Graham was a student Ruth St. Denis and later became a member of her company.
Mary Wigman 1886-1973, was a German dancer/choreographer inspired by Expressionism, an artistic movement that emphasized raw emotions. She was a student of Rudolf Laban. In her famous Witch Dance, she went against traditional norms of female beauty in dance.
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Jazz dance originated from the blending of African cultural dances brought by enslaved people to America with European dances. During slavery, dances performed by slaves such as buck dancing evolved into post-slavery dances like the cakewalk. In the late 1800s, minstrel shows and vaudeville popularized these dances for white audiences. In the early 1900s, social dances performed by African Americans to ragtime music influenced partner dances like the Charleston. The development of swing dance and tap dance in the 1920s-1940s solidified jazz dance, influenced by performers at Harlem's Cotton Club. Musical theater incorporated jazz elements into shows, trained by choreographers like Ned Wayburn.
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Contemporary dance developed in the mid-20th century by combining elements of modern, jazz, lyrical, and classical ballet styles into an expressive dance genre focused on free movement and expression of emotions. Pioneers like Martha Graham and Merce Cunningham broke from rigid ballet conventions to develop modern and contemporary dance techniques emphasizing emotional expression over formal procedures. Contemporary dance incorporates styles from modern, jazz, and ballet while allowing improvisation and unique choreographies that can be performed to various musical genres.
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This document provides an overview of different types of dance. It begins by defining dance as an art form involving sequences of body movements that can be improvised or choreographed. The earliest evidence of dance origins back 9,000 years in India or 5,300 years in Egypt. A variety of specific dances are then outlined, including tango, cha-cha-cha, rumba, samba, tap dance, flamenco, country-western, belly dance, ballet, contemporary, concert, hip hop, breaking, ballroom, folk, and street dance. Street dance encompasses styles like breakdancing, popping, and locking that developed from vernacular cultures. The document concludes by thanking the reporters
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History of Modern Dance
- 2. CHARACTERISTICS OF MODERN DANCE Movement driven by emotion Low center of gravity Dancers embrace the ground
- 3. LINEAGE
- 4. EXPRESSIONIST DANCE “Ausdrucktanz” Europe, late 1800’s - early 1900’s Movement as expression
- 5. FRANÇOIS DELSARTE Musician and teacher Developed “Delsarte” acting style • Focus on human interaction, gesture as expression • Known worldwide by 1890’s Inspired dancers: • Isadora Duncan, Ruth St. Denis, Ted Shawn
- 6. EMILE JAQUES -DALCROZE Musician, composer Developed eurythmics Founded school in 1910 • Taught the Dalcroze Method
- 7. RUDOLF VAN LABAN Dance artist, theorist Created Labanotation Established schools throughout Europe
- 8. MARY WIGMAN Student of Dalcroze and Laban Challenged tradition Dark pieces Expansion and contraction The Witch: http://upload.wikimedia.org/wikipedia/commons/b/b0/ Mary_Wigman_Witch_Dance.ogv
- 9. FREE DANCE America, late 1890’s – early 1900’s Spread to Hungary, Russia, Eastern Europe Rebellion against ballet
- 10. LOIE FULLER Child actress, burlesque dancer Developed her own natural movement and improvisation The first modern dancer Innovative lighting and costume design
- 11. ISADORA DUNCAN Created her own philosophy of dance • Natural movement as connection between emotion and movement Greek and Freedom influences Performed to mix reviews
- 12. RUTH ST. DENIS & TED SHAWN Ruth- studied Delsarte’s method Eastern influences Opened Denishawn School • Taught Martha Grhama, Doris Humphrey, Charles Wiedman Established Jacob’s Pillow
- 13. MODERN DANCE 1923: Graham leaves Denishawn to work as a solo artist 1928: Humphrey and Weidman set up their own school 1933: Shawn founds all male dance group
- 14. MARTHA GRAHAM “Picasso” of dance Student of Denishawn The Martha Graham Center of Contemporary Dance Contraction and release Long career
- 15. DORIS HUMPHREY & CHARLES WIEDMAN Students of Denishawn Humphrey-Weidman Company “Fall and recovery” Unique American style
- 16. MERCE CUNNINGHAM Student of Martha Graham Merce Cunningham Dance Company • Used Yì Jīng to choreograph • Non-representative dance Legacy Plan
- 17. ALVIN AILEY African American Modern Dance Alvin Ailey American Dance Theater “A ballet bottom,” and a “modern top”
- 18. REACTION 1927: Newspapers begin regularly assigning dance critics Universities and colleges accepted modern dance Audiences often felt confused, but mesmerized
- 19. INFLUENCE Post-modern dance Contemporary Improvisation, Contact Improvisation