Film editing began in 1895 with the invention of the cinematograph by the Lumiere brothers, which could record and project motion pictures. In 1901, Edwin Porter began editing films together, telling stories across multiple shots rather than single continuous shots. D.W. Griffith further advanced film editing in 1908 with his film "For Love of Gold", which was the first to have continuity between shots. The Moviola, invented in 1924, was the first machine designed specifically for motion picture editing and allowed editors to view film while editing. Lev Kuleshov developed Russian cinema in the early 20th century through exploring the Kuleshov effect, which demonstrated how audiences derive additional meaning from the interaction between sequential shots.

1. HISTORY FILM OF EDITING
By Javi Rochelle

2. HOW DID FILM EDITING START?
 Film editing started in 1895 when the Lumiere brothers invented
something called Cinematography. Cinematography was a
device that recorded, captured and projected motion pictures.
 Cinematography is Greek for movements

3. WHAT HAPPENED AFTER THAT ?
 Despite the fact that the Lumiere brothers had made a great
invention, until 1901 when Edwin.S.Porter came along.
Edwin.S.Porter showed everyone that the film didn’t have to be
one long shot. Whoever the Lumiere brothers did have a long
time with the fame and glory.
 Edwin.S.Porter used footage to tell a different story, unrelated to
what footage originally was meant to portray.

4. D.W.GRIFFITHS
 Then the film world evolved once again. In 1908 a guy called
D.W.Griffiths made a film called “For love of Gold.” What was
special about this film was that it was the first ever film with
continuity.

5. MOVIEOLA
 A Moviola is a device that allows a film editor to view film while
editing. It was the first machine for motion picture editing when it
was invented by Iwan Serrurier in 1924. Moviola the company is
still in existence and is located in Hollywood where part of the
facility is located on one of the original Moviola factory floors.

6. RUSSIAN CINEMA
 A very important person appeared called Lev Kuleshov. He
developed Russian cinema by creating something called the
Kuleshov . The Kuleshov effect is a more meaning from the
interaction of two sequential shots than from a single shot in
isolation. For example a lot of horror films do it to build up
tension. So if the actor is looking at a door to an actors
expression then back to where the actor is looking at. Then
something might happen. This will make the audience jump
with freight.

7. HOPE ITS OK??
Any Questions