Gyre 2009 By Chris Jordan

Gyre 2009 By Chris Jordan
An artist by the name of Chris Jordan, leaves hidden messages to his viewers through his artwork. In
his piece entitled "Gyre 2009", his spinoff of the original image "The Great Wave Off Kanagawa"
by a Japanese artist, Hokusai, Jordan displays the ocean and pollution within it. The image delivers a
strong message of how us humans mistreat the environment, specifically our oceans which take up
70% of the world we live in. Jordan provides insight into how millions of pieces of plastic waste are
sitting in our oceans today. This information is saddening in the aspect of how negligent humans are
in the treatment of the planet and our ecosystem. Jordan has named his work "Gyre" to reference the
Pacific Gyre, which is the largest ecosystem on earth
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The Slave Ship And Hokusai 's The Great Wave Off Kanagawa
In the Turner's The Slave Ship and Hokusai's The Great Wave off Kanagawa, the two artists use the
complexity and versatility of the ocean to display important events and ideas of the time period.
Through the use of different artistic techniques, these two artists are able to capture similar settings
in very different ways with very different meanings. Around the age of six years old, Hokusai began
painting and even spent time as an apprentice wood–carver in his youth. He began the art of print
making when he was eighteen. His most famous painting, The Great Wave, can be seen in museums
all over the world even though Japan delayed it from catching on worldwide. Many believe that it
was painted in the early 1800s, but Japan was not interacting culturally with other countries apart
from trade with China and Korea. It wasn't until 1859 when the Japanese were forced to open their
ports that prints of The Wave spread across Europe. Originally, this piece wasn't viewed as real art
by Japanese politicians and art historians. Wood–block printing was used for commercial use and as
a popular form of expression. The Japanese government wasn't too thrilled "that such a seemingly
lowbrow art form had come to define them" (15 Things). About five thousand to eight thousand
prints were made but it is speculated that only a few hundreds of The Great Wave remain. The
painting actually inspired music like Debussy's La Mer. In Hokusai's The Great Wave off Kanagawa,
Mount Fuji can be seen in

Yabukoji At The Foot Of Atago Analysis
Visual Analysis of Yabukoji at The Foot of Atago The polychrome woodblock print Yabukoji at the
Foot of Atago by Japanese artist Utagawa Hiroshige illustrates a peaceful winter living scene of
Edo. Hiroshige's calligraphy in the top right hand corner clearly suggests the purpose of the
woodblock print – to present hundred views of places in Edo. The woodblock print is currently own
by in Rhode Island School of Design Museum and exhibited in the 6th floor of the museum. Created
in relatively small scale (about the size of A4 paper), the print remains fine lien mark and vivid
small details that require one to appreciated the work in a close distance. Based on personal
observation, the color, composition, brush strokes, paper texture, and movement all serve as a
whole, creating a form that brings a sense of depth to the snow view of Edo in a delicate way. The
unique Japanese blue color plays an important role in the print. Blue appears to be the color of both
sky and river, which surround the ... Show more content on Helpwriting.net ...
If standing far from the print, it will be difficult to distinguish the light line strokes on some parts of
the print. When taking a close look at the print, however, a variety of lines and dots will vividly
show up. Line quality alters with the three–dimensional setting of the print. To depict the trees and
woods that are far from the viewer perspective, Hiroshige made heavy lines and ink–like dots to
convey the style of freehand drawing, often making the viewers forget they are looking a woodblock
print instead of drawing. Furthermore, the paper seems to have small round wrinkles, which are
either deliberately made from the woodblock marks or the marks left by the afterwards preservation
process. No matter how did the marks remain, they successfully suggesting the direction of the
winter wind, making the wind from invisible to

Analysis Of The Ukiyo-E Print, Under The Great Wave
One of my favorite pieces of art would be the ukiyo–e print, Under the Wave off Kanagawa
(Kanagawa oki nami ura), also known as The Great Wave, from the woodblock print series Thirty–
six Views of Mount Fuji (Fugaku sanjūrokkei). This print was created by Katsushika Hokusai who
at the time went by the name, Zen Hokusai Iitsu hitsu. The interesting elements of this print are the
contrast between the wave and the peak of the highest mountain in Japan, Mt. Fuji. With a height of
3776 meters, the mountain appears to be a small mound in this print compared to the huge wave that
is towering over the ships within the sense. The most eye catching feature of the print is the claw
like crest shape wave that is printed in a dark blue pigment called Prussian

How Did Ando Hokusai Impact Art
To what extent did Katsushika Hokusai's art influence the works of Ando Hiroshige and what was its
significance on Japanese art?
Introduction:
The raw power of nature has always been inspirational to artists all around the world. Art is
associated to what we experience on a daily basis, however it represents some kind of
transformation to the everyday, to something that is not actually entirely real, it can't be found by
simply locating it, it requires human intervention. Art maybe seen as the fingerprint of our existence
in the world that has its impact on things we transform through the use of our imagination.
For centuries, humans, cultures and civilizations have been portraying daily aspects of life through
the use of art. Art does not only include painting, as it ranges from filming, sketching and ... Show
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Artists from the early Japanese civilizations had a great impact on art, specifically artists such as
Katsushika Hokusai and Ando Hiroshige, many of these artists' pieces had a great impact on each
other, and this impact is also significant in Japanese art. This leads to the essay question, "To what
extent did Katsushika Hokusai's art influence the works of Ando Hiroshige and what was its
significance on Japanese art?" which will analyze the impact these artists had on each other and how
was that impact prominent in the field of Japanese art.
The purposes of this essay is to inspect and analyze some of the works of some of Japan's most
famous artists, and compare the artworks with each other in order to find out the extent of which
Hokusai's arts were influential on Ando Hiroshige. An artwork by each artists is analyzed in terms of
structural and conceptual

Hokusai's The Great Wave Off Kanagawa
It appears everywhere: in the art gallery, on the dresses from the latest runway show and even on
your iPhone's protective case......What I'm talking about is one of the most distinguished pieces of
Japanese art, The Great Wave off Kanagawa. These blue waves, generating from the sea of
Kanagawa, immediately rippled through the world and continue to draw millions of people. The
work has such an everlasting charm because it enjoys high artistic, ideological, and historical value.
Firstly, the woodcut itself is aesthetically expressive and features the traditional Japanese aesthetic
taste. Created by Japanese ukiyo–e artist Hokusai in his late years, it shows how skillful he became
in keeping the balance between realistic style and impressionistic style. What mostly catches our
eyes is the sea that dominates the composition as an extending wave about to break. Both the "deep
blue of the inner side of the curve" and the splash of its ... Show more content on Helpwriting.net ...
Even though Hokusai was a traditional Japanese artist, he had been absorbing painting skills from
the west and The Great Wave off Kanagawa also used perspective in a way that "any Japanese
viewer would have found thoroughly western." (Screech, 2012, p105). Not long after the work was
created, in 1853, the arrival of Commodore Matthew Perry and his black ships forced Japan to open
to the world. Ships stemmed on from harbors, carrying goods with printed ukiyo–e on the wrappers
which soon arouse the interests of the western world. Critics especially praised Hokusai as among
the greatest masters of all time. As Screech (2012, p105) stated, "Hokusai seemed to show, at just
the right time, that Japan was not just a borrowing nation but an originating one too." Impressionist
artists were also inspired by his stylish work to develop an entirely new way of representing and
even seeing the

Katsushika Hokusai Culture Trip
Lane, Richard. Images from the Floating World: The Japanese Print: Including an Illustrated
Dictionary of Ukiyo–e. New York: Dorset, 1982. Print.
Nirei, Hiroe. "A Brief History Of 'The Great Wave': Japan's Most Famous Artwork." The Culture
Trip. The Culture Trip, n.d. Web. 16 Feb. 2017.
Katsushika Hokusai– Floating World By: Lane Bauer As one is immersed in the floating dream of
the steady and precise hand of Hokusai, it seems that the most satisfying thing is him, himself, in
collection with his work; A work which is truly magnanimous of his struggle and thus, causes one to
be wonderstruck. I believe I just spent the last however many hours falling in love with a person I've
never met in the most revering kind of way. Though, I was shocked ... Show more content on
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The use of blue Prussian imported ink seemed to be the first thing that caught Europe's eye. This
first discovery started the wave pf admiration in French artists. Various French artists began
collecting his pieces and began showcasing them as well as imitating his prints in their own works.
This caused the works to gain acclaim and therein his influence elevated the reputation of graphic
arts in France. Based on these artist's collections and clear influence it does appear as though
Hokusai unknowingly bridged the gap of printmaking as a respectable medium for fine artists. I
believe this caused a social change in the perspectives of what their lives actually were when
observing the expansive differences of Hokusai's experience. This new perspective is clearly shown
in the adopting of his two dimension style, uncluttered composition, and thin brushstrokes; Various
artists seen even in prints classically known in France today, such as 'The Nightclub Le Divan
Japonais' by Henri Toulouse–Lautrec. There is a tangible quintessence of Hokusai and he is an
undoubtedly impactful artist and will remain as

The Great Wave Hokusai
1.) The painting title The Great Wall by Katsushika Hokusai was painted in the year 1831. It is a
polychrome woodblock printed on paper. The painting "The Great Wave" is about 9 feet 7/8 inches
by 14 feet and 5/8 inches (25x37.1cm). The painting was created to pinpoint the exact moment of
imminent disaster and wanted to show Japan's Mount Fuji at its most sacred point.
2.) In the painting The Great Wave shows in detail the long blue waves with white tips. In between
the waves you can see at least three boats. In one of the long boats on the left side of the painting
you can see portion of the reason being is it is between one large cresting waves, in the boat you can
only see the head of one person as the boat is being sunk under the ... Show more content on
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The painting has the element of lines as you can see that in the outlines of the long cresting waves.
The lines in the waves are curved as the give the shape of it. There are lines also in the boats as you
can see it in the detail of the lines that give it its form. You also see vertical lines as you see those
vertical lines in the background of the painting which gives the painting the look of it is cold and
perhaps maybe raining or even the look as a rainfall might be coming towards you. The painting has
the element of shadows as you see it in the light gray color of the painting that give the painting the
them of it would foggy or maybe even raining. The shadow element is also used in the waves as you
see it in the ocean and in the waves in the middle of the waves which gives it that feeling of danger.
The element of shape is used in the painting as the form of the waves are a triangle form and the
mountain far in the background of the painting is a smaller triangle shape. The shape of the boats are
a symmetrical shape even though we ca not see the full boy of the boat. The element of form is used
in the large wave as it is extremely big and gives it this eerie feeling that something terrible is about
to happen. The painting also gives it the element of color you see the different tones of blue that is
used in the waves from a light blue to a middle blue to a dark navy blue. There is also the color
white on the tip of the waves giving it is also clear water. The color gray is portrayed in portions of
the boats giving it the shadow of the inside of the boats. The color grayed is also in the background
of the mountain giving it that a storm is about to arrive. 4.) You must do a

The Great Wave
Even though like many art form date back, painting being the oldest, they can for the most part all
interrelate with each other such as: music and dance, poetry and sculpture, music and drama and can
go together many different way depending on the person perspective, but the one that stands out the
most is poetry and painting. A prime example would be a the painting The Starry night and its
conjoining poem, but not allowed to use that one so the next best one is The Great Wave by
Hokusai. Most people when reading something they image it in the mind to help them to get a better
understanding of the poem, and what is going on allowing them to enjoy it more or to dislike the
scene that could be being portrayed. For example, in a quote from ... Show more content on
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Though this poem is seem more descriptive telling a person what the painting is a about like in the
quote, "Summer ! the painting is organized about a young reaper enjoying his noonday rest
completely relaxed from his morning labors sprawled in fact sleeping unbuttoned on his back." The
paint is just like that there is a white that looks like they have been working on it all morning and
now it is time to sit down relaxed a little, eat, and drink some food knowing that they're going to
have to get back to work when they are done but enjoying every moment of the time off. Just
comparable the ending of the poem, "A spot of wine they gather gossiping under a tree whose shade
carelessly he does not share the resting center of their workaday world." This quote goes Beyond the
moment capture in the painting saying the live a simple life of hard labor by saying just the last to
word, workaday world, and that the little time they do have not working they take advantage of that
time living it to the fullest.
In conclusion, the interrelationship of poetry and painting is very prominent in art allowing the
observer to build a better image, and understand of both art form being it's a poem depicting a
painting or a panting making a poem in someone's mind with the lines and angles. Even still people
will always see indifferent way but with putting the two form together people will see the image
more clearly to them and may appreciate the quality of the

Katsushika Hokusai's Influence On Japanese Culture
Japan is been always known for their unique artstyle, but none is more influential on both Japanese
and western cultural than Katsushika Hokusai. Many consider his paintings the pinnacle of art in the
Edo period. The old man of many names is a true part of both japanese and art culture. Hokusai was
born around September 23, 1760 in Edo, Japan. Edo is located east of the bank of sumida river in
Honjo, Japan's Capital district, known as modern day Tokyo. Hokusai was born in the Zodiacal year
of the Dragon and this was very important to him and he would make this clear to everyone he
talked to. Not much is know about his parents or his youth but he is believed to be born into the
kawamura family named Tokitarou but later adopted by Nakajima Iso, who was a Mirror polisher.
Katsushika was said to of be influenced by Nakajima Iso's Mirror frames which often had small
drawings or designs on them.. He worked early on as a library client and read many books which
filled his mind with many ideas. At the age of fourteen he was apprenticed in a ... Show more
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Fuji. As usual he used blue as the color that stands out with a strong white to draw the eye and show
motion. The Great wave is a Woodblock Print not a painting contrary to popular belief. This made it
easier for hokusai to replicate and sell. This means it isn't located in just one place as there are
multiple originals. This print is also part of hokusai's most popular series "Thirty–six Views of Mt.
Fuji. At the time that Hokusai had created this Mt. Fuji was a huge part of Japan even having cults
formed for it, this caused everything Hokusai made about Mt. Fuji to sell like crazy. I think the
painting is one of his more traditional paintings it appears calm yet dangerous at the same time and
is definitely one of his more dimensional

The Development of Japanese Manga and Anime Essay
The Development of Japanese Manga and Anime Manga is a Japanese word that is generally used to
refer to comics or cartoons while Anime is a term used to refer to animation, also originating from
Japan. The origin of manga can be traced to the 18th century. The word was used for the first time in
1798 in Japan to describe Shiji no yukikai, a picture book. The term resurfaced again in 1814 when
it was used as the title of books written by Akinwai Minwa; Hokusai Manga and Manga Hyakujo.
These books contained drawings that had been made by Hokusai, a famous Japanese woodlock print
artist. The above facts dispel and clarify the popularised myth that manga was invented by Hokusai
(McCloud 79). Schodta (152) explains that one millennium prior ... Show more content on
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However, some people deny that kibyoshi is a direct ancestor of modern Japanese manga. However,
it became extinct by mid–19th century.
The development of modern Japanese manga became more pronounced around the mid–20th
century, and many art critics state that this is the actual period of the development of modern
Japanese manga. Wood (1) explains that in the period 1945–1952, the US occupied Japan. During
this time, there was an explosion of artistic creativity and the US troops introduced to Japan
American cartoons and comics like Mickey Mouse, Bambi and Betty Boop. These inspired the
Japanese artists to come up with their own style of comics.
Osamu Tezuka, a Japanese cartoonist invented the large distinctive eyes that are prominent in both
anime and manga. For this reason, Tezuka is also referred to as the Godfather of anime and the God
of manga. Tezuka's popular works called Mighty Atom which was produced as a series called Astro
Boy became the first Japanese TV series to embody the aesthetic characteristic that came to be
known as anime worldwide. The TV series Astro Boy was broadcast in Japan for the first time in
1963(Schodtb 109).
According to Schodtb (111), Tezuka's manga was quite different from other manga producers that
came before him. For example, most prior manga were produced in the style of a stage play and
from a two dimensional perspective. In addition, interactions of

The Great Wave Kanagawa Analysis
The Great Wave off Kanagawa was produced somewhere between 1830 and 1833, by Japanese
Katsushika Hokusai, a painter, and a woodblock artist printer. Since he was a woodblock artist
printer, there were between 5000–8000 original prints of this picture, although there are only about a
few hundred remaining to this day. In the painting, you can see massive waves crashing into small
ships. In the background, you can see Mt. Fuji, although it looks like another wave, you can tell it's
a mountain because of it's the cone shape.
I think that Katsushika Hokusai made the end of the wave with many curly lines to show how
destructive the wave is and how big the wave actually is. Katsushika used many long, curved lines
to make the main body of the wave. This allows the viewer to be able to understand that the wave is
about to crash into the ships. He also painted many other waves that weren't quite as big. The outline
of these waves is made up of slightly curved lines that turn in slightly jagged lines. This detail ...
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One of these details is the end of the waves. The ends of the waves are curled, making it look as if
the waves have fingers that are reaching out to the boats so they can crush the boats. This gives the
viewer a sense of calamity and catastrophe. Katsushika purposely made the wave look massive
compared to Mt. Fuji because it gives the viewer a feeling that the wave is much larger than it
actually is. In fact, people estimate that the biggest wave in the painting is only 32 to 39 feet tall,
which is big, but with the perspective given, it looks as if the wave is really 300 feet tall. I think that
Katsushika made the outline of the smaller waves look like a mountain because he didn't want the
main focus of the artwork to be about Mt. Fuji, and instead, he wanted it to be about the huge waves
and the part the

Summary Of The Book 'The Big Wave'
Pearl S. Buck wrote the book called The Big Wave in 1948. A big wave killed many people and
washed important things away, changing villager's lives including Jiya, Kino, and Setsu. Most of the
people in the village hesitated to go back to the sea but Jiya hoped to go there again. In the end, Jiya
and some other people get over the disaster and start their new lives. Although many people hesitate
to go back, the key to overcoming terrible experiences for Jiya and others is to start a new life with
family and to confront disasters. After the big wave, both Jiya and Kino were afraid of the ocean.
The narrator says, "two boys, now two young men, did not visit the deserted beach very often"
(Buck 1). Even though time has passed since the big wave and they became older, they are still
afraid of the ocean. They ... Show more content on Helpwriting.net ...
Jiya says, "It is [Setsu] who made me forget the big wave. For me–she is life" (Buck 5). After the
big wave, Jiya does not laugh for a long time and never talks to others about his loneliness. That is
because he does not want anybody to be sad about it. The loss of his family left him a big trauma.
However, Setsu makes him laugh by teasing him. She heals and fills Jiya's emptiness of his family.
In the meantime, Kino cannot understand Setsu makes Jiya forget the big wave. Setsu seems
childish to Kino, but it makes Jiya brave and positive. While Kino and Jiya are sailing together,
Kino thinks about the cold, deep bottomless ocean and worries about the water. He cannot conquer
the anxiety of the sea but he decides not to tell Jiya. He does not want to destroy Jiya's joy by
mentioning the big wave. Therefore, Kino is still struggling to wipe off his fear because he does not
have any opportunity to realize the benefit of living on the beach. However, Jiya overcomes the fear
of the big wave and now trying to move on with the new family,

A Woman Embroidering A Dragon Analysis
Katsushika Hokusai lived from 1760 to 1849. During his lifetime, Hokusai trained many artists.
Unlike most masters, Hokusai preferred to tutor them for only a few years so they could be
independent. As a result, his students produced a variety of subjects. Hokusai, however, did
introduce his students to the idea of painting under a patron to create a surimono. In particular, his
students Ryuryukyo Shinsai and Teisai Hokuba operated under this principle of patronage. One can
observe the theme of patronage in these two individuals through their subjects of New Year festivals
and styles that pay homage to Hokusai. Patronage was an essential aspect to the life of a painter.
While some artists could sell their works commercially on the market, ... Show more content on
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For example, the interior spaces of the prints resemble Hokusai's New Year's Day at the Ogiya
Brothel (Fig. 4). Like Hokusai, Shinsai and Hokuba apply a blown off roof technique. The rooms
also tend to be on an exaggerated diagonal line. While his students include less people in their
prints, the people are grouped similarly to Hokusai's creating analogous angles. All three artists
utilize the same colors as well in their prints: yellow, blue, green, brown, black, and reds. The
fabrics on the individuals also have unique patterns on different layers to create a rich image. While
Shinsai's refreshment print does not include people, it does follow a comparable model of Hokusai.
Unlike people, Hokusai gives more depth to objects in his print. This technique is used in order to
demonstrate space in an image. Shinsai applies this understanding in his still–life print, as he shows
the different angles to his objects. However, unlike Hokusai, Shinsai did not include a background to
his objects, and instead they seem to float in space on the paper. In becoming independent artists,
Shinsai and Hokuba used their knowledge of Hokusai's painting style, and applied it to fit their own

Ukiyo-E Research Paper
The name of the art form, ukiyo–e, translates to "paintings of the floating world". They are Japanese
woodblock prints that flourished during the Edo Period (1603 – 1867) and depicted subjects
associated with impermanence and detachment from ordinary life. Among these subjects were the
popular geisha, sumo, and kabuki actors set in this after–hours world. Later, painted scenes from
nature became a subject matter for artists.
The themes in ukiyo–e focused on fleeting beauty and evanescent worlds; it was an escape from the
boring and mundane world of responsibilities in everyday life. At first, Ukiyo–e artworks were all
monochromatic and printed in black ink only. However, Suzuki Harunobu developed polychrome
printing by the 18th century.
Ukiyo–e art was originally intended for the lower class as it was very ... Show more content on
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At the same time, it expanded to reflect modern tastes and innovations over its development. The
result was an art that was both populist and highly sophisticated. Ukiyo–e presented both the
historical and all that was current, elegant, contemporary, and popular. The ordinary was
transformed into the extraordinary in the hands of the artist.
Each image was created through a collaboration of four skilled individuals: the artist who designed
the works and drew them in ink, the carver who carved the designs into a woodblock, the printer
who applied pigments to the woodblock and printed each color on handmade paper, and the
publisher who coordinated the efforts of the artists and marketed the artworks. In spite of this
collaborative effort, only the artist and publisher were almost always accredited.
Midway through the 18th century, new techniques were created to allow the full color printing and
ukiyo–e we see today on calendars and postcards. Some of the most famous artists during this
period were Utamaro, Hokusai, Sharaku, and

Analysis Of Katsushika Hokusai 's Influence On Art
To what extent should an artist go to to draw in a crowd? Katsushika Hokusai painted hanging
upside down, painted with his mouth, painted with his toes and painted sometimes with a broom
instead of a paintbrush. Hokusai grew in fame because of his art, but also because of how he could
promote himself. Katsushika Hokusai was a very different type of artist during his time. He did not
conform to Japan's typical style of painting and branched off into a unique style that expressed his
beliefs and creativity. He ultimately transformed art in a way that moved the focus from portraiture
focused on actors to a style that focused on landscapes, plants, and animals. Katsushika Hokusai was
not afraid to be different and change things and that is why ... Show more content on
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Hokusai, in total, had two sons and three daughters with these two wives. His youngest daughter,
Oyei, became an artist like her father. During this period, he created multiple brush paintings, called
surimono, and drawings for Kyōka Ehon. When his master, Shunsho, died, Hokusai started to
dabble in European styles of art. This lead him to be expelled from the studio and that inspired him
to branch away from traditional ukiyo–e subjects to the daily Japanese life and landscapes. In 1798,
Hokusai passed on his name to his pupil and set out as an independent artist with the name Hokusai
Tomisa.To make money after he left the workshop he sold red peppers. He also drew comics,
banners, greeting cards, artwork for novels, and just drawings in general to make money. By 1800,
Hokusai had developed his use of ukiyo–e for more than just portraiture. He had also adopted the
name Katsushika Hokusai, which he is best known by and the name itself refers to the part of Edo
he was born in. In 1807, Hokusai collaborated with the popular novelist at the time, Takizawa
Bakin. They worked on a series of illustrated books together. They did not get along due to their
artistic differences and ended their collaboration on their fourth book. The publisher of the books
had to choose whether he wanted to keep Hokusai or Bakin. The publisher chose Hokusai because
of the importance of illustrations in printed works at the time. By 1811, Hokusai was fifty–one and
changed his name to

Kasushika Hokusai Analysis
Term Essay #1
Katsushika Hokusai is a Japanese artist that likes to stretch your imagination, in both artworks it's
almost as he's indulging into these wild fantasies. As if he's trying to tell a crazy adventure from his
point of view. I particularly enjoy these artworks because it displays the courage in obstacles to face
much greater than himself, or in this case nature. Katsushika Hokusai creates a sense as if we were
all children again, with an imagination where we can hear, play and see natural environments from a
new perspective.
My choices on non–western art I selected were both pieces by Katsushika Hokusai. The first called
Kanagawa–Oki Nami–Ura – from 36 Views of Fuji made in the 18th–19th century. My second piece
called Kiso, Amida – From Waterfall Series made in the 18th–19th century. In comparison to
Katsushika Hokusai two artworks both are woodblock prints, we see many characteristics that relate
to each other in a natural environment because Katsushika Hokusai was one of the first artist to
introduce landscape in his prints. Both pieces have mountains within the pictures, which is a major
landmark in Japanese natural landscapes. They both have strong repeating patterns that create a
sense of rhythm that helps organize the viewer's eye. Both artworks have these elements in their
painting that gives you a sense of rhythm and harmony. Both artworks provide so much contrast, the
hard impact of blues set against the soft sky and the starling white waterfall.

Comparing Katushika Hokusai And Emil Nolde's The Great Wave
Both Katushika Hokusai and Emil Nolde were excellent artists; however their techniques, subject
matter, and final appearance are drastically different. In regards to technique Hokusai used the
woodblock printing method, although Emil Nolde used a similar method for his rendition of
"Prophet", it was not cleanly portrayed like "The Great Wave". Pertaining to subject matter,
Hokusai's "The Great Wave" revolves around the seascape of japan and expresses the power of the
ocean. Nolde on the other hand had a religious feel to his piece the "Prophet" with a great sense of
despair. The outcome of their respective techniques was vastly different. Katushika Hokusai used
the woodblock print method to create one of his most famous pieces "The Great

Ukiyo-E Japanese Culture
Ukiyo–e and its Effects on Japanese and Western Culture
Art is a very important aspect to Japanese culture. It is a visual expression of Japanese culture and
history. Japanese art covers many subjects such as landscapes, historical and fictional stories,
people, and architecture. Throughout Japanese history, one of the most popular genres of Japanese
art were the Ukiyo–e, wood block prints. Many artists such as Katsushika Hokusai and Tsukioka
Yoshitoshi became famous creating Ukiyo–e artwork. The Ukiyo–e genre was not only important
for reflecting Japanese culture, but was central to shaping Western perception of Japanese art and
culture. When Ukiyo–e artwork found its way into Western hands in the late 19th century it
flourished amongst the ... Show more content on Helpwriting.net ...
Because of the Ukiyo–e the people began to fall in love with the Japanese culture. The Westerners
were astounded by quality of work and all of the hard work that goes into each of the prints. The
Ukiyo–e artist were not just creating the pictures but also carving wood in great detail in order to
create one coherent print. The Ukiyo–e prints brought the westerners into the everyday world of the
Japanese people. They were able to see the world from the eyes of the everyday people in japan.
Ukiyo–e reflected the plays and stories in Japan as well as the landscapes and nature of Japan. They
were impressed by the beauty of Japan itself and through Ukiyo–e they were able to see it for their
selves. The flat style of the woodblock prints was unique compared to the style of the Western
paintings. Without linear and rising perspective the Ukiyo–e prints highlighted certain aspects of
Japanese life. For example in Hokusai's Great Wave the waves off Kanagawa complete dwarf Mount
Fuji. This shows that the Japanese people saw the waves as a great trial when fishing in the morning.
It showed the true struggle that they had to go through each day. The Westerner's sympathized with
images such as this and their perception changed from seeing Japanese art and culture as inferior to
seeing it as beautiful and unique.

The Importance Of Asian Art
Art is a way for the Asian artist to express their feelings with the viewers. The Asian culture uses art
to convey the connection between people and nature in the form of brush painting and Japanese
wood block printing. For instances, the Japanese wood block printing, The Great Wave created by
Hokusai shows a large wave heading towards two boats. The artist leaves the art frozen, allowing
the viewer to depict their own ending to the scenario. Art in the Asian–American culture
incorporates nature, but not in the same ideal as art in Asia. Asian–American artists constructs based
upon the nature of a community that consistently feels as an intruder in America. Asian. The Asian
artists in America shows the world a new generation of Asian art. ... Show more content on
Helpwriting.net ...
For example, the artwork Bare Willows painted by Ma Yuan embodies the essences of Taoism by
integrating natures Yin and Yang. In result, Yuan creates a spacious and mysterious painting in a
timely manner. Yuan represents Yin as the mountain and Yang as the water. The message Yuan
conveys in this painting is that the mountain is unmoving and the water is easily disruptive. The
artistry in China begins to evolve once the Han reclaim the throne. With the start of the Ming
dynasty, the Chinese community becomes fill with joy and prosperity, leading to the introduction of
color and mythology. Asian artists paint the images of nature to convey the lessons of eloquence,
fragmentation, and precision.
Japanese wood block printing became the most popular form of art during the Edo period. Japanese
wood block printing is most commonly used by artist to connect people and nature. One of the most
popular wood block printing is Great Wave Off Kanagawa Point created by Katsushika Hokusai is
described to be, "A large threatening wave that is about to destroy fishermen in boats." Hokusai
commonly constructs the nature frozen to be in action, leaving the viewer wondering about the
outcome in their mind. Utagawa Hiroshige also known as the last great master of the ukiyo–e
tradition paints a different picture then Hokusai by engaging the viewers five senses. Hiroshige
displays nature in a calm manner, and

Artist Inspired Project Assignment
Artist Inspired Project
Drawing 1
Name: Joe Period: 7 Date: May 28th, 2015
Name of Artist Chosen: Katsushika Hokusai
Name of chosen piece: The Great Wave off Kanagawa
Assignment:
There are two parts to this assignment, the first part is to find an artist and choose an artwork by that
artist that you can critique.
You will be required to write a paper on this artist that combines a biography of the artist and a
critique of one their artworks. The majority of the paper should be the critique. You should cite any
resources you use as well as include a picture of the artwork.
The second portion of this assignment is to create and artwork that is inspired by the theme of style
of the chosen artist. This should go beyond a master student ... Show more content on
Helpwriting.net ...
Is it a good work of art? First you need to know what makes something a good work of art. There
are different styles and philosophies in art.
Assignment
Under each section fill in the information you find about your artist
Biography List: (15 listed facts) Hokusai's Most Famous artwork is called "the great wave off
kanagawa" Hokusai was a Japanese artist Hokusai was born in October 31st of 1760 at "Edo" which
is now Tokyo When Hokusai turned 12 his father made him go to work at a book store. Hokusai was
also a ukiyo–e painter Hokusai also was a printmaker too Hokusai lived to age 88 and died at May
10th of 1849 Hokusai drew about what you see everyday in Japan One time at a festival in Japan he
created a painting of a Buddhist priest and it was rumored to be 180 meters long. Hokusai has a
obsession with mount Fuji that's why he created the "36 views" Hokusai's paintings are all different
and have great variety Hokusai is also known for his manga Hokusai was called a minimum of 40

different names throughout his life Hokusai's name really means "the North Star" Hokusai's last
piece of art was "An Old Man Mad About

Great Wave Off Kanagawa Essay
An art work has many elements and principles to it. These are known as elements and principles of
design. The print "The Great Wave off Kanagawa" by Hokusai has many elements and principles of
design that show how much the artist used them in his work.
"The Great Wave off Kanagawa" by Hokusai has all the elements of design. For example, one of the
best aspects of the print is Hokusai's utilization of line to create both motion and space in the wave
(NGA). The curves of the wave and body of one boat drop just low enough to allow the base of
Mount Fuji to be visible, and the white top of the great wave creates a diagonal line that leads the
viewer's eye directly to the peak of the mountain top (Harris). The dramatically curved, upwards line
of the wave frames the mountain, whilst the jagged ends act as claws which almost personify the
waves into a hunter grasping at its prey; the frail, delicate fishing boats seem to have no chance
against the water (Ladkin). There are many ways in which Hokusai uses line in "The Great Wave off
Kanagawa".
Another element of design that Hokusai uses in "The Great Wave" is shape. For example, there are
small C–shaped fingers of water that are thrown forward of the great curve as it arcs to its
thunderous completion (CC). The threatening wave is about to splash down and take over the boats
... Show more content on Helpwriting.net ...
Its dimensions are 10 1/8 x 14 15/16 in. (Metropolitan Museum of Art). However, the size of the
painting doesn't affect the details noticed. The eye is first caught by the huge wave which takes up
half of the space of the painting. The dramatically curved line of the wave perfectly frames the
distant Mount Fuji, and is suspended in time like a huge paw with multiple foam claws about to
grasp the frail fishing boats (Louviq). The details are still greatly appreciated even though the print
is small. The size of the painting isn't really relevant to how detailed and greatly appreciated this
work of art

The Great Wave Off Kanagawa Analysis
Changes and evolution to the world usually means that the people's beliefs and customs change and
evolve as well. With people's minds and thoughts becoming different than before, the art produced
changes in ways as well. Near the beginning of the 1800s the world was being to go through
dramatic shifts of ideologies and policies that were crucial for the years prior, and Japan was no
exception from this. Japan, at the start of the nineteenth century, experience an extreme adjustment
of their own isolationist, conservative views that was prevalent during the Edo Period, to the
widespread push of modernization and engagement towards the rest of the world. Because of this,
Japan was more accepting and welcoming towards other forms of social, political ... Show more
The Dream of the Fisherman's Wife is believe to be the main influence for other types of amatory
imagery in japanese art. Also, because of The Dream of the Fisherman's Wife Katsushika Hokusai is
often credited for being the forerunner for tentacle erotica, which integrates elements of
pornagraphy with beastility.With that being said, The Great Wave off Kanagawa is a lot less
controversial in comparison to The Dream of the Fisherman's Wife. The Great Wave off Kanagawa
was admired for it's attention to detail with the waves and boat in the picture and how graceful and
visually pleasing the aesthetic of it was. There are many copies of this piece with slight changes, like
the version in Japantown, San Francisco, but they're generally faithful towards Hokusai's original

The Great Wave Book Review
The Great Wave by Christopher Benfey shows a glimpse of "Old Japan" and its fascinating artwork
around the time of the cultural tsunami in 1854 followed by the time of American Fascination. This
book is not so much a book on Japan, more or less it is a piece comparing the U.S. and Japan by
looking at topics like cultural and social aspects faced by both countries. Towards the latter half of
the book, Benfey really keys into aspects like Jiujutsu and martial arts along with forms of Japanese
art and the idea of expressing ones spirit. The first portion of the latter half of the book discusses a
key question in identifying who is Lafcadio Hearn? The first idea that comes to mind after reading
about Hearn is that he is old fashioned. He liked the crumbling wooden houses, the Spanish relics
and French architecture (Pg. 214). From how I understood reading about Mr. Hearn is that he is a
very old fashioned man who loves the old fashioned ways. It talks about his joy for "the antique art
of Nippon" and their colors and patterns (Pg. ... Show more content on Helpwriting.net ...
Teddy Roosevelt was one of the main reasons why Jiujutsu became a rising talk in the Americas
because of his time spent on in while in presidency (Pg. 241). Roosevelt was taught by Mr. Kano
was the teacher and mentor of the president and is the reason why he is involved in judo (Pg. 241).
This makes Roosevelt's perception of Japan much better because he has always been a man of action
and purpose and this fighting style is exactly that. When Hearn wrote "Japan has won in her
Jiujutsu," he mean't that even though the arts nor virtues have been gained for them, they have
obtained a display of new scientific powers of aggression and destruction (Pg. 261). Basically, even
though they still lack on a few aspects within their country, they have developed a top–of–the–line
fighting style that harnesses aggression and

Donald Finkel's The Great Wave Off Kanagawa
"The Great Wave: Hokusai" by Donald Finkel is a poem written about "The Great Wave Off
Kanagawa", an artwork produced from 1831 to 1833 by Katsushika Hokusai during the Edo period.
The "The Great Wave Off Kanagawa" is just one of "The Thirty–six Views of Mt. Fuji". This
woodblock print portrays a tremendous tsunami overpowering small man–powered boats, along
with Mount Fuji in the background. The compelling contrast between the turbulent waves and light
colored sky draws the viewer's eyes to the central figure of Mount Fuji, which was considered a
sacred symbol of beauty and immortality. In order for Finkel to develop a connection with Hokusai's
work of art, he finds common ground between the world of the artist and the observer. Donald
Finkel's ... Show more content on Helpwriting.net ...
According to Donald Finkel, describing his own speculations help the observer understand his
interpretation of the artwork. In light of this, he shares the correlation between the different parts of
nature and color in the first stanza by drawing attention to how "the sea is blue"(1). By starting his
poem with this reason, repeated twice with other elements of the painting, it conjures the imagery of
a chain reaction within creation. The land, sea, and people are linked as one– a commentary on the
inclusiveness of nature. In addition to the color blue, a connection is created with the use of similes
between the color of the men's "white faces", which was "like the snow on Fuji...and the crest of the
wave" (3). It is not by mere coincidence that the three main objects in Hokusai's work are alike in
color. Once again, land, sea, and humanity are linked in a triangle, providing balance. Finally, a
yellow neutral tone envelops the people, "an earthcolored sky" that is also "the color of their boats"
(8, 4–5). Finkel, and the woodblock, are saying that nature is not the tool of humans, but rather that
humans are just one part of a larger world that, as the wave shows, can just as easily overwhelm

Vincent Van Gogh The Great Wave Off Kanagawa
"I am seeking, I am striving. I am in it with all my heart." Stated by Vincent Van Gogh, one of the
most well–known artists in the world. "If heaven gives me ten more years or an extension of even
five, I shall become a true artist." Stated by Hokusai, another one of the most famous artists in the
world. Both artists have a very similar mindset, but that's not all that's similar between them. After
analyzing both pieces of art, Vincent Van Gogh's "Starry Night" and Hokusai's "The Great Wave Off
Kanagawa" are very similar.
To begin with, everyone knows Vincent Van Gogh. He is one the most famous artists in the world.
In Van Gogh's "Starry Night" it has been said that the painting depicts his view from an asylum.
After receiving a mental ... Show more content on Helpwriting.net ...
It is estimated that 5000–8000 prints were made during this process, which makes it very valuable.
Although prints were one cheap, prints are actually very valuable now. In the print, it is shown that
there is a mountain in the background, behind the wave. Which is kinda the whole point of the
painting, "the great wave off Kanagawa". In the print, it shows a wave, but this wave is not a
tsunami but called things like "freak wave" or "monster wave", which makes it nonetheless deadly.
In the print, it is shown that there are boats trying to fight the wave, which is confused to be
Japanese inspired but that's just its style. It's funny because Japanese politicians don't even view it as
Japanese art, which is mostly why Hokusai considered it a failure. Japan even delayed this artwork
from being catching on worldwide.
After analyzing both pieces of art, I see that both pieces of art very similar. To begin with, regarding
the colour contrast between both paintings, there are a lot more similarities between both artists.
Both paintings were made in the 1800s. After both pieces of art were finished, the artists declared
them both failures. Both paintings are also very famous, they're both actually in the top 50 most
famous works of art, along with the "Mona Lisa" and "Scream". Both works of art also include the
story of how the artist sees the world, also showing it in

The Great Wave Off Kanagawa Analysis
The Great Wave off Kanagawa by Katsushika Hokusai is an important piece in the history of
Japanese art because it illustrates how native Japanese aesthetics and beliefs continue to thrive in its
own art, despite new, foreign influences and changing trends in what is deemed as beautiful. Similar
to many other landscape woodblock prints, it demonstrates an influence from the west with its
ability to produce a sense of realism, space, and depth. Such an influence, however, does not
dominate over the native Japanese aesthetics, but is incorporated with them instead. One example is
how the composition appears to be more heavily weighted on the left–hand side due to the large size
of the cresting wave. The sense of asymmetry has its roots since ancient

Light Rain At Shono Essay
Utagawa Hiroshige. Shono hakuu (Light Rain at Shono), number 46. 1832–1833. This piece of
artwork is known as a woodblock printing, the style of this is both representational and realistic. It is
representational and realistic since it displays Shono during a rainy day while it also displays the
people hiding underneath their umbrellas or straw hats from the shower of rain passing through. The
materials that were used by Utagawa to create this printing were woodblocks, ink, and color on
paper. When Utagawa created this piece of work he had to be careful and precise with the details on
the wood blocks. Woodblocks were especially difficult when made with different types of colors.
When making colored woodblock printings you were required to use one wood block for each
desired color, you would also be required to have accurate precision printing and intricate carving
skills. This type of artwork is considered 3D, it was made of woodblocks and it could have been
touched or seen physically. This style of artwork flourished immensely in Japan during the 17th–
19th century, it was especially sought by the middle class in Edo which is now known as Tokyo.
These woodblock prints were also very ... Show more content on Helpwriting.net ...
It is expressing a story about various stops on the road of Edo to Kyoto. In this specific piece it is
expressing people on the road of Edo being caught up in a rainstorm. They're quick to go under the
umbrellas or to cover themselves with their straw hats as well as straw mats. It also shows that they
are close to a village nearby and are most likely to find shelter from the rain there as well. The
subject and the content do not differ much in my opinion they are very much alike. Both the content
and subject are heavily being based on the shower that is happening on the road to Edo. It depicts
the people that are hurrying away to find shelter from the

How Did Kasushika Hokusai Influence Japanese Culture
Japanese artist Katsushika Hokusai helped expose the Western world to Japanese customs and
beliefs. His crucial impact on culture and art can be attributed to his notable and familiar depictions
of Japan's geography, architecture, and people that surrounded him. Hokusai's unique blend of
traditional Japanese methods and Western mediums made his work a source of inspiration for many
European artists during the Impressionism era such as Van Gogh, Monet, and Degas. Katsushika
Hokusai, best known for his print of a large wave gracefully swallowing a fishing boat called "The
Great Wave Off Kanagawa", is arguably one of the most influential artists of the 19th century. His
work can be viewed in prestigious museums like The Metropolitan Museum of ... Show more
However, throughout the 19th century, the influence of artists like Hokusai, Utamaro, and Hiroshige
helped transform the former taboo into an appreciation for this cornerstone of Japanese culture.
While ukiyo–e was a strength of Hokusai's, it wasn't the only style of art he was trained in. While
studying under Shunsho, he also attended lessons from Yusen, an artist from the Kano school who
taught him about Western style art and the use of perspective. These experiences shaped Hokusai
into an exceptional artist and woodworker, but probably would not have been possible if he had
been born in another country, showing the significant impact relative location can have. Relative
location, defined as "a point or place in relation to another point or place", played a significant role
in Hokusai's career throughout his life. For example, because of the large distance between where
Japan is located relative to where Europe is located, it was hard for Hokusai to share his artistic
ideas outside of his home country. In addition to the issue of physical distance, during the early
1800's Japan was under a foreign policy called sakoku, which allowed no foreigner or Japanese
person to enter or leave the country on penalty of death. This

What Is Hokusai's Photography Influence The Art Movement?
Each artist's respective choice to employ a certain style and to depict their landscapes in a certain
way is insightful of the art movements in which they worked, though the later movement (Post–
impressionist) was highly influenced by the earlier one (Ukiyo–e). Precisely, Hokusai's print was
completed in 1832 and, thus, is representative of the Japanese Ukiyo–e (translated as the "floating"
or "sorrowful" world) movement, notable for its lack of perspective, clean lines and flat areas of
pure color. Its artists produced woodblock prints and paintings usually depicting kabuki actors,
female beauties, erotic scenes, or natural landscapes. Art in this movement evoked "an imagined
universe of wit, stylishness, and extravagance–with overtones of naughtiness, hedonism, and
transgression," and it was considered a contrast to the boring, monotonous routines of everyday life.
... Show more content on Helpwriting.net ...
Unquestionably, Hokusai's print mirrors many aspects of the Ukiyo–e movement in that it did
become a popular landscape print all over the world; in addition, the poetic interplay between
stylistic and naturalistic methods of depiction makes it an ornate and sophisticated piece. Moreover,
the print demonstrates one aspect of Romanticism, which was the movement that took place in the
West during the same exact time; namely, the emphasis of nature, its sublimity, the terror and awe is
crucial in interpreting the theme of the print. Subsequently, Van Gogh's painting was completed in
1889, which falls under the post–impressionist movement. Artists in this movement strayed from the
previous Impressionist movement, expressing more emotions and symbolic content rather than
optical/visual impressions, although the use of simple colors

Analysis Of The Great Wave Off Kanagawa
The Great Wave off Kanagawa; the Wave that Swept the Western World
Almost instantaneously recognizable, The Great Wave off Kanagawa (woodblock, 10 1/8 x 14 15/16
in, c. 1830–32), created by Japanese artist Katsushika Hokusai in 1830, beautifully captures the
graceful, swelling movement of a crashing tsunami. Because of the way in which line and
proportion are utilized, this woodblock print gracefully portrays the sheer power of the ocean.
Derived from the Edo period in nineteenth century Japan, this classic was the first of a series of
works from Hokusai titled Thirty–six views of Mount Fuji, all of which effortlessly depict the
mountain in a wide array of angles and scenery. Arguably, The Great Wave off Kanagawa is the
most iconic and cherished piece of Japanese artwork in the world. Even more importantly, Hokusai
is considered a prominent father figure for both Japanese art, as well as Western modernization as a
whole. The Great Wave truly displays how tiny and weak man is compared to the force of nature.
Not only is The Great Wave a quintessential piece of art, but it established a piece in the
comprehensive networks of art, trade, and politics, that has instilled a tremendous positive impact in
the Western world. Created solely from the vivid imagination of Hokusai, the primary compositional
focus of this simple, but deceptively dynamic print, is the massive deep blue and white wave located
in the left foreground of the work. Its detailed, curling white caps make it

Essay on Analysis of The Great Wave off Kanagawa by Hokusai
The Great Wave off Kanagawa by Hokusai is a famous woodcut print that is commonly referred to
as The Great Wave. Hokusai Katsushika was one of the greatest Japanese printmakers of the 19th
century. The print, The Great Wave, is a part of a 36–piece series of the views of Japan's most
famous mountain; Mount Fuji. Hokusai's series was very popular and sold rather quickly. Due to its
popularity, Hokusai decided to extend the series to 46 pieces. The original piece was created around
1830 and was published in 1832 by Nishimuraya Yohachi. Within this paper, I will be discussing the
analysis of this print while connecting my findings to the elements and principles of design. The
lines within this print are dynamic and static. Dynamic lines are ... Show more content on
Helpwriting.net ...
It might, due to the wood it is printed on, but the artist did not put any literal texture onto the print.
Although, there is implied texture that we can see within the painting; the lines, values, and shadows
can create an implied texture. An example within the print would be the tips of the wave, Hokusai
uses shadows and rigid lines to create texture of the waves turning into mist. The bottom of the wave
is a smooth line, creating the texture of slick water being sucked up to the top of the giant wave.
There are many values within this print, but only constitute a handful of colors: Blue, brown, black,
white, and gray. Blue is the main color within this print, there are many values of the color blue
used. The deepest part of the waves are the darkest blue, while the parts of the waves closest to the
surface are lightest blue or white. The sky has a gradient, which is going from the lightest color to
the darkest color or vice versa; the sky is creating a gradient, from the bottom up, of black to a very
light gray, then to a white–yellow. The colors chosen by Hokusai can also interpret feelings and
emotions. The habitual feeling when seeing the color blue is sadness. Sadness and despair would be
fitting emotions for this work, due to the giant wave about to crash upon the men in their boats. Blue
can also emit a feeling of elegance. The composition of the print and how the lines of the wave flow
can be considered a form of elegance. The next group of

Art Research Report: The Great Wave Off Kanagawa
Art Research Report All over the world, "The Great Wave off Kanagawa" is one of the best–
recognized pieces of art from Japan, created during the Edo period. Though it's commonly mistaken
for a painting, it is a simple woodblock printing illustrated by Katsushika Hokusai. This iconic
image is just one of thirty–six prints from his book, "36 Views of Mount Fuji". (Metropolitan
Museum of Art) Katsushika Hokusai was born in Tokyo, Japan in the fall of 1760 but was adopted
into a prestigious, working family. At the age of five, he began to gain interest in art and drawing but
it wasn't until his teen years when he began to take classes and became an apprentice. (Khan
Academy) His mentor helped him develop his skills in which he improved more ... Show more
The simple woodblock printing is just one out of 36 printings in his collection, "36 Views of Mount
Fuji". Through tourism and the strong beliefs of Buddhists in Japanese culture, this work of art has
spread from generation to generation to this day as it is almost 200 years old. Katsushika Hokusai
painted for 60 years before creating the wave which explains such artistry and passion as shown in
his printings. Just reading about his work makes me want to pick up a paintbrush or learn how to
woodblock print just to learn how to make such beautiful pieces of art like he did. Based off of its
influence on Japan and its spread throughout the world,"The Great Wave off Kanagawa" is the most
iconic piece of art from

19th Century: Close Visual Analysis
Thesis
This paper will employ close visual analysis of two Japanese woodblock print pieces from different
periods of the 19th century and how they differ in Western ideals. This paper will compare
Katsushika Hokusai's The Great Wave off Kanagawa to Ando Hiroshige's Plum Estate, Kameido by
their differing landscapes, colors, and acceptance of Western methods. I chose these two pieces due
to both pieces being so different, although they are both woodblock prints. Further, I found it
interesting that one piece, The Great Wave off Kanagawa, is known so widely while Plum Estate,
Kameido is not. The goals of my paper are to cover the differences in methods of Western culture as
well as how the appearance of each piece differ due to different time periods.
The Great Wave off Kanagawa by Katsushika Hokusai
In 1826, Katsushika Hokusai created The Great Wave off Kanagawa which was one of his most
notable pieces specifically in Japanese art. Further, this piece was among Hokusai's art series
Thirty–Six Views ... Show more content on Helpwriting.net ...
During his teen years while attending the Shijo School, he was the apprentice of Utagawa Toyohiro
a well known printmaker. Due to Hiroshige's experience with traditional artwork and learning the
basics to woodblock print he later began creating his own artwork. Several of his earlier works
consisted of prints of actors and courtesans; however, after viewing Hokusai's Thirty–Six Views of
Mount Fuji, he was inspired to change his creative flow and overall style. In 1856, Hiroshige created
one of his most well known series the One Hundred Famous Views of Edo, which depicted various
landscapes in Japan which included rivers, mountains, and trees. During the late 19th century,
artworks began depicting the Nihonga art movement. This movement was led by many artists who
believes that the heritage of traditional Japanese painting needed to be preserved while still
incorporating western methods in order to modernise Japanese

The Great Wave Off Kanagawa Japanese Masterpiece
The Great Wave off Kanagawa; a Japanese Masterpiece
Almost instantaneously recognizable, The Great Wave off Kanagawa (woodblock, 10 1/8 x 14 15/16
in, c. 1830–32), created by Japanese artist Katsushika Hokusai in 1830, beautifully captures the
graceful, swelling movement of a crashing tsunami. Because of the way in which line and
proportion are utilized, this woodblock print gracefully portrays the sheer power of the ocean.
Derived from the Edo period in nineteenth century Japan, this classic was the first of a series of
works from Hokusai titled Thirty–six views of Mount Fuji, all of which effortlessly depict the
mountain in a wide array of angles and scenery. Arguably, The Great Wave off Kanagawa is the
most iconic and cherished piece of Japanese artwork in the world. Even more importantly, Hokusai
is considered prominent father figure for both Japanese art, as well as Western modernization as a
whole. The Great Wave truly displays how tiny and weak man is compared to the force of nature.
Not only is The Great Wave a quintessential piece of art, but it established a piece in the
comprehensive networks of art, trade, and politics, that has instilled a tremendous positive impact on
the twenty first century. Created solely from the vivid imagination of Hokusai, the primary
compositional focus of this simple, but deceptively dynamic print, is the massive deep blue and
white wave located in the left foreground of the work. Its detailed, curling white caps make it appear
as

Katsushika Hokusai
Katsushika Hokusai was born in October 31, 1760 in Edo (now Tokyo) and he die on May 10, 1849,
was a Japanese painter and engraver. Coming from an artisan family, his father was a mirror maker
that used to produce mirrors for shogun court. Since child he was prominent artist, at age of 6 he
started his passion for drawing and painting. As teen Kusai started working at the bookstore was he
learns engrave in a workshop, this was an involvement for Kusai as printer. Kusai became one of
most of the important artist of the ukiyo–e school, Katsukawa Shunsho, with whom Kusai learn the
technique of woodblock engraving, kusai used to portrayed kabuki actors. His first famous work
was an invitation for the theater under the name of Shunro, but by that ... Show more content on
Helpwriting.net ...
(Rodino). He continues doing surimono cards, book illustrated, erotic books, and sketches, on
several times he compete with Utamaro, one of the best engraving voluptuous women. Hokusai tries
to focus on landscapes, historical scenes and human figures, Hokusai. Continues with books
illustration, but this time in a high level his work have a better finish, but now he start to pay more
attention to samurais and warriors and Chinese by this time Hokusai start move from ukyio–e.
Hokusai got fame for his impressions and illustration; Hokusai got a success on his paintings on
public exhibitions such as he did a painting of 600 feet also he gave a demonstration for the
imperator's helper.
The thirty views of Mount fuji was one of the most known pieces of art of Hokusai. Mount Fuji
wasn't just part of Hokusai but also about Japanese culture, the mountain has been taken as symbol
of beauty eternal life. Since then Hokusai have seen this mountain as secret of the immortality. The
Mount Fuji was a sacred mountain since Heian Period. There is a tale that explain that a imperator
send people to destroy a part of the mountain Fuji to get immortality, another tale said that is a home
of the goddess Fuji–hime and

Kasushika Hokusai Research Paper
Katsushika Hokusai Is a well renown painter in our time. He is most known for his famous painting
"The Great Wave off Kanagawa". Though he had other lesser known paintings such as "Fine Wind,
Clear Morning" and "Oceans of Wisdom." He was born in 1760, although his actual birthdate is
uncertain, and passed away at 88 on May 10th, 1849. This is his biography and how his work was
inspired and where it came from. Hokusai was born into an artisan family in the Katsushika district
of Edo, Japan. The childhood name he was referred to as this time was Tokitaro. He would change
names over thirty times throughout his lifetime. His father, Nakijima Ise, was a prominent mirror
maker for the shogun and his mother was a concubine. The shogun were the top military
commanders in Japan at the time appointed by the emperor. It is believed that because of his father's
artistic background that he is the one who originally taught Hokusai how to paint at the age of six.
At the age of twelve his father sent him him to work in a bookshop only lending books out. Which
at this time period was a typical thing as ... Show more content on Helpwriting.net ...
From here he started to produce paint brushes called surimono and illustrations in the kyoka ehon, a
book of humorous poems. Once 1798 came around, Hokusai decided to pass his name onto one of
his pupils and then set out to be a free, independant artist. away from schools for the first time, and
adopting the name Hokusai Tomisa.
Now in the 1800's, Hokusai was developing his Ukiyo–e for purposes other than portraiture. He had
also adopted the name Katsushika Hokusai, where the former name referring to the part of edo
where he was born and later meaning "northern studio." This name eventually will also be the name
he is greatly known by. This same year, he produced two collections of landscapes, the Famous
Sights of the Eastern Capital and Eight Views of Edo. From here he became increasingly

Ever Heard The Saying, “Learn From Your Mistakes,” Or A
Ever heard the saying, "Learn from your mistakes," or a different variation, such as when a parent or
guardian tells a child, "I am trying to save you from repeating the mistakes I made,"? The root of
this timeless phrase lies in the ability of humans to make the same choices over and over across
generations. Through the analysis of historic events and ideals that are still causing a stir to this day,
such as Thomas Jefferson's deism, the Emoluments Clause in the United States Constitution, and
The Great Wave print, one can learn a great deal about the world in which he or she lives. The
author of the Declaration of Independence was Thomas Jefferson, who was a deist. Deism refers to
the belief in a Creator type of god that made ... Show more content on Helpwriting.net ...
However, people continue to spread hateful messages against each other, certain that their side is
correct, and the division grows.
Another document from the origins of the United States that is coming to the political forefront
since the recent presidential election is the United States Constitution, specifically the Emoluments
Clause. The clause reads, "No Title of Nobility shall be granted by the United States: And no Person
holding any Office of Profit or Trust under them, shall, without the Consent of the Congress, accept
of any present, Emolument, Office, or Title, of any kind whatever, from any King, Prince, or foreign
State," (Article I, Section 9, Clause 8). Emoluments, according to Merriam–Webster, are, "the
returns arising from office or employment usually in the form of compensation or perquisites,"
(Emolument). The founding fathers put this clause into the Constitution very purposefully, because
they wanted to protect the integrity of the American political system. They had seen the way
corruption could spread if the leader of a country started working for a different nation's interests,
and they did not want that to happen in America.
Today, the debate is on for whether the founding fathers' provision is being stretched to the breaking
point with current president, Donald Trump. The president is under

Under The Wave Off Kanagaw Hokusai
The art of South and East Asia provided new forms for traditional ideas. Japan is one of a
multiplicity of countries where the ideas of artists were rooted in the artistic traditions of previous
eras or of other countries. These artists would then place their own spin on the art, in regards to both
subject and style. Tradition and innovation are complementary qualities of the arts of South and East
Asia, as the artists of South and East Asia both inspired other artists and took inspiration from other
artists. In the eighteenth century in Japan, landscape painting emerged as an incredibly popular
subject, coinciding with an increase in access to inexpensive multicolor woodblock prints.
Previously, landscape painting was long regarded as a major subject of Chinese and Korean
painting. Japanese landscape artists also took inspiration from Dutch landscape engravings imported
into Japan when the ruling Tokugawa government was attempting to enforce its isolationist policy.
However, Japanese printmakers drastically transformed the compositions and coloration of these
Western models of landscape painting. Katsushika Hokusai is regarded as one of the most famous
Japanese landscape artists of the time. Under the Wave off Kanagawa ... Show more content on
Helpwriting.net ...
The men in the trading boats are bending down low as to gain more control over their oars and thus
the direction of their boats in the dangerous and rough sea, as well as to drive their elongated and
low vessels through the vicious waves. While Hokusai's print takes inspiration from Western
painting techniques and incorporates the distinctive European color named Prussian blue, it also
highlights Japanese pictorial tradition. While adopting the low horizon line typical of Western
painting, the master woodblock printmaker used in the foreground the traditionally flat and
powerfully graphic forms of Japanese art to depict the threatening wave, mainly using curved

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