Ukiyo-e's Influence on Japanese and Western Culture

Image 2-1
Short Essay # 1
Image 1 is a woodcut print produced in Nuremberg, Germany by the German painter and printmaker
Albrecht Durer. Image 2 is also a woodblock print produced in Japan by the Japanese Ukiyo–e artist
Katsushika Hokusai. Image 1 was made in 1515 when Nuremberg becomes a printing center in
whole Europe. Woodcut printings were very popular at this time. On the other side, image 2 was
made between 1830–32 during the Arts and Crafts movement and Art nouveau. The woodblock
printing reflects the style of Arts and Crafts movement, also in the print, the geometric small
triangular hill within the hallow of the cresting wave, demonstrates the key ideas of Art nouveau
movement.
Long Essay # 1
Image 2–1 is a color lithographic poster for Job cigarette papers produced in French by Czech Art
Nouveau painter and decorative artist Alphonse Mucha. Image 2–2 is also a color lithographic
poster for The Scottish Musical Review produced in Scotland by Glasgow Art Nouveau artist and
architect Charles Rennie Mackintosh. Both were made in 1896–98 and both posters characterize the
Art nouveau. Poster 2–1 establishes the iconic image of the "Mucha woman" with her exotic,
sensuous posture and also with her swirls of exaggeratedly abundant hair. It's ... Show more content
on Helpwriting.net ...
Company in Germany around 1910. Image 3–2 is a photomontage illustrated by the constructivist El
Lissitzky in 1924–1925, Russia. Both images were produced in early 19s. Image 3–1 demonstrates
the typographic and three–dimensional parameters of the AEG corporate identification program. In
the poster, the lamp is placed inside an equilateral triangle with an abstract pattern made out of dots
to show the power of the lamp. The lines that make up the poster are a linear variant of the dots that
represents light. Consequently, Image 3–2 was constructed by superimposing two separate
photographs. Both images represent the architect engineering and the
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Sudden Shower With Shin- Ō Hashi Bridge And Atake
The title of this artwork is Sudden Shower over Shin–Ōhashi Bridge and Atake by the Japenese
artist, Utagawa Hiroshige. This art piece was created in 1856, and it's medium is a polychrome
woodblock print, and created by ink and color on paper. The size of Sudden Shower over Shin–
Ōhashi Bridge is 34 x 24.1 cm. Hiroshige used the art style of realism when creating this artwork.
By using realism as the art style, Hiroshige created the objects in the piece to represent things as
they really are in real life. Utagawa Hiroshige was born in 1797 in Edo, which is now known as
Tokyo, and passed away in October of 1858. Hiroshige is most commonly known for his color
woodblock prints. His biggest achievement is Fifty–three Stations of the Tōkaidō. This artist went
through many different stages in his artistic life, which include, landscape art pieces and figure–
with–landscape designs. Hiroshige created an estimated number of 5,000 prints in his lifetime. This
image contains multiple realistic objects. The objects that are seen by looking at this artwork
objectively include a bridge, six people holding umbrellas on the bridge, and someone rowing or
paddling on a board in the water. Two of the umbrellas are yellow, two other umbrellas are grey, and
one individual is attempting to cover their head by a jacket or a coat. The bridge is over a large body
of water which is lighter blue is one area and dark blue in the bottom corner; also by looking in the
background I see white objects that

Ukiyo E Influence On Society
For over 250 years, Japan was under a strict military dictatorship, oppressing the social classes of
their freedom to explore literature and the arts. However, from the 1670s through 1865 was the
Tokugawa period, also known as the Edo period, where Japan was guided to internal peace and
economic growth (The Editors of Encyclopædia Britannica). Not only had Japan found stability in
the Edo period, creativity flourished from the lower class of artisans and merchants through the
exploration of ukiyo–e printmaking. The term, ukiyo–e, is a combination of uki (floating), yo
(world), and e (pictures) that originated as a Buddhist term to express impermanence of human life.
Ukiyo–e was experimented and developed to become a popular art form that displayed ... Show
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Through continuous practice, a strict process had to be followed as they learned a repertoire of signs
and skills of brush handling in order to preserve the Japanese tradition, and understand how to
correctly use the materials. The manner of handling the brush was everything; appreciating the
application of strong and sharp strokes on the paper appealed to artists who understood the language
of brushwork (54, Hillier). Katsushika Hokusai, a Japanese printmaker and creator of world–famous
images, guided his students through the essential aspects of artist training by putting together an
instruction book that would help them master skills and dexterity (Kozbelt, Aaron, and Yana
Durmysheva). Throughout the Edo period, techniques and methods were experimented and refined,
which led to the traditions of Japanese ukiyo–e printing. The transition from a simple
monochromatic image to a polychrome picture developed through the printing techniques (Kozbelt,
Aaron, and Yana Durmysheva). Different types of methods with block printing utilized carved
wooden blocks of the desired picture or text as printing

Japan Western Influence
Japan's isolation policy during the seventeenth century up until the nineteenth century left its people
and government to simply rely on the influence of the Chinese, Koreans and the Dutch. The only
exposure Japan attained during the Tokugawa Shogunate from Western influences came from Dutch
missionaries as artists such as Maruyama Okyo. Eighteenth century Japanese art saw its fist
integration of Western style as observational art pieces became prominent. Coming along with
observational, the naturalistic approach became noticeably apparent when looking at Japanese
prints. Furthermore, as some Japanese scholars managed to get a hand of oil paints and engraving
techniques, mild Western influences were able to shape Japanese ukiyo–e art. Ukiyo–e¬ art was the
child of the social restlessness as people continued to ... Show more content on Helpwriting.net ...
Nonetheless, Japan saw an emergence of the ukiyo–e woodblock printing style once again during
the twentieth century as shin hanga art. Shin–Hanga art or "new prints" corresponded with the
demands of Western technologies and style that emerged during the rapid modernization. While,
shin hanga prints did emerge during the early twentieth century as a new type of Japanese art, shin–
hanga maintained ukiyo–e principles like the study of focus. Shin–hanga artists such as Yoshida
Hiroshi, Kawase Hasui, and Itou Shinsui closely compare to the ukiyo–e focus on beauty and nature.
Furthermore, both ukiyo–e and shin–hanga prints were able to capture the essence of the time period
both movements were active. While ukiyo–e captures the traditional yet lonely world of Japan,
shin–hanga was able to portray the tumultuous period of Japanese traditions mixing with the West
(LaLonde). Two works created by Hiroshige (Vesper Bell at the Mill Temple, Lake Biwa and Plum
Garden at Kamata) and the shin–hanga movement will be the focus of the

Ukiyo-E Japanese Culture
Ukiyo–e and its Effects on Japanese and Western Culture
Art is a very important aspect to Japanese culture. It is a visual expression of Japanese culture and
history. Japanese art covers many subjects such as landscapes, historical and fictional stories,
people, and architecture. Throughout Japanese history, one of the most popular genres of Japanese
art were the Ukiyo–e, wood block prints. Many artists such as Katsushika Hokusai and Tsukioka
Yoshitoshi became famous creating Ukiyo–e artwork. The Ukiyo–e genre was not only important
for reflecting Japanese culture, but was central to shaping Western perception of Japanese art and
culture. When Ukiyo–e artwork found its way into Western hands in the late 19th century it
flourished amongst the ... Show more content on Helpwriting.net ...
Because of the Ukiyo–e the people began to fall in love with the Japanese culture. The Westerners
were astounded by quality of work and all of the hard work that goes into each of the prints. The
Ukiyo–e artist were not just creating the pictures but also carving wood in great detail in order to
create one coherent print. The Ukiyo–e prints brought the westerners into the everyday world of the
Japanese people. They were able to see the world from the eyes of the everyday people in japan.
Ukiyo–e reflected the plays and stories in Japan as well as the landscapes and nature of Japan. They
were impressed by the beauty of Japan itself and through Ukiyo–e they were able to see it for their
selves. The flat style of the woodblock prints was unique compared to the style of the Western
paintings. Without linear and rising perspective the Ukiyo–e prints highlighted certain aspects of
Japanese life. For example in Hokusai's Great Wave the waves off Kanagawa complete dwarf Mount
Fuji. This shows that the Japanese people saw the waves as a great trial when fishing in the morning.
It showed the true struggle that they had to go through each day. The Westerner's sympathized with
images such as this and their perception changed from seeing Japanese art and culture as inferior to
seeing it as beautiful and unique.

Ukiyo-e Essay
Ukiyo–e
Ukiyo–e is the name given to one of the most important art forms in all of Japan. Arriving as a new
form of art in the 1700's these prints served as a record of daily life and pleasures in a newly wealthy
Japanese society. The Japanese themselves had long regarded pleasure as transient because of their
Buddhist heratige, because of this the word Ukiyo–e actually means "pictures of the floating world".
These prints were truly art which reflected the whims of the masses. They record popular styles of
dress, new hairstyles etc. They also record the popular Kabuki theater actors, the most beautiful
geisha's (or prostitutes), and later even landscapes. Within the realm of Ukiyo–e there are many
masters, but there is one master, ... Show more content on Helpwriting.net ...
This traditionally formatted book was the first set of prints to give Utamaro some noteriety. After a
few similar books, Utamaro began to develop his figurative style even more. He elongated the
figures in his prints and drew the heads more oveal rather than circular. It is at this time that his
talent for arranging and relating figures began to take shape (Hiller 42).
By 1792, Uatamaro embarked upon the subject to which he would devote the rest of his life. His
dipictions of the geisha's would be amoung the most well known Japanese prints of all time. One of
the most incredible series Utamaro undertook at this time was the half–length self portrait series.
Traditionally a figure was portrayed as a full length figure, but these intimite prints of simply
patterned cloth and plain backrounds read almost like personal portraits, a concept very new in
Japanese printmaking. Soon after the half–length portrait series Utamaro embarked upon two other
great sets of prints–– "The types of women's Phisiognomies" and " The Ten Learned Studies of
Women". These two sets of prints had the smoewhat portraiture feeling of the half–length portraits.
In addition Utamaro experimented with using mica as a reflective backround surface. Amoung these
series is alsot the print, " Women Preparing Stuff for Dresses) one of the most famous of all
Japanese

Inventions And Accomplishments Of The Tang Dynasty
The Tang dynasty was by far the best dynasty. The time period of the Tang Dynasty was from 618–
907 CE, and it is an ancient Chinese dynasty.
Inventions and Accomplishments: First, one of their inventions is woodblock printing. Woodblock
printing was very important because it was the start of printing worldwide. Woodblock printing was
their most important invention, it was their most important invention because it opened the door for
even further progress. A way this helps further progress is it helped print more books so people got
an even better education. It helped print a mass amount of books for people to study for knowledge
and read for entertainment. The spread of books also helped spread knowledge throughout the
dynasty ... Show more content on Helpwriting.net ...
There is a reason why the Tang Dynasty is called and considered the Golden Age of China.
The Tang Dynasty had a very successful government. They had rightfully placed government
officials and good leaders. The Tang Dynasty had good government officials because of the civil
service test. It was an exam that people took to determine if they could be placed in government. It
was known for its difficulty. It contained questions about Confucianism, his books, and his poems. It
also consisted of government based questions, and poetry questions. The higher that you scored on
this test, the higher place you can get in government. This promoted the best people and chose
people to work in government based on merit. This examination was available to people from all
social classes, so it meant that the government was getting the most qualified people for positions.
The Tang Dynasty also had good leaders, such as Xuanzong and Taizong. The emperor Taizong was
the second emperor of the dynasty, who helped his father, the first emperor of the Tang Dynasty,
establish the dynasty. He saw places where his father could improve, and when he was emperor, he
took all of his father's accomplishments, and further improved them. The emperor Xuanzong
brought China to the heights of its golden age. He was really successful because he understood the
rewards of a balanced rule. There was improvements

Bi Sheng Song Dynasty
Shen kuo a legendary scholar of the song dynasty was known for his book dream pool essays and
until today by the world scholars the book has been regarded as a masterpiece of ancient Chinese
science. In the book it refers to Bi Sheng as he has invented a new effective printing method "during
the Qingli reign of Northern Song a commoner named Bi Sheng invented an extremely efficient
printing method known as the moveable type printing."[1] In 1987 villagers in Wuwei accidentally
dug out a mysterious cave in the Gansu province, in the cave they found a perplexing brochure full
with weird characters "even the most respected elders were confused but everyone treasured the
booklet as an ancient sutra from their ancestors."[2] Sun Shouling an archeologist ... Show more
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They belong to William S. Bigelow a physician and a devoted student to Japanese culture. Bigelow
was a discerning collector of Japanese art."[14] The Boston museum did not approve the removal of
this collection in the respect of the last wishes of William Bigelow. They found a letter from
Bigelow to the museum and it was written when he bough the woodcut blocks back from japan.
"His letter says quote, we can get out a new addition in Boston from the original block. Aware of
this the society of the Boston museum agreed to the proposal by Jan Fontein the director of the
Boston museum, to take this treasured woodcut blocks to japan to print a new addition."[15] The
paper for the reproduction of Hokusai new addition was started instantly in japan, traditional method
in producing the paper in japan is made by hand and that getting in to contact with water will
damage the paper. Although the number is small there are still some artists in japan that have the
skill to print ukiyo–e

Under The Wave Off Kanagaw Hokusai
The art of South and East Asia provided new forms for traditional ideas. Japan is one of a
multiplicity of countries where the ideas of artists were rooted in the artistic traditions of previous
eras or of other countries. These artists would then place their own spin on the art, in regards to both
subject and style. Tradition and innovation are complementary qualities of the arts of South and East
Asia, as the artists of South and East Asia both inspired other artists and took inspiration from other
artists. In the eighteenth century in Japan, landscape painting emerged as an incredibly popular
subject, coinciding with an increase in access to inexpensive multicolor woodblock prints.
Previously, landscape painting was long regarded as a major subject of Chinese and Korean
painting. Japanese landscape artists also took inspiration from Dutch landscape engravings imported
into Japan when the ruling Tokugawa government was attempting to enforce its isolationist policy.
However, Japanese printmakers drastically transformed the compositions and coloration of these
Western models of landscape painting. Katsushika Hokusai is regarded as one of the most famous
Japanese landscape artists of the time. Under the Wave off Kanagawa ... Show more content on
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The men in the trading boats are bending down low as to gain more control over their oars and thus
the direction of their boats in the dangerous and rough sea, as well as to drive their elongated and
low vessels through the vicious waves. While Hokusai's print takes inspiration from Western
painting techniques and incorporates the distinctive European color named Prussian blue, it also
highlights Japanese pictorial tradition. While adopting the low horizon line typical of Western
painting, the master woodblock printmaker used in the foreground the traditionally flat and
powerfully graphic forms of Japanese art to depict the threatening wave, mainly using curved

The Age of Poster: Pictorial Poster
The main focus point of Chéret's poster 'Folies–Bergere, La Loïe Fuller 1893, (Figure 1) is an
American dancer and display capture another classic Chéret woman dancing cabaret culture of
passion and emotional abilities examples of Paris . colored lithography Chéret skills let him to
express in a variety of silk garments Fuller wore light the lamp shades found in a black background ,
she seems to spin out of darkness , which is a typical Chéret composition, dancing women at the
forefront , the smallest in the background and layout on the top and bottom. usual type considered
here is clearly legible from a distance due to the black from the red background of praise , but
because it is very less important that the compositions and only used for advertising , sometimes the
type spoilts the images Compared to La Loïe Fuller Chéret's Fleur de lotus of 1893 (Figure 2)is
much lighter in feeling and colour pallet. In this work, six ballerinas dance over the page, promoting
Armand Silvestre's ballet et pantomime, Fleur de Lotus. This lighter, airy feeling of ballet is
portrayed through these pastel colours and light fades of colour oozing from the background. The
typography and main colour pallet are more considered here, and it is clear to see they work well
together. However, this image is missing the simplicity of the previous poster and the skill in which
Chéret prints La Loi fuller's dress in movement cannot be overlooked, it is what carries the whole
poster with ease. As

How Did Japanese Art Influence Their Works Of Art?
Japan alone is known for many things from its cuisine, to aesthetic tradition to their famous bonsai
trees and their role in the second war. Yet what most people don't know, is how influential their
works of art were to not only themselves, but others around the world. There were many different
forms of art especially in painting such as Rinpa, Tarashikomi, Woodblock and Bunjinga which
were used during the Edo period. The technique that seemed have peaked the westerners interest the
most during the late 19th century was woodblock and one artist in particular who was greatly
recognized for this was Tôshûsai Sharaku.
The Woodblock technique was invented during the Tang (618–906) and Song (970–1279) dynasties
and had originated in China. In the

Katsushika Hokusai
Katsushika Hokusai was born in October 31, 1760 in Edo (now Tokyo) and he die on May 10, 1849,
was a Japanese painter and engraver. Coming from an artisan family, his father was a mirror maker
that used to produce mirrors for shogun court. Since child he was prominent artist, at age of 6 he
started his passion for drawing and painting. As teen Kusai started working at the bookstore was he
learns engrave in a workshop, this was an involvement for Kusai as printer. Kusai became one of
most of the important artist of the ukiyo–e school, Katsukawa Shunsho, with whom Kusai learn the
technique of woodblock engraving, kusai used to portrayed kabuki actors. His first famous work
was an invitation for the theater under the name of Shunro, but by that ... Show more content on
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(Rodino). He continues doing surimono cards, book illustrated, erotic books, and sketches, on
several times he compete with Utamaro, one of the best engraving voluptuous women. Hokusai tries
to focus on landscapes, historical scenes and human figures, Hokusai. Continues with books
illustration, but this time in a high level his work have a better finish, but now he start to pay more
attention to samurais and warriors and Chinese by this time Hokusai start move from ukyio–e.
Hokusai got fame for his impressions and illustration; Hokusai got a success on his paintings on
public exhibitions such as he did a painting of 600 feet also he gave a demonstration for the
imperator's helper.
The thirty views of Mount fuji was one of the most known pieces of art of Hokusai. Mount Fuji
wasn't just part of Hokusai but also about Japanese culture, the mountain has been taken as symbol
of beauty eternal life. Since then Hokusai have seen this mountain as secret of the immortality. The
Mount Fuji was a sacred mountain since Heian Period. There is a tale that explain that a imperator
send people to destroy a part of the mountain Fuji to get immortality, another tale said that is a home
of the goddess Fuji–hime and

Buddhism in Ancient Korea: The Impact
Religion has been the reason for big changes in development in many cultures for many centuries.
As religions grow within a society, inventions and social communication changes but these religions
can take over the political power holding the society. The main religions introduced during Korea's
past are Shamanism, Daoism, and Confucianism, and Buddhism. Buddhism is the religion that
changed the society of Korea the most in the ancient times. As Buddhism spread in Korea, great
inventions were made, the power hold of Korea started leaning the religion, and the social beliefs
changed. These changes had positive results in Korea, and helped Korea to become a proud country.
Just like many other religions, it has have effect and it still has effect on many cultures. Buddhism is
the religion that affected ancient Korea the most; to expand territory, claim power, unite kingdoms,
and many other things.
Shamanism, a very complex religion, is known to be one of the oldest religions still carried out.
"The term shamanism comes from the Manchu–Tungus word šaman. The noun is formed from the
verb ša– 'to know'; thus, a shaman is literally "one who knows.""(Britannica p2). Even though
Shamanism has been present for a long time, the exact time period and what started this religion is
still unknown. Shamanism is religious phenomenon centered on the shaman, a person believed to
achieve various powers through trance or ecstatic religious experience. In this religion, objects in the
world are

Today'S Chinese Characters Were Officially Established
Today 's Chinese characters were officially established very recently, but they have one of the
longest histories in the world. Chinese characters have continuously developed for more than three
thousand years and finally the characters that are currently used are officially confirmed just around
50 years ago, actually in 1956 by "The First Scheme of Simplified Chinese Characters" and in 1977
by "The Second Scheme of Simplified Chinese Characters". By means of simplification, history is
divided before and after the 20th century, but until 1949, when Quin dynasty to the Republic of
China ended, only 324 simplified characters had been recognized by the government. According to
the video lecture conducted by Dr. Xiaoting Li, Chinese scripts ... Show more content on
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Moreover in Qin dynasty, especially under the first emperor of China, Qin Shi Huang, the Small
Seal scripts were created. In the former era there were hundreds of territories. This means there were
hundreds of ways of handwritings. However, his policy was the centralization of power so he
wanted to know about all of his territories. He divided his land into 36 parts, sent his subordinates to
each part, and made them record the information about the lands in order to grasp the width,
population, or products. His subordinates recorded about each lands in their originally simplified
characters and sometimes the emperor had difficulty in reading them. So in order to rule the country
efficiently, less complex scripts were adopted officially. "Unification of writing system meant
consolidation of power, especially that writing is used I taxation, trade exchange, day–to–day
communication, etc. Small seal script unified not only the forms and variations, but also the methods
of writing, by introducing rules of writing, proportions, and symmetry" (Ryuurui). In this sentences,
the words "unification" and "unified" emphasizes the importance of establishing simplified standard
characters. Therefore, the improvement of political systems, especially land systems, and the
simplification of Chinese characters are deeply related. Second, the improvement of letterpress
printing technology largely affected the simplification of Chinese characters. Although in the 15th
century

The Importance Of Asian Art
Art is a way for the Asian artist to express their feelings with the viewers. The Asian culture uses art
to convey the connection between people and nature in the form of brush painting and Japanese
wood block printing. For instances, the Japanese wood block printing, The Great Wave created by
Hokusai shows a large wave heading towards two boats. The artist leaves the art frozen, allowing
the viewer to depict their own ending to the scenario. Art in the Asian–American culture
incorporates nature, but not in the same ideal as art in Asia. Asian–American artists constructs based
upon the nature of a community that consistently feels as an intruder in America. Asian. The Asian
artists in America shows the world a new generation of Asian art. ... Show more content on
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For example, the artwork Bare Willows painted by Ma Yuan embodies the essences of Taoism by
integrating natures Yin and Yang. In result, Yuan creates a spacious and mysterious painting in a
timely manner. Yuan represents Yin as the mountain and Yang as the water. The message Yuan
conveys in this painting is that the mountain is unmoving and the water is easily disruptive. The
artistry in China begins to evolve once the Han reclaim the throne. With the start of the Ming
dynasty, the Chinese community becomes fill with joy and prosperity, leading to the introduction of
color and mythology. Asian artists paint the images of nature to convey the lessons of eloquence,
fragmentation, and precision.
Japanese wood block printing became the most popular form of art during the Edo period. Japanese
wood block printing is most commonly used by artist to connect people and nature. One of the most
popular wood block printing is Great Wave Off Kanagawa Point created by Katsushika Hokusai is
described to be, "A large threatening wave that is about to destroy fishermen in boats." Hokusai
commonly constructs the nature frozen to be in action, leaving the viewer wondering about the
outcome in their mind. Utagawa Hiroshige also known as the last great master of the ukiyo–e
tradition paints a different picture then Hokusai by engaging the viewers five senses. Hiroshige
displays nature in a calm manner, and

Kasushika Hokusai Analysis
Term Essay #1
Katsushika Hokusai is a Japanese artist that likes to stretch your imagination, in both artworks it's
almost as he's indulging into these wild fantasies. As if he's trying to tell a crazy adventure from his
point of view. I particularly enjoy these artworks because it displays the courage in obstacles to face
much greater than himself, or in this case nature. Katsushika Hokusai creates a sense as if we were
all children again, with an imagination where we can hear, play and see natural environments from a
new perspective.
My choices on non–western art I selected were both pieces by Katsushika Hokusai. The first called
Kanagawa–Oki Nami–Ura – from 36 Views of Fuji made in the 18th–19th century. My second piece
called Kiso, Amida – From Waterfall Series made in the 18th–19th century. In comparison to
Katsushika Hokusai two artworks both are woodblock prints, we see many characteristics that relate
to each other in a natural environment because Katsushika Hokusai was one of the first artist to
introduce landscape in his prints. Both pieces have mountains within the pictures, which is a major
landmark in Japanese natural landscapes. They both have strong repeating patterns that create a
sense of rhythm that helps organize the viewer's eye. Both artworks have these elements in their
painting that gives you a sense of rhythm and harmony. Both artworks provide so much contrast, the
hard impact of blues set against the soft sky and the starling white waterfall.

What factors lead to the rise of the pictorial poster
What factors lead to the rise of the pictorial poster? When looking at what factors lead to the rise of
the pictorial poster, it is clear to see that the majority of them occurred in late nineteenth century
Paris and that perhaps one man, Jules Chéret, can be thanked for exploiting and mastering the
techniques which made these posters reach the levels of respect previously reserved for the fine arts.
As well as Jules Chéret and his mastery of lithography I will be exploring the influence of Japan and
their printing techniques upon Toulouse Lautrec as well as Baron Georges–Eugene Haussmann's
renovation of Paris during its Second empire, the impacts of the rising middle class, and the effects
that tax had upon the walls of Paris. ... Show more content on Helpwriting.net ...
However, this image is missing the simplicity of the previous poster and the skill in which Chéret
prints La Loi fuller's dress in movement cannot be overlooked, it is what carries the whole poster
with ease. As stated by Jane Abdy in 'The French Poster' what makes a great Chéret is "the
personification of gaiety in his posters .... the laughing, twirling, sparkling girl whom he uses as a
model; the Parisians adored her , and called her 'La Cherette' (abdy, 1969, p.31) In 'Les affiches
illustr'ees' Maindron – a section from "The French Poster" by Jane Abdy, Ernest Maindron talks
about that when posters were very successful, it was often reproduced in a small version so that
collectors could have them. A daily newspaper 'Le courriere francias' made special printings of
Chéret posters in a convenient size (22"x14") as presents to their subscribers" (Abdy, 1969, p.171)
However, the size of posters not only affected legibility and who could own them, it also affected
the amount of tax placed upon them. All posters which were to be placed in the streets would be
subjected to a government tax. "This was varied according to size; the rate was 6 centimes for the ¼
colombier, 12 centimes for the ½ colombier, 18 for the jesus and the colombier and 24 centimes for
all large posters." (Abdy, 1969, p.171) when this levy was paid, the poster was stamped and
approved to be hung in the streets. Figure 3 Hiroshige Plum estate, Kamedio.

Analysis Of Sudden Shower Over Shin-Ohashi Bridge And Atake
Japan is often recognized as a land of peace, beauty, and diverse landscapes and climates that cannot
be witnessed anywhere else on the planet. A majority of Japanese citizens practice Shintoism, a
polytheistic religion whose gods exist within plants and animals. Because of this, an appreciation for
nature is ingrained deep into the foundation of Japan's values. This can be seen throughout the
country's entire history; much of its art and poetry has been focused solely on its natural beauty.
Sudden Shower Over Shin–Ohashi Bridge and Atake is a famous Japanese woodblock print by
Utagawa Hiroshige published in 1857, one of many that shows an appreciation for Japan's beautiful
landscapes. The print belongs the ukiyo–e genre that emerged between the 17th and 19th century.
Ukiyo–e literally translates to "pictures of the floating world" and the style dominated the art of
Japan's Edo Period. What began as a reflection of Japan's indulgent and hedonistic culture,
portraying subjects like beautiful women and extravagant scenes from the Kabuki theater, gradually
transitioned into capturing landscapes and the lives of average people. Hiroshige was one of the
pioneers of this transition with his famed One Hundred Famous Views of Edo, a 119–piece series
that features celebrated landscapes in his hometown of Edo, known as Tokyo today, and his last
great success before his death. Sudden Shower Over Shin–Ohashi Bridge and Atake is one of the
pieces that belong to his series.
It is

The Great Wave Off Kanagawa Analysis
Changes and evolution to the world usually means that the people's beliefs and customs change and
evolve as well. With people's minds and thoughts becoming different than before, the art produced
changes in ways as well. Near the beginning of the 1800s the world was being to go through
dramatic shifts of ideologies and policies that were crucial for the years prior, and Japan was no
exception from this. Japan, at the start of the nineteenth century, experience an extreme adjustment
of their own isolationist, conservative views that was prevalent during the Edo Period, to the
widespread push of modernization and engagement towards the rest of the world. Because of this,
Japan was more accepting and welcoming towards other forms of social, political ... Show more
The Dream of the Fisherman's Wife is believe to be the main influence for other types of amatory
imagery in japanese art. Also, because of The Dream of the Fisherman's Wife Katsushika Hokusai is
often credited for being the forerunner for tentacle erotica, which integrates elements of
pornagraphy with beastility.With that being said, The Great Wave off Kanagawa is a lot less
controversial in comparison to The Dream of the Fisherman's Wife. The Great Wave off Kanagawa
was admired for it's attention to detail with the waves and boat in the picture and how graceful and
visually pleasing the aesthetic of it was. There are many copies of this piece with slight changes, like
the version in Japantown, San Francisco, but they're generally faithful towards Hokusai's original

Achievements Of The Ming Dynasty
From one dynasty to another we move forward into a new era of greatness in Chinese history that
was invested by The Ming Dynasty. The early rulers of the Ming Dynasty were all about initiative.
The chief initiatives taken by the early rulers of the Ming Dynasty to enhance the role of China in
the world were making, Confucian institutions, factories and workshops cities, and increasing the
food output. In order to bring back information and goods to their dynasty the imperial court ordered
the famous voyages of Zhenghe. Later down the road the main Emperor, Emperor Yongle behind
these voyages passed away so these expeditions were discontinued.
Now the Ming Dynasty was mainly all about Confucianism, but the people of the Sui Dynasty was
more into Buddhism and Daoism. It was a constant battle between these teachings, but in the
competition with Confucianism for support by the state, Buddhism like Daoism was certain to lose.
Confucian thinkers started to pick apart the classical Confucian doctrine, and after doing so they
came up with a new doctrine called Neo–Confucianism. All three of these doctrines played a
significant role in Chinese intellectual life in the period between Sui Dynasty & the Ming by
introducing philosophy, different philosophers and self–cultivation.
The blossoming of traditional China started to develop between the Tang and the Ming dynasties,
when it was a great age of Chinese literature and art. There were many other achievements during
the period of

Ukiyo-E Research Paper
The name of the art form, ukiyo–e, translates to "paintings of the floating world". They are Japanese
woodblock prints that flourished during the Edo Period (1603 – 1867) and depicted subjects
associated with impermanence and detachment from ordinary life. Among these subjects were the
popular geisha, sumo, and kabuki actors set in this after–hours world. Later, painted scenes from
nature became a subject matter for artists.
The themes in ukiyo–e focused on fleeting beauty and evanescent worlds; it was an escape from the
boring and mundane world of responsibilities in everyday life. At first, Ukiyo–e artworks were all
monochromatic and printed in black ink only. However, Suzuki Harunobu developed polychrome
printing by the 18th century.
Ukiyo–e art was originally intended for the lower class as it was very ... Show more content on
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At the same time, it expanded to reflect modern tastes and innovations over its development. The
result was an art that was both populist and highly sophisticated. Ukiyo–e presented both the
historical and all that was current, elegant, contemporary, and popular. The ordinary was
transformed into the extraordinary in the hands of the artist.
Each image was created through a collaboration of four skilled individuals: the artist who designed
the works and drew them in ink, the carver who carved the designs into a woodblock, the printer
who applied pigments to the woodblock and printed each color on handmade paper, and the
publisher who coordinated the efforts of the artists and marketed the artworks. In spite of this
collaborative effort, only the artist and publisher were almost always accredited.
Midway through the 18th century, new techniques were created to allow the full color printing and
ukiyo–e we see today on calendars and postcards. Some of the most famous artists during this
period were Utamaro, Hokusai, Sharaku, and

The Role Of Women In The Tang Dynasty
The chinese economy in the Tang dynasty was well organized. The social economy in the earlier
period of the Tang Dynasty underwent a rising process of recovery, development and
prosperity.They had a well train military and very well train men with very well developed weapons.
One of the major invention of the time was gunpowder which helped the military a lot. They also
made weapons out of steel and iron. Perhaps the most important was the invention of woodblock
printing. Woodblock printing allowed books to be printed in mass production. This helped increase
literacy and to pass on knowledge throughout the empire.Agriculture was also a big part of the
society because agriculture thrived and was the mainstay for the chinese economy. With the
booming of agricultural economy the people of china were now able to look elsewhere for money
and began perfecting crafts and skills. That first a skill practiced for centuries and that was bronzing.
The tang dynasty adopted many buddhist ideas, and many of the tang regions had buddhist
population. Buddhism played an important role in the political function, giving emperors the
spiritual function of creating a harmonious buddhist society. ... Show more content on
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Women usually managed the houses for their husbands and sometimes they managed merchants
businesses in their absence. Women weren't allowed to own land and if she did it was passed to her
husband's. Also women weren't allowed to remarry after their husbands divorced them or died. I
became popular to educate girls just enough to read a small version of the confucian so they can
understand their role in society. Also women bound their feet starting between 5–7 years old. In
korea, japan, vietnam woman their had more rights to do things like own land and they were also in
a higher status than women in china. Women in korea, Japan, vietnam didn't have to bind their

Mary Cassatt Influence
Mary Steven Cassatt was an American painter and printmaker. A woman who entered the
international art world where male dominated and women settled down with getting married, being
a house wife, and being a mother during the nineteenth century. On the other hand not so much with
Mary, she was a strong and stubborn woman who was passion for arts. Many of her influence during
her career life were from focusing on women's daily life, and even from public's opinion. (Buettner
15). She is the greatest female artist in her time, not only that but the greatest artist in America and
contribute much to the world.
Mary Cassatt was born on May 13, 1844 in Pittsburgh, Pennsylvania. Cassatt was only and first
American who became a member of the French Impressionists. After traveling throughout Europe
during her teens with her family, Cassatt went to studied at the Pennsylvania Academy ... Show
more content on Helpwriting.net ...
Even though prints are different from painting, it is still captivate with its beautiful unique texture of
the prints. Her techniques became a big part of her art work and a very important part of her
development as a printmaker. They did not need to draw in every detail, or line because any printers
knew what could be done once the art work was created. When print making I would agree that
many artists knew that they could achieve in wood block printing whether the detail had significant
effect on the art work and sometime it doesn't matter so much. Without Cassatt's influence on the
Ukiyo–e's print, she wouldn't be will known or be satisfied if she had not been introduced to
printmaking because woodblock print is her most impressive well known work. Not only that,
Cassatt's movtivation for making prints was to make her art work accessible to everyone regardless
of the person's

Aspects Of Investinged Wire Easel By Studio D�cor
The first line states that framing expenses are $350, including tax. I will be purchasing frames from
Michael's to use for hanging prints, washi paper, and a collection of tickets and brochures. The
prints and washi paper will both be placed in 17 of the "Honey Belmont Frame With Mat By Studio
Décor® – Honey – 8" x 10". These frames cost $16.99 each and will total $290.00 when added
together. The collection of tickets and brochures will be placed in two of the "Honey Belmont Frame
With Mat By Studio Décor® – Honey – 11" x 14". These cost $22.99 each and will total $46.90
together. It will not be necessary to purchase mats or hanging mechanisms separately because both
of these sets of frames include these materials.
The second line ... Show more content on Helpwriting.net ...
The cost of printing is $50 and there is a $60 per hour compensation fee and a $10 proof fee
associated with the printing as well. To be safe, I am stating that the compensation fee will be for
two hours, totaling $120. The total cost of printing the postcards will be approximately $180.
The fifth line states that the catalogue printing by USC Printing will cost $340. I will be printing 50
6 x 9 four page catalogues to be distributed at the exhibition opening. The catalogue will include
information about the exhibition and its participants, as well as images of artwork on display in the
exhibition. The cost of printing is $90 and there is a $60 per hour compensation fee as well as a $10
proof fee associated with the printing. To be safe, I am stating that the compensation fee will be for
four hours, totaling $240. The total cost of printing the catalogues will be approximately $340
dollars.
The sixth line states that the Vinyl Poster/ Banner printing by USC Printing will cost $280. I will be
ordering two Vinyl posters that will serve as titles for the exhibition. One will be hung on the wall
and the other will be placed in the glass cabinet that will also be used for the exhibition. The cost of
printing each poster will be $15 plus a $60 per hour compensation fee and a $5 proof. To be safe, I
am stating that the compensation fee will be for two hours, totaling $120. This totals to
approximately $140, so times two, the cost will be $280 dollars.
The seventh

Edgar Degas And Western Realism In Hokusai's Impressionism
Edgar Degas appears to have never accommodated himself to the name of "impressionist," wanting
to call himself a "realist," "independent," or "free." Like the impressionists, he looked to catch
transient minutes in the stream of present day life, yet he demonstrated little enthusiasm for painting
plein air scenes, favoring scenes in theaters and bistros lit up by fake light, which he used to
illuminate the forms of his figures, complying to his training. Degas's choice of subject matter
mirrors his modern cutting–edge approach. He best–liked scenes of ballet dancers. His concentration
to ballet dancers increased strongly in the late 1800s, and eventually he composed nearly 2,000
works on the area. They address the way the human body moves, investigating the physicality and
train of the ballet dancers using distorted stances and abrupt vantage points. Without the Japanese
printmaker Hokusai, Impressionism may never have happened. He is a father figure of Western
Modernism. In Japan, Hokusai was viewed as crude, underneath the thought of the magnificent
literati. In the West, his outline of space with color and line, as opposed to by means of one–point
perspective, would have a revolutionary effect. Most artist were influenced by his landscapes but
Degas, he was influenced by Hokusai's rendering of human forms. You can truly see how he was
influence by Hokusai in his bathers artwork. Degas was uncommonly interested in women's private,
rather than public, appearances. Degas'

Compare And Contrast The Renaissance Art And Ukiyo-E Art
Ukiyo–e, which literally means "pictures of the floating world," has become an increasingly popular
art from 1603 to 1806. These Ukiyo–e painting sprang from the Buddhist ideology that joy is
transient and only detachment from desire will bring true enlightenment. The Renaissance Art and
Ukiyo–e paintings are similar but there are more differences like culture, materials, and style.
Culturally, Renaissance paintings were Christian and Ukiyo–e were Japanese. Materials,
Renaissance artist used costly brushes while Ukiyo–e paintings were painted using traditional
brushes. Style, Renaissance was more difficult to use than Ukiyo–e prints
Renaissance art started in Italy in the late 13 to14 centuries. During the Renaissance period, Italian
scholars ... Show more content on Helpwriting.net ...
They are both famous in the art world today, but they are both known for different reasons. The
Renaissance have expensive materials and way broader style than Ukiyo–e. The painters during this
period of time had different views on religion and society. Therefore, they are two complete art
societies. Renaissance and Ukiyo–e originated from different parts of the world. Ukiyo–e was not
very famous until the Edo period in Japan. Ukiyo–e prints were well known for their outstanding
colors and technology ("Painting"). Renaissance was known for its world best painters and paintings
(Currie). Renaissance was more developed in art society than Ukiyo–e, they had better technology
and materials. Therefore, Renaissance and Ukiyo–e have more differences than

The Ming Dynasty And Tokugawa Period
Literature of The Ming Dynasty and Tokugawa Period
As we study world history, many people focus on battles, conquerors, and influential events,
occasionally disregarding the importance of the cultures of civilizations. Literature and poetry play a
huge role in the cultural diversity of different civilizations around the world. Without literary
documentation, we would have little information about the history and events from centuries ago.
Historians rely on the literature written hundreds of years ago to understand the course of history
and how it leads to today's world. Literature and poetry can also help us understand life styles,
cultural importance, and the cultural diversity in previous time periods. Understanding cultural
diversity is ... Show more content on Helpwriting.net ...
Literature became a daily necessity in Japan, whereas in China, literature and poetry was enjoyed
simply for entertainment on the side of the daily lives of the citizens. When the Japanese
governments issued the Seclusion Act, closing the country off from the outside world, Japan
experienced a long period of peace, extending into the Tokugawa Period. During this time, the arts
in Japan grew rapidly and had time to form diverse new art forms, such as haikai. The Japanese
people invested themselves in literature and poetry, and it grew to become necessary in business
environments including social and recreational environments. Ming China was a booming period of
technological advancement and growth. Although the Chinese culture, especially literature and
poetry, remained an important part of Chinese life, the culture was not nearly as prominent and
highly regarded as advancements in technology and world status. People in the Ming Dynasty
enjoyed literature in the forms of storytelling and theatre, fiction–based art forms, but they didn't
recognize it as an important part of their daily lives. Japan's flourishing arts were a result of their
isolation from the world, whereas China's culture development was not nearly as important to the
people, focusing on stable government and international reputation. Both time periods were

Ancient Chinese Contributions
| Ancient Chinese Contributions | Humanities 111/Professor Michael Curran | by | Rayshawn J. |
11/22/2011 |
Ancient Chinese inventions have had a huge impact on the modern world as we know it. Numerous
technological and cultural advancements have spawned off from the inventions derived from
Ancient China, which spans over thousands of years ago. A lot of the inventions really attest to how
more advanced Ancient China was in science and technology. In the world today, they still
symbolize excellence to many of the Chinese people of modern day just as much as they did then.
People all over the globe have found many of the inventions to be quite useful, fulfilling several
purposes and aiding a number of causes. Although ... Show more content on Helpwriting.net ...
As the knowledge of the substance became known along the Silk Road, (India, the Middle East, and
Europe), countries all over the world quickly implemented the same kind of warfare. The invention
of the compass was initially developed as a way of fortune telling. The Chinese also felt that by
aligning homes with the cardinal points of the compass it would bring forth religious and good luck,
which fed into the common superstition of that time. By the late 13th Century, the Chinese were
using compasses to navigate the seas around the world. It became a crucial navigational aid and
helped increased trade among Mediterranean and Northern Europe. Porcelain, the spinning wheel,
the mechanical clock, and the seismograph remain noteworthy inventions as well. Porcelain was
developed from the firing of pottery. The invention of porcelain enabled the Chinese to create many
different kinds of decorative motifs and ceramic wares. They became highly exported items in
oversea markets. Another highly exported good was silk. There was always a high demand for silk
fabric. This led to the invention of the spinning wheel. The spinning wheel was a circular machine
that would wind fibers of silk into thread. Fibers within the silk would be stretched and aligned by a
wheel on the machine that was spun by a drive belt. The invention was later introduced to Europe by
the Italians. The mechanical clock was invented by the Buddhist monk Yi Xing

How Did Kasushika Hokusai Influence Japanese Culture
Japanese artist Katsushika Hokusai helped expose the Western world to Japanese customs and
beliefs. His crucial impact on culture and art can be attributed to his notable and familiar depictions
of Japan's geography, architecture, and people that surrounded him. Hokusai's unique blend of
traditional Japanese methods and Western mediums made his work a source of inspiration for many
European artists during the Impressionism era such as Van Gogh, Monet, and Degas. Katsushika
Hokusai, best known for his print of a large wave gracefully swallowing a fishing boat called "The
Great Wave Off Kanagawa", is arguably one of the most influential artists of the 19th century. His
work can be viewed in prestigious museums like The Metropolitan Museum of ... Show more
However, throughout the 19th century, the influence of artists like Hokusai, Utamaro, and Hiroshige
helped transform the former taboo into an appreciation for this cornerstone of Japanese culture.
While ukiyo–e was a strength of Hokusai's, it wasn't the only style of art he was trained in. While
studying under Shunsho, he also attended lessons from Yusen, an artist from the Kano school who
taught him about Western style art and the use of perspective. These experiences shaped Hokusai
into an exceptional artist and woodworker, but probably would not have been possible if he had
been born in another country, showing the significant impact relative location can have. Relative
location, defined as "a point or place in relation to another point or place", played a significant role
in Hokusai's career throughout his life. For example, because of the large distance between where
Japan is located relative to where Europe is located, it was hard for Hokusai to share his artistic
ideas outside of his home country. In addition to the issue of physical distance, during the early
1800's Japan was under a foreign policy called sakoku, which allowed no foreigner or Japanese
person to enter or leave the country on penalty of death. This

Essay Meiji Period
Meiji Period 1868–1912
Meiji Period, also known as Meiji restoration, was a turning point for Japan as it created equality
amongst all Japanese people. The new Japanese government (after the failure of the Tokugawa
government) successfully broke down the boundaries between the social classes, established human
rights such as the religious freedom, and took all the land that belonged to the former feudal lords
(daimyo) and returned it to the government. With an effort to expand to acquire Western skills in all
fields of technology, legislation and science, Japan sought all aspects of western culture and
education. While receiving the skills and knowledge, Japan also received its first European style
constitution in 1889.
In order to carry ... Show more content on Helpwriting.net ...
Art movements were brought into Japan and modified according to the cultural preferences. Prior to
the Meiji era, Japanese paintings called Ukiyo–e were made by the techniques of woodblock
printing, which mainly involved the development of the artists in designing, engraving, and printing
their own works. Woodblock paintings were the earliest attempt to create commercial graphics to the
mass audience. Katsushinka Hokusai's work, 'Kisoji no oku Amida ga taki' (1832), is featured here
as a sample of the Ukiyo–e painting.
With the western influences, Shin–hanga and Sosaku–hanga were developed as the new art
movements that combined the traditional Japanese skills with the new Western style. Shin–hanga
concentrated on the lighting of traditional subjects like beautiful women, actors, and landscapes,
very much inspired by the European Impressionism. Sosaku–hanga, also known as creative art,
adopted the Western style of freedom and creativity, allowing them to craft work that is similar to
abstract art. Shin–hanga and Sosaku–hanga artists also successfully transformed a cheap commercial
woodblock printing product to an expensive product of art enthusiasts overseas.
As for drama and literature, San'Yutei Encho was a comic oral storyteller in the Meiji era. Standard
literary language was of fundamental importance and was "put into practice with linguistic

Art Research Report: The Great Wave Off Kanagawa
Art Research Report All over the world, "The Great Wave off Kanagawa" is one of the best–
recognized pieces of art from Japan, created during the Edo period. Though it's commonly mistaken
for a painting, it is a simple woodblock printing illustrated by Katsushika Hokusai. This iconic
image is just one of thirty–six prints from his book, "36 Views of Mount Fuji". (Metropolitan
Museum of Art) Katsushika Hokusai was born in Tokyo, Japan in the fall of 1760 but was adopted
into a prestigious, working family. At the age of five, he began to gain interest in art and drawing but
it wasn't until his teen years when he began to take classes and became an apprentice. (Khan
Academy) His mentor helped him develop his skills in which he improved more ... Show more
The simple woodblock printing is just one out of 36 printings in his collection, "36 Views of Mount
Fuji". Through tourism and the strong beliefs of Buddhists in Japanese culture, this work of art has
spread from generation to generation to this day as it is almost 200 years old. Katsushika Hokusai
painted for 60 years before creating the wave which explains such artistry and passion as shown in
his printings. Just reading about his work makes me want to pick up a paintbrush or learn how to
woodblock print just to learn how to make such beautiful pieces of art like he did. Based off of its
influence on Japan and its spread throughout the world,"The Great Wave off Kanagawa" is the most
iconic piece of art from

Analysis Of The Great Wave Off Kanagawa
The Great Wave off Kanagawa; the Wave that Swept the Western World
Almost instantaneously recognizable, The Great Wave off Kanagawa (woodblock, 10 1/8 x 14 15/16
in, c. 1830–32), created by Japanese artist Katsushika Hokusai in 1830, beautifully captures the
graceful, swelling movement of a crashing tsunami. Because of the way in which line and
proportion are utilized, this woodblock print gracefully portrays the sheer power of the ocean.
Derived from the Edo period in nineteenth century Japan, this classic was the first of a series of
works from Hokusai titled Thirty–six views of Mount Fuji, all of which effortlessly depict the
mountain in a wide array of angles and scenery. Arguably, The Great Wave off Kanagawa is the
most iconic and cherished piece of Japanese artwork in the world. Even more importantly, Hokusai
is considered a prominent father figure for both Japanese art, as well as Western modernization as a
whole. The Great Wave truly displays how tiny and weak man is compared to the force of nature.
Not only is The Great Wave a quintessential piece of art, but it established a piece in the
comprehensive networks of art, trade, and politics, that has instilled a tremendous positive impact in
the Western world. Created solely from the vivid imagination of Hokusai, the primary compositional
focus of this simple, but deceptively dynamic print, is the massive deep blue and white wave located
in the left foreground of the work. Its detailed, curling white caps make it

Ukiyo-E Influence
For over 250 years, Japan was under strict military dictatorship. However, between the 1670s
through 1865 was the Tokugawa period or also known as the Edo period, where Japan found internal
peace and economic growth (The Editors of Encyclopædia Britannica). Not only has Japan found
stability in the Edo period, creativity flourished from the lower class of artisans and merchants
through ukiyo–e printmaking. The term, ukiyo–e, is a combination of uki (floating), yo (world), and
e (pictures) that originated as a Buddhist term to express impermanence of human life. Ukiyo–e was
experimented and developed to become a popular art form that displayed familiar subjects, and
illustrations that circulated in books. This paper examines the influence of ... Show more content on
Helpwriting.net ...
During earlier developments, subject matter focused on human figures that were engaged in delights
of the city life. Artists took interest in enjoyable activities in landscape settings, paying particular
attention to contemporary affairs and fashions. Outdoor environments shifted to indoor activities,
where alluring scenes and portraits were printed of famous courtesans, displaying actresses, and
prostitutes that were accessible to mass audience in form of inexpensive woodblock print
(Department of Asian Art). However, breaking away from popular trends, Katsushika Hokusai
discovered western prints from Dutch trading, where he acquired some of their influences in his own
works; low horizon line, linear perspective, and a distinctive European color, Prussian blue. Through
these main elements, Hokusai presents a striking view of creativity and lifespan development. One
of his most famous works in the art world and is most iconic that represents Japanese art, Under the
Wave off Kanagawa (figure_). Another popular print, Thirty size view of Mount Fuji, a polychrome
woodblock print that is arranged in a composition to frame Mount Fuji. It is made of ink, color on
paper where the images in series features various representations of a mountain (Harris). As shown
from fig. 1 and fig. 2, Hokasia moved away from tradition of making images of customary subjects,

Woodblock Printing During The Tokugawa Period
During the Tokugawa or Edo period, the arts flourished, especially a certain art style called
woodblock prints. Woodblock printing originated in China as a method to mass–produce texts.
When the technology migrated to Japan, they used it to produce copies of the same picture quickly.
The process involved laying the same print over different woodblocks to add layers to the image and
create a complete picture. This process was time consuming and took a lot of skill to master since
you had to lay the paper precisely every time. Because of this, the prints were usually expensive and
mainly owned by royalty and the upper class. The prints usually depicted the everyday life of both
commoners and nobility. The woodblock prints of the Tokugawa period ... Show more content on
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This print is an image of female touts, someone who solicits businesses, dragging travellers into
their teahouse. In the image we can see a traveler already sitting just outside the teahouse and a
woman cleaning his feet. From this we can interpret that the people were very clean and sanitary
because she is ridding his feet of grime before entering the tea house, or that they were religious. In
Shintoism, one of the main beliefs is in a form of ritual purification stating that you should wash
yourself to prevent bad spirits from entering somewhere, in this case, the teahouse. The other thing
we can analyze from this print is that despite the fact that it was a male dominated society, the
women did have quite a bit of power. In the previous paragraph, we could see that men were the
dominant sex, but in some cases, women did have power over men and that they had some power in
general, especially compared to other cultures at the time. In the print, we can see women literally
dragging travelers into their teahouse, which shows they did had some dominance and power over a
man. We can also see this because the teahouse seems to be run and owned by only women, which
tells us that women had enough power and rights to run their own business without a man telling
them what to do and how to run

Art And Art In The Renaissance
Art, drama, and music have always been shaping forces in society as they explore a variety of issues
unique to the society of the time. From the seventeenth through nineteenth centuries, the fine arts
shaped urban life in Venice, Italy and Edo, Japan. The art and music created represented the artists,
the citizens and also depicted the attitudes and interests of society at the time. Furthermore, it
impacted the city life, in economic, social and political ways. Exploring and comparing fine art
between these two cities will provide a glimpse into these societies.
Venice in the late Renaissance period was one of the most peaceful and tolerant societies within
Europe. The city itself was not known for its political fervour, but for their thriving fine arts. The
uniqueness of the city coupled with the history of family guilds allowed for fine arts, such as music
and painting to become incredibly popular, to locals and tourists alike. The impact that art,
specifically painting, had on city life is seen through the popularity of Venetian painters throughout
the seventeenth and eighteenth centuries. Venice achieved much of its economic success due to
popular painters such as Sebastiano Ricci and Giovanni Battista Tiepolo. These men had their work
become exceedingly popular abroad which attracted visitors to the city to view their work and others
of the time. Tourists frequently visited the city due to the variety of entertainment available. Along
with painting, Venetian music was

Light Rain At Shono Essay
Utagawa Hiroshige. Shono hakuu (Light Rain at Shono), number 46. 1832–1833. This piece of
artwork is known as a woodblock printing, the style of this is both representational and realistic. It is
representational and realistic since it displays Shono during a rainy day while it also displays the
people hiding underneath their umbrellas or straw hats from the shower of rain passing through. The
materials that were used by Utagawa to create this printing were woodblocks, ink, and color on
paper. When Utagawa created this piece of work he had to be careful and precise with the details on
the wood blocks. Woodblocks were especially difficult when made with different types of colors.
When making colored woodblock printings you were required to use one wood block for each
desired color, you would also be required to have accurate precision printing and intricate carving
skills. This type of artwork is considered 3D, it was made of woodblocks and it could have been
touched or seen physically. This style of artwork flourished immensely in Japan during the 17th–
19th century, it was especially sought by the middle class in Edo which is now known as Tokyo.
These woodblock prints were also very ... Show more content on Helpwriting.net ...
It is expressing a story about various stops on the road of Edo to Kyoto. In this specific piece it is
expressing people on the road of Edo being caught up in a rainstorm. They're quick to go under the
umbrellas or to cover themselves with their straw hats as well as straw mats. It also shows that they
are close to a village nearby and are most likely to find shelter from the rain there as well. The
subject and the content do not differ much in my opinion they are very much alike. Both the content
and subject are heavily being based on the shower that is happening on the road to Edo. It depicts
the people that are hurrying away to find shelter from the

The Importance Of Japanese Culture
Japans society is a culture that is highly resistant to change; a society that places a high value on
each member's conformity within highly structured layers of Japanese society. Japan is an island
nation, consisting of the four large islands of Hokkaido, Honshu, Shikoku and Kyushu. Together
they are approximately the size of Germany or the State of California, and it has a population of
approximately 126 million people Japan has a large population in relation to its land mass and as a
consequence most Japanese people live crowded together in an urban corridor squeezed along the
eastern edge of the Japanese islands. A result of this crowding is that Japanese place a high value on
public harmony and the avoidance of any conflict, especially in public. Japanese norms require
people to be willing to apologize and humble themselves, so much so that even after a minor auto
accident each driver will jump out of their vehicle and bow to each other and apologize, instead of
risking a very public confrontation. Frequently, Japanese will also employ the use of a go–between
to negotiate a possible marriage. In this way, an individual can turn down a bride or groom without
rejecting them to their face, thereby avoiding open disagreement or embarrassment of an individual.
The Japanese culture is one that is rich within an historical and traditional context. Many of the
traditional practices established hundreds of years ago can be seen today in modern Japan and are a
direct reflection

Comparing Katushika Hokusai And Emil Nolde's The Great Wave
Both Katushika Hokusai and Emil Nolde were excellent artists; however their techniques, subject
matter, and final appearance are drastically different. In regards to technique Hokusai used the
woodblock printing method, although Emil Nolde used a similar method for his rendition of
"Prophet", it was not cleanly portrayed like "The Great Wave". Pertaining to subject matter,
Hokusai's "The Great Wave" revolves around the seascape of japan and expresses the power of the
ocean. Nolde on the other hand had a religious feel to his piece the "Prophet" with a great sense of
despair. The outcome of their respective techniques was vastly different. Katushika Hokusai used
the woodblock print method to create one of his most famous pieces "The Great

What Was The Most Important Invention Of The Tang Dynasty
The Tang dynasty was by far the best dynasty. It was the best dynasty for many reasons. Some
include, their inventions and accomplishments, expansion and trade, government, daily life, and last
but not least religion. For these reasons, the Tang dynasty was the best Chinese dynasty.
Inventions and Accomplishments: First, one of their inventions is woodblock printing. Woodblock
printing was very important because it was the start of printing worldwide. Woodblock printing was
their most important invention, it was their most important invention because it opened the door for
even further progress. A way this helps further progress is it helped print more books so people got
an even better education. It helped print a mass amount of books for people to study for knowledge
and read for entertainment. The spread of books also helped spread knowledge throughout the
dynasty and even further. Another invention is gunpowder. Although gunpowder was altered
throughout the years, gunpowder was first thought of and started to be created in the Tang Dynasty.
Gunpowder was used for weapons and war, it was used for fireworks, mining, and religious
practices. Gunpowder was used for religious purposes because when it was used for fireworks, it
was believed to scare away any evil spirits. Some other important inventions that the Tang Dynasty
made were porcelain, advancements in map–making, Gas cylinders to store natural gases, Medical
advancements, and last but not least advancements

Ukiyo-e's Influence on Japanese and Western Culture

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