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Great Big
House
In New Orleans
© Amy Crabbs, 2014
The purchaser of this file is
permitted to use any or all slides
in their classroom.
You may NOT edit, copy,
redistribute, or sell any of the
material in this file
Terms of Use
© Amy Crabbs, 2014
About this File
© Amy Crabbs, 2014
While there are many different styles and sequencing for teaching,
this file was created with the following sequence in mind:
1. Review steady beat/active listening
2. Identify rhythm and perform with body percussion
3. Identify contour of melody (use body contour as described on
slide 21)
4. Identify and sing solfege
5. Identify and perform spoken ostinato with body percussion
6. Add boomwhackers to create a 3-note chord harmony using the
spoken ostinato
7. Audiate ostinato while performing harmony
There are additional suggestions for activities at the end of this file.
Great Big House in New Orleans,
Forty stories high!
Every room that I’ve been in
Filled with pumpkin pie!
Great big house in New Or - leans
Forty stories high________
Every room that I’ve been in
Filled with pumpkin pie_________
Great big house in New Or - leans
Forty stories high________
Every room that I’ve been in
Filled with pumpkin pie_________
s s s
s s
s s
s s
s
f
f
a
a
Melody
Melody
Melody
Melody
Melody
Melody
Melody
Melody
House House Great big house!
Ostinato
q qb qn
Harmony
q qb qn
House House Great big house!
Harmony
q qb qn
House House Great big house!
Harmony
q qb qn
House House Great big house!
Harmony
q qb qn
Additional Verses
2. Went down to the old mill stream
To fetch a pail of water,
Put one arm around my wife,
The other round my daughter.
3. Fare thee well my darling girl,
Fare thee well my daughter,
Fare thee well my darling girl
With the golden slippers on her.
Additional Activities
Contour: Students use their bodies to show the
shape of the phrases.
For example, the use the following for body
placement:
La – hands in air
Sol – head
Mi – shoulders
Re – hips
Do - knees
Additional Activities
Form: Students evaluate the solfege/contour of
the song to identify the form of the phrases.
Identify the phrases with the teacher first, then
“quiz” the students by either showing a slide or
singing one of the phrases on “la” or “loo.”
Create: Students create their own ostinato using
words from the song. They can then transfer the
ostinato to pitched or unpitched instruments.
Credits
Additional Graphics by: The Clipart Factory
www.teacherspayteachers.com/Store/The-
Clipart-Factory

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Great Big House in New Orleans

  • 1. Great Big House In New Orleans © Amy Crabbs, 2014
  • 2. The purchaser of this file is permitted to use any or all slides in their classroom. You may NOT edit, copy, redistribute, or sell any of the material in this file Terms of Use © Amy Crabbs, 2014
  • 3. About this File © Amy Crabbs, 2014 While there are many different styles and sequencing for teaching, this file was created with the following sequence in mind: 1. Review steady beat/active listening 2. Identify rhythm and perform with body percussion 3. Identify contour of melody (use body contour as described on slide 21) 4. Identify and sing solfege 5. Identify and perform spoken ostinato with body percussion 6. Add boomwhackers to create a 3-note chord harmony using the spoken ostinato 7. Audiate ostinato while performing harmony There are additional suggestions for activities at the end of this file.
  • 4. Great Big House in New Orleans, Forty stories high! Every room that I’ve been in Filled with pumpkin pie!
  • 5. Great big house in New Or - leans Forty stories high________ Every room that I’ve been in Filled with pumpkin pie_________
  • 6. Great big house in New Or - leans Forty stories high________ Every room that I’ve been in Filled with pumpkin pie_________ s s s s s s s s s s f f a a
  • 15. House House Great big house! Ostinato q qb qn
  • 16. Harmony q qb qn House House Great big house!
  • 17. Harmony q qb qn House House Great big house!
  • 18. Harmony q qb qn House House Great big house!
  • 20. Additional Verses 2. Went down to the old mill stream To fetch a pail of water, Put one arm around my wife, The other round my daughter. 3. Fare thee well my darling girl, Fare thee well my daughter, Fare thee well my darling girl With the golden slippers on her.
  • 21. Additional Activities Contour: Students use their bodies to show the shape of the phrases. For example, the use the following for body placement: La – hands in air Sol – head Mi – shoulders Re – hips Do - knees
  • 22. Additional Activities Form: Students evaluate the solfege/contour of the song to identify the form of the phrases. Identify the phrases with the teacher first, then “quiz” the students by either showing a slide or singing one of the phrases on “la” or “loo.” Create: Students create their own ostinato using words from the song. They can then transfer the ostinato to pitched or unpitched instruments.
  • 23. Credits Additional Graphics by: The Clipart Factory www.teacherspayteachers.com/Store/The- Clipart-Factory