Gr. 9 Clay - Grotesque Art
•Download as ODP, PDF•
1 like•2,254 views
The document provides instructions and information for working with clay, including rules for the clay studio, descriptions of tools and materials, explanations of important clay processes, and guidance for projects involving pinch pots, grotesque sculptures, and glazing techniques. Students are asked to make a pinch pot decorated with a repeated motif, a grotesque goblet or sculpture using reductive building, and an artist's statement about the grotesque project. Glazing instructions emphasize applying an even coat and avoiding getting glaze on the bottom of pieces.
Report
Share
Report
Share
Recommended
Gr 10 clay and Figure Drawing
The document provides instructions for working with clay in a studio, including important safety rules, tools used, clay stages, processes like wedging and scoring, techniques for clay vessels and figurative sculpture, glazing methods, and guidelines for an artist statement. Key points are that clay and glazes contain silica so dust must be avoided, clay must stay moist while working and tools/hands cleaned to prevent drain clogs, and firing is needed to make clay and glaze permanent.
Gr 10 Figurative Clay Sculpture
This document provides instructions for working with clay, including important safety rules and cleaning procedures. It outlines the various tools used for sculpting with clay, such as modeling tools, ribs, and pin tools. It describes the different stages of working with clay from greenware to bisque ware to glaze ware. The document instructs students on processes like wedging, scoring, and welding clay together. It provides guidance on maintaining even thickness and drying clay evenly. Finally, it outlines assignments for making a clay vessel and figurative sculpture, including adding texture and glazing the finished pieces.
techniques of pottery
The document discusses different types of ceramics decoration techniques. It defines under glazed and unglazed ceramics, as well as distinguishing between engraving and carved relief. Under glazed ceramics involve painting on unfired clay before glazing, while unglazed ceramics are not coated with glaze. Engraving involves carving or etching into material, while carved relief involves cutting material to form figures or designs in relief.
Glazing powerpoint
Glazing involves painting a thin layer of glass and minerals onto ceramic pieces. Underglaze can be applied all over while glaze cannot be applied to the bottom. Glazes have been used since ancient Egypt and were originally made from powdered glass and minerals. Ceramic pieces undergo bisque firing to strengthen them before glazing, which involves a second firing to fuse the glaze. It is important to take safety precautions like protective clothing and cleaning up spills when glazing ceramic pieces.
Printmaking
This document provides information about printmaking including its purpose of making multiple copies of an original image. It describes various printmaking processes such as silkscreen, lithography, intaglio/etching, monotype, relief, and reduction printing. Tools used in printmaking such as brayers, carving tools, ink plates, and blocks are also outlined. The document concludes with background on how Jennifer Schmitt created the Periodic Table of Printmaking project to combine art and science.
Year 7 Identity
This document provides instructions for a year 7 identity project involving creating self-portraits using various mediums including clay, graphite, chalk pastels and ceramics. It outlines a multi-step process for creating a ceramic self-portrait tile including preparing clay, creating slabs, imprinting objects, sculpting a face and painting the finished piece. The document also provides guidance on developing drawing skills through exploring line, tone, proportion and features of the face. Key vocabulary related to working with clay and drawing techniques are defined throughout.
KCC Art 141 Chapter 8 Art Production
The document provides an overview of various drawing, painting, printmaking, and clay techniques. It discusses the purposes of drawing including preparation for larger works and completed drawings. It describes different shading techniques like hatching and stippling. It explains contour, blind contour, and gesture drawings. For painting, it outlines the components of paint and different painting mediums like tempera, oil, acrylic, and watercolor. It provides details on egg tempera, oil painting, acrylic, and watercolor techniques. It also discusses clay terms, clay figures, and different clay techniques including glazing, kilns, and firing. Finally, it summarizes basic printmaking methods like relief, intaglio, lithography, and
Printmaking techniques
This document provides an overview of different printmaking techniques including relief printing techniques like woodcut and linocut, intaglio techniques like etching and drypoint, stencil techniques like silkscreen, and planographic techniques like lithography. It describes the basic processes for each technique such as how the image is created on the plate or surface and how it is then printed to create multiples.
Recommended
Gr 10 clay and Figure Drawing
The document provides instructions for working with clay in a studio, including important safety rules, tools used, clay stages, processes like wedging and scoring, techniques for clay vessels and figurative sculpture, glazing methods, and guidelines for an artist statement. Key points are that clay and glazes contain silica so dust must be avoided, clay must stay moist while working and tools/hands cleaned to prevent drain clogs, and firing is needed to make clay and glaze permanent.
Gr 10 Figurative Clay Sculpture
This document provides instructions for working with clay, including important safety rules and cleaning procedures. It outlines the various tools used for sculpting with clay, such as modeling tools, ribs, and pin tools. It describes the different stages of working with clay from greenware to bisque ware to glaze ware. The document instructs students on processes like wedging, scoring, and welding clay together. It provides guidance on maintaining even thickness and drying clay evenly. Finally, it outlines assignments for making a clay vessel and figurative sculpture, including adding texture and glazing the finished pieces.
techniques of pottery
The document discusses different types of ceramics decoration techniques. It defines under glazed and unglazed ceramics, as well as distinguishing between engraving and carved relief. Under glazed ceramics involve painting on unfired clay before glazing, while unglazed ceramics are not coated with glaze. Engraving involves carving or etching into material, while carved relief involves cutting material to form figures or designs in relief.
Glazing powerpoint
Glazing involves painting a thin layer of glass and minerals onto ceramic pieces. Underglaze can be applied all over while glaze cannot be applied to the bottom. Glazes have been used since ancient Egypt and were originally made from powdered glass and minerals. Ceramic pieces undergo bisque firing to strengthen them before glazing, which involves a second firing to fuse the glaze. It is important to take safety precautions like protective clothing and cleaning up spills when glazing ceramic pieces.
Printmaking
This document provides information about printmaking including its purpose of making multiple copies of an original image. It describes various printmaking processes such as silkscreen, lithography, intaglio/etching, monotype, relief, and reduction printing. Tools used in printmaking such as brayers, carving tools, ink plates, and blocks are also outlined. The document concludes with background on how Jennifer Schmitt created the Periodic Table of Printmaking project to combine art and science.
Year 7 Identity
This document provides instructions for a year 7 identity project involving creating self-portraits using various mediums including clay, graphite, chalk pastels and ceramics. It outlines a multi-step process for creating a ceramic self-portrait tile including preparing clay, creating slabs, imprinting objects, sculpting a face and painting the finished piece. The document also provides guidance on developing drawing skills through exploring line, tone, proportion and features of the face. Key vocabulary related to working with clay and drawing techniques are defined throughout.
KCC Art 141 Chapter 8 Art Production
The document provides an overview of various drawing, painting, printmaking, and clay techniques. It discusses the purposes of drawing including preparation for larger works and completed drawings. It describes different shading techniques like hatching and stippling. It explains contour, blind contour, and gesture drawings. For painting, it outlines the components of paint and different painting mediums like tempera, oil, acrylic, and watercolor. It provides details on egg tempera, oil painting, acrylic, and watercolor techniques. It also discusses clay terms, clay figures, and different clay techniques including glazing, kilns, and firing. Finally, it summarizes basic printmaking methods like relief, intaglio, lithography, and
Printmaking techniques
This document provides an overview of different printmaking techniques including relief printing techniques like woodcut and linocut, intaglio techniques like etching and drypoint, stencil techniques like silkscreen, and planographic techniques like lithography. It describes the basic processes for each technique such as how the image is created on the plate or surface and how it is then printed to create multiples.
12 intaglio-vocab
This document discusses intaglio printing techniques where ink is pushed into depressions etched into a metal printing plate. Specifically, it describes etching as a technique where a design is scratched through a resist on a metal plate which is then exposed to acid to deepen the lines. The document also mentions that a resist is any material used to coat the metal plate to protect it from acid exposure during the etching process.
What is printmaking
This document discusses different printmaking techniques. It defines printmaking as producing images by applying ink to paper or other material using plates or blocks. The four major printmaking processes are relief, intaglio, planographic, and stencil. Relief printing is described as applying ink to the original surface of the matrix, with examples including woodcut, wood engraving, and linocut. Intaglio is applying ink beneath the matrix surface, using techniques like engraving and etching. Planographic involves a specially prepared surface to transfer the image, such as in lithography. Stencil uses a prepared screen to press ink or paint through.
Intaglio
Intaglio is a printmaking technique where the image is incised into a plate using etching, engraving or drypoint. The plate is inked so the incised lines hold ink, then a print is made by pressing dampened paper into the inked grooves. This produces a print with tonal qualities where the inked lines are slightly raised. Common plates include copper, zinc and steel. Techniques include engraving lines, etching with acid, drypoint's fuzzy scratched lines, aquatint's tonal areas and mezzotint's rocked surface darkened then lightened with scrapers.
Printmaking
Printmaking allows artwork to be more accessible to the public by creating multiple print copies of an original work. There are four main printmaking categories: relief, intaglio, lithography, and serigraphy. Relief printing involves carving the matrix surface to create raised areas that will transfer ink. Intaglio inks are pressed into incised lines on metal plates. Lithography uses a greasy drawing on a stone slab that is treated with acid and inked selectively. Serigraphy uses stencils on a mesh screen to apply paint or ink in a pattern. These various printmaking methods have allowed artwork to be shared more broadly.
Printmaking
Printmaking techniques can be divided into four basic categories: relief, intaglio, planographic, and stencil. Relief printing involves a raised surface and includes woodcut and linoleum cut. Intaglio is the opposite, using a recessed surface created by cutting into metal plates with tools. Planographic printing involves a flat surface and includes lithography. Stencil printing uses a screen with a cut design to push ink onto paper. Contemporary artists combine traditional and digital techniques in new ways.
KCC Art 211 Ch 8 Printmaking Ch 9 Camera Ch 10 graphic design
The document discusses various printmaking techniques including relief, intaglio, lithography, and screen printing. It provides a brief history of printmaking and describes techniques such as woodcut, etching, aquatint, linocut, and monoprints. It also discusses the differences between a fine art print and a reproduction.
Roshni printmaking presentation roshni
Printmaking is an art form that uses plates or blocks to create replicas of a design. The earliest known prints originated in China during the Tang Dynasty and were done with ink on carved wooden blocks. There are several main printmaking techniques, including relief printing where the design is carved into a block, intaglio where the design is carved into a plate, lithography where the image is drawn on stone, and screen-printing where ink is pushed through a stretched screen. Each technique has been used throughout history for applications such as textiles, posters, books, and more. Famous printmaking artists have worked in various techniques, such as Pablo Picasso in intaglio and Andy Warhol in screen-printing.
Print making report
Printmaking is the process of making multiple artworks through various techniques involving transferring ink from a matrix or screen onto paper or other material. The main printmaking techniques discussed include intaglio methods like engraving, etching, mezzotint and aquatint where ink is pressed into lines or tones on a plate before printing; lithography which uses the repulsion of oil and water to create images on stone or metal plates; and screenprinting which forces ink through a fabric stencil using a squeegee. Artists over centuries have experimented with these techniques to produce artistic prints.
Lecture #3 The Technologies of Art Production
This document provides an overview of various artistic media and techniques used in art production throughout history, organized by category. It discusses drawing media such as charcoal and techniques like cave drawing. For painting, it outlines tempera, fresco, oil, acrylic, and encaustic. Printmaking techniques covered include relief, intaglio, lithography, silkscreen, and inkjet printing. Additional media summarized are photography, ceramics, sculpture, and new media like video art, sound art, performance, virtual reality, and installation art. The document serves as an introduction to the diverse range of technologies employed in creating visual artworks.
Printmaking (History and Types)
Printmaking is a technique that uses inked blocks or plates to print images multiple times. It originated in China around 100 AD as a woodcut printing method for books. There are five major types of printmaking: woodcut, engraving, relief, intaglio, and stencil printing, each with different carving or etching methods. Famous printmakers through history include Albrecht Dürer in the 1500s, Andy Warhol in the 1960s, and Katsushika Hokusai in the 1800s. Linoleum cuts are a type of relief print where the artist carves out lines to create the print from the incised areas.
Art Appreciation: Intro to Printmaking
Covers a variety of relief and intaglio printmaking processes, with examples of student work and pieces by Adam Palmer, Josh Banks, Christopher Wallace (UNT grads), and more well-known printmakers. Relief and intaglio processes such as linocut, woodcut relief, lithography, and screenprinting are introduced.
Printmaking
Printmaking is an indirect means of creating art by transferring an image or design by contact with a matrix such as a block, plate, stone, or screen.
Printmaking History
The document summarizes different types of printmaking that have evolved since the 800s, including relief, monoprinting, collagraphy, screenprinting, lithography, and intaglio printmaking. It provides brief descriptions and examples of each type of printmaking process. Key printmaking tools are also listed, such as bench hooks, carving tools, brayers, ink, gelli plates, and linoleum printing plates.
Year 7: Identity
This document outlines a multi-step art project focused on identity and self-portraits. Students will explore different mediums including graphite, chalk pastels, clay, and ceramics. They will create self-portrait tiles by developing clay skills like slab building and imprinting, then glazing and firing their finished pieces. The project encourages self-reflection and symbolism to express ideas about identity through art.
Printmaking
This document provides an overview of different printmaking techniques, including intaglio printing which involves etching or scratching into metal plates, lithography which uses wax crayon on stone, screen printing where a mesh screen is used to apply ink in a stencil-like fashion, and relief printing by carving into blocks of wood or other materials. It explains that prints are produced in limited editions, with only a set number of each print made, and discusses prominent artists who have used these various printmaking methods.
Intro to printmaking
Printmaking is a form of art that involves transferring ink from a matrix, such as linoleum, to paper to create multiple copies of the same artwork. The document discusses the history and types of printmaking, including relief printing which uses linocuts. It provides instructions for creating a linocut print, including sketching a design, transferring it to linoleum, carving away areas to create the design, inking the linoleum, and printing the design onto paper. Creating prints with multiple colors requires cleaning and re-carving the linoleum between applying each color.
Printmaking presentation FA28
This document provides an overview of printmaking in the Philippines, including a brief history and description of techniques. It discusses the origins and development of the art form from the 15th century until the 19th century, highlighting important engravers, books, and magazines produced. The core printmaking techniques of relief, intaglio, and planographic printing are defined and examples like woodcut, etching, lithography, and serigraphy are described. Semiotic interpretations regarding the use of printmaking in advancing art, faith, and politics in Philippine history are also presented.
Printmaking
This document provides an overview of basic printmaking techniques, including relief printing, intaglio, etching, lithography, and serigraphy (screen printing). Relief printing involves carving away areas of a matrix to leave protruding surfaces that will receive ink. Intaglio is the opposite, where an image is incised into a surface like copper or zinc holding the ink. Etching is a type of intaglio where a waxy ground is drawn through and then acid etched. Lithography uses the chemical repulsion of oil and water, drawing an image with grease onto a limestone surface. Serigraphy uses a stretched fabric screen and squeegee to push ink through a stencil.
Task 2a danielle
Woodblock printing was the first major printing technique, originating in China before 220 AD. It involved carving characters or images in relief on wooden blocks to create prints. Movable type was later invented in China around 1040 AD, allowing for quicker page setting than woodblock printing. The printing press was invented around 1440 and was a major breakthrough, allowing for widespread printing of texts. Various intaglio printmaking techniques like etching, mezzotint and aquatint were developed, using acid or tools to cut into metal plates to create detailed prints. Lithography, invented in 1796, was based on the repulsion of oil and water and allowed for printing from stone or metal plates. Chromolithography,
Design Printmaking Terms Pics
Printmaking involves repeatedly transferring an original image from one prepared surface to another. Relief prints are created from the raised areas of a printing block after cutting away sections. Monoprints and monotypes produce unique prints from altered plates without permanent markings. Collagraphs use materials like paper or fabric glued to a printing surface. Key tools include brayers for applying ink, inking wells, burnishers for pressing paper to plates, and printing presses for consistent pressure. Proofs are trial prints and artist's proofs are reserved prints from the edition for the artist.
Unit 2 Clay & Artifacts
The document provides instructions for glazing clay projects. It notes that glaze makes clay food safe and must be fired to become permanent. It describes important glazing techniques like dipping, pouring, brushing, overlapping, masking, sgraffito, and mishima. Proper glaze application and cleaning of brushes and the clay bottom are emphasized.
How to make a clay slab house facade
The document provides instructions for making a clay slab house facade in 10 steps: 1) Cut paper patterns for the house and roof under 5x8 inches; 2) Place patterns on a clay slab and cut around them; 3) Score and attach the roof to the house with clay slip; 4) Flip it over and secure the back; 5) Fill in gaps; 6) Smooth the surface; 7) Cut windows, shutters, doors from extra clay; 8) Add texture to roof and shutters; 9) Add a hole to hang it; 10) Let it dry before bisque firing for strength. Additional details are provided on adding pieces, textures, storing works in progress, and vocabulary.
More Related Content
What's hot
12 intaglio-vocab
This document discusses intaglio printing techniques where ink is pushed into depressions etched into a metal printing plate. Specifically, it describes etching as a technique where a design is scratched through a resist on a metal plate which is then exposed to acid to deepen the lines. The document also mentions that a resist is any material used to coat the metal plate to protect it from acid exposure during the etching process.
What is printmaking
This document discusses different printmaking techniques. It defines printmaking as producing images by applying ink to paper or other material using plates or blocks. The four major printmaking processes are relief, intaglio, planographic, and stencil. Relief printing is described as applying ink to the original surface of the matrix, with examples including woodcut, wood engraving, and linocut. Intaglio is applying ink beneath the matrix surface, using techniques like engraving and etching. Planographic involves a specially prepared surface to transfer the image, such as in lithography. Stencil uses a prepared screen to press ink or paint through.
Intaglio
Intaglio is a printmaking technique where the image is incised into a plate using etching, engraving or drypoint. The plate is inked so the incised lines hold ink, then a print is made by pressing dampened paper into the inked grooves. This produces a print with tonal qualities where the inked lines are slightly raised. Common plates include copper, zinc and steel. Techniques include engraving lines, etching with acid, drypoint's fuzzy scratched lines, aquatint's tonal areas and mezzotint's rocked surface darkened then lightened with scrapers.
Printmaking
Printmaking allows artwork to be more accessible to the public by creating multiple print copies of an original work. There are four main printmaking categories: relief, intaglio, lithography, and serigraphy. Relief printing involves carving the matrix surface to create raised areas that will transfer ink. Intaglio inks are pressed into incised lines on metal plates. Lithography uses a greasy drawing on a stone slab that is treated with acid and inked selectively. Serigraphy uses stencils on a mesh screen to apply paint or ink in a pattern. These various printmaking methods have allowed artwork to be shared more broadly.
Printmaking
Printmaking techniques can be divided into four basic categories: relief, intaglio, planographic, and stencil. Relief printing involves a raised surface and includes woodcut and linoleum cut. Intaglio is the opposite, using a recessed surface created by cutting into metal plates with tools. Planographic printing involves a flat surface and includes lithography. Stencil printing uses a screen with a cut design to push ink onto paper. Contemporary artists combine traditional and digital techniques in new ways.
KCC Art 211 Ch 8 Printmaking Ch 9 Camera Ch 10 graphic design
The document discusses various printmaking techniques including relief, intaglio, lithography, and screen printing. It provides a brief history of printmaking and describes techniques such as woodcut, etching, aquatint, linocut, and monoprints. It also discusses the differences between a fine art print and a reproduction.
Roshni printmaking presentation roshni
Printmaking is an art form that uses plates or blocks to create replicas of a design. The earliest known prints originated in China during the Tang Dynasty and were done with ink on carved wooden blocks. There are several main printmaking techniques, including relief printing where the design is carved into a block, intaglio where the design is carved into a plate, lithography where the image is drawn on stone, and screen-printing where ink is pushed through a stretched screen. Each technique has been used throughout history for applications such as textiles, posters, books, and more. Famous printmaking artists have worked in various techniques, such as Pablo Picasso in intaglio and Andy Warhol in screen-printing.
Print making report
Printmaking is the process of making multiple artworks through various techniques involving transferring ink from a matrix or screen onto paper or other material. The main printmaking techniques discussed include intaglio methods like engraving, etching, mezzotint and aquatint where ink is pressed into lines or tones on a plate before printing; lithography which uses the repulsion of oil and water to create images on stone or metal plates; and screenprinting which forces ink through a fabric stencil using a squeegee. Artists over centuries have experimented with these techniques to produce artistic prints.
Lecture #3 The Technologies of Art Production
This document provides an overview of various artistic media and techniques used in art production throughout history, organized by category. It discusses drawing media such as charcoal and techniques like cave drawing. For painting, it outlines tempera, fresco, oil, acrylic, and encaustic. Printmaking techniques covered include relief, intaglio, lithography, silkscreen, and inkjet printing. Additional media summarized are photography, ceramics, sculpture, and new media like video art, sound art, performance, virtual reality, and installation art. The document serves as an introduction to the diverse range of technologies employed in creating visual artworks.
Printmaking (History and Types)
Printmaking is a technique that uses inked blocks or plates to print images multiple times. It originated in China around 100 AD as a woodcut printing method for books. There are five major types of printmaking: woodcut, engraving, relief, intaglio, and stencil printing, each with different carving or etching methods. Famous printmakers through history include Albrecht Dürer in the 1500s, Andy Warhol in the 1960s, and Katsushika Hokusai in the 1800s. Linoleum cuts are a type of relief print where the artist carves out lines to create the print from the incised areas.
Art Appreciation: Intro to Printmaking
Covers a variety of relief and intaglio printmaking processes, with examples of student work and pieces by Adam Palmer, Josh Banks, Christopher Wallace (UNT grads), and more well-known printmakers. Relief and intaglio processes such as linocut, woodcut relief, lithography, and screenprinting are introduced.
Printmaking
Printmaking is an indirect means of creating art by transferring an image or design by contact with a matrix such as a block, plate, stone, or screen.
Printmaking History
The document summarizes different types of printmaking that have evolved since the 800s, including relief, monoprinting, collagraphy, screenprinting, lithography, and intaglio printmaking. It provides brief descriptions and examples of each type of printmaking process. Key printmaking tools are also listed, such as bench hooks, carving tools, brayers, ink, gelli plates, and linoleum printing plates.
Year 7: Identity
This document outlines a multi-step art project focused on identity and self-portraits. Students will explore different mediums including graphite, chalk pastels, clay, and ceramics. They will create self-portrait tiles by developing clay skills like slab building and imprinting, then glazing and firing their finished pieces. The project encourages self-reflection and symbolism to express ideas about identity through art.
Printmaking
This document provides an overview of different printmaking techniques, including intaglio printing which involves etching or scratching into metal plates, lithography which uses wax crayon on stone, screen printing where a mesh screen is used to apply ink in a stencil-like fashion, and relief printing by carving into blocks of wood or other materials. It explains that prints are produced in limited editions, with only a set number of each print made, and discusses prominent artists who have used these various printmaking methods.
Intro to printmaking
Printmaking is a form of art that involves transferring ink from a matrix, such as linoleum, to paper to create multiple copies of the same artwork. The document discusses the history and types of printmaking, including relief printing which uses linocuts. It provides instructions for creating a linocut print, including sketching a design, transferring it to linoleum, carving away areas to create the design, inking the linoleum, and printing the design onto paper. Creating prints with multiple colors requires cleaning and re-carving the linoleum between applying each color.
Printmaking presentation FA28
This document provides an overview of printmaking in the Philippines, including a brief history and description of techniques. It discusses the origins and development of the art form from the 15th century until the 19th century, highlighting important engravers, books, and magazines produced. The core printmaking techniques of relief, intaglio, and planographic printing are defined and examples like woodcut, etching, lithography, and serigraphy are described. Semiotic interpretations regarding the use of printmaking in advancing art, faith, and politics in Philippine history are also presented.
Printmaking
This document provides an overview of basic printmaking techniques, including relief printing, intaglio, etching, lithography, and serigraphy (screen printing). Relief printing involves carving away areas of a matrix to leave protruding surfaces that will receive ink. Intaglio is the opposite, where an image is incised into a surface like copper or zinc holding the ink. Etching is a type of intaglio where a waxy ground is drawn through and then acid etched. Lithography uses the chemical repulsion of oil and water, drawing an image with grease onto a limestone surface. Serigraphy uses a stretched fabric screen and squeegee to push ink through a stencil.
Task 2a danielle
Woodblock printing was the first major printing technique, originating in China before 220 AD. It involved carving characters or images in relief on wooden blocks to create prints. Movable type was later invented in China around 1040 AD, allowing for quicker page setting than woodblock printing. The printing press was invented around 1440 and was a major breakthrough, allowing for widespread printing of texts. Various intaglio printmaking techniques like etching, mezzotint and aquatint were developed, using acid or tools to cut into metal plates to create detailed prints. Lithography, invented in 1796, was based on the repulsion of oil and water and allowed for printing from stone or metal plates. Chromolithography,
Design Printmaking Terms Pics
Printmaking involves repeatedly transferring an original image from one prepared surface to another. Relief prints are created from the raised areas of a printing block after cutting away sections. Monoprints and monotypes produce unique prints from altered plates without permanent markings. Collagraphs use materials like paper or fabric glued to a printing surface. Key tools include brayers for applying ink, inking wells, burnishers for pressing paper to plates, and printing presses for consistent pressure. Proofs are trial prints and artist's proofs are reserved prints from the edition for the artist.
What's hot (20)
KCC Art 211 Ch 8 Printmaking Ch 9 Camera Ch 10 graphic design
KCC Art 211 Ch 8 Printmaking Ch 9 Camera Ch 10 graphic design
Similar to Gr. 9 Clay - Grotesque Art
Unit 2 Clay & Artifacts
The document provides instructions for glazing clay projects. It notes that glaze makes clay food safe and must be fired to become permanent. It describes important glazing techniques like dipping, pouring, brushing, overlapping, masking, sgraffito, and mishima. Proper glaze application and cleaning of brushes and the clay bottom are emphasized.
How to make a clay slab house facade
The document provides instructions for making a clay slab house facade in 10 steps: 1) Cut paper patterns for the house and roof under 5x8 inches; 2) Place patterns on a clay slab and cut around them; 3) Score and attach the roof to the house with clay slip; 4) Flip it over and secure the back; 5) Fill in gaps; 6) Smooth the surface; 7) Cut windows, shutters, doors from extra clay; 8) Add texture to roof and shutters; 9) Add a hole to hang it; 10) Let it dry before bisque firing for strength. Additional details are provided on adding pieces, textures, storing works in progress, and vocabulary.
Ceramics terms
Ceramics involves shaping and firing clay. Key steps include kneading clay to remove air, "slipping" clay pieces by scoring and applying slip to attach them, and firing in stages from greenware to bisque. Clay moves from plastic to leather-hard to bone-dry. Building methods include slab, coil, and wheel throwing. Decoration happens through application, incising, impressing, rolling, and piercing at different clay stages. The project requires a 6x6 inch tile representing an artist or culture using various techniques and glaze finishes.
Year 8 canopic jar
This document provides instructions for a project where students will design and create a canopic jar inspired by ancient Egyptian art. Students will learn sculpting techniques like coil building and modeling to form the jar and attach an animal head. They will also learn decorative techniques like incising, engraving, and glazing to decorate the jar with Egyptian-inspired patterns. The goal is for students to understand ancient Egyptian beliefs about death and afterlife through hands-on creation of a canopic jar.
Clay
Clay is fine particles that form from weathered rocks and minerals. Ancient cultures discovered clay could be shaped and used to make pottery as early as 8,000 BCE in the Middle East. There are two main types of clay - primary kaolin clay found where it was originally formed, and secondary clay that has eroded and been carried elsewhere. To prepare clay, it is wedged to remove air, allowed to dry to the leather-hard stage, and then fired first in a bisque firing and finally glazed and fired again to produce finished pottery. Modern kilns use gas or electricity to fire clay to the appropriate temperature indicated by pyrometric cones on a cone chart.
6th gargoyle
This document provides objectives and instructions for students to design and sculpt clay gargoyles. The objectives are to understand gargoyles in architecture and art history, create a clay gargoyle using hand-building techniques that demonstrates skill and craftsmanship, and write an artist statement. The document describes gargoyles' origins as water spouts and their symbolic purpose of warding off evil. It instructs students to sketch designs and sculpt their gargoyles using pinch, slab, and coil methods, adding details like tongues and horns. The goals are for sculptures to be hollow inside and constructed in separate joined pieces.
Survival guide
This document provides instructions for basic clay joining techniques and tips for ensuring clay projects survive the firing process. The key joining steps are to apply slip (clay liquid) to the surfaces, score the surfaces with a fork, and firmly press and blend the clay together at the seam. To avoid explosions during firing, clay pieces should not be too thick, should avoid trapped air pockets, and must be completely dry before firing. Proper drying and storage methods are also outlined.
Working with Clay
This document provides information on working with clay, including its properties, texture, moisture content, handling, and safety precautions. It defines important terms related to the stages of clay such as leather hard, bone dry, bisque, and greenware. Scanning steps are also outlined to analyze the sensory, formal, expressive, and technical qualities of ceramic works.
KCC Art 211 Ch 12 Clay, Metal, Fiber, Wood
The document provides an overview of various clay techniques and processes used in ceramics including pinching, coiling, slab building, and throwing. It describes the three stages of working with clay: wet, leather hard, and bone dry. It also outlines the firing process from greenware to bisque to glazed pieces. Additional finishing methods like burnishing and underglazing are mentioned.
7th clay gargoyles
The document provides objectives and instructions for a student art project to design and sculpt clay gargoyles. The objectives are for students to understand gargoyles in architecture and art history, create a clay gargoyle using hand-building techniques that demonstrates craftsmanship, and write an artist statement. The document describes gargoyles' origins and symbolism, various clay sculpting methods, and steps for students to sketch designs and sculpt their gargoyles with details.
Fresco
This document provides information about frescoes and fantasy frescoes. It begins with definitions of frescoes and a brief history. It describes the materials used to create frescoes and the surfaces they can be applied to, including floors, walls and ceilings. The document provides step-by-step instructions for creating a fresco and discusses common subject matters like religion, plants, animals and fantasy themes from stories, myths and legends. It includes photos of fantasy frescoes depicting children's tales, myths and legends, as well as frescoes invented by artists and those painted on floors. In the end, it notes that the document was created as part of a Comenius project funded by the EU to teach students about mural painting techniques
How to
The document describes the lost-wax casting technique used by the Zhou Dynasty to make bronze artifacts. It provides a 9 step process for replicating the lost-wax casting method: 1) Create a wax model, 2) Make a two-part mold around the wax, 3) Coat the mold with molten wax, 4) Remove the wax coating from the mold, 5) Add sprues to the wax to allow airflow, 6) Coat the wax with ceramic shell material, 7) Melt the wax away in a kiln leaving a hollow ceramic shell, 8) Pour molten metal into the shell, 9) Break away the shell to reveal the finished metal casting.
Animal effigybowls
This document provides instructions for students to create ceramic effigy bowls depicting animals. It begins with an overview of effigy pots and then outlines the process of designing and creating an animal effigy bowl in clay. This includes sketching ideas, using pinch pot techniques to form the bowl, adding animal features, and finishing it with texture, drying, firing and glazing. The objectives are for students to learn how to create an effigy bowl depicting an animal of their choice and to consider the cultural significance of animals.
9 pottery
This document provides a booklet accompanying a video on pottery making in Haiti. The booklet contains 3 parts: 1) An introduction summarizing the content of the accompanying video on pottery making. 2) Technical information on extracting clay, preparing it, using pottery wheels, drying, firing and quality control of finished pottery. 3) A transcript of the soundtrack from the
Glaze 2nd
This document discusses the process of glazing clay muppets. It explains that there are three stages of clay: 1) greenware, which is freshly made wet clay; 2) bisque, which is clay that has gone through its first firing to harden it; and 3) glazed clay, which has been painted with glaze and fired again to make it shiny. The document provides instructions for glazing bisque clay muppets, including starting with the lightest color and applying multiple coats to achieve a shiny finish.
Clay ideas grade6-2013-14
The document provides ideas for clay projects one could make, including coil pots, pinch pot animals, sculptures with textures added, and relief work with pieces added to a flat surface, encouraging the reader to be creative with clay. Scoring and wetting the clay is important to prevent pieces from falling apart during firing in the kiln. A variety of clay project ideas are listed from basic to more unusual designs.
Aem Brochure P1 11 Dave V4 Sharp
This document provides information about an art gallery called An Eastern Masterpiece that sells original Indian art. It discusses the gallery's passion for sharing Indian cultural heritage with the world. It offers unique art forms like Dhokra tribal sculptures, Zardozi embroidery, and original paintings at affordable prices. The gallery ensures artisans are fairly compensated and works with non-profits supporting tribal communities.
Clay
Clay can be formed into objects through processes like pinching, slab building, coil building, and wheel throwing. It needs to be fired in a kiln to become permanent. The document provides instructions for making clay cottage or gingerbread house facades, including drawing a sketch, building up the front wall and triangle sides with clay, scoring and slipping pieces together, allowing it to dry, glazing it, and firing it twice in a kiln. The finished pieces can have candles placed behind them.
Research into steps in making different kinds of sculptures
The document describes the 7 step process for making a bronze sculpture using the lost wax method.
1) An original sculpture is made in clay or other material and a mold is made from it.
2) Molten wax is poured into the mold to make a hollow wax replica.
3) The wax replica is engineered for casting by adding sprues and vents.
4) A ceramic shell is applied and fired, melting the wax and leaving a mold.
5) Molten bronze is poured into the mold, taking the shape of the original sculpture.
6) The shell is broken away and finishing work done on the bronze sculpture.
7) A patina is applied
Ceramics Unit 1
This document provides an overview of introductory lessons on working with clay, including:
- The basic properties and composition of clay, and how it is shaped when wet and hardened when fired.
- Traditional methods used by various ancient cultures for preparing, decorating, and firing clay ceramics, including techniques like coil building and slip trailing.
- Elements of ceramic design like relief, form, and unity are discussed. Relief carving and surface decoration techniques like incising and burnishing are described.
- Examples of traditional ceramics from cultures like Japan, Africa, and North America illustrate distinctive regional styles and techniques.
Similar to Gr. 9 Clay - Grotesque Art (20)
Research into steps in making different kinds of sculptures
Research into steps in making different kinds of sculptures
More from Mrs. Magdolene Dykstra
Gr9 elements of design simcoe
This document provides examples of artworks that demonstrate different elements of design including line, value, texture, color, shape, form, and space. It lists over 20 specific artworks ranging from ancient Egyptian pyramids to 20th century paintings that illustrate these fundamental elements of visual art. The artworks cited come from a variety of time periods and cultures and include works by famous artists like Van Gogh, Monet, Picasso, and Escher.
Gr 10 architecture
This document compares architectural structures from different historical periods and styles. It provides details on key characteristics of Egyptian pyramids, Greek Parthenon, Romanesque and Gothic cathedrals, Joseph Paxton's Crystal Palace, Walter Gropius' Bauhaus, Frank Lloyd Wright's Fallingwater, and postmodern architecture. Students are asked to design their own building incorporating elements from two architectural periods and draw it using two-point perspective.
Gr 10 Portfolio zentangle. illuminated manuscript
This portfolio assignment involves creating either Zen-tangles or Illuminated Manuscripts. Zen-tangles are intricate, repetitive line designs that aim to clear the mind through the meditative process of creating them. Alternatively, Illuminated Manuscripts mimic the decorative style of medieval manuscripts through colorful illustrations and ornate lettering added to pages of text.
Unit 3 Critiquing Artwork
This document outlines the four steps for critiquing an artwork: 1) Describe what you see in the artwork, noting details like the title, artist, date, and objects depicted. 2) Analyze the artist's use of elements and principles of design. 3) Interpret the meaning and message conveyed by the artwork. 4) Make a personal judgment about the quality and success of the artwork in conveying its message, stating whether you would display or recommend it. Specific questions are provided under each step to guide the critique.
Unit 3 Critiquing Artwork Four Steps_2
This document outlines the four steps for critiquing an artwork: 1) Describe what you see in the artwork, including details of the title, artist, date, and objects depicted. 2) Analyze the artist's use of elements and principles of design. 3) Interpret the meaning and message conveyed by the artwork. 4) Make a personal judgment about the quality and success of the artwork in conveying its message, and whether it merits display. Specific questions are provided under each step to guide the critique.
Unit 3
The document outlines the steps and components of an artwork critique:
1. Describe the sensory properties - including shape, form, line, color, space, and texture.
2. Analyze the formal qualities - such as balance, unity, proportion/size, movement/rhythm, emphasis, and pattern.
3. Discuss the expressive properties - including mood, tension, and conveyed ideas or concepts.
The critique method examines both the objective sensory aspects and subjective expressive effects of a work of art. It provides a structured approach to thoughtfully evaluating and discussing artistic creations.
List of ceramicists. slideshow
The document provides instructions for a research assignment asking students to pick a ceramic artist from a provided list, write a report with key information about the artist, and critique one of their artworks. The document then lists over 30 ceramic artists for students to choose from for their research.
List of artists. images
The document provides instructions for a grade 10 culminating activity where students must research an artist from a provided list, write a report with key information about the artist, and create an artwork inspired by that artist's style.
Gr10 u4 printmaking
This document provides instructions for a unit on printmaking and career research. Students will research a career related to visual arts, creating a poster and one-page description with key details. They will present their poster to classmates in a gallery walk. For their career research, students must include the career name, description of duties, required tools/skills, needed education, starting salary, and availability. Students will complete a reductive print project making a linoleum block print with 3 layers of color. They will print an edition of 10 and write an artist statement reflecting on their design and printmaking process. The document also discusses printmaking techniques and provides examples of early Renaissance artists Jan van Eyck and Fra Angelico.
List of canadian artists
This document lists the names of 47 Canadian artists from the late 19th century to the mid 20th century who helped develop Canadian art. Some of the more notable artists mentioned include Emily Carr, Lawren Harris, Tom Thomson, Jean Paul Riopelle, and Michael Snow. The list provides an overview of important figures in the development of art in Canada.
Unit 5. 20 and 21st century ceramics
This document provides an overview of developments in ceramics from the 20th century to today. It discusses the Modernist rejection of realism in favor of abstraction in the late 19th/early 20th century. The Arts and Crafts Movement valued handmade crafts in reaction to industry. Modern ceramics in Britain featured simple abstract forms by artists like Lucie Rie, Ruth Duckworth, and Hans Coper. Post-Modernism emerged as a reaction against Modernism's rules, seen in Funk Art and influences from architecture. Post-Modern ceramics are characterized by variety and individuality with trends including bright colors, patterns, images, and references to history/culture.
Unit 4 History of Ceramic Sculpture
The document provides an overview of sculpture from ancient times to the present. It begins by discussing ancient figurines from places like Africa, Asia, and Europe. It then focuses on specific types of ancient sculptures like Venus figurines, Tanagra figurines, and sculptures from ancient Egypt, Moche culture, Nok culture, and China. The document also summarizes the terracotta army from the tomb of Qin Shihuangdi in China and the later development of porcelain figurines in Europe.
Ceramics Unit 3 Aesthetic Analysis
This document outlines the steps in performing an aesthetic analysis of an artwork. It describes analyzing the sensory qualities like shape, color, line; formal qualities like balance, unity and proportion; and expressive qualities like mood and tension. The sensory analysis focuses on visual elements, formal analysis examines design principles, and expressive looks at the mood or message conveyed. These steps provide a framework to systematically describe and interpret what can be seen in an artwork.
Gr 10 u1 pen and ink proj
The Gr. 10 Pen & Ink Project asks students to create a pen and ink design relating to the theme of "One World" for a Remembrance Day Assembly. Students will first practice techniques like Zen Tangles and shading basic forms to develop pen and ink skills. They will then design a composition demonstrating hatching, cross-hatching, and stippling to create 5 levels of grey values. The design must fill the provided space, and students will write an artist's statement explaining their design, evaluating use of values, and assessing the overall success of their artwork.
Gr10 u5 research an artist and imitate style
The culminating activity for this unit is worth 20% of the student's final mark and has two parts: 1) A 2-3 page typed report researching and providing key biographical and stylistic information about an artist from an approved list, including a critique of one artwork. 2) An original artwork created using materials studied in class that imitates the researched artist's style, for which sketches must be submitted and approved. Both parts will be evaluated on creativity, technique, and composition.
Gr10 u4 printmaking
This document provides instructions for a career research and printmaking project. Students will research a career related to visual arts, creating a poster and one-page description. They will present their poster to the class in a gallery walk. The document outlines requirements for the career research, including key information to include. It also provides examples to analyze the differences between Medieval and Renaissance art styles. Finally, it gives instructions on printmaking techniques like linoleum carving and using the golden ratio to design a composition integrating printmaking and drawing.
Gr10 u3 painting
This document provides information on surrealist artists such as Joan Miro, Max Ernst, Giorgio de Chirico, Salvador Dali, and Rene Magritte. It discusses how surrealism uses imagery from dreams and the subconscious to create illogical scenes combining everyday objects. Examples of surrealist paintings are presented along with background on how surrealism developed from the earlier Dada art movement as a way to protest war and rational thought through meaningless creations.
Elements & principles of art
The document defines the key elements and principles of art. The elements are the basic components used in art - line, value, color, shape, form, texture, and space. The principles are ways of organizing the elements, such as balance, contrast, proportion, pattern, rhythm/movement, emphasis/focus, unity, and variety. It provides examples of how artists use each element and principle, encouraging the reader to experiment with applying them. Composition is discussed as the arrangement of elements based on orientation, viewpoint, the rule of thirds, simplicity, and the rule of odds. The document concludes with defining critiques as an analysis of artwork using these concepts.
Gr 10 u1 drawing
This document provides instructions and examples for several art projects involving musical response, still life drawing, and architecture. For the musical response project, students will create drawings inspired by and incorporating elements of a song, focusing on mood, rhythm, and complexity. They will then select their best work to transfer to their portfolio. The still life project involves practicing gesture, contour, and value drawing techniques to realistically depict objects. Examples of architectural styles and structures from different time periods are provided in a comparative chart addressing elements like materials, scale, and distinctive features. Students are then asked to design their own building using at least two characteristics from the styles studied and to draw it using two-point perspective techniques.
Ceramics Unit 5
In the early 20th century, mass production had taken over ceramic production. In the 1940s-50s, British potter Bernard Leach pushed for a revival of handmade ceramics, known as the Studio Potter Movement. Leach studied clay techniques in Japan and emphasized handmade craftsmanship. He collaborated with Japanese potter Shoji Hamada at his studio in St. Ives, England. Their teachings influenced potters in America and Canada. Peter Voulkos was inspired by Leach and Hamada's teachings and later pushed ceramic art into abstraction, blurring the line between craft and art. His non-functional sculptures highlighted clay's expressive potential.
More from Mrs. Magdolene Dykstra (20)
Recently uploaded
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
A legendary musician records an intricate song designed to show off his expert bass guitar chops at a historical Los Angeles studio.
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
Follow us on: Pinterest
The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
From Teacher to OnlyFans: Brianna Coppage's Story at 28
At 28, Brianna Coppage left her teaching career to become an OnlyFans content creator. This bold move into digital entrepreneurship allowed her to harness her creativity and build a new identity. Brianna's experience highlights the intersection of technology and personal branding in today's economy.
原版制作(MUN毕业证书)纽芬兰纪念大学毕业证PDF成绩单一模一样
学校原件一模一样【微信：741003700 】《(MUN毕业证书)纽芬兰纪念大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
The Gallery of Shadows, In the heart of a bustling city
In the heart of a bustling city, hidden away from the modern chaos …
created with AI assistance…
定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
原版定制【微信:bwp0011】《(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
定制(uow毕业证书)卧龙岗大学毕业证文凭学位证书原版一模一样
原版一模一样【微信：741003700 】【(uow毕业证书)卧龙岗大学毕业证文凭学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Know about the five famous artists who have transitioned to Big Band Music from Swing Music. Here is a glimpse of their work and contributions.
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
Follow us on: Pinterest
Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
Anasuya Sengupta Cannes 2024 Award Winner
Anasuya Sengupta, an Indian actress and designer, won the Best Actress Award at the Cannes Film Festival for the Bulgarian film 'The Shameless'.
The Enigma of the Midnight Canvas, In the heart of Paris
In the heart of Paris, where the Seine River flowed languidly beneath the city's graceful bridges …
created with AI assistance…
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
Odia New Web Series at your fingerprint.
Stay ahead of the curve with the latest in Odia entertainment! Our Odia new web series promise an exciting blend of fresh narratives, talented performances, and engaging plots. Immerse yourself in the evolving world of Odia storytelling with our curated selection of cutting-edge web content. for more visit: https://aaonxt.com/series
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
一比一原版(UCSF毕业证)旧金山分校毕业证如何办理
原件一模一样【微信：95270640】【旧金山分校毕业证UCSF学位证成绩单】【微信：95270640】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：95270640】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：95270640】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：95270640】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理旧金山分校毕业证UCSF学位证毕业证offer【微信：95270640 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
Sara Saffari: Turning Underweight into Fitness Success at 23
Uncover the remarkable journey of Sara Saffari, whose transformation from underweight struggles to being recognized as a fitness icon at 23 underscores the importance of perseverance, discipline, and embracing a healthy lifestyle.
University of Western Sydney degree offer diploma Transcript
澳洲UWS毕业证书制作西悉尼大学假文凭定制Q微168899991做UWS留信网教留服认证海牙认证改UWS成绩单GPA做UWS假学位证假文凭高仿毕业证申请西悉尼大学University of Western Sydney degree offer diploma Transcript
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
Follow us on: Pinterest
Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
Recently uploaded (20)
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
From Teacher to OnlyFans: Brianna Coppage's Story at 28
From Teacher to OnlyFans: Brianna Coppage's Story at 28
The Gallery of Shadows, In the heart of a bustling city
The Gallery of Shadows, In the heart of a bustling city
The Future of Independent Filmmaking Trends and Job Opportunities
The Future of Independent Filmmaking Trends and Job Opportunities
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
The Enigma of the Midnight Canvas, In the heart of Paris
The Enigma of the Midnight Canvas, In the heart of Paris
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Sara Saffari: Turning Underweight into Fitness Success at 23
Sara Saffari: Turning Underweight into Fitness Success at 23
University of Western Sydney degree offer diploma Transcript
University of Western Sydney degree offer diploma Transcript
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Gr. 9 Clay - Grotesque Art
- 1. Unit 2: Clay
- 9. Rules in the Clay Studio 1. Clay and glazes contain silica, which is not good for you. Work carefully to avoid disturbing dust. 2. Clay must be kept moist while you are working on a project. You are solely responsible for keeping your clay projects covered with plastic. 3. Clay clogs the drain! When you are done working for the day, you must clean your tools and your hands in rinse buckets. 4. You must also wipe your tables with a damp rag. This minimizes dust, and leaves the studio clean for other artists.
- 10. The Tools 1) Clay – basically dirt & water 2) Kiln – a device used to cook all moisture out of clay; there are many types, but we will use an electric kiln. Clay must be fired (heated in a kiln) in order to become permanently formed. 3) Modelling tool – anything that helps to shape clay (a spoon, a smooth stone); we have specially designed wood modelling tools. 4) Ribs – metal or wood; can be smooth or serrated (toothed); serrated ribs are good for scoring.
- 11. The Tools 5) Ribbons – metal loops that function as carving tools; come in various shapes & sizes. 6) Pin tool – a metal pin or a toothpick; useful for putting ventilation holes in a piece 7) Glaze – silica-based colourant; glazes must also be fired in a kiln to become permanent; makes pottery food safe.
- 12. Clay Stages 1) Greenware – clay that has not been fired 2) Slip – watery clay (like milk); used as glue when joining piece of clay. 3) Leather-hard – clay that has partially dried; it holds up its own form, but can still be manipulated. 4) Bone dry – clay that cannot lose anymore moisture without being fired; it looks off-white. Clay must always be bone dry before firing, or it will explode! 5) Bisque ware – clay that has been fired but not glazed; it is white. 6) Glaze ware – clay that has been glazed
- 13. Important Processes 1) Wedging – also called kneading; pushing & pulling the clay to get it to a homogenous state (even moisture, no air bubbles). 2) Scoring – creating rough texture where two pieces of clay will be joined; slip must be applied to the scored area before welding the clay. 3) Welding – blending two pieces of clay together, after scoring & slipping.
- 14. Crucial Things to Remember! ● Maintain even thickness (0.5 in / 1cm) to avoid cracks ● Dry evenly (cover work in plastic) ● ● Eliminate air bubbles and contained air (or your piece will explode in the kiln).
- 15. Pinch Pot Project You will make a pinch pot. Your vessel must be at least 3 inches in one dimension. Once you have shaped your vessels, you will decorate their surfaces using a motif. A motif is a design that is repeated in an artwork. Examples – spots, stripes, various shapes... You will glaze your pinch pot after it is bisque fired. Marked out of 12 points: Form - 4 points, Motif – 4 points, Glaze – 4 points
- 16. Grotesque Art What does “grotesque” mean? What are some examples of grotesque images?
- 17. Examples of Grotesque Art Medieval gargoyles
- 18. Grotesque Art Medieval Gargoyles … Were spouts carved in the shape of a human, animal, or demon Were connected to a gutter for throwing rain water from the roof of a building although later examples - particularly in the 19th century- served as merely decoration. Served as protectors. It is a common belief, through many cultures, that in order to keep away evil spirits one must use something frightening.
- 19. Examples of Grotesque Art Totem poles
- 20. Examples of Grotesque Art Totem poles: are as varied as the numerous tribes which produce them. may recount familiar legends, clan lineages, or notable events. celebrate cultural beliefs some are intended as purely artistic presentations. Certain types are part of mortuary structures incorporating grave boxes are also carved to illustrate stories, to commemorate historic people, & to represent shamanic powers
- 21. H. Bosch’s “Hell” from “The Garden of Earthly Delights”
- 22. Examples of Grotesque Art Hieronymus Bosch was a prolific Dutch painter of the 15th and 16th centuries. Many of his works depict sin and human moral failings. Bosch used images of demons, half-human animals and machines to evoke fear and confusion to portray the evil of humans.
- 24. Examples of Grotesque Art Max Beckmann (February 12, 1884 – December 28, 1950) was a German artist who lived through both World Wars. From the ’30s on, his works often contain symbolic references to the brutal actions of the Nazis. His subjects and symbols also assume a larger meaning, addressing universal themes of terror, redemption, and the mysteries of eternity and fate.
- 25. Grotesque Project Using clay, you will create a grotesque goblet or a grotesque sculpture. You will use reductive building (build solid and carve out later).
- 26. Otto Dix
- 27. Otto Dix
- 28. Matt Barney
- 29. Tom Bartel
- 30. Glazing Glaze is a clay-based colourant. Glazes must be fired in a kiln to become permanent.
- 31. Glazing Important things to remember: 1. Glaze makes clay food safe. 2. Glazes change their appearance after being fired. 3. Glaze fuses to anything it touches in the kiln. Keep the bottom of your work clean up to 0.5 inch/ 1cm from the bottom. 4. Mix the glaze before applying it. Apply 3 even coats of glaze.
- 32. Examples of Good Glaze
- 33. Glazing Techniques 1) Dipping – immersing the entire clay piece into glaze; after dipping you MUST remove all glaze from the bottom with a wet rag. 2) Pouring – pouring glaze onto your clay piece; again you MUST remove all glaze from the bottom with a wet rag. 3) Brushing – painting the glaze onto the clay piece using paint brushes; since glaze is a thick, sandy material, it is crucial that you clean your brushes with soap so that no glaze is left in the bristles. 4) Overlapping – mixing glazes in a separate container or on the clay piece can provide very interesting results.
- 34. Glazing Techniques 5) Masking – glaze will not stick to areas of the clay that have been covered with masking tape; you can use tape to create patterns on your work and then remove the tape before firing. 6) Sgraffito – scratching through a layer of glaze to create patterns of unglazed clay 7) Mishima – putting glaze in carved designs, and wiping away the excess. The glaze only stays in the carved areas.
- 35. Artist's Statement: Grotesque Project 1) How did you come up with your idea? 2) Do you think you were successful in making a grotesque object? Explain. 3) How successful were you in controlling the clay? Were you able to smooth out unwanted bumps and cracks? Were you able to create the form you wanted? 4) What did you like or dislike about this project?