4º ESO IES Santa Catalina. Burgo de Osma

1. GOYA
IES SANTA CATALINA
BURGO DE OSMA (SORIA)
4º ESO. HISTORY . 2016-2017
Bilingual space.
History teacher, Nicanor Otín Nebreda
“I have had three masters, Nature, Velasquez, and Rembrandt” (Francisco de Goya)
Ciee
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2. 1.746-1828

3. • Was born in Fuendetodos, Zaragoza, in 1746
•At age 14, Goya entered apprenticeship with the painter
José Luzán in Zaragoza
• In Madrid he studied with Anton Raphael Mengs, a
painter who was popular with Spanish royalty.
• Back in Zaragoza and painted parts of the cupolas of the
Basilica of the Pillar and the frescoes of San Antonio de la
Florida
Early years
BAYEU
by Goya
MENGS
selfportrait
Goya
Selfportrait
1771-1775

4. SPAIN THROUGH THE GENIUS OF GOYA
• ONE OF THE GREATEST ARTISTS OF THE
UNIVERSAL PAINTING
• DIFFICULT TO SITUATE HIS WORK IN ANY
ARTISTIC MOVEMENTS
• HE ANTICIPATED IMPRESSIONIST,
EXPRESIONISTS AND SURREALIST

5. MONET. Impresión, sol naciente
IMPRESSIONISM
GOYA’S
INFLUENCE

6. Emil Nolde
Máscaras.
Vida cotidiana
III, 1911.
EXPRESSIONISM
GOYA’S
INFLUENCE

7. SURREALISM
TEMPTATION OF SAN ANTHONY
GOYA’S
INFLUENCE

8. His early paintings are still Baroque art
La “Adoración del Nombre de Dios por los ángeles” en la bóveda del
Coro de la Santa Capilla (El Coreto). Del Pilar de Zaragoza
FIRST PAINTINGS GOYA

9. Goya. Cúpula del Pilar 1780
FIRST PAINTINGS
GOYA

10. 1774-1791 TAPESTRY CARTOONS
• HE PAINTED PATTERNS THAT SERVED AS MODELS
FOR THE WEAVING OF TAPESTRIES IN THE ROYAL
TAPESTRY FACTORY
• REPRESENT THE LEISURE ACTIVITIES OF
DIFFERENT SOCIAL CLASSES
• RELATED TO ROCOCO ESTHETIC
• CHEERFUL VIEW , CAREFREE, RICH AND BRIGHT
COLOURS.
GOYA

11. EL QUITASOL
TAPESTRY CARTOONS GOYA• He designed about 42
patterns; many of them were
used to decorate and insulate
the stone walls of El Escorial
and the Palacio Real del
Pardo.

12. Baile en el Manzanares
GOYA

13. El cacharrero
He designed about 42
patterns; many of them
were used to decorate
and insulate the stone
walls of El Escorial
and the Palacio Real
del Pardo.
TAPESTRY
CARTOONS

14. LOS
ZANCOS
TAPESTRY CARTOONS GOYA

15. MAJOS Y MAJAS EN SAN ISIDRO
MAJOS Y MAJAS EN SAN ISIDRO TAPESTRY
CARTOONS

16. LA
GALLINA
CIEGA
BUCOLIC AND POPULAR SCENES
TAPESTRY CARTOONS

17. EL MANIQUÍ DE
PAJA
TAPESTRY CARTOONS
GOYA

18. GOYA "Majas en el balcón" (1812-1835,)
MANET "El balcon" (1868-1869) GOYA’S INFLUENCE

19. 1792-1808
• ROYAL PAINTER
• PERSONAL CRISIS
• REVOLUTIONARY EVENTS IN FRANCE
• PREDILECTION FOR THE SORDID OF THE LIFE
• CAPRICHOS: SATIRE OF THE SOCIETY AND THE
HUMAN CONDITION
• COMPLAINT TO CHANGE THE WORLD
GOYA

20. Frescoes of San Antonio de la Florida 1.798 GOYA

21. MANUEL GODOY.
1.801
PORTRAITS GOYA

22. Carlos IV
PORTRAITS

23. LA FAMILIA DEL INFANTE D.LUIS
PORTRAITS

24. ERNST LUDWIG KIRCHNER
GOYA’S
INFLUENCE

25. Jovellanos
PORTRAITS
GOYA

26. La marquesa de Pontejos
La duquesa de Alba
PORTRAITS

27. LOS DUQUES DE
OSUNA Y SUS
HIJOS
PORTRAITS

28. Influence Christ of Velazquez
GOYA

29. GOYA’S
INFLUENCE
In the portraits and other works, the
influence of Velazquez can be seen in
Goya's treatment of space, light and
staining techniques
goya-120705130647-phpapp01

30. THE FAMILY OF CHARLES IV
PORTRAITS GOYA

31. GOYA
Carlos
María
Isidro
Fernando,
the heir
King’s sister
doña María Josefa.
Fernando’s
future bride
Infanta María
Isabel
Queen María
Luisa
Infante
Francisco de
Paula
king
Carlos IV
King’s brother
don Antonio
King’s sister
doña Carlota
Joaquina
Don Luis.
Prince of
Parma.
Infanta
María
Luisa
Carlos
Luis

32. THE COUNTESS OF ALBA
PORTRAITS
GOYA

33. 14. ¡Qué sacrificio!
LOS CAPRICHOS
1793-1799
GOYA

34. LOS CAPRICHOS

35. ¿De qué mal
morirá?
LOS CAPRICHOS
GOYA

36. El sueño de la
razón produce
monstruos
LOS CAPRICHOS

37. Caprichos. Trágala
perro
LOS
CAPRICHOS

38. CAPRICHOS.
Devota
profesión
LOS CAPRICHOS
GOYA

39. INDEPENDENCE WAR 1.808-1.813
• THE PESSIMISM IS ACCENTUATED
• REFLECTS THE CRUELTY OF WAR
• IT IS THE ABSOLUTE DEFEAT OF THE
REASON
GOYA

40. LOS DESASTRES 1808-1814
A SERIES OF ENGRAVINGS
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The Disasters of War
GOYA

41. Desastres de la guerra GOYA

42. Desastres de la guerra

43. Desastres de la guerra

44. Desastres de
la guerra

45. CARGA DE LOS MAMELUCOS
THE SECOND OF MAY OR THE CHARGE OF MAMELUKES 1814
INDEPENDENCE WAR

47. INDEPENDENCE WAR

48. FUSILAMIENTOS DE LA MONCLOA 1814
INDEPENDENCE WAR

49. FUSILAMIENTOS
DE LA MONTAÑA
DEL PRÍNCIPE PÍO
INDEPENDENCE WAR
The shootings on the
Prince Pio Hill

51. Picasso. Massacre
in Korea 1951.
GOYA’S
INFLUENCE
Manet. Execution
of Emperor
Maximilian. 1867.

52. Manet. Study for "The Execution of Emperor Maximilian"

53. PICASSO “Massacre in Korea”
GOYA’S
INFLUENCE

54. Portrait of the Duke of Wellington
INDEPENDENCE WAR

55. EL COLOSO
1808-1812.
Discípulo de Goya
indeterminado

56. AFTER THE WAR
• SUFFERED ILLNESS AND DEAFNESS
• HE TOOK REFUGE IN HIS HOUSE
WHERE HE DECORATED THE WALLS
WITH HIS BLACK PAINTINGS

57. FERNANDO
VII 1814

58. ("Deaf Man's House")
BLACK PAINTINGS 1819-1823 GOYA

59. Riña a garrotazos 1819-1823
THE BLACK PAINTINGS ARE PESSIMISTIC AND
CONSIDERED AS PRECURSORS TO EXPRESSIONISM
BLACK PAINTINGS

60. PEREGRINACIÓN A SAN ISIDRO O EL SANTO OFICIO
BLACK PAINTINGS

61. La pradera de San Isidro (1788).
La romería de San Isidro (1821-1823)CONTRAST GOYA

62. SATURN DEVOURING HIS SON
BLACK PAINTINGS
GOYA

63. Diego Olmos GOYA’S
INFLUENCE

64. BLACK PAINTINGS
GOYA

65. Photo made by
J. Laurent,
toward 1874,
showing the
state of the work
before being
moved from the
wall of the
Quinta del
Sordo.
You can see a
rock and a few
possible birds,
to which the dog
turns his gaze..
Perro semihundido BLACK PAINTINGS

66. Dos viejas comiendo sopasBLACK PAINTINGS

67. Francis Bacon .Tres estudios para el retrato
de Peter Bear
GOYA’S
INFLUENCE

68. EL ENTIERRO DE LA SARDINA
1812-1819
Pictures of Spanish customs, far
removed from the themes and
aesthetics rococo and neoclassical
cartons for tapestries
GOYA
The Burial of the Sardine
CONTRAST

69. PROCESIÓN DE DISCIPLINANTES 1812-1819

70. TRIBUNAL DE LA INQUISICIÓN 1812-1819

71. BULLFIGHT IN A VILLAGE 1812-1819

72. DISPARATES

73. DISPARATES

74. DISPARATES

75. THE
MILKMAID OF
BORDEAUX
EXILE AND
DEATH
1824-1828

76. Self-portrait with
cap, 1824.