The document discusses musical genres and styles. Genres are classifications of music based on aspects like the presence of voices, whether the music is meant to be staged, and the type of composition. The main genres discussed are instrumental, which does not have meaning or text, vocal, which involves voices, and scenic/vocal music meant to be staged like opera or musicals. Styles refer to the similar use of musical elements like rhythm, melody, and instrumentation. A piece can have multiple styles and genres, like a movie theme song being both a soundtrack and pop song.
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120 CHAPTER FOUR .. MUSIC AND OPERA FORMAL AND TECHNICAL.docxmoggdede
120 CHAPTER FOUR .. MUSIC AND OPERA
FORMAL AND
TECHNICAL QUALITIES
We all have favorite forms of music: tejano, reggae, rock,
rhythm and blues, rap, gospel, or Classical. Occasionally
we are surprised to find that our favorite tune or musical
form was once something else: a rock tune that first was
an operatic aria, or an ethnic style that combines styles
from other ethnic traditions. W hatever the case, all music
comprises rhythms and melodies-they differ only in the
ways they are put together. In this chapter we shall con
centrate first on some traditional forms, but after that we
discuss qualities that apply to all music.
Music has often been described as the purest of the art
forms because it is free from the physical restrictions of
space that apply to the other arts. However, the freedom
enjoyed by the composer becomes a constraint for us lis
teners because music places significant responsibility on
us. That responsibility is especially critical when we try to
learn and apply musical terminology, because we have
only a fleeting moment to capture many of the character
istics of music. A painting or a sculpture stands still for
us; it does not change or disappear, despite the length of
time it takes us to examine and appreciate. Our attempt to
grasp musical terminology appears more challenging
because many of the concepts seem technical and most of
the terminology foreign: specifically Italian. Nonetheless,
music plays such a natural and ever-present role in our
lives that we undoubtedly know and can perceive more
than we suspect at both a formal and a technical level.
FORMS
At a formal level, our experience of a musical work begins
with its type, or form. The term fonn is a very broad one.
In addition to the forms we identify momentarily, all of
which are associated with what we call "classical" (seri
ous, or "high" art) music, we can also identify broader
"forms" of music of which "classical" is only one-for
example, the musical forms of jazz, pop/rock, and so on
(see the Companion Website: Music, Musical Forms). As
we will see in Chapter 11, the term Classical also refers to
a specific style of music within this broad "classical" form.
The basic form of a music composition shapes our ini
tial encounter by providing us with some specific
parameters for understanding. Unlike our experience in
the theatre, we usually find an identification of the musi
cal composition, by type, in the concert program. Here are
a few of the more common forms: three vocal forms and
three instrumental forms. We will encounter a few more
in Part II of the text, and will define them within their
historical contexts.
Mass
The mass is a sacred choral composition consisting of five
'sections: Kyrie, Gloria, Credo, Sanctus; �Ad Ag;UJi Dei.
tKEE-ree-ay; KRAY-doh; SAHNK-toos; AHN-yoos-day
ee). These also form the parts of the mass ordinary-the
Roman Catholic church texts that remain the same from
day to ...
--I need writing concert report as an example below.------.docxhoney725342
--
***I need writing concert report as an example below.-***----------------------------------------------------------------------------------------------***
* I have attend to the concert and all the information you need it for the concert.
This is the web site.
@Here where you can fine the composers and what music they are sing
And the location, composer, all the information you need it.
https://cso.org/ticketsandevents/production-details-2016-17/cso-specials/cso-at-wheaton---dohnanyi/?perfNo=8040
**And this the information about concert program.
https://cso.org/globalassets/pdfsshared/program-notes/2016-17/programnotes_wheaton_beethoven_pastoral.pdf
There is a rubric as the professor will grade it base on the rubric
It is in the last paper you must follow the rubric
Please write on your on “world” No plagiarism .No subject does not content to the concert.!!!!
Thanks
------------------------------------------------------------------------------
WRITING A CONCERT REPORT
Instructors in introductory music courses often require students to write one or more concert reports during a semester. Here are some guidelines for the preparation of such an assignment: first, a few suggestions on working with your own notes; second, points to consider for the content of your report; third, some information about usages or conventions in writing about music; and finally, an example of a concert report.
TRANSFORMING YOUR NOTES INTO A REPORT
You should plan to expand your notes into a complete report very soon after the concert—the same evening or during the next day or so.
It is often helpful to begin with an outline and then to write a rough draft. (If your instructor hands out a printed form for concert reports, that will serve as the outline.) Next, polish and edit your draft to produce the final version. Remember to check your grammar and the spellings of names (especially foreign names) and musical terms.
Below are recommendations for the actual content of your report—what to write. Following that, there is a section on vocabulary and usages, or conventions, involved in referring to musical works—that is, how to write about music.
WHAT TO WRITE: THE CONTENT OF A REPORT
The Concert as a Whole You should begin your report with a brief description of the concert attended, including the name and type of the performing group or soloists, the place, the date and time, and the music you heard.
You will also want to note whether the performers were attempting a historically "authentic" program. For example, in music by Johann Sebastian Bach, was a harpsichord (rather than a piano) used? For a symphony by Haydn or Mozart, was the size of the orchestra reduced? Did the performers use old instruments, or reconstructions of old instruments?
Then, you may want to describe your general reaction to the concert. Did you enjoy it? Did this event make you feel like going to other concerts in the near future?
Following this introduction, the paper might focus on t ...
Writing A Concert Report Instructors in introductory music cours.docxambersalomon88660
Writing A Concert Report
Instructors in introductory music courses often require students to write one or more concert reports during a semester. Here are some guidelines for the preparation of such an assignment: first, a few suggestions on working with your own notes; second, points to consider for the content of your report; third, some information about usages or conventions in writing about music; and finally, an example of a concert report.
Transforming Your Notes into a Report
You should plan to expand your notes into a complete report very soon after the concert--the same evening or during the next day or so.
It is often helpful to begin with an outline and then to write a rough draft. (If your instructor hands out a printed form for concert reports, that will serve as the outline.) Next, polish and edit your draft to produce the final version. Remember to check your grammar and the spellings of names (especially foreign names) and musical terms.
Below are recommendations for the actual content of your report--what to write. Following that, there is a section on vocabulary and usages, or conventions, involved in referring to musical works--that is, how to write about music.
What to Write: The Content of a Report
The Concert as a Whole You should begin your report with a brief description of the concert attended, including the name and type of the performing group or soloists, the place, the date and time, and the music you heard.
You will also want to note whether the performers were attempting a historically "authentic" program. For example, in music by Johann Sebastian Bach, was a harpsichord (rather than a piano) used? For a symphony by Haydn or Mozart, was the size of the orchestra reduced? Did the performers use old instruments, or reconstructions of old instruments?
Then, you may want to describe your general reaction to the concert. Did you enjoy it? Did this event make you feel like going to other concerts in the near future?
Following this introduction, the paper might focus on the pieces you enjoyed most and your reaction to the performances.
Individual Compositions In discussing individual compositions, you will probably want to cover some of the following points:
· Musical styles. How did the composition correspond to what you have learned about the stylistic period in which it was composed--baroque, classical, etc.? Your appreciation of a work is often enhanced when you recognize its musical style.
· Musical genres and forms. What was the genre of the piece--symphony, concerto, tone poem, string quartet, étude, etc.? What musical forms were employed--theme and variations, sonata form, ABA, etc.? If you are reporting on an opera, you might note arias, recitatives, ensembles, choruses, etc.
· Program music. Was the composition program music--that is, was it inspired by a text, story, or place? If so, how did the music reflect the program?
· Emotions, images, and ideas. Did the composition evoke in you speci.
Classic Combo PlateDirectionsBefore there were all th.docxbartholomeocoombs
Classic Combo Plate
Directions:
Before there were all the cart options, I remember going to the cafes near campus that offered combo menus. For a reasonable price, the menu usually had two lists of items and you would choose one from column A and one from column B for a very satisfying lunch.
For our musical version of the combo plate, you are asked to select one composer from column A (just the big three) and one composer from column B (a very long Wikipedia page with composers listed by birth year)
Both composers must share the same, or nearly the same, birth year
. The latitude for this is no more than + or - 10 years. We want to place both of them solidly within the Classic era and also within roughly the same generation.
Find one movement of a piece of music by each. that is a total of two tracks for this assignment. Include a link to that specific movement of each piece so that readers of your post can quickly click it to listen. You may use Naxos (a bit easier to pinpoint the exact movement in a longer piece) or YouTube but you are responsible for providing the accurate url. Please be careful in YouTube that your music link takes your reader to exactly the movement you write about.
For each of these two tracks provides clearly the full title of each piece and the exact movement title or number if these are from multi-movement works.
Provide background information on both of the movements of music you have selected and some bio information on the lesser known composer from "column B". Include musical observations
based on your own listening
as you compare the two tracks. You may find it easier to make a targeted comparison if you select works of a similar genre (for instance, the first movement of a piano sonata by each composer, or the slow movement of a symphony by each, or the minuet movement of a string quartet, or a soprano aria from an opera by each......)
Interesting "fun facts" might include: did the two ever meet? Where did they live, did they study with the same teacher? Were they both performers as well as composers? Did each have a patron?
Music Selection parameters
Column A Classic era composers are limited to the big three we have covered already this term:
Franz Joseph Haydn b. 1732
Wolfgang Amadeus Mozart b. 1756
Ludwig van Beethoven b. 1770
Choose just one movement of one piece by one of these "big three" composers.
Column B classic era composers are listed at the page linked below. Scroll to find the birth years you need for a match.
https://en.wikipedia.org/wiki/List_of_Classical-era_composers#Middle_Classical_era_composers_(born_1730%E2%80%931750)
Choose just one movement of one piece by one of the other classic era composers that you find at this page.
Reply post:
After completing your main post,
make an interactive reply post to another student's main post.
An interactive reply post shows you've listened to the music they wrote about (supply track timings for your musical obse.
Classic Combo PlateDirectionsBefore there were all th.docxgordienaysmythe
Classic Combo Plate
Directions:
Before there were all the cart options, I remember going to the cafes near campus that offered combo menus. For a reasonable price, the menu usually had two lists of items and you would choose one from column A and one from column B for a very satisfying lunch.
For our musical version of the combo plate, you are asked to select one composer from column A (just the big three) and one composer from column B (a very long Wikipedia page with composers listed by birth year)
Both composers must share the same, or nearly the same, birth year
. The latitude for this is no more than + or - 10 years. We want to place both of them solidly within the Classic era and also within roughly the same generation.
Find one movement of a piece of music by each. that is a total of two tracks for this assignment. Include a link to that specific movement of each piece so that readers of your post can quickly click it to listen. You may use Naxos (a bit easier to pinpoint the exact movement in a longer piece) or YouTube but you are responsible for providing the accurate url. Please be careful in YouTube that your music link takes your reader to exactly the movement you write about.
For each of these two tracks provides clearly the full title of each piece and the exact movement title or number if these are from multi-movement works.
Provide background information on both of the movements of music you have selected and some bio information on the lesser known composer from "column B". Include musical observations
based on your own listening
as you compare the two tracks. You may find it easier to make a targeted comparison if you select works of a similar genre (for instance, the first movement of a piano sonata by each composer, or the slow movement of a symphony by each, or the minuet movement of a string quartet, or a soprano aria from an opera by each......)
Interesting "fun facts" might include: did the two ever meet? Where did they live, did they study with the same teacher? Were they both performers as well as composers? Did each have a patron?
Music Selection parameters
Column A Classic era composers are limited to the big three we have covered already this term:
Franz Joseph Haydn b. 1732
Wolfgang Amadeus Mozart b. 1756
Ludwig van Beethoven b. 1770
Choose just one movement of one piece by one of these "big three" composers.
Column B classic era composers are listed at the page linked below. Scroll to find the birth years you need for a match.
https://en.wikipedia.org/wiki/List_of_Classical-era_composers#Middle_Classical_era_composers_(born_1730%E2%80%931750)
Choose just one movement of one piece by one of the other classic era composers that you find at this page.
Reply post:
After completing your main post,
make an interactive reply post to another student's main post.
An interactive reply post shows you've listened to the music they wrote about (supply track timings for your musical obse.
1
String Quintet in C major
Name:
Professor:
May 1, 2019
Franz Schubert (1797-1828) born in Vienna is an outstanding representative of the early Romantic music of the West. His work reflects the connection between the classical music tradition of Vienna and the new romanticism of the 19th century. Schubert received a good artistic influence from an early age. When he was 5 years old, he began to learn music with his father. When she was a child, Schubert had an amazing voice and an admirable tone. In 1808 he was admitted to the boarding school of the church and became a small singer in the Children's Choir of the Palace Theatre. In the boarding school, Schubert studied many professional courses, went to the theater to listen to opera, and contacted many works by Mozart, Haydn, and many other composers. In his short life, he has produced more than 600 artistic songs, making a big contribution to the development of art songs. I will analyze String Quintet in Cmajor.
String Quintet in C major is one of his chamber music work, created in the last year of his life -1828. This quintet uses two violins, one viola, and two cellos. This arrangement makes the bass of the music enhanced. The two cells are also Dialogues can be made, and the interlacing of sounds between different instruments becomes complicated. It is the treasure in chamber music, both in terms of writing skills and spiritual. It is often commented on Schubert's greatest chamber music in his later years.
The D.956[footnoteRef:2] is compiled with a cello in addition to the string quartet. This arrangement makes the bass of the music enhanced, and there can be a dialogue between the two cellos, so the melody of the symphony in D.956The proportion has increased significantly, and the vernacular says that the sound interlacing of different instruments becomes more complicated. [2: Rick Anderson. Reviewed Work: String Quintet, D956. 2005]
The string quintet consists[footnoteRef:3]offourmovements in the usualquick-slow-scherzo-quick pattern: [3: William, Brown. Menahem Pressler: Artistry in Piano Teaching. Indiana University Press, 2009.]
1. Allegro ma non troppo
2. Adagio
3. Scherzo. Presto – Trio. Andante sostenuto
4. Allegretto
The first movement of the "C major string quintet" is composed of a sonata style. The quintet opens with an extremely expansive movement compare with other late Schubert works. The length of Allegro is over one-third of the total length of the piece around 50 minutes. The exposition lasted 154 measures and began with a wide range of C major chords. Schubert presents his unforgettable harmony, well-contoured melody and without regular rhythm pulses. This is followed by music leading to a second contrasting theme with gradually increasing motion and tension. In the E-flat accidental key, it is introduced into the duo between the two units. This part ends with a dominant (G major) chord that naturally returns to the open pitch ch.
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Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
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This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
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2. MUSICAL GENRE
The music can be classified taking into account different
aspects: if there are voices or not, if it is made to be
staged…
This is the genre: a type of classification
4. Instrumental Music
Art music: doesn’t have any meaning. Its beauty and its
interest lies in the sound itself.
Much of classical music belongs to this genre and the most
common forms are instrumental sonatas, concertos, most
of the symphonies and a lot of small compositions for
soloist instrument.
http://youtu.be/aIemzStWOog J.S. Bach Partita n.3
5. Descripitive Music: is the one that portrays or evokes through
the
musical
language
elements
landscapes, people, storylines, environments or pictures. This
music attempts to approach the representative capacity of
the arts.
We will find many examples of descriptive music in many
musical forms but the most important are those that are
called symphonic poem
http://youtu.be/mHTnJNGvQcA
apprentice
Paul
Dukas
Sorcerer’s
6. Vocal Music
Scenic music: text tells a story and involves action: opera and
musicals
http://youtu.be/vWz7Gbalk98 G. Verdi La Traviata
http://youtu.be/SQyx2PWyC2I The Lion King
Concert vocal music: is not staged. The text is often poetic and
talks about feelings and emotions. Normally performed by choir
and orchestra
http://youtu.be/8R3Ki6aqlv4 L. Van Beethoven: Ode to joy
7. STYLE
We talk about style when we use the elements of music
in a similar way: a type of rhythm, a way to compose
the melody, the selection of instruments or how to
arrange the themes
Same music can be classified in different ways. For
example, the theme music from the movie Titanic can
be a film soundtrack, a commercial pop song, a
romantic song ...
8. The same music can be classified in different ways. For example
the Titanic movie theme can be considered as a soundtrack or a
commercial pop song.
http://youtu.be/saalGKY7ifU
There are also songs that are a mix of styles. We have the
example of the group The Corrs who makes Celtic music but at
the same time is pop music.
http://youtu.be/vzerbXFwGCE
9. We can choose the style of music we like within each genre
either vocal or instrumental:
Rap
Country
Pop
Étnic
Flamenc
Chill out
Dance
Reggae………