Genre of james intro

Characters/Archetypes Character A person or other being in a narrative work May be entirely fictional or based on a real-life person Guide readers through their stories, helping them to understand plots and ponder themes Type A character who stands as a representative of a particular class or group of people Think “stereotype” or “archetype” The study of a character requires analyzing relationships with other characters Status defined through the network of oppositions Stock Character Special kind of character who is instantly recognizable to most readers They are ‘stock’ or ‘typecast’ or ‘stereotypical’ characters Examples include: the ruthless businessman the shushing old, white-haired librarian the dumb jock or blonde They are not focus characters nor are they developed in the story; only fulfill background or filler roles Flat Characters Two-dimensional characters that are relatively uncomplicated Can be described in a single sentence no depth and not given much information on them Stock characters are prime examples of flat characters Round Characters Complex figures with many different characteristics Most like real people since they undergo development Described in depth, with many details The main character in a story is almost always round. If you are reading a story where you know a character well, then most likely the character is round Static/Dynamic Dynamic characters a person who changes over time, usually as a result of resolving a central conflict or facing a major crisis tend to be central rather than peripheral characters resolving the conflict is their major role Static characters someone who does not change over time his or her personality does not transform or evolve. remain the same throughout How to determine? Look closely at your character at the beginning and end of the story : How does the character feel about him/her/itself? Do the answers to the questions changed? How does the character act towards others? What is the character’s goal? Internal Change distinguished the difference between Static and Dynamic a change in his/her personality a change in his/her outlook on life a change in his/her values a change in the nature of the character. Hero/Heroine A character who combats misfortune t ...

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Valerie Estelle Frankel and Dean Leetal's book on this subject is coming from McFarland, 2024!! A brave heroine whose quest involves living her true gender. A genderqueer knight who battles the transphobic court to save their prince. The journeys taken by trans heroes weave in and out of Joseph Campbell’s classic pattern, but deviate from it in specific ways. The hero often fears discovery by the close community, but nonetheless departs on the adventure—leaving a place of dangers to find a refuge and community of acceptance. Talismans include gendered tools that show the mentor's acceptance of the hero's real identity. The romance is likewise a guided path to selfhood and affirmation. Villains are the transphobes of real life, mythologized and made deadlier. In happier stories, the parent figures learn from the conflict, and finally seek reconciliation. Top franchises like Steven Universe, The Matrix, The Umbrella Academy, Sense8, Sandman, DC, and Marvel demonstrate these tropes, as do recent top fantasy books and graphic novels by nonbinary authors worldwide. The tales end with the hero wielding the dual worlds in a way beyond anything Campbell observed, which nonetheless fits the patterns of the oldest myths.

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