The document discusses the genre-based approach to teaching writing. It defines genre as a text type that has a specific social purpose and communication event. The genre-based approach focuses on systematically teaching writing within social contexts. It aims to develop students' literacy skills by analyzing how different genres are structured and can be produced for various purposes. The document provides examples of genres like recounts and narratives. It also outlines the steps to implement the genre-based approach in the classroom, such as selecting genres, analyzing conventions, modeling, practice, and assessment. As an example, it describes how this approach could be applied to teaching the genre of the short story.
There are the principles and procedures of material development by Brian Tomlinson and many researchers. The PPT explains about how to make materials for material development, or we called teacher. So, teacher should fulfill these procedures and principles when teach students.
Developing principled frameworks for material developmentH. R. Marasabessy
A. What does ‘Materials development’ mean?
○ ‘Materials development’ refers to all the processes made use of by practitioners who produce and/or use materials for language learning, including materials evaluation, their adaptation, design, production, exploitation and research. Ideally, all of these processes should be given consideration and should interact in the making of language-learning materials.
○ Materials development is both a field of study and a practical undertaking. As a field it studies the principles and procedures of the design, implementation and evaluation of language teaching materials
B. Frameworks for materials development
Richards (1995:102-103) describes frameworks as the process of designing a “design or frame for a unit in a textbook” which can “serve as a formulae which the author can use in writing the book
C. Principles in Materials Development
Most writers on the process of the materials development focus on needs analysis as starting point. And some writers report starting by articulating their principles.
Bell and Gower (1998:122-125) started by articulating principles which they wanted to guide their writing:
○ Flexibility
○ From text to language
○ Engaging content
○ Natural language
○ Analytic approaches
○ Emphasis on review
○ Personalized practice
○ Integrated skills
○ Balance of approaches
○ Learner development
○ Professional respect
Tomlinson (1999b) describes a principled and flexible framework designed to help teachers to develop materials efficiently and effectively.
Penaflorida (1995:172-179) reports her use of the six principles of materials design identified by Nunan (1988):
1. Materials should be clearly linked to the curriculum they serve.
2. Materials should be authentic in terms of text and task
3. Materials should be authentic in terms of text and task
4. Materials should allow learners to focus on formal aspects of the language
5. Materials should encourage learners to develop learning skills, and skills in learning
6. Materials should encourage learners to apply their developing skills to the world beyond the classroom.
D. A Text-driven Approach to Materials Development
Tomlinson’s own preference is the text-driven approach, in which an engaging written or spoken text drives a unit of materials in which readiness activities activate the learners’ minds in relation to the text, initial response activities stimulate engagement whilst experiencing the text, intake response activities encourage articulation of personal responses, input response activities invite exploration of features of the text and development activities encourage learner production (Tomlinson 2003c).
There are the principles and procedures of material development by Brian Tomlinson and many researchers. The PPT explains about how to make materials for material development, or we called teacher. So, teacher should fulfill these procedures and principles when teach students.
Developing principled frameworks for material developmentH. R. Marasabessy
A. What does ‘Materials development’ mean?
○ ‘Materials development’ refers to all the processes made use of by practitioners who produce and/or use materials for language learning, including materials evaluation, their adaptation, design, production, exploitation and research. Ideally, all of these processes should be given consideration and should interact in the making of language-learning materials.
○ Materials development is both a field of study and a practical undertaking. As a field it studies the principles and procedures of the design, implementation and evaluation of language teaching materials
B. Frameworks for materials development
Richards (1995:102-103) describes frameworks as the process of designing a “design or frame for a unit in a textbook” which can “serve as a formulae which the author can use in writing the book
C. Principles in Materials Development
Most writers on the process of the materials development focus on needs analysis as starting point. And some writers report starting by articulating their principles.
Bell and Gower (1998:122-125) started by articulating principles which they wanted to guide their writing:
○ Flexibility
○ From text to language
○ Engaging content
○ Natural language
○ Analytic approaches
○ Emphasis on review
○ Personalized practice
○ Integrated skills
○ Balance of approaches
○ Learner development
○ Professional respect
Tomlinson (1999b) describes a principled and flexible framework designed to help teachers to develop materials efficiently and effectively.
Penaflorida (1995:172-179) reports her use of the six principles of materials design identified by Nunan (1988):
1. Materials should be clearly linked to the curriculum they serve.
2. Materials should be authentic in terms of text and task
3. Materials should be authentic in terms of text and task
4. Materials should allow learners to focus on formal aspects of the language
5. Materials should encourage learners to develop learning skills, and skills in learning
6. Materials should encourage learners to apply their developing skills to the world beyond the classroom.
D. A Text-driven Approach to Materials Development
Tomlinson’s own preference is the text-driven approach, in which an engaging written or spoken text drives a unit of materials in which readiness activities activate the learners’ minds in relation to the text, initial response activities stimulate engagement whilst experiencing the text, intake response activities encourage articulation of personal responses, input response activities invite exploration of features of the text and development activities encourage learner production (Tomlinson 2003c).
A presentation about different types of assessment tools that can be use in assessing language. There are also some meaningful insights about language test and language assessment
the L2 reading difficulties and noted the similarities in the descriptions of unsuccessful reading behaviors:
“reading in the L2 seems to mean almost invariably a slow and laborious decoding process, which often results in poor comprehension and low self-esteem.”
A presentation about different types of assessment tools that can be use in assessing language. There are also some meaningful insights about language test and language assessment
the L2 reading difficulties and noted the similarities in the descriptions of unsuccessful reading behaviors:
“reading in the L2 seems to mean almost invariably a slow and laborious decoding process, which often results in poor comprehension and low self-esteem.”
Principles and Practices for Teaching English as an International Language: T...ElsherifE
The presentation is about a book chapter that discusses teaching critical reading. the book title is:. Principles and ractices for Teaching English as an International Language.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
This is a presentation by Dada Robert in a Your Skill Boost masterclass organised by the Excellence Foundation for South Sudan (EFSS) on Saturday, the 25th and Sunday, the 26th of May 2024.
He discussed the concept of quality improvement, emphasizing its applicability to various aspects of life, including personal, project, and program improvements. He defined quality as doing the right thing at the right time in the right way to achieve the best possible results and discussed the concept of the "gap" between what we know and what we do, and how this gap represents the areas we need to improve. He explained the scientific approach to quality improvement, which involves systematic performance analysis, testing and learning, and implementing change ideas. He also highlighted the importance of client focus and a team approach to quality improvement.
The Indian economy is classified into different sectors to simplify the analysis and understanding of economic activities. For Class 10, it's essential to grasp the sectors of the Indian economy, understand their characteristics, and recognize their importance. This guide will provide detailed notes on the Sectors of the Indian Economy Class 10, using specific long-tail keywords to enhance comprehension.
For more information, visit-www.vavaclasses.com
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
Bio-prospecting tools for drug discovery,
Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
2. Genre Definition
Etymologically, the word ‘genre’ is derived from
the French language meaning ‘form’ or ‘type’.
Then, originally, the word ‘genre’ which is also
used in Biology science means ‘genus’ referring to
the classification of flora and fauna (Stokes, 2006;
Himawan, 2007).
Then, nowadays, genre is also used in linguistic
studies.
Derewianka (1946, p. 18) in Zulyetti's journal
defines a genre as ‘particular text-type’. He refers
texts to ‘any meaningful stretch of language – oral
or written’ which become particular mainly
because of its social purpose in the
communication.
3. Genre Characteristics
Genre has a particular communication event,
Genre has a specific goal (goal oriented),
Genre is different and various in accordance to its
typical features,
Each genre has a matter of limitation and rules
including content, physical form, and shape, and
Every genre belongs to a certain discourse community.
Swales (1990)
4. Genre Category
The genre category according to
Sidaway (2006) uses the term 'The
Magnificent Seven‘. Among them :
recount
narrative
explanation
information report
procedure
discussion
exposition.
5. Each genre may present itself in various
text forms. For example, a film review can
be categorized as an exposition. On the
other hand, a narrative may be found in
email messages, newspaper articles, novels,
and so forth.
6. Genre Based Approach
Definition
Genre Based Approach is a writing learning approach
strategy that combines product and process
approaches (Rival et al, 2021)
Genre based approach is a systematic writing
learning instruction medium to help students
compose meaningful writing (Byram, 2004).
The genre-based approach focuses on a learner's
creativity in compiling systematic writing within the
context of a broader writing purpose. This is because in
a genre-based approach, the social context (outside the
classroom context) is the main purpose of writing where
the writer must be able to capture the diversity of
social characters of the readers.
7. Purpose of Genre Based
Approach
The purpose of a genre-based approach is
to support students writing with
generalized, systematic guiding principles
about how to produce meaningful
passages.
Basically, genre-based teaching approach
aims at developing students literacy skills
focusing on the social processes such as
explain, describe, and argue (Kay &
Dudley-Evans, 1998).
8. ADVANTAGES OF GENRE BASED APPROACH
Real-Life Communication: It focuses on teaching students how to use
language in real-life contexts, preparing them for practical
communication.
Contextual Learning: Students learn English by analyzing and producing
texts in specific genres, which helps them understand the language's use
in various contexts.
Genre Awareness: It develops students' awareness of different text types,
enabling them to comprehend and produce a wide range of written and
spoken genres.
Critical Thinking: This approach encourages critical thinking and analysis,
as students examine the structure, language features, and purposes of
different genres.
Transferable Skills: The skills acquired through genre-based teaching are
transferable to different genres and communication situations.
9. Authentic Materials: It often involves the use of authentic materials,
such as newspapers, articles, and speeches, enhancing language
learning with real-world content.
Motivation: Engaging with a variety of genres can make language
learning more engaging and motivating for students.
Academic and Professional Readiness: It equips students with the
skills needed for academic and professional communication, as they
become proficient in different genres commonly used in these settings.
Cultural Understanding: By exploring various genres, students gain
insights into different cultures and their linguistic expressions.
Effective Communication: Genre-based teaching helps students
become more effective communicators in both written and spoken
English.
10. DISADVANTAGES OF GENRE BASED APPROACH
Limited Creativity: It can be restrictive and may stifle students' creativity,
as it often focuses on specific structures and patterns, leaving little room
for personal expression.
Overemphasis on Form: This approach may prioritize the form and
structure of language over communication and meaning, potentially
leading to mechanical and unnatural language use.
Difficulty in Assessing Proficiency: Assessing students' language
proficiency based solely on their ability to mimic specific genres may not
accurately reflect their overall language skills or readiness for real-world
communication.
Cultural Bias: Some genres may be culturally specific, making it
challenging for non-native speakers to fully understand or use them in
culturally diverse contexts.
11. Lack of Flexibility: It might not accommodate the diverse needs and
interests of individual students, as it often follows a predetermined
curriculum.
Potential for Stereotyping: Focusing on genres can reinforce
stereotypes or narrow views of certain groups or types of
communication, as it may not encourage exploration of alternative
perspectives.
Insufficient Emphasis on Language Variation: This approach may
not adequately address the dynamic nature of language, including
dialects, regional variations, and evolving language trends.
It's essential to balance the genre-based approach with other
language teaching methods to address these limitations and provide
a well-rounded language education
12. The steps to implement
genre-based learning in
teaching:
Select Appropriate Genres
Genre Analysis:
a. Identify Characteristic
b. Create Genre Profiles
Explicit Teaching:
a. Introduce Genres
b. Modeling
c. Practice Analysis
Hands-on Practice
a.Genre Imitation
b.Gradual Releas
Feedback and Revision:
a. Peer Review
b. Teacher Feedback
Real-Life Application
a. Applying Genres
Reflection:
a. Metacognition
Assessment:
a. Assess Learning Outcomes
Ongoing Practice and
Development:
a. Continued Exposure
Collaborative Learning:
a. Peer Collaboration
13. Remember that genre-based
learning is not limited to language
arts; it can be applied across
subjects to help students better
understand and communicate in
specific disciplinary contexts.
14. The example of how the Genre-Based
Approach (GBA) can be applied to teaching
English in a classroom, specifically focusing
on the genre of a short story:
Objective: Teach high school students how to write and analyze
short stories.
Step 1: Genre Selection
• Identify the genre: The selected genre is the short story.
• Explain the significance of short stories in literature and when they
are used, such as in creative writing, literary magazines, and
storytelling.
15. Step 2: Genre Analysis
• Break down the elements of a short story:
• Characters: Protagonist, antagonist, supporting characters.
• Plot: Exposition, rising action, climax, falling action,
resolution.
• Setting: Time and place.
• Theme: The central message or lesson.
• Point of view: First person, third person, etc.
• Tone and mood.
• Character development, conflict, and resolution.
16. Step 3: Explicit Teaching
• Present the structure and elements of a short story.
• Model the writing process by creating an example short
story.
• Analyze a well-known short story to illustrate literary
techniques and the genre's conventions.
Step 4: Hands-on Practice
• Guided Practice:
• Provide a writing prompt or topic.
• Collaboratively create a short story as a class.
• Discuss and decide on the characters, setting, plot, and
theme.
• Model how to build tension and create a climax.
• Craft the resolution together.
17. Step 5: Feedback and Revision
• Peer Review:
• Have students exchange their short stories for peer review,
using a checklist that includes genre-specific elements.
• Teacher Feedback:
• Provide feedback on their short stories, emphasizing genre-
specific criteria and literary techniques.
• Encourage students to revise and improve their short
stories based on feedback.
Step 6: Real-Life Application
• Assign students to write their own short stories as a real
assessment, specifying the theme, setting, or other
parameters.
• Encourage students to use their knowledge of the genre
to create compelling narratives.
18. Step 7: Reflection
• Have students reflect on their understanding of short stories,
discussing how they have developed as writers and what they
have learned about literary elements.
Step 8: Assessment
• Evaluate students' short stories based on criteria related to
short story elements, creativity, and effective use of literary
techniques.
Step 9: Ongoing Practice and Development
• Continue to expose students to different short stories and
literary techniques, encouraging them to explore various
themes and writing styles.
Step 10: Collaborative Learning
• Encourage students to discuss their writing process, share
their favorite short stories, and provide constructive feedback
to peers during the writing process.
19. This example demonstrates how GBA can be applied to
teaching the genre of a short story in an English class. It
provides a structured approach to help students understand
the elements and conventions of the genre and develop their
creative writing skills. This approach can be adapted to other
genres and grade levels as well.