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Gender & Sexuality in Animation Films ,[object Object],[object Object],[object Object]
creating a standard idealized body
post October Revolution (1917) USSR animation became a political medium  propaganda “ it was important to keep Russians believing they live in the greatest country in the world.” - Igor Kokarey
 
While American capitalists are shown as physically obese and morally bankrupt, it is the Nazis who come to be viewed as completely inhuman. Often fascists are represented as animals or beasts.
 
Russian Proletariet is represented by strong men in simple clothes   allegorical representation for all Soviet workers
a brief history of superheroes
 
she-ra princess of power (1956) batman the animated series (1996) the new batman adventures (1997) batman beyond (1998) she-ra princess of power (1956) justice league (2009)  } stylistic similarity  james tucker
 
hyper-sexuality & hyper-fetishizing
self-conscious approach -status and power -instinct to survive at any cost -a direct engagement with sexual feelings and identity
 
exploring the unattainable ,[object Object],[object Object]
holli would “cool world”
“ holli would if she could” extreme idealizations   OR idealizations of extreme male gaze female body = weapon of seduction
school days school girl = innocence fetish youthful characters encapsulated in adult bodies
 
sex  & violence hentai thematically wide-ranging complex in narrative exploring sexual non moralistic sexual acts
unstoppable forces of nature duality female body as product of strength & victimization
de-hyper-sexualization
divorcing sexuality from animated ideals
appropriation of the idealized form
opposing mainstream: phil mulloy
excerpt from phil mulloy’s “intolerence pt. 1”
“ displaced” eroticism & fetish: the brothers quay
excerpt from “street of crocodiles”

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Gender and Sexuality in Animation