The document summarizes the impact of digitalization on the book industry. It provides examples of how digital technologies have disrupted traditional models, including Lawrence Lessig's use of a wiki to update his book and collaboratively write Code v2. Emerging structures like online booksellers, search engines, and self-publishing platforms are bypassing traditional players and changing value creation processes. However, no sustainable new business models have emerged yet and traditional publishers may need to change radically or decline as revenues can now flow more directly to authors.
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Biblissima: an Observatory for the Written Cultural Heritage of the Middle Ag...Equipex Biblissima
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A presentation given for the "Knowledge management and IT" course at the University College Maastricht, fall 2006.
출판시장의 변화와 출판사의 re-position
"책을 만들어 판매하는"에서 "책에 관한 경험을 (대안을) 만들어 이를 통한 사용자와 관계를 주도하는..."으로 변화
"New way of book experience"
You can get more info at
http://www.designconvivial.com/
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Essays dedicated to the new media, doing business on the web, digital content, its creation and distribution, e-publishing, e-books, digital reference, DRM technology, and other related issues.
Self Publishing is the publication of an author's work without the help of any publishing house. The author takes full responsibility for the publishing process, and they print and sell it using either alone or with the help of self-publishing service providers. The author has the freedom to make independent decisions. The author will have complete control over the manuscript selection, processing, printing, marketing and distribution of the book. This presentation talks about the various approaches to the self-publishing of books.
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Sharing Culture in Books and the Benefits of Openness: Social Networks, P2P ...Sean Cranbury
Presented at Simon Fraser University, Book Publishing Immersion Workshops on July 21, 2010.
My presentation is called "Sharing Culture in Books and the Benefits of Openness: Social Networks, P2P & Infinite Digital Space."
An investigation into adaptation, digital transition in the book publishing industry.
The bottom-up approach to the internet, and what organisations can learn from that.
A presentation given for the "Knowledge management and IT" course at the University College Maastricht, fall 2006.
출판시장의 변화와 출판사의 re-position
"책을 만들어 판매하는"에서 "책에 관한 경험을 (대안을) 만들어 이를 통한 사용자와 관계를 주도하는..."으로 변화
"New way of book experience"
You can get more info at
http://www.designconvivial.com/
TrendSiters - Digital Content and Web TechnologiesSam Vaknin
Essays dedicated to the new media, doing business on the web, digital content, its creation and distribution, e-publishing, e-books, digital reference, DRM technology, and other related issues.
Self Publishing is the publication of an author's work without the help of any publishing house. The author takes full responsibility for the publishing process, and they print and sell it using either alone or with the help of self-publishing service providers. The author has the freedom to make independent decisions. The author will have complete control over the manuscript selection, processing, printing, marketing and distribution of the book. This presentation talks about the various approaches to the self-publishing of books.
Aaron Miller, CTO of BookGlutton, talks about the history of BookGlutton and social reading, the difference between audience and community, and the new Read Social API, that allows people to create groups and share notes across different reading systems. http://www.readsocialAPI.com
Using WordPress for Digital Workflows and MoreKirk Biglione
As digital becomes more central to a book publishers life, the tools must change to keep pace. In this session we look at WordPress as a lightweight digital swiss army knife, a powerful and flexible platform that can be adapted to many publishing needs. We’ll look at using WordPress-based systems for ecommerce, marketing, catalogs and discovery and more. Participants will aslo have a hands-on demo of PressBooks (built on WordPress), a digital book production tool that participants can use to generate an epub and typeset PDFs.
Sharing Culture in Books and the Benefits of Openness: Social Networks, P2P ...Sean Cranbury
Presented at Simon Fraser University, Book Publishing Immersion Workshops on July 21, 2010.
My presentation is called "Sharing Culture in Books and the Benefits of Openness: Social Networks, P2P & Infinite Digital Space."
An investigation into adaptation, digital transition in the book publishing industry.
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Vgl. auch:
Zimmermann, H.-D. (2014). Smart Cities und Privatheit.In: E. Plödereder, L. Grunske, E. Schneider, & D. Ull (Eds.), INFORMATIK 2014: Big Data – Komplexität meistern (pp. 2553–2539). Stuttgart: Lecture Notes in Informatics (LNI) - Proceedings Series of the Gesellschaft für Informatik (GI).(http://hdz.li/SmartCitiesPrivatheit)
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Präsentation anlässlich der 18. OBA Ostchweizer Bildungsausstellung im Rahmen der Forumsveranstaltungen, 3. Sept. 2011, St. Gallen (http://goo.gl/wE8xV)
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Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
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http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
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Landownership in the Philippines under the Americans-2-pptx.pptx
'From the Gutenberg Galaxy towards a Digital Galaxy: Developments in the Book Industry'
1. From the Gutenberg Galaxy Towards
a Digital Galaxy:
Developments in the Book Industry
7. November 2008
Liberec Informatics Forum
Hans-Dieter Zimmermann
Swiss Institute for Information Research SII
University of Applied Sciences HTW Chur, Switzerland
This presentation is licensed under a Creative Commons Attribution-
Noncommercial-Share Alike 2.5 Switzerland License
http://creativecommons.org/licenses/by-nc-sa/2.5/ch/
3. Impact of Digitalization on Industries
There is a very obvious transformation of industries
going on due to an ongoing digitalization, e.g. in …
Banking
Tourism
Media
Newspapers
Music
Movie
…
… but what about the book industry?
No research available
page 3
5. Digitalization in the Book Industry – Examples:
Codev2
Starting point:
Lawrence Lessig (1999): Code and Other Laws of Cyberspace.
Lessig: Professor at Stanford University
Founder of Creative Commons (http://creativecommons.org)
[http://codev2.cc/] Seite 5
6. Example: Code v2 by Lawrence Lessig
“That text is Lessig's "Code and Other Laws of Cyberspace." The second
version of that book is "Code v2." The aim of Code v2 is to update the earlier
work, making its argument more relevant to the current internet.
Code v2 was written in part through a collaborative Wiki. That version is
still accessible here. Lessig took the Wiki text as of 12/31/05, and then added
his own edits. Code v2 is the result.
The Wiki text was licensed under a Creative Commons Attribution-
ShareAlike 2.5 License. So too is the derivative. Reflecting the contributions
of the community to this new work, all royalties have been dedicated to
Creative Commons.
You can download the full text in PDF form. The text is also available in a
Wiki hosted by SocialText. And obviously, you can also buy the book at the
links to the right. “
[http://codev2.cc/] Seite 6
7. Digitalization in the Book Industry – Examples:
WEbook - User-Generated Books ?
Seite 7
[http://www.businessweek.com/technology]
9. Digitalization in the Book Industry – Examples:
User Generated Content: Book Charts
[http://www.mayersche.de/469.3.html] page 9
10. Digitalization in the Book Industry – Examples:
eBook, eJournal, eEverything?
[http://lib.consortium.ch/]
Seite 10
11. Framework to Capture the Changing Value Creation
Structures Processes
Products Infrastructures
page 11
12. Value Creation Structures:
Re-Intermediation: Reinforcement of Existing Players
Traditional intermediaries have to redefine their business
Book retailers
Book wholesaler
Publishing houses
E-Commerce applications
‚Web 2.0‘ applications
Examples
Catalogues, Online ordering, recommendations, reviews, blogs, book
charts, social tagging, communities of interest, additional information
about authors such as interviews, etc., search inside, whishlist, ratings,
etc.
page 12
13. Value Creation Structures:
Cyber-Mediation: Emerging new Intermediaries
From Re- to Cyber-Mediation:
Mangaka.de:
A publisher emerges as a
communiy manager for mangas
(Verlag Droemer Knaur )
Open question:
Business model?
page 13
14. Value Creation Structures:
Cyber-Mediation: Emerging new Intermediaries
Amazon.com
Online-only bookseller scared traditional player in the mid 90s
Google.com
Digitalization of books, ‘search inside’
Libreka.de
The answer to Google
Libreka.de represents the German booksellers
>75’000 books online in fulltext
E-Commerce options
Goal: shall support traditional booksellers
… but why should I go the bookseller anymore?
page 14
15. Value Creation Structures:
Cyber-Mediation: Emerging new Intermediaries
Webook.com
Collaborative authoring of books
BookRix.com , XinXii.com
Platforms that enable authors to market their e-books directly
‚Books on Demand‘ – bod.de
Enables authors to market their printed books directly
Pegastar.com
Individualization of books
There are plenty of options to participate in the book market and to cope
with the challenges
page 15
16. Value Creation Processes:
Bypassing Traditional Players
Process Description Example
‚Product Individualization of contents: Pegastar.com
design‘/ The reader as a co-author
text authoring
Collaborative authoring: verlorene-werke.de
Provision of platforms supporting fantasyautoren.de
authors kurzgeschichten.de
Webook.com
Utilization of wikis to integrate codev2.com
readers into the authoring process (Lawrence Lessig)
page 16
17. Value Creation Processes:
Bypassing Traditional Players
Google Book Search
libreka.de
Online book seller and
Online applications offered by
publisher
booksellers, publishers: e.g., review,
Product MySpace.com
book charts by readers, blogs,
search Facebook.com: Virtual
‘search inside’, background
Bookshelf
information, forums, chats, etc.
Affiliate-Programs of
Online booksellers
www.literatopia.de
page 17
18. Value Creation Processes:
Bypassing Traditional Players
Order Online orders through publishers Randomhouse.de
Bod.de
Production Book print to order
Pegastar.com
Distribution BookRix.com
Pure Online distribution as XinXii.com
e-books free-ebooks.net
storyparadies.de
verlorene-werke.de
‚hybrid distribution‘:
free download availability but print Codev2.com
version to buy
Direct distribution through authors elfriedejelinek.com
page 18
19. Conclusions
The book market is undergoing a major change
Changes are driven by ICT
Market interaction reaches new heights
Booksellers have to redefine their business
The reader is no longer only a buyer, but a reviewer, co-author, discussant
There are plenty of options - but they have to be tested -
… and there are plenty of threats
… but no sustainable business models yet!
page 19
20. „I expect that business models will change further and it seems likely that the
traditional music and book publishing industry, for example, will have to
change radically, or die. […] The new digital and networked online
environment simply does not support big intermediaries; the revenues,
moreover, can flow more directly to the artists rather than to the
intermediaries. That’s not to say that they can’t perform useful functions in
career management, production, editing, marketing and the like – but they can
no longer get much of a return on the distribution function that was their
mainstay.”
[Dyson 2006]
page 20
21. Thanks for your attention.
Hans-Dieter Zimmermann
www.hdzimmermann.net
This presentation is licensed under a Creative Commons Attribution-
Noncommercial-Share Alike 2.5 Switzerland License page 21
http://creativecommons.org/licenses/by-nc-sa/2.5/ch/