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FORMALISM 
(also known as 
New Criticism)
• Formalism refers to a style of inquiry that focuses, 
almost exclusively, on features of the literary text 
itself, to the exclusion of biographical, historical, or 
intellectual contexts 
• New Criticism, incorporating Formalism, examines the 
relationships between a text's ideas and its form, 
between what a text says and the way it says it 
• New Criticism attempts to be a science of literature, 
with a technical vocabulary
Formalism 
• emphasizes explication, or "close reading," of "the 
work itself" 
• aims to classify, categorize, and catalog works 
according to their formal attributes 
• attempts to treat each work as its own distinct 
piece, free from its environment, era, and even 
author 
• focuses on the internal workings of the text rather 
than its external influences
Glossary of major 
Formalist literary terms: 
• Character— creation and representation of fictional persons and 
entities 
antagonist — the main villain 
antihero — a central sympathetic character with significant 
personal flaws 
dynamic— changing, growing, active 
flat— not well-developed 
protagonist— the main character with whom the audience is 
expected to sympathize 
round— well-developed 
static— not growing or changing, an inactive personality 
symbolic— caricature that is representative of certain kinds of 
people
Glossary of major 
Formalist literary terms: 
• Figures of speech —various expressive devices used in 
vivid writing 
allegory—parallel story with underlying moral or message 
analogy—extended comparison of things or events with other 
things and events 
irony—paradoxical events, ideas, or attitudes that are played 
off against each other 
sarcasm—making serious fun of things, ideas, people, or 
events 
satire—synthesis of heavily developed ironies and sarcasms 
metaphor—brief or extended comparison of something with 
something else
Glossary of major 
Formalist literary terms: 
• personification—comparing inanimate things to 
people 
• simile—something or someone is "as a" 
something else 
• symbolism—using inanimate or imagined things 
to stand for real situations 
• intangible—imaginary or "mental" symbols 
• tangible—physical or "actual" symbols
Glossary of major 
Formalist literary terms: 
• synecdoche—using the narrative of a large human issue to 
illustrate a smaller, more particular concern; comparing a 
whole with one or more of its parts (as in saying "the 
smiling year" to indicate spring) 
• metonymy—using the story of a small, localized event to 
illustrate a larger social concern; comparing a part with the 
whole (as in "he gave up the sword" to indicate leaving a 
life of warfare)
Glossary of major 
Formalist literary terms: 
Imagery— specific details used to describe characters, 
situations, things, ideas, or events 
hearing—images that make you hear sounds in your mind 
seeing—images that draw mental pictures 
smelling—images that bring the memories of odors and aromas to 
mind 
tasting—images that make you recall or imagine how something 
might taste 
touching—images that help you imagine how something might feel 
on your skin 
extrasensory—images that take you to an imaginary world of 
sensations
Glossary of major 
Formalist literary terms: 
• Plot — a series of events or happenings that organize a text 
climax—the point of highest dramatic tension in a text 
complicated—characterized by many twists and turns 
conflict—plot features that demonstrate human rivalries and 
difficulties, whether internal or external 
external—conflicts that are active, perhaps physical or overtly 
expressed 
internal—conflicts that are passive, perhaps mental or covertly 
expressed 
dénouement—final part of a play, movie, or narrative in which the 
strands of the plot are drawn together and matters are explained or 
resolved
Glossary of major 
Formalist literary terms: 
• Plot — a series of events or happenings that organize a text 
foreshadowing—plot features that predict other events, such as the 
climax or dénouement 
implausible—fantastic plots that are not acceptable in the everyday 
sense of reality 
inciting event—event that marks the beginning of a course of action 
plausible—believable, everyday plots 
recognition—events that reveal aspects of a character in a new light 
reversal—events that mark a turnabout of fortune for a character 
simple—arranged with few twists and turns
Glossary of major 
Formalist literary terms: 
Point of view — perspective of the controlling narrative voice 
first person—narrative voice that speaks with "I/we/us" pronouns 
limited omniscience—narrator who doesn't know everything 
objective—narrator who tries to tell the story from an impersonal point 
of view 
omniscient—narrator who presumes to know the ultimate truth of the 
story 
reliable—narrator who can be trusted to tell the truth and be objective 
subjective—narrator whose personal viewpoint has skewed the telling 
of the story 
third person—narrative voice that uses "he/she/they" pronouns 
unreliable—narrator who cannot be trusted to tell the truth or be 
objective
Glossary of major 
Formalist literary terms: 
Setting —atmosphere, historical period, physical setting, 
or mood of text 
place—physical or psychical locations of events, things, characters, 
and historical times 
time—physical or psychical progression of events 
ahistorical—not grounded in any "real" historical period; imaginary or 
fantastic 
chronological—linear telling of events 
backward—starting at the end and working toward the beginning 
forward—starting at the beginning and working toward the end 
circular—a reflection that begins anywhere, goes to the end, works its 
way to the beginning, and eventually gets back to where it started
Glossary of major 
Formalist literary terms: 
Theme —a major idea or message in the text 
controlling idea—the organizing theme of a work 
related ideas—subthemes that contribute to the development 
of the main idea 
separate issues—ideas not directly related to the main idea or 
subthemes, but that are nevertheless important and contribute 
to the overall success of the text

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Formalistic approach

  • 1. FORMALISM (also known as New Criticism)
  • 2. • Formalism refers to a style of inquiry that focuses, almost exclusively, on features of the literary text itself, to the exclusion of biographical, historical, or intellectual contexts • New Criticism, incorporating Formalism, examines the relationships between a text's ideas and its form, between what a text says and the way it says it • New Criticism attempts to be a science of literature, with a technical vocabulary
  • 3. Formalism • emphasizes explication, or "close reading," of "the work itself" • aims to classify, categorize, and catalog works according to their formal attributes • attempts to treat each work as its own distinct piece, free from its environment, era, and even author • focuses on the internal workings of the text rather than its external influences
  • 4. Glossary of major Formalist literary terms: • Character— creation and representation of fictional persons and entities antagonist — the main villain antihero — a central sympathetic character with significant personal flaws dynamic— changing, growing, active flat— not well-developed protagonist— the main character with whom the audience is expected to sympathize round— well-developed static— not growing or changing, an inactive personality symbolic— caricature that is representative of certain kinds of people
  • 5. Glossary of major Formalist literary terms: • Figures of speech —various expressive devices used in vivid writing allegory—parallel story with underlying moral or message analogy—extended comparison of things or events with other things and events irony—paradoxical events, ideas, or attitudes that are played off against each other sarcasm—making serious fun of things, ideas, people, or events satire—synthesis of heavily developed ironies and sarcasms metaphor—brief or extended comparison of something with something else
  • 6. Glossary of major Formalist literary terms: • personification—comparing inanimate things to people • simile—something or someone is "as a" something else • symbolism—using inanimate or imagined things to stand for real situations • intangible—imaginary or "mental" symbols • tangible—physical or "actual" symbols
  • 7. Glossary of major Formalist literary terms: • synecdoche—using the narrative of a large human issue to illustrate a smaller, more particular concern; comparing a whole with one or more of its parts (as in saying "the smiling year" to indicate spring) • metonymy—using the story of a small, localized event to illustrate a larger social concern; comparing a part with the whole (as in "he gave up the sword" to indicate leaving a life of warfare)
  • 8. Glossary of major Formalist literary terms: Imagery— specific details used to describe characters, situations, things, ideas, or events hearing—images that make you hear sounds in your mind seeing—images that draw mental pictures smelling—images that bring the memories of odors and aromas to mind tasting—images that make you recall or imagine how something might taste touching—images that help you imagine how something might feel on your skin extrasensory—images that take you to an imaginary world of sensations
  • 9. Glossary of major Formalist literary terms: • Plot — a series of events or happenings that organize a text climax—the point of highest dramatic tension in a text complicated—characterized by many twists and turns conflict—plot features that demonstrate human rivalries and difficulties, whether internal or external external—conflicts that are active, perhaps physical or overtly expressed internal—conflicts that are passive, perhaps mental or covertly expressed dénouement—final part of a play, movie, or narrative in which the strands of the plot are drawn together and matters are explained or resolved
  • 10. Glossary of major Formalist literary terms: • Plot — a series of events or happenings that organize a text foreshadowing—plot features that predict other events, such as the climax or dénouement implausible—fantastic plots that are not acceptable in the everyday sense of reality inciting event—event that marks the beginning of a course of action plausible—believable, everyday plots recognition—events that reveal aspects of a character in a new light reversal—events that mark a turnabout of fortune for a character simple—arranged with few twists and turns
  • 11. Glossary of major Formalist literary terms: Point of view — perspective of the controlling narrative voice first person—narrative voice that speaks with "I/we/us" pronouns limited omniscience—narrator who doesn't know everything objective—narrator who tries to tell the story from an impersonal point of view omniscient—narrator who presumes to know the ultimate truth of the story reliable—narrator who can be trusted to tell the truth and be objective subjective—narrator whose personal viewpoint has skewed the telling of the story third person—narrative voice that uses "he/she/they" pronouns unreliable—narrator who cannot be trusted to tell the truth or be objective
  • 12. Glossary of major Formalist literary terms: Setting —atmosphere, historical period, physical setting, or mood of text place—physical or psychical locations of events, things, characters, and historical times time—physical or psychical progression of events ahistorical—not grounded in any "real" historical period; imaginary or fantastic chronological—linear telling of events backward—starting at the end and working toward the beginning forward—starting at the beginning and working toward the end circular—a reflection that begins anywhere, goes to the end, works its way to the beginning, and eventually gets back to where it started
  • 13. Glossary of major Formalist literary terms: Theme —a major idea or message in the text controlling idea—the organizing theme of a work related ideas—subthemes that contribute to the development of the main idea separate issues—ideas not directly related to the main idea or subthemes, but that are nevertheless important and contribute to the overall success of the text