Fonts For Film Pover
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The document discusses different font options for a film poster and evaluates each one. It considers factors like readability, how well the font fits the narrative and genre of the film, and whether it will attract their target audience. In the end, a font is chosen that reminds the author of computers and hacking, relates well to the film's narrative about technology, and will stand out on the poster.
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Poster production
Sophie Knight and the author decided to each create two posters advertising their city. The posters were to have a cartoony style depicting the cityscape rather than people. The author began by learning to draw realistic clouds digitally. They then warped buildings and text to curve upwards in line with the caricatured style. In the final poster, the author was pleased with the curved buildings but felt the smaller bottom text and logo could be improved.
Question 1
The media product uses and develops conventions of real media products without significantly challenging them. The trailer uses a voiceover for character introductions rather than just visuals. It also uses split screens, which are found in some films but not many trailers, to create a sense of chaos. The poster and magazine follow standard layouts and include typical elements like the film title, credits, and character images. The goal was to create authentic-looking promotional materials rather than reinvent conventions. This allows the media product to benefit from established forms without changing them.
POster analysis
The document analyzes and summarizes two movie websites - Fishtank and Kidulthood. For Fishtank, it notes that the poster image portrays the main character as rebellious and suggests aspects of the plot. It also praises the direct link to the trailer. For Kidulthood, it comments that the simple layout is due to the film's budget, and that the title, quote, and image of the protagonist holding a bat accentuate the film's criminal theme in order to attract a young audience. The analysis concludes that while Fishtank's site lacks information, both sites provide basic film website elements and layouts that can inspire the design of the author's own site due to their
Making the film poster (1)
The document discusses the making of a film poster. It will be created in Adobe Photoshop due to the group's experience with the software and its tools for editing images. The film's messages of forgiveness, love, and loss/death will be conveyed through the portrayal of the protagonist as a ghostly or spiritual character using techniques like costume, makeup, and transparency. Conventions for film posters like following the rule of thirds for image placement and including the title will be followed. The protagonist will be depicted in a pale, windswept manner to suggest her ghostly nature without revealing too much of the plot.
Evaluation Q2
The combination of the poster and magazine article effectively promote the film "ESCAPE" through subtle visual cues and simple yet meaningful design choices. In the poster, the main character is shot from behind to make him seem like he is hiding and wanting to escape, tying into the film's theme. The magazine article provides production details and intrigues readers about the mystery of the film and main character without revealing spoilers. While the design is simple due to limited budget and film complexity, elements like the sky and footsteps symbolize freedom and escape. The simple yet unconventional design approach may attract some audiences looking for something different from mainstream films.
Ancillary Product: Poster Research
The document analyzes and summarizes two silent comedy film posters: Charlie Chaplin's "The Kid" and Laurel & Hardy's "Towed in a Hole". Key aspects discussed include fonts, images, colors, and how conventions are used to appeal to audiences. Research conclusions note techniques like black and white coloring and facial expressions that will be considered for the author's own silent comedy poster. Studying successful posters allows understanding of how to advertise to the target audience through implicit visual elements.
Client feedback app icon
The app icon design effectively uses gradients, drop shadows, and outlines to create depth and make the main character image stand out. It incorporates recognizable elements from the Ninja Rush game like the character and weapons. The simple color scheme and lack of complex colors or unnecessary text keeps the icon clear while relating it to the game's theme. The bold outline around the character image could be slightly less prominent to better show details.
Evaluation Q2 by Omar Faruque
The combination of the poster and magazine article effectively promote the film "ESCAPE" through their simple yet meaningful designs. The poster features a faceless main character from behind to create intrigue about his identity and why he is escaping. The magazine article provides production details and builds mystery around the character without revealing spoilers. Both uses simple fonts and designs that complement the straightforward story, though the article font aims for more professionalism. Their low-budget marketing strategy focused on social media promotion due to limited funds for film magazines.
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Poster production
Sophie Knight and the author decided to each create two posters advertising their city. The posters were to have a cartoony style depicting the cityscape rather than people. The author began by learning to draw realistic clouds digitally. They then warped buildings and text to curve upwards in line with the caricatured style. In the final poster, the author was pleased with the curved buildings but felt the smaller bottom text and logo could be improved.
Question 1
The media product uses and develops conventions of real media products without significantly challenging them. The trailer uses a voiceover for character introductions rather than just visuals. It also uses split screens, which are found in some films but not many trailers, to create a sense of chaos. The poster and magazine follow standard layouts and include typical elements like the film title, credits, and character images. The goal was to create authentic-looking promotional materials rather than reinvent conventions. This allows the media product to benefit from established forms without changing them.
POster analysis
The document analyzes and summarizes two movie websites - Fishtank and Kidulthood. For Fishtank, it notes that the poster image portrays the main character as rebellious and suggests aspects of the plot. It also praises the direct link to the trailer. For Kidulthood, it comments that the simple layout is due to the film's budget, and that the title, quote, and image of the protagonist holding a bat accentuate the film's criminal theme in order to attract a young audience. The analysis concludes that while Fishtank's site lacks information, both sites provide basic film website elements and layouts that can inspire the design of the author's own site due to their
Making the film poster (1)
The document discusses the making of a film poster. It will be created in Adobe Photoshop due to the group's experience with the software and its tools for editing images. The film's messages of forgiveness, love, and loss/death will be conveyed through the portrayal of the protagonist as a ghostly or spiritual character using techniques like costume, makeup, and transparency. Conventions for film posters like following the rule of thirds for image placement and including the title will be followed. The protagonist will be depicted in a pale, windswept manner to suggest her ghostly nature without revealing too much of the plot.
Evaluation Q2
The combination of the poster and magazine article effectively promote the film "ESCAPE" through subtle visual cues and simple yet meaningful design choices. In the poster, the main character is shot from behind to make him seem like he is hiding and wanting to escape, tying into the film's theme. The magazine article provides production details and intrigues readers about the mystery of the film and main character without revealing spoilers. While the design is simple due to limited budget and film complexity, elements like the sky and footsteps symbolize freedom and escape. The simple yet unconventional design approach may attract some audiences looking for something different from mainstream films.
Ancillary Product: Poster Research
The document analyzes and summarizes two silent comedy film posters: Charlie Chaplin's "The Kid" and Laurel & Hardy's "Towed in a Hole". Key aspects discussed include fonts, images, colors, and how conventions are used to appeal to audiences. Research conclusions note techniques like black and white coloring and facial expressions that will be considered for the author's own silent comedy poster. Studying successful posters allows understanding of how to advertise to the target audience through implicit visual elements.
Client feedback app icon
The app icon design effectively uses gradients, drop shadows, and outlines to create depth and make the main character image stand out. It incorporates recognizable elements from the Ninja Rush game like the character and weapons. The simple color scheme and lack of complex colors or unnecessary text keeps the icon clear while relating it to the game's theme. The bold outline around the character image could be slightly less prominent to better show details.
Evaluation Q2 by Omar Faruque
The combination of the poster and magazine article effectively promote the film "ESCAPE" through their simple yet meaningful designs. The poster features a faceless main character from behind to create intrigue about his identity and why he is escaping. The magazine article provides production details and builds mystery around the character without revealing spoilers. Both uses simple fonts and designs that complement the straightforward story, though the article font aims for more professionalism. Their low-budget marketing strategy focused on social media promotion due to limited funds for film magazines.
Eye For An Eye: Feedback
The document provides feedback on the first draft of a poster and website for a project called "Eye For An Eye". Feedback indicated that the poster's antagonist and protagonist heights did not match, and the images looked amateurish and did not blend with the background. Similarly, the website was messy and unorganized with no space for an embedded trailer. Adjustments recommended included rearranging elements, blending images into the background, and making space on both the poster and website for additional elements.
Scriptwriting unit learning aim B
When writing scripts for different mediums, the format must match the needs of that medium. Master scene scripts focus on narrative with minimal camera directions for investors. Shooting scripts contain extensive technical details to guide production. Radio drama scripts rely on auditory cues rather than descriptions, with sound effects and music cues noted. All prioritize the key information appropriate for their audiences in an efficient manner.
6. production reflection(1) (2)
The document describes the process of creating a magazine cover and double page spread with a futuristic theme. For the cover, the artist started with a simple background of space and Earth, and added layers including a moon, spaceman, and custom title font to achieve a clean, detailed yet minimalistic design. For the double page spread, the artist used a backdrop of a futuristic city from Blade Runner, and centered a Nike shoe within an "aura" of glowing city lights to bridge future and present. Minor adjustments like toning and shadowing helped blend the elements into a cohesive, professional and impactful design relating the futuristic theme to everyday life.
Assignment 32 ancillary mood boards
This document contains mood boards and design ideas for an ancillary document about the effects of media and video games. It includes color scheme, layout, text, font, and photography style ideas. Some key ideas mentioned are using graphics and split layouts, matching logo/text colors, varying font sizes for visual hierarchy, embedding images in text, and using blurred backgrounds with bold text to imply influence of video games. The goal is to create an eye-catching yet informative ancillary document on this topic.
Mise en scene
The document discusses several filmmaking techniques including high key and low key lighting, costume, setting and props, facial expressions and body language, color, and expressive skills and realism. High key lighting uses fill light to minimize shadows while low key lighting creates strong shadows. Costumes establish time period and social context. Settings and props provide visual context and can take on symbolic meaning. Facial expressions and body language convey emotions. Color carries symbolic meaning and influences mood. Acting styles like realism aim for believability while allowing audiences to understand.
Making my movie poster
The document summarizes the process taken to create a movie poster, beginning with mockups inspired by "The Blair Witch Project" poster. Photos were taken on location and edited in Photoshop, including changing to grayscale, cutting out the logo and title, and adding color effects. Credits from the trailer were also included along with logos for production companies. The final poster included the release date, slogan, and credits to promote the film and create synergy with other products. The creator was happy that the professional final product closely followed the original design.
Masthead designs
1) The document discusses different masthead designs for a magazine called "Lunar".
2) The first design features a bold, graphic font curved around a large half moon shape. This consolidates the theme and is eye-catching.
3) The second design uses a thinner font contrasting with a bold half moon. However, it is not striking enough from a distance.
Poster mockup [compatibility mode]
The document provides layout guidelines for a movie poster, including:
1) The eye is guided in a backwards 'C' shape around the poster to view all information while focusing on the center image.
2) The title of the film is most important and will be at the top in a decorative font to inform viewers.
3) Main actors' credits will be placed near the title so viewers are aware of who stars in the film.
4) The billing box will be discreet and less noticeable at the bottom in a default font and dark gray color to stick to conventions.
OCRG324 Mdia Evaluation Question One
Rebekha White submitted a media production project for her Advanced Production course at Aquinas College. Her soap opera, called The Edge, is set in the fictional northern town of Elderly Edge. The Edge uses many conventions of real soap operas, such as featuring romantic storylines and drama targeted at a younger audience. It also develops some conventions, like using text messages to enhance the mystery of the plot. The locations, costumes, and props in the trailer reinforce the glamorous and wealthy status of the characters living in Elderly Edge.
Analysed The Codes And Conventions Used For My
The document analyzes the codes and conventions used in a poster and website for a film called "ETCH". Key elements included a tagline in a sans serif font, a billing box in a different font, and ratings shown using stars to encourage viewership. The film title was written in a "grunge" font called "due date". Elements were added in Photoshop, including an outline, splattered black and white colors, and burned photo edges to relate to the genre. Links and icons were also included to mirror common website features.
A2 Media Studies Evaluation
The document provides a reflection by the student on three media products they created: a short film, website, and postcard. The student discusses how they incorporated conventions and addressed social issues in their work. They aimed to represent an average family and teen girl. Elements like similar imagery, colors, fonts, and an original production company name were used across products to create branding. Feedback from test audiences was positive overall praising elements like camerawork, characters, and the issue of cyberbullying addressed. The student considers distribution methods for the short film like YouTube, festivals, or giving to schools.
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The document provides information on website and postcard design conventions for films. It discusses key elements like layout, images, fonts, content, target audiences, and genres. It then outlines the research and design process for a website and postcard for a film called Bardo, including initial draft designs, changes made, and the final designs. The website design focuses on visual appeal for teen audiences through dramatic images and color coordination. The postcard uses a dark color scheme and unsettling image to attract viewers and generate hype for the unknown film. Both pieces aim to look professional while conveying the drama genre and intrigue around the film.
Hot to storyboard
The document provides guidance on how to create an effective storyboard. It explains that storyboards are a series of illustrations displayed in sequence to help filmmakers visualize shots and plan their film. It then discusses key elements of a storyboard like including images of shots, camera instructions, sound details and more. Specific tips are provided on drawing people as stick figures and using circles to make them more proportional. The finished example storyboard page shows how to apply these tips and include all necessary information to properly plan shots.
OCRG324 Media Evaluation Question One
Rebekha White submitted a media production assignment for her Advanced Production course at Aquinas College. Her soap opera trailer, titled "The Edge," uses conventions from real soap operas like dramatic music, romantic storylines, and location-based drama. However, it also challenges conventions by leaving the audience unsure of a character's secret and role. The trailer aims to portray wealthy characters through luxurious locations, props, lighting, and costumes, but some elements could imply the characters are not as affluent as they seem. Fast editing builds tension and emotion to engage the audience.
Final fonts
Riesling font was chosen for the artist's name on the digipak and magazine ad to fit the retro theme while portraying the artist's feminine persona. The font was given a retro color treatment and set in all capital letters to express femininity but also convey women's empowerment in line with the products and artist's image.
Making the Film Poster
The document discusses the making of a film poster. It will be created in Adobe Photoshop due to the group's experience with the software and its tools for editing images. The film's messages of forgiveness, love, and loss/death will be conveyed through the portrayal of the protagonist as a ghostly or spiritual character using techniques like costume, makeup, and transparency. Conventions for film posters like following the rule of thirds for image placement and including the title will be followed. The protagonist will be depicted in a pale, windswept manner to suggest her ghostly nature without revealing too much of the plot.
Making my magazine cover
This document describes the process of designing a magazine cover for a special horror edition. The designer chose an intimidating image and darkened it to create a creepy impression. Text was added such as the magazine masthead and cover lines of varying sizes and colors to draw attention. The title and credits were modified with glows and borders to make them stand out against the background image and tie into the horror theme. Minor adjustments were made to spacing, colors and effects to finalize a professional looking cover aligned with the designer's style model and goals.
A2 Media Evaluation
Here are the key steps I took in Adobe Premier Pro to edit my footage:
1. I imported all of my raw footage into Adobe Premier Pro using the "Import" function.
2. I used the "Razor Tool" to cut my footage into individual clips at the points I wanted.
3. I arranged the clips on the timeline in the order I wanted them to play using drag and drop.
4. I applied transitions such as "fade" between clips using options in the "Effects" panel.
5. I added audio tracks including music and sound effects, adjusting the volume as needed.
6. I colour corrected clips and added other visual effects like brightness/contrast adjustments
6. production reflection joe 1
This document summarizes the process Joseph Sam Fulton took to create a final project poster. It includes:
1) Cutting out individual letters from game logos and arranging them to spell words on a black background.
2) Adding faded images of games in the background for visual interest.
3) Filling in letters with a dark grey color using effects like strobe for boldness.
4) Continuing to refine colors, positioning of images and letters, and fixing spelling errors until the final poster was completed and layers were organized.
Short Film Webpage Codes & Conventions
The document discusses the layout, design, technical codes, content, genre, and target audience of a movie website. It describes how the website uses the movie's poster as the centerpiece, includes an interactive menu, uses clickable links and trailers to engage viewers. It provides information on the cast, plot synopsis, creators and soundtrack. The color scheme and aesthetics aim to immerse viewers in the film's style. The simple design targets younger audiences while quotes and critics attract older viewers and social media mentions engage teens.
Adams Fine Jewellery & Watches Auction June 28 2016
Adams Fine Jewellery & Watches Auction
AUCTION
Tuesday 28th June 2016 at 6pm
VENUE
Adam’s Salerooms,
26 St. Stephen’s Green, Dublin D02 X665,
Ireland
SALE VIEWING JUNE 25th - 28TH
At Adam’s, 26 St. Stephen’s Green Dublin D02 X665
Saturday 25th June 1:00pm - 5 :00pm
Sunday 26th June 1:00pm - 5 :00pm
Monday 27th June 10:00am - 5:00pm
Tuesday 28th June 10:00am - 4:00pm
Derick de Meillon - Resume
This document contains the CV of Derick de Meillon, which outlines his work experience including roles in mechanical and machining apprenticeships as well as engineering superintendent positions at mining companies in South Africa and Mozambique. It details his responsibilities in these roles such as overseeing maintenance, ensuring safety standards, and training engineering personnel. His career highlights include contributing to the training and graduation of 110 Mozambican engineering artisans from 2011 to 2014.
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Eye For An Eye: Feedback
The document provides feedback on the first draft of a poster and website for a project called "Eye For An Eye". Feedback indicated that the poster's antagonist and protagonist heights did not match, and the images looked amateurish and did not blend with the background. Similarly, the website was messy and unorganized with no space for an embedded trailer. Adjustments recommended included rearranging elements, blending images into the background, and making space on both the poster and website for additional elements.
Scriptwriting unit learning aim B
When writing scripts for different mediums, the format must match the needs of that medium. Master scene scripts focus on narrative with minimal camera directions for investors. Shooting scripts contain extensive technical details to guide production. Radio drama scripts rely on auditory cues rather than descriptions, with sound effects and music cues noted. All prioritize the key information appropriate for their audiences in an efficient manner.
6. production reflection(1) (2)
The document describes the process of creating a magazine cover and double page spread with a futuristic theme. For the cover, the artist started with a simple background of space and Earth, and added layers including a moon, spaceman, and custom title font to achieve a clean, detailed yet minimalistic design. For the double page spread, the artist used a backdrop of a futuristic city from Blade Runner, and centered a Nike shoe within an "aura" of glowing city lights to bridge future and present. Minor adjustments like toning and shadowing helped blend the elements into a cohesive, professional and impactful design relating the futuristic theme to everyday life.
Assignment 32 ancillary mood boards
This document contains mood boards and design ideas for an ancillary document about the effects of media and video games. It includes color scheme, layout, text, font, and photography style ideas. Some key ideas mentioned are using graphics and split layouts, matching logo/text colors, varying font sizes for visual hierarchy, embedding images in text, and using blurred backgrounds with bold text to imply influence of video games. The goal is to create an eye-catching yet informative ancillary document on this topic.
Mise en scene
The document discusses several filmmaking techniques including high key and low key lighting, costume, setting and props, facial expressions and body language, color, and expressive skills and realism. High key lighting uses fill light to minimize shadows while low key lighting creates strong shadows. Costumes establish time period and social context. Settings and props provide visual context and can take on symbolic meaning. Facial expressions and body language convey emotions. Color carries symbolic meaning and influences mood. Acting styles like realism aim for believability while allowing audiences to understand.
Making my movie poster
The document summarizes the process taken to create a movie poster, beginning with mockups inspired by "The Blair Witch Project" poster. Photos were taken on location and edited in Photoshop, including changing to grayscale, cutting out the logo and title, and adding color effects. Credits from the trailer were also included along with logos for production companies. The final poster included the release date, slogan, and credits to promote the film and create synergy with other products. The creator was happy that the professional final product closely followed the original design.
Masthead designs
1) The document discusses different masthead designs for a magazine called "Lunar".
2) The first design features a bold, graphic font curved around a large half moon shape. This consolidates the theme and is eye-catching.
3) The second design uses a thinner font contrasting with a bold half moon. However, it is not striking enough from a distance.
Poster mockup [compatibility mode]
The document provides layout guidelines for a movie poster, including:
1) The eye is guided in a backwards 'C' shape around the poster to view all information while focusing on the center image.
2) The title of the film is most important and will be at the top in a decorative font to inform viewers.
3) Main actors' credits will be placed near the title so viewers are aware of who stars in the film.
4) The billing box will be discreet and less noticeable at the bottom in a default font and dark gray color to stick to conventions.
OCRG324 Mdia Evaluation Question One
Rebekha White submitted a media production project for her Advanced Production course at Aquinas College. Her soap opera, called The Edge, is set in the fictional northern town of Elderly Edge. The Edge uses many conventions of real soap operas, such as featuring romantic storylines and drama targeted at a younger audience. It also develops some conventions, like using text messages to enhance the mystery of the plot. The locations, costumes, and props in the trailer reinforce the glamorous and wealthy status of the characters living in Elderly Edge.
Analysed The Codes And Conventions Used For My
The document analyzes the codes and conventions used in a poster and website for a film called "ETCH". Key elements included a tagline in a sans serif font, a billing box in a different font, and ratings shown using stars to encourage viewership. The film title was written in a "grunge" font called "due date". Elements were added in Photoshop, including an outline, splattered black and white colors, and burned photo edges to relate to the genre. Links and icons were also included to mirror common website features.
A2 Media Studies Evaluation
The document provides a reflection by the student on three media products they created: a short film, website, and postcard. The student discusses how they incorporated conventions and addressed social issues in their work. They aimed to represent an average family and teen girl. Elements like similar imagery, colors, fonts, and an original production company name were used across products to create branding. Feedback from test audiences was positive overall praising elements like camerawork, characters, and the issue of cyberbullying addressed. The student considers distribution methods for the short film like YouTube, festivals, or giving to schools.
A2 Meida Studies Minor tasks
The document provides information on website and postcard design conventions for films. It discusses key elements like layout, images, fonts, content, target audiences, and genres. It then outlines the research and design process for a website and postcard for a film called Bardo, including initial draft designs, changes made, and the final designs. The website design focuses on visual appeal for teen audiences through dramatic images and color coordination. The postcard uses a dark color scheme and unsettling image to attract viewers and generate hype for the unknown film. Both pieces aim to look professional while conveying the drama genre and intrigue around the film.
Hot to storyboard
The document provides guidance on how to create an effective storyboard. It explains that storyboards are a series of illustrations displayed in sequence to help filmmakers visualize shots and plan their film. It then discusses key elements of a storyboard like including images of shots, camera instructions, sound details and more. Specific tips are provided on drawing people as stick figures and using circles to make them more proportional. The finished example storyboard page shows how to apply these tips and include all necessary information to properly plan shots.
OCRG324 Media Evaluation Question One
Rebekha White submitted a media production assignment for her Advanced Production course at Aquinas College. Her soap opera trailer, titled "The Edge," uses conventions from real soap operas like dramatic music, romantic storylines, and location-based drama. However, it also challenges conventions by leaving the audience unsure of a character's secret and role. The trailer aims to portray wealthy characters through luxurious locations, props, lighting, and costumes, but some elements could imply the characters are not as affluent as they seem. Fast editing builds tension and emotion to engage the audience.
Final fonts
Riesling font was chosen for the artist's name on the digipak and magazine ad to fit the retro theme while portraying the artist's feminine persona. The font was given a retro color treatment and set in all capital letters to express femininity but also convey women's empowerment in line with the products and artist's image.
Making the Film Poster
The document discusses the making of a film poster. It will be created in Adobe Photoshop due to the group's experience with the software and its tools for editing images. The film's messages of forgiveness, love, and loss/death will be conveyed through the portrayal of the protagonist as a ghostly or spiritual character using techniques like costume, makeup, and transparency. Conventions for film posters like following the rule of thirds for image placement and including the title will be followed. The protagonist will be depicted in a pale, windswept manner to suggest her ghostly nature without revealing too much of the plot.
Making my magazine cover
This document describes the process of designing a magazine cover for a special horror edition. The designer chose an intimidating image and darkened it to create a creepy impression. Text was added such as the magazine masthead and cover lines of varying sizes and colors to draw attention. The title and credits were modified with glows and borders to make them stand out against the background image and tie into the horror theme. Minor adjustments were made to spacing, colors and effects to finalize a professional looking cover aligned with the designer's style model and goals.
A2 Media Evaluation
Here are the key steps I took in Adobe Premier Pro to edit my footage:
1. I imported all of my raw footage into Adobe Premier Pro using the "Import" function.
2. I used the "Razor Tool" to cut my footage into individual clips at the points I wanted.
3. I arranged the clips on the timeline in the order I wanted them to play using drag and drop.
4. I applied transitions such as "fade" between clips using options in the "Effects" panel.
5. I added audio tracks including music and sound effects, adjusting the volume as needed.
6. I colour corrected clips and added other visual effects like brightness/contrast adjustments
6. production reflection joe 1
This document summarizes the process Joseph Sam Fulton took to create a final project poster. It includes:
1) Cutting out individual letters from game logos and arranging them to spell words on a black background.
2) Adding faded images of games in the background for visual interest.
3) Filling in letters with a dark grey color using effects like strobe for boldness.
4) Continuing to refine colors, positioning of images and letters, and fixing spelling errors until the final poster was completed and layers were organized.
Short Film Webpage Codes & Conventions
The document discusses the layout, design, technical codes, content, genre, and target audience of a movie website. It describes how the website uses the movie's poster as the centerpiece, includes an interactive menu, uses clickable links and trailers to engage viewers. It provides information on the cast, plot synopsis, creators and soundtrack. The color scheme and aesthetics aim to immerse viewers in the film's style. The simple design targets younger audiences while quotes and critics attract older viewers and social media mentions engage teens.
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Adams Fine Jewellery & Watches Auction June 28 2016
Adams Fine Jewellery & Watches Auction
AUCTION
Tuesday 28th June 2016 at 6pm
VENUE
Adam’s Salerooms,
26 St. Stephen’s Green, Dublin D02 X665,
Ireland
SALE VIEWING JUNE 25th - 28TH
At Adam’s, 26 St. Stephen’s Green Dublin D02 X665
Saturday 25th June 1:00pm - 5 :00pm
Sunday 26th June 1:00pm - 5 :00pm
Monday 27th June 10:00am - 5:00pm
Tuesday 28th June 10:00am - 4:00pm
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This document contains the CV of Derick de Meillon, which outlines his work experience including roles in mechanical and machining apprenticeships as well as engineering superintendent positions at mining companies in South Africa and Mozambique. It details his responsibilities in these roles such as overseeing maintenance, ensuring safety standards, and training engineering personnel. His career highlights include contributing to the training and graduation of 110 Mozambican engineering artisans from 2011 to 2014.
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Final research
The document discusses various fonts and title sequences that could work for a supernatural horror film. It analyzes fonts used in films like "Blair Witch Project", "Paranormal Activity", and "Scream" that connote danger, loneliness, and screaming through visual elements of the fonts. Placement of credits in films like "Monsters Inc", "Panic Room", and "Psycho" are also examined for how they relate to the narrative. Potential scores using instruments like violins, atonal music, and cello/viola are suggested that could set the right mood and appeal to the intended audience.
Final research pp
The document discusses font choices for the title of a film project called "Ava". It considers several simplistic font options from the website Dafont that connote oldness or danger without revealing the horror genre. The favorite option is "October Crow" as it looks oldest and best suits the narrative. While custom fonts were designed, the filmmakers likely will use a font from Dafont. The title will use a controversial color like white to link to themes of innocence and danger. A doll will also be subtly featured in shots to attract audiences and relate to the successful film Annabelle.
Final research
The document discusses various fonts and title sequences that could work for a supernatural horror film. It analyzes fonts like "Scary.TTF" that use bold letters that attract attention and connote drama. It also examines title sequences like in "Panic Room" that suggest realism through dull colors and big font on buildings, giving a sense of invasion of personal space. Overall, the document considers fonts and placements of credits that set an unsettling tone through simplicity, confusion, or relating to themes in the narrative like insanity or invasion in order to engage the target audience.
Analysis of student work
The student analyzed a film poster, webpage, and trailer created by another student for similarities they could apply to their own project. The poster used bold red typography against a dark blue background to convey the neo-noir genre. The grayscale webpage layout prioritized images over text to engage the audience. The trailer employed high contrast lighting, a dull color scheme, costumes to denote characters, and conventions like voiceover and abrupt cuts to unsettle the viewer.
Final research
The document discusses different fonts that could be used for horror movie titles and analyzes how each font conveys different meanings and tones through their design. It examines fonts used in titles for films like The Blair Witch Project and Paranormal Activity and how their serif, spacing, and shadowing styles set ominous, unsettling, and mysterious tones. Several spooky fonts found on dafont.com are proposed for a potential horror film title based on how their bold, cut-out, or shadowed lettering could attract attention and relate to themes of mystery, the supernatural, and being watched.
Font research
The document discusses font research for a horror film opening. It examines several fonts including "Some Lines", "Zombified", "Face Your Fears", and "Scratch Kit" but ultimately selects "Trajan Pro" for the title and credits. "Trajan Pro" was chosen because it had a horror feel, was bold and clear to read, and could transition from red to white to represent the film's mysterious main character.
Font
The document discusses four different fonts - New Yorker, Everyday Ghost, Unisketch, and Nilliand - and how they could potentially be used to advertise a short film. For each font, 3-4 sentences describe the style of the font and how it may symbolize aspects of the film's narrative, characters, location, or target audience. The document concludes by stating that the author has chosen to use the New Yorker font for advertising their short film, as it is clear while also representing the film's tone and conveying unique aspects that can be associated with the film.
Font
The document discusses different fonts that could be used for the title and credits of a thriller film. It analyzes several fonts in terms of how well they relate to and represent the storyline and tone of the film. While some fonts were deemed too simplistic, 3D-looking, or associated with a certain gender, the group overall agreed that planning font choices early would aid their later film production work.
Saw movie poster analysis
The poster uses fonts, colors, images and layout in unconventional ways to attract audiences to a psychological thriller film. The title font is rough and distorted, standing out against a plain white background. A bold serif font is used for the slogan to contrast the title. Only one image is used, a graphic depiction of a severed leg that would unsettle audiences but align with the thriller genre. Color is minimally used but precisely placed, with red and black representing blood and mud on the leg. While generally following the eye formula, elements like the small title placement are unconventional, prioritizing the disturbing image and an uncluttered style to intrigue audiences.
Title analyis
The document discusses several fonts considered for the title of a production about social media and the internet. The first font was deemed not bold enough to stand out. A second font was bolder but plain. A third font had an appealing pixelated look but was messy. The preferred font resembles a computer game title with pixelated letters made of squares, which will help viewers connect it to themes of gaming and technology while standing out visually.
Final Poster Image and Fonts
This document discusses final design choices for a film poster, magazine, and trailer. It summarizes that the main focus of the photo is in the center with a protagonist's hand to relate the materials. Dark areas make the title and credits stand out. The film title font uses colors from the photo and glitch text effects to relate to the technological theme. A simple, clear font was chosen for credits and quotes to be easily read against the background and resemble smartphone fonts for audience familiarity.
Media fonts
The document discusses fonts chosen for different elements of a film project. Three fonts are considered for introducing actors, with "Eight days a week" selected as the favorite due to its bold, loud look aligning with the characters and film tone. Two fonts are discussed for the company name, with "White Elephant" chosen for its cleaner look providing some continuity while still differentiating its message. Three additional fonts are reviewed for the film title, with "Urban Jungle" and "Slave only dreams to be a king" favored for conveying grittiness and discomfort respectively, in line with the film's style.
Titles
This document discusses font and graphic design choices for marketing teen drama films. It notes that teen drama film titles typically use bright colors and all capital letters to draw attention. The document then describes the design process for a film trailer, where an initial "Suffragette"-inspired font was deemed too serious and not representative of the teen drama genre. Further research on dafont.com led to selecting the "TEEN" font, which was bold yet still youthful and appropriate for their teen drama film.
How effective is the combination of your ancillary texts and main product?
For a media studies course, the document's author was asked to create promotional materials for a film including a trailer, poster, and magazine cover. They researched real examples to understand conventions. Their poster features the film title and actors, but lacks other details like age rating. Their magazine cover follows conventions like the title and pictures but could be improved with better images and effects. Overall, their package promotes the film adequately but could be strengthened with more engaging visuals and information.
Font analysis
This document analyzes 5 different fonts for their suitability to use in a horror film poster and trailer. Font 2 is recommended as it looks hand-drawn like the symbols in the trailer, creating continuity, and has a rough style fitting the horror genre. Font 3 is also suitable as it is bold and eye-catching but too simple to convey the horror theme. Font 4 could work by linking to the child voiceover but is too thin to stand out on a poster. Fonts 1 and 5 are not recommended due to their comical or non-eye-catching appearances respectively.
Logo planning
This document discusses logo planning for an indie artist named "Dan B.". Several fonts are considered, with one described as having a fun, informal feel suitable for representing the artist while also feeling indie. The name "Dan B." is explained as being short yet mysterious, and sounding like "Bambi" when said quickly, linking to the artist's rural and woodland themes. Initial logo concepts combining the name with deer antlers are presented, with one draft logo placing antlers above a cityscape to represent both rural and urban influences. The draft logo is said to capture the artist's vision while allowing room for further refinement.
Research into specific features - text
This document summarizes and analyzes the styles of various film title texts. It discusses typography trends in horror film titles, including use of fonts, effects like cracks and blurs, and color schemes involving red, black and white. Specific titles are examined for elements like realistic mist or camera effects relating to the film's title. Online generators are also used to test additional title styles. The analysis provides both positive and negative feedback on different designs, focusing on elements like realism, recognizability, and whether the style appropriately relates to the film's title or genre. Key factors in effective designs identified are fonts that are noticeable from a distance yet not too simplistic or stereotypical.
5. pre production
This style sheet document discusses font, image, and color choices for a police crime drama project. It examines 5 sans-serif fonts chosen for their modern, professional look. Images from mood boards exploring dark urban nighttime scenes and lighter daytime cityscapes are considered for backgrounds. Test photos of a model in dramatic poses are reviewed for use in foreground elements. A color palette of red and blue is selected to represent police themes. Finally, 5 poster layout designs are proposed with variations in title treatment, character inclusion, and color schemes. Contingency plans are also noted for potential photo/footage issues.
Valentines Day Website Analysis
The website for the film Valentines Day uses bright colors and heart shapes to set a loving, romantic tone. It breaks conventions by placing the cast at the top of the page rather than the bottom. The trailer is prominently displayed in a large size. Information is organized in a pyramid-like structure leading the viewer's eyes down the page. Small text may be difficult to read but vibrant colors help the text stand out. Social media connections help build the film's fanbase and provide feedback for directors.
Valentines Day Website Analysis
The website for the film Valentines Day uses bright colors and heart shapes to set a loving, romantic tone. It breaks conventions by placing the cast at the top of the page rather than the bottom. Elements are organized in a pyramid-like structure leading the viewer's eye down the page. While the small font may be difficult for some to read, vibrant colors help the text stand out clearly. The inclusion of social media connections helps build the film's fanbase and allows viewers to provide feedback.
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How effective is the combination of your ancillary texts and main product?
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Fonts For Film Pover
- 1. Fonts For Film Poster Sheila Samaniego
- 2. We used the website Dafont, because they had various different fonts to choose from. This website really helped us and gave us great ideas.
- 3. This was a big contender because the scruffy effect fit with our narrative. These outlines of the city really fits our last scene and also shows that the main character lives in a urban area However, it could get lost with the rest of the colours in our film poster because it is sheer
- 4. This one is slightly hard to read because of it’s design. The N looks like a W. It has an urban feel to it which could make a lot of our target audience feel like they can relate to it. However, it doesn’t really fit our narrative of anything with our story. It also does not support the genre thriller and would rather fit a genre such as realism.
- 5. It is clear and readable. This makes it good for a film poster, because it is visible. However, the design is simply too plain for our film poster and we feel that we can do with something better.
- 6. This looks like its part of a hacking system, which relates to our narrative. Its is quite interesting and eye catching, and would attract our target audience. However, it is slightly hard on the eyes because of the amount of lines there are.
- 7. This is too simple and boring for our film poster. However, the simplicity of this font does make it some what effective
- 8. The font reminds me of computers and hacking. This means that is relates to our narrative really well. The added lines add design to the font and makes it seem unique and interesting. The font is not sheer, therefore it will stand out in our film poster. Fits well with technology, therefore this will relate to our target audience.
- 9. Therefore we have chosen this font!